- Table View
- List View
Still in Love with You: A Daughter’s True Story (20th Anniversary Edition)
by Lycrecia Williams Hoover Dale M. VinicurThe only personal and true biography of Hank and Audrey Williams. Drawn from the memories of their closest family members and friends. Written by daughter Lycrecia Williams Hoover with co-author Dale Vinicur.
Still on the Road: The Songs of Bob Dylan Vol. 2 1974-2008
by Clinton HeylinThis is the second volume in Clinton Heylin's magisterial survey of the songs of Bob Dylan. The first volume - Revolution in the Air which is now available in paperback - charted the rise of Bob Dylan from his first jottings to the full expression of genius in songs such as 'Hard Rain Gonna Fall' and 'The Times They Are a Changin''. Still on the Road begins in 1974 with "Blood on the Tracks", the album filled with masterworks such as 'Tangled Up in Blue' and 'Simple Twist of Fate' that heralded a watershed in Dylan's creative journey, and continues to chart his never-ending fascination with music and the art of song up to 2006's "Modern Times". Praise for Revolution in the Air:'Beg, steal, borrow ... a compelling history of Dylan's mercurial song writing.' Mojo, 5-star review'Better than any biography could ever be, and a crucial Dylan book' Jonathan Letham'Valuable resource' Observer'A gripping new book by Dylan scholar Clinton Heylin so is so far in the deep end that its borderline insane . . [yet] has been devoured with a ravenous, insatiable appetite, and I have even made notes in the margin.' Mark Ellen, Word.'Terrifically interesting for Dylan nuts' Sunday Herald'Manna for completists' Metro 'True to form, Heylin digs deep-way deep-into the songs, mixing cold hard facts with illuminating anecdotes.' - Mark Smith, managing editor, Acoustic Guitar
Still on the Road: The Songs of Bob Dylan, 1974-2006
by Clinton HeylinThe second of two volumes, this companion to every song that Bob Dylan has yet written is the most comprehensive examination of Dylan's oeuvre. Arranged in a chronology of when they were written rather than when they appeared on albums, the songs are accompanied by surprising facts and information. Using newly discovered manuscripts, anecdotal evidence, and a seemingly limitless knowledge of every Bob Dylan live performance, the research uncovers answers to such questions as What were Dylan's contributions to the Traveling Wilburys? Who were the women that inspired the songs on Blood on the Tracks and Desire? What material was appropriated for Love and Theft and Modern Times? Why was "Blind Willie McTell" left off of Infidels? and What broke his long dry spell in the 1990s? This is an essential purchase for every true Bob Dylan fan, and is sure to inspire another listen to all of his songs.
Sting and The Police: Walking in Their Footsteps (Tempo: A Rowman & Littlefield Music Series on Rock, Pop, and Culture)
by Aaron J West&“An excellent look at how the Police accomplished success . . . West is especially good at examining how the band used the nascent MTV to define themselves.&” ―Publishers Weekly During the 1980s, The Police were one of the biggest bands in the world. Yet after only five albums—and at the peak of their popularity—they disbanded, and Sting began a solo career that made him a global pop star. Today, artists from Puff Daddy to Gwen Stefani credit The Police and Sting as major influences on their own work. In this book, Aaron J. West explores the cultural and musical impact of Stewart Copeland, Andy Summers, and Sting. West details the distinctive hybrid character of The Police&’s musical output, which would also characterize Sting&’s post-Police career. Sting&’s long-lived solo career embodies the power of the artful appropriation of musical styles, while capitalizing on the modern realities of pop music consumption. The Police—and Sting in particular—were pioneers in music video, modern label marketing, global activism, and the internationalization of pop music. Sting and The Police: Walking in Their Footsteps is a feast for fans—and by placing the band within its various musical, cultural, commercial, and historic contexts, it&’s also fascinating reading for anyone interested in global popular music culture.
Stolen Song: How the Troubadours Became French
by Eliza ZingesserStolen Song documents the act of cultural appropriation that created a founding moment for French literary history: the rescripting and domestication of troubadour song, a prestige corpus in the European sphere, as French. This book also documents the simultaneous creation of an alternative point of origin for French literary history—a body of faux-archaic Occitanizing songs.Most scholars would find the claim that troubadour poetry is the origin of French literature uncomplicated and uncontroversial. However, Stolen Song shows that the "Frenchness" of this tradition was invented, constructed, and confected by francophone medieval poets and compilers keen to devise their own literary history.Stolen Song makes a major contribution to medieval studies both by exposing this act of cultural appropriation as the origin of the French canon and by elaborating a new approach to questions of political and cultural identity. Eliza Zingesser shows that these questions, usually addressed on the level of narrative and theme, can also be fruitfully approached through formal, linguistic, and manuscript-oriented tools.
Stolen Time: Black Fad Performance and the Calypso Craze
by Shane VogelIn 1956 Harry Belafonte’s Calypso became the first LP to sell more than a million copies. For a few fleeting months, calypso music was the top-selling genre in the US—it even threatened to supplant rock and roll. Stolen Time provides a vivid cultural history of this moment and outlines a new framework—black fad performance—for understanding race, performance, and mass culture in the twentieth century United States. Vogel situates the calypso craze within a cycle of cultural appropriation, including the ragtime craze of 1890s and the Negro vogue of the 1920s, that encapsulates the culture of the Jim Crow era. He follows the fad as it moves defiantly away from any attempt at authenticity and shamelessly embraces calypso kitsch. Although white calypso performers were indeed complicit in a kind of imperialist theft of Trinidadian music and dance, Vogel argues, black calypso craze performers enacted a different, and subtly subversive, kind of theft. They appropriated not Caribbean culture itself, but the US version of it—and in so doing, they mocked American notions of racial authenticity. From musical recordings, nightclub acts, and television broadcasts to Broadway musicals, film, and modern dance, he shows how performers seized the ephemeral opportunities of the fad to comment on black cultural history and even question the meaning of race itself.
Stomp and Swerve: American Music Gets Hot, 1843–1924
by David WondrichThe early decades of American popular music--Stephen Foster, Scott Joplin, John Philip Sousa, Enrico Caruso--are, for most listeners, the dark ages. It wasn't until the mid-1920s that the full spectrum of this music--black and white, urban and rural, sophisticated and crude--made it onto records for all to hear. This book brings a forgotten music, hot music, to life by describing how it became the dominant American music--how it outlasted sentimental waltzes and parlor ballads, symphonic marches and Tin Pan Alley novelty numbers--and how it became rock 'n' roll. It reveals that the young men and women of that bygone era had the same musical instincts as their descendants Louis Armstrong, Elvis Presley, James Brown, Jimi Hendrix, and even Ozzy Osbourne. In minstrelsy, ragtime, brass bands, early jazz and blues, fiddle music, and many other forms, there was as much stomping and swerving as can be found in the most exciting performances of hot jazz, funk, and rock. Along the way, it explains how the strange combination of African with Scotch and Irish influences made music in the United States vastly different from other African and Caribbean forms; shares terrific stories about minstrel shows, "coon" songs, whorehouses, knife fights, and other low-life phenomena; and showcases a motley collection of performers heretofore unknown to all but the most avid musicologists and collectors.
Stompbox: 100 Pedals of the World's Greatest Guitarists
by Eilon PazA deluxe photographic celebration of the unsung hero of guitar music—the effects pedal—featuring interviews with 100 musicians including Peter Frampton, Joe Perry, Jack White, and Courtney Barnett.Ever since the Sixties, fuzz boxes, wah-wahs, phase shifters, and a vast range of guitar effects pedals have shaped the sound of music as we know it.Stompbox: 100 Pedals of the World&’s Greatest Guitarists is a photographic showcase of the actual effects pedals owned and used by Jimi Hendrix, Stevie Ray Vaughan, Frank Zappa, Alex Lifeson, Andy Summers, Eric Johnson, Adrian Belew, Joe Satriani, Steve Vai, Ed O&’Brien, J Mascis, Lita Ford, Joe Perry, Thurston Moore, Lee Ranaldo, Vernon Reid, Kaki King, Nels Cline and 82 other iconic and celebrated guitarists.These exquisitely textured fine-art photographs are matched with fresh, insightful commentary and colorfulroad stories from the artists themselves, who describe how these fascinating and often devilish devices shaped their sounds and songs.
Stomping the Blues
by Albert MurrayIn this classic work of American music writing, renowned critic Albert Murray argues beautifully and authoritatively that &“the blues as such are synonymous with low spirits. Not only is its express purpose to make people feel good, which is to say in high spirits, but in the process of doing so it is actually expected to generate a disposition that is both elegantly playful and heroic in its nonchalance.&” In Stomping the Blues Murray explores its history, influences, development, and meaning as only he can. More than two hundred vintage photographs capture the ambiance Murray evokes in lyrical prose. Only the sounds are missing from this lyrical, sensual tribute to the blues.
Stone Me
by Mark BlakeHe is the Human Riff, guitarist with The Greatest Rock 'n' Roll Band in the World - and a man of Wildean sagacity and trenchancy_ 'I wouldn't warm to Chuck Berry if he was cremated next to me. ' 'I've never had problems with drugs. Only with policemen. ' On Elton John singing 'Candle in the Wind': 'Writes songs for dead blondes. ' 'Rolling Stones, I have a question: will this be your last tour?' Keith Richards: 'Yes, and the next five. ' On Ronnie Wood: 'I've known him stoned out of his brain, and I've known him straight sober. Quite honestly, there's very little difference. ' 'The strangest thing I've tried to snort? My father, I snorted my father. He was cremated and I couldn't resist grinding him up with a little bit of blow. My dad wouldn't have cared. It went down pretty well and I'm still alive. ' On having shot Ronnie Wood's budgerigar in its cage: 'Sorry, Ronnie - I didn't think it was real. '
Stoned Beyond Belief
by Rachel Wharton Action BronsonThe ultimate love letter to the world’s most magical plant—weed—from the rapper, chef, TV star, and bestselling author of F*ck, That’s Delicious.This is an exploration of every corner of the pot galaxy, from highly scientific botanical analyses and the study of pot’s medicinal benefits to a guide to the wild world of weed paraphernalia. It’s also a very personal tribute to a substance Bronson refers to as life changing, horizon-expanding, a conduit for happiness, a connector. Weed is to Action Bronson what the madeleine was to Proust: the door to true consciousness. Organized loosely as 100 entries, including thirty-five recipes, and packed with illustrations and photos, Stoned Beyond Belief is a trippy and munchie-filled experience as well as an entertainingly valuable resource for weed enthusiasts and scholars. Stoned Beyond Belief will delight Action Bronson fans and pot aficionados all across the universe.
Stoned: Photographs and treasures from life with the Rolling Stones
by Jo Wood"These images are great and have been tucked away for years"RONNIE WOOD "The REAL Rolling Stones... Consider this your AAA pass to touring with Mick 'n' Keith 'n' co."THE SUNDAY TELEGRAPH Take a look inside rock 'n' roll history with over 500 never-before-seen photographs, notes, artworks, diary entries and mementoes from life behind the scenes of the Rolling Stones.Married to legendary Stones guitarist Ronnie Wood for 30 years, Jo Wood lived the rock star life. Her incredible collection of treasures from that time is a once-in-a-lifetime look inside the biggest band in the world.Accompanied by personal memories and behind the scenes anecdotes from Jo, Stoned is a love letter to the rock 'n' roll life and a truly unique window into the eye of the Rolling Stones hurricane.
Stoned: Photographs and treasures from life with the Rolling Stones
by Jo Wood"These images are great and have been tucked away for years"RONNIE WOOD "The REAL Rolling Stones... Consider this your AAA pass to touring with Mick 'n' Keith 'n' co."THE SUNDAY TELEGRAPH Take a look inside rock 'n' roll history with over 500 never-before-seen photographs, notes, artworks, diary entries and mementoes from life behind the scenes of the Rolling Stones.Married to legendary Stones guitarist Ronnie Wood for 30 years, Jo Wood lived the rock star life. Her incredible collection of treasures from that time is a once-in-a-lifetime look inside the biggest band in the world.Accompanied by personal memories and behind the scenes anecdotes from Jo, Stoned is a love letter to the rock 'n' roll life and a truly unique window into the eye of the Rolling Stones hurricane.
Stones Touring Party: A Journey Through America with the Rolling Stones
by Robert GreenfieldA journalist who rode along with the Rolling Stones on their 1972 US tour chronicles what he witnessed on and off the stage.The Rolling Stones’ 1972 tour of the United States was perhaps their best—and certainly most notorious—ever. Their previous visit in 1969 had ended in the nightmare of Altamont; now, three years later, they had just recorded their two finest albums, Sticky Fingers and Exile on Main Street, and were musically in their prime—if also personally at their most dissolute and debauched.Robert Greenfield, one of America’s finest writers, went along for the ride and came back with a riveting account of high living, excess and rock & roll fury, from the Playboy Mansion to the jail cells of Rhode Island. This was an extended tour Party, capital P, to which all America’s hip, rich and glitzy were invited, from Truman Capote to Stevie Wonder, Annie Liebowitz to Hugh Hefner. The result has been acclaimed as one of the all-time classic music books.Previously published as STP: A Journey Through America with the Rolling Stones, this reissue uses the original title and features a new introduction by the author.Praise for Stone’s Touring Party“A compelling account of the Stones trashing America during 1972. . . . Greenfield was allowed the kind of access journalists can only dream of today.” —The Times (UK)“One of the greatest rock books ever written.” —GQ“Exceptionally well-written and highly readable.” —Jerry Hopkins, Los Angeles Times“Unsparing in its picture of the calculation and lyrical decadence behind the tour.” —John Rockwell, New York Times“Skip this review and rush right down to your local bookstore and get a copy . . . reads like the best fiction.” —Ed War, Creem
Stories Behind the Best-Loved Songs of Christmas
by Ace CollinsBehind the Christmas songs we love to sing lie fascinating stories that will enrich your holiday celebration. Taking you inside the nativity of over thirty favorite songs and carols, Ace Collins introduces you to people you've never met, stories you've never heard, and meanings you'd never have imagined. The next time you and your family sing "God Rest Ye Merry Gentlemen," you'll have a new understanding of its message and popular roots. You'll discover how "Angels from the Realms of Glory," with its sublime lyrics and profound theology, helped usher in a quiet revolution in worship. You'll learn the strange history of the haunting and powerful -O Holy Night," including the song's surprising place in the history of modern communications. And you'll step inside the life of Mark Lowry and find out how he came to pen the words to the contemporary classic "Mary, Did You Know?" Still other songs such as "O Come, O Come, Emmanuel" trace back to Mysterious origins--to ninth-century monks, nameless clergy, and unknown commoners of ages past. Joining hands with such modern favorites as "White Christmas" and "The Christmas Song," they are part of the legacy of inspiration, faith, tears, love, and spiritual joy that is Christmas. From the rollicking appeal of "Jingle Bells" to the tranquil beauty of "Silent Night," the great songs of Christmas contain messages of peace, hope, and truth. Each in its own way expresses a facet of God's heart and celebrates the birth of his greatest gift to the world--Jesus, the most wonderful Christmas Song of all. The complete lyrics of the spiritual songs are included.
Stories Behind the Greatest Hits of Christmas
by Ace CollinsMuch like The Stories Behind The Best-Loved Songs Of Christmas, The Stories Behind The Great Traditions of Christmas and More Stories Behind The Best Loved Songs of Christmas this new Collins Christmas book will fill a void in the book world. With a look at these secular classics, people who love the music of the season will finally have a source that gives the stories behind the creation of these wonderful songs, the way they found their way into the hands of those who made them famous and the reason they climb the charts.The Stories Behind the Greatest Hits of Christmas is really a guide or a map that connects Christmas past with Christmas present. It will be a time machine that connect the past to the present and makes the experience of hearing Christmas classics even more special. Completed with thoughts of those who penned these classics, along with the artists, such as Brenda Lee, who made them famous, this will be a book that is sure to generate fan interest.
Stories Behind the World's Great Music
by Sigmund SpaethIn Stories Behind the World's Great Music, second edition published in 1940, renowned musical author Sigmund Spaeth recounts the many and varied exploits of the great compsers and musicians from Bach to Tchaikowsky, Schubert to Brahms.
Stories Done: Writings on the 1960s and Its Discontents
by Mikal GilmoreThe 1960s and 1970s represent a rare moment in our cultural history -- music was exploring unprecedented territories, literature was undergoing a radical reinvention, politics polarized the nation, and youth culture was at the zenith of its influence. There has never been, nor is there likely to be, another generation that matches the contributions of the artists of that time period.
Stories I Might Regret Telling You: A Memoir
by Martha WainwrightThe singer-songwriter&’s heartfelt memoir about growing up in a bohemian musical family and her experiences with love, loss, motherhood, divorce, the music industry, and more.Born into music royalty, the daughter of folk legends Kate McGarrigle and Loudon Wainwright III and sister to the highly acclaimed, genre-defying singer Rufus Wainwright, Martha grew up in a world filled with incomparable musical legends—Anna McGarrigle, Leonard Cohen, Suzzy Roche, Richard and Linda Thompson, Emmylou Harris—and struggled to find her voice in a milieu in which every drama was refracted through song. Then, in 2005, she released her critically acclaimed debut album, Martha Wainwright, containing the blistering hit, &“Bloody Mother F*cking Asshole,&” which the Sunday Times called one of the best songs of that year. That release, and the albums that followed, such as Come Home to Mama and I Know You&’re Married But I&’ve Got Feelings Too, showcased Martha&’s searing songwriting style and established her as a powerful voice to be reckoned with. Martha digs into her life with the same emotional honesty that has come to define her music. She describes her tumultuous public-facing journey from awkward, earnest, and ultimately rebellious daughter, through her intense competition and ultimate alliance with her brother, Rufus, to finding her voice as an artist and the indescribable loss of their mother, Kate. With candor and grace, Martha writes of becoming a mother herself, finally understanding and facing the challenge of being a female artist with children. Stories I Might Regret Telling You is a thoughtful, moving account of the extraordinary life of one of the most talented singer-songwriters in music today.
Stories I Might Regret Telling You: A Memoir
by Martha WainwrightA singer-songwriter's heartfelt memoir about growing up in a bohemian musical family and her experiences with love, loss, motherhood, divorce, the music industry, and more. Born into music royalty, the daughter of folk legends Kate McGarrigle and Loudon Wainwright III and sister to the highly-acclaimed and genre-defying singer Rufus Wainwright, Martha grew up in a world filled with such incomparable folk legends as Leonard Cohen; Suzy Roche, Anna McGarrigle, Richard and Linda Thompson, Pete Townsend, Donald Fagan and Emmylou Harris. It was within this loud, boisterous, carny, musical milieu that Martha came of age, struggling to find her voice until she exploded on the scene with her 2005 debut critically acclaimed album, Martha Wainwright, containing the blistering hit, "Bloody Mother F*cking Asshole," which the Sunday Times called one of the best songs of that year. Her successful debut album and the ones that followed such as Come Home to Mama, I Know You're Married but I've Got Feelings Too, and Goodnight City came to define Martha's searing songwriting style and established her as a powerful voice to be reckoned with.In Martha's memoir, Stories I Might Regret Telling You, Martha digs into the deep recesses of herself with the same emotional honesty that has come to define her music. She describes her tumultuous public-facing journey from awkward, earnest, and ultimately rebellious daughter, through her intense competition and ultimate alliance with her brother, Rufus, to the indescribable loss of their mother, Kate, and then, finally, discovering her voice as an artist. With candor and grace, Martha writes of becoming a mother herself and making peace with her past struggles with Kate and her former self, finally understanding and facing the challenge of being a female artist and a mother. Ultimately, Stories I Might Regret Telling You will offer readers a thoughtful and deeply personal look into the extraordinary life of one of the most talented singer-songwriters in music today.
Stories We Could Tell: Putting Words To American Popular Music (Ashgate Popular and Folk Music Series)
by David SanjekHow has the history of rock ‘n’ roll been told? Has it become formulaic? Or remained, like the music itself, open to outside influences? Who have been the genre’s primary historians? What common frameworks or sets of assumptions have music history narratives shared? And, most importantly, what is the cost of failing to question such assumptions? "Stories We Could Tell:Putting Words to American Popular Music" identifies eight typical strategies used when critics and historians write about American popular music, and subjects each to forensic analysis. This posthumous book is a unique work of cultural historiography that analyses, catalogues, and contextualizes music writing in order to afford the reader new perspectives on the field of cultural production, and offer new ways of thinking about, and writing about, popular music.
Stories of Tonality in the Age of François-Joseph Fétis
by Thomas ChristensenStories of Tonality in the Age of François-Joseph Fétis explores the concept of musical tonality through the writings of the Belgian musicologist François-Joseph Fétis (1784–1867), who was singularly responsible for theorizing and popularizing the term in the nineteenth century. Thomas Christensen weaves a rich story in which tonality emerges as a theoretical construct born of anxiety and alterity for Europeans during this time as they learned more about “other” musics and alternative tonal systems. Tonality became a central vortex in which French musicians thought—and argued—about a variety of musical repertoires, be they contemporary European musics of the stage, concert hall, or church, folk songs from the provinces, microtonal scale systems of Arabic and Indian music, or the medieval and Renaissance music whose notational traces were just beginning to be deciphered by scholars. Fétis’s influential writings offer insight into how tonality ingrained itself within nineteenth-century music discourse, and why it has continued to resonate with uncanny prescience throughout the musical upheavals of the twentieth and twenty-first centuries.
Stories to Tell: A Memoir
by Richard Marx*National Bestseller* Legendary musician Richard Marx offers an enlightening, entertaining look at his life and career.Richard Marx is one of the most accomplished singer-songwriters in the history of popular music. His self-titled 1987 album went triple platinum and made him the first male solo artist (and second solo artist overall after Whitney Houston) to have four singles from their debut crack the top three on the Billboard Hot 100. His follow-up, 1989&’s Repeat Offender, was an even bigger smash, going quadruple platinum and landing two singles at number one. He has written fourteen number one songs in total, shared a Song of the Year Grammy with Luther Vandross, and collaborated with a variety of artists including NSYNC, Josh Groban, Natalie Cole, and Keith Urban. Lately, he&’s also become a Twitter celebrity thanks to his outspokenness on social issues and his ability to out-troll his trolls. In Stories to Tell, Marx uses this same engaging, straight-talking style to look back on his life and career. He writes of how Kenny Rogers changed a single line of a song he&’d written for him then asked for a 50% cut—which inspired Marx to write one of his biggest hits. He tells the uncanny story of how he wound up curled up on the couch of Olivia Newton-John, his childhood crush, watching Xanadu. He shares the tribulations of working with the all-female hair metal band Vixen and appearing in their video. Yet amid these entertaining celebrity encounters, Marx offers a more sobering assessment of the music business as he&’s experienced it over four decades—the challenges of navigating greedy executives and grueling tour schedules, and the rewards of connecting with thousands of fans at sold-out shows that make all the drama worthwhile. He also provides an illuminating look at his songwriting process and talks honestly about how his personal life has inspired his work, including finding love with wife Daisy Fuentes and the mystery illness that recently struck him—and that doctors haven&’t been able to solve. Stories to Tell is a remarkably candid, wildly entertaining memoir about the art and business of music.
Storms: My Life with Lindsey Buckingham and Fleetwood Mac
by Carol Ann HarrisA consummate insider as the girlfriend of Lindsey Buckingham, Fleetwood Mac singer and guitarist, Carol Ann Harris leads fans into the very heart of the band's storms between 1976 and 1984. From interactions between the band and other stars--Mick Jagger, Eric Clapton, and Dennis Wilson--to the chaotic animosity between band members, this memoir combines the sensational account of some of the world's most famous musicians with a thrilling love story. The parties, fights, drug use, shenanigans, and sex lives of Fleetwood Mac are presented in intimate detail and illustrated with never-before-seen photographs. With the exception of one brief interview, Carol Ann Harris has never before spoken about her time with Fleetwood Mac.
Storyteller Guitar
by Doug LarsonEvery object around us contains the history of all the people and places that brought it here. But rarely is that history explored. In this book, instead of breaking an object apart to reveal those stories, they are told by building the object a guitar named Storyteller from scratch. The text and illustrations reveal the rich lives of the people, places, and projects that breathed life into it. The stories range from people who were pioneers in landscape restoration to those involved with automobile manufacturing. The places include the high arctic, tropical forests, and vertical cliffs of the Niagara Escarpment. The projects include stage plays, laser physics and the establishment of the first Canadian diamond mines. By bringing together these disparate stories in one musical instrument the book makes the argument that art, science, and history are part of everybody’s life.