- Table View
- List View
Stomp and Swerve: American Music Gets Hot, 1843–1924
by David WondrichThe early decades of American popular music--Stephen Foster, Scott Joplin, John Philip Sousa, Enrico Caruso--are, for most listeners, the dark ages. It wasn't until the mid-1920s that the full spectrum of this music--black and white, urban and rural, sophisticated and crude--made it onto records for all to hear. This book brings a forgotten music, hot music, to life by describing how it became the dominant American music--how it outlasted sentimental waltzes and parlor ballads, symphonic marches and Tin Pan Alley novelty numbers--and how it became rock 'n' roll. It reveals that the young men and women of that bygone era had the same musical instincts as their descendants Louis Armstrong, Elvis Presley, James Brown, Jimi Hendrix, and even Ozzy Osbourne. In minstrelsy, ragtime, brass bands, early jazz and blues, fiddle music, and many other forms, there was as much stomping and swerving as can be found in the most exciting performances of hot jazz, funk, and rock. Along the way, it explains how the strange combination of African with Scotch and Irish influences made music in the United States vastly different from other African and Caribbean forms; shares terrific stories about minstrel shows, "coon" songs, whorehouses, knife fights, and other low-life phenomena; and showcases a motley collection of performers heretofore unknown to all but the most avid musicologists and collectors.
Stompbox: 100 Pedals of the World's Greatest Guitarists
by Eilon PazA deluxe photographic celebration of the unsung hero of guitar music—the effects pedal—featuring interviews with 100 musicians including Peter Frampton, Joe Perry, Jack White, and Courtney Barnett.Ever since the Sixties, fuzz boxes, wah-wahs, phase shifters, and a vast range of guitar effects pedals have shaped the sound of music as we know it.Stompbox: 100 Pedals of the World&’s Greatest Guitarists is a photographic showcase of the actual effects pedals owned and used by Jimi Hendrix, Stevie Ray Vaughan, Frank Zappa, Alex Lifeson, Andy Summers, Eric Johnson, Adrian Belew, Joe Satriani, Steve Vai, Ed O&’Brien, J Mascis, Lita Ford, Joe Perry, Thurston Moore, Lee Ranaldo, Vernon Reid, Kaki King, Nels Cline and 82 other iconic and celebrated guitarists.These exquisitely textured fine-art photographs are matched with fresh, insightful commentary and colorfulroad stories from the artists themselves, who describe how these fascinating and often devilish devices shaped their sounds and songs.
Stomping the Blues
by Albert MurrayIn this classic work of American music writing, renowned critic Albert Murray argues beautifully and authoritatively that &“the blues as such are synonymous with low spirits. Not only is its express purpose to make people feel good, which is to say in high spirits, but in the process of doing so it is actually expected to generate a disposition that is both elegantly playful and heroic in its nonchalance.&” In Stomping the Blues Murray explores its history, influences, development, and meaning as only he can. More than two hundred vintage photographs capture the ambiance Murray evokes in lyrical prose. Only the sounds are missing from this lyrical, sensual tribute to the blues.
Stone Me
by Mark BlakeHe is the Human Riff, guitarist with The Greatest Rock 'n' Roll Band in the World - and a man of Wildean sagacity and trenchancy_ 'I wouldn't warm to Chuck Berry if he was cremated next to me. ' 'I've never had problems with drugs. Only with policemen. ' On Elton John singing 'Candle in the Wind': 'Writes songs for dead blondes. ' 'Rolling Stones, I have a question: will this be your last tour?' Keith Richards: 'Yes, and the next five. ' On Ronnie Wood: 'I've known him stoned out of his brain, and I've known him straight sober. Quite honestly, there's very little difference. ' 'The strangest thing I've tried to snort? My father, I snorted my father. He was cremated and I couldn't resist grinding him up with a little bit of blow. My dad wouldn't have cared. It went down pretty well and I'm still alive. ' On having shot Ronnie Wood's budgerigar in its cage: 'Sorry, Ronnie - I didn't think it was real. '
Stoned Beyond Belief
by Rachel Wharton Action BronsonThe ultimate love letter to the world’s most magical plant—weed—from the rapper, chef, TV star, and bestselling author of F*ck, That’s Delicious.This is an exploration of every corner of the pot galaxy, from highly scientific botanical analyses and the study of pot’s medicinal benefits to a guide to the wild world of weed paraphernalia. It’s also a very personal tribute to a substance Bronson refers to as life changing, horizon-expanding, a conduit for happiness, a connector. Weed is to Action Bronson what the madeleine was to Proust: the door to true consciousness. Organized loosely as 100 entries, including thirty-five recipes, and packed with illustrations and photos, Stoned Beyond Belief is a trippy and munchie-filled experience as well as an entertainingly valuable resource for weed enthusiasts and scholars. Stoned Beyond Belief will delight Action Bronson fans and pot aficionados all across the universe.
Stoned: Photographs and treasures from life with the Rolling Stones
by Jo Wood"These images are great and have been tucked away for years"RONNIE WOOD "The REAL Rolling Stones... Consider this your AAA pass to touring with Mick 'n' Keith 'n' co."THE SUNDAY TELEGRAPH Take a look inside rock 'n' roll history with over 500 never-before-seen photographs, notes, artworks, diary entries and mementoes from life behind the scenes of the Rolling Stones.Married to legendary Stones guitarist Ronnie Wood for 30 years, Jo Wood lived the rock star life. Her incredible collection of treasures from that time is a once-in-a-lifetime look inside the biggest band in the world.Accompanied by personal memories and behind the scenes anecdotes from Jo, Stoned is a love letter to the rock 'n' roll life and a truly unique window into the eye of the Rolling Stones hurricane.
Stoned: Photographs and treasures from life with the Rolling Stones
by Jo Wood"These images are great and have been tucked away for years"RONNIE WOOD "The REAL Rolling Stones... Consider this your AAA pass to touring with Mick 'n' Keith 'n' co."THE SUNDAY TELEGRAPH Take a look inside rock 'n' roll history with over 500 never-before-seen photographs, notes, artworks, diary entries and mementoes from life behind the scenes of the Rolling Stones.Married to legendary Stones guitarist Ronnie Wood for 30 years, Jo Wood lived the rock star life. Her incredible collection of treasures from that time is a once-in-a-lifetime look inside the biggest band in the world.Accompanied by personal memories and behind the scenes anecdotes from Jo, Stoned is a love letter to the rock 'n' roll life and a truly unique window into the eye of the Rolling Stones hurricane.
Stones Touring Party: A Journey Through America with the Rolling Stones
by Robert GreenfieldA journalist who rode along with the Rolling Stones on their 1972 US tour chronicles what he witnessed on and off the stage.The Rolling Stones’ 1972 tour of the United States was perhaps their best—and certainly most notorious—ever. Their previous visit in 1969 had ended in the nightmare of Altamont; now, three years later, they had just recorded their two finest albums, Sticky Fingers and Exile on Main Street, and were musically in their prime—if also personally at their most dissolute and debauched.Robert Greenfield, one of America’s finest writers, went along for the ride and came back with a riveting account of high living, excess and rock & roll fury, from the Playboy Mansion to the jail cells of Rhode Island. This was an extended tour Party, capital P, to which all America’s hip, rich and glitzy were invited, from Truman Capote to Stevie Wonder, Annie Liebowitz to Hugh Hefner. The result has been acclaimed as one of the all-time classic music books.Previously published as STP: A Journey Through America with the Rolling Stones, this reissue uses the original title and features a new introduction by the author.Praise for Stone’s Touring Party“A compelling account of the Stones trashing America during 1972. . . . Greenfield was allowed the kind of access journalists can only dream of today.” —The Times (UK)“One of the greatest rock books ever written.” —GQ“Exceptionally well-written and highly readable.” —Jerry Hopkins, Los Angeles Times“Unsparing in its picture of the calculation and lyrical decadence behind the tour.” —John Rockwell, New York Times“Skip this review and rush right down to your local bookstore and get a copy . . . reads like the best fiction.” —Ed War, Creem
Stories Behind the Best-Loved Songs of Christmas
by Ace CollinsBehind the Christmas songs we love to sing lie fascinating stories that will enrich your holiday celebration. Taking you inside the nativity of over thirty favorite songs and carols, Ace Collins introduces you to people you've never met, stories you've never heard, and meanings you'd never have imagined. The next time you and your family sing "God Rest Ye Merry Gentlemen," you'll have a new understanding of its message and popular roots. You'll discover how "Angels from the Realms of Glory," with its sublime lyrics and profound theology, helped usher in a quiet revolution in worship. You'll learn the strange history of the haunting and powerful -O Holy Night," including the song's surprising place in the history of modern communications. And you'll step inside the life of Mark Lowry and find out how he came to pen the words to the contemporary classic "Mary, Did You Know?" Still other songs such as "O Come, O Come, Emmanuel" trace back to Mysterious origins--to ninth-century monks, nameless clergy, and unknown commoners of ages past. Joining hands with such modern favorites as "White Christmas" and "The Christmas Song," they are part of the legacy of inspiration, faith, tears, love, and spiritual joy that is Christmas. From the rollicking appeal of "Jingle Bells" to the tranquil beauty of "Silent Night," the great songs of Christmas contain messages of peace, hope, and truth. Each in its own way expresses a facet of God's heart and celebrates the birth of his greatest gift to the world--Jesus, the most wonderful Christmas Song of all. The complete lyrics of the spiritual songs are included.
Stories Behind the Greatest Hits of Christmas
by Ace CollinsMuch like The Stories Behind The Best-Loved Songs Of Christmas, The Stories Behind The Great Traditions of Christmas and More Stories Behind The Best Loved Songs of Christmas this new Collins Christmas book will fill a void in the book world. With a look at these secular classics, people who love the music of the season will finally have a source that gives the stories behind the creation of these wonderful songs, the way they found their way into the hands of those who made them famous and the reason they climb the charts.The Stories Behind the Greatest Hits of Christmas is really a guide or a map that connects Christmas past with Christmas present. It will be a time machine that connect the past to the present and makes the experience of hearing Christmas classics even more special. Completed with thoughts of those who penned these classics, along with the artists, such as Brenda Lee, who made them famous, this will be a book that is sure to generate fan interest.
Stories Behind the World's Great Music
by Sigmund SpaethIn Stories Behind the World's Great Music, second edition published in 1940, renowned musical author Sigmund Spaeth recounts the many and varied exploits of the great compsers and musicians from Bach to Tchaikowsky, Schubert to Brahms.
Stories Done: Writings on the 1960s and Its Discontents
by Mikal GilmoreThe 1960s and 1970s represent a rare moment in our cultural history -- music was exploring unprecedented territories, literature was undergoing a radical reinvention, politics polarized the nation, and youth culture was at the zenith of its influence. There has never been, nor is there likely to be, another generation that matches the contributions of the artists of that time period.
Stories I Might Regret Telling You: A Memoir
by Martha WainwrightThe singer-songwriter&’s heartfelt memoir about growing up in a bohemian musical family and her experiences with love, loss, motherhood, divorce, the music industry, and more.Born into music royalty, the daughter of folk legends Kate McGarrigle and Loudon Wainwright III and sister to the highly acclaimed, genre-defying singer Rufus Wainwright, Martha grew up in a world filled with incomparable musical legends—Anna McGarrigle, Leonard Cohen, Suzzy Roche, Richard and Linda Thompson, Emmylou Harris—and struggled to find her voice in a milieu in which every drama was refracted through song. Then, in 2005, she released her critically acclaimed debut album, Martha Wainwright, containing the blistering hit, &“Bloody Mother F*cking Asshole,&” which the Sunday Times called one of the best songs of that year. That release, and the albums that followed, such as Come Home to Mama and I Know You&’re Married But I&’ve Got Feelings Too, showcased Martha&’s searing songwriting style and established her as a powerful voice to be reckoned with. Martha digs into her life with the same emotional honesty that has come to define her music. She describes her tumultuous public-facing journey from awkward, earnest, and ultimately rebellious daughter, through her intense competition and ultimate alliance with her brother, Rufus, to finding her voice as an artist and the indescribable loss of their mother, Kate. With candor and grace, Martha writes of becoming a mother herself, finally understanding and facing the challenge of being a female artist with children. Stories I Might Regret Telling You is a thoughtful, moving account of the extraordinary life of one of the most talented singer-songwriters in music today.
Stories I Might Regret Telling You: A Memoir
by Martha WainwrightA singer-songwriter's heartfelt memoir about growing up in a bohemian musical family and her experiences with love, loss, motherhood, divorce, the music industry, and more. Born into music royalty, the daughter of folk legends Kate McGarrigle and Loudon Wainwright III and sister to the highly-acclaimed and genre-defying singer Rufus Wainwright, Martha grew up in a world filled with such incomparable folk legends as Leonard Cohen; Suzy Roche, Anna McGarrigle, Richard and Linda Thompson, Pete Townsend, Donald Fagan and Emmylou Harris. It was within this loud, boisterous, carny, musical milieu that Martha came of age, struggling to find her voice until she exploded on the scene with her 2005 debut critically acclaimed album, Martha Wainwright, containing the blistering hit, "Bloody Mother F*cking Asshole," which the Sunday Times called one of the best songs of that year. Her successful debut album and the ones that followed such as Come Home to Mama, I Know You're Married but I've Got Feelings Too, and Goodnight City came to define Martha's searing songwriting style and established her as a powerful voice to be reckoned with.In Martha's memoir, Stories I Might Regret Telling You, Martha digs into the deep recesses of herself with the same emotional honesty that has come to define her music. She describes her tumultuous public-facing journey from awkward, earnest, and ultimately rebellious daughter, through her intense competition and ultimate alliance with her brother, Rufus, to the indescribable loss of their mother, Kate, and then, finally, discovering her voice as an artist. With candor and grace, Martha writes of becoming a mother herself and making peace with her past struggles with Kate and her former self, finally understanding and facing the challenge of being a female artist and a mother. Ultimately, Stories I Might Regret Telling You will offer readers a thoughtful and deeply personal look into the extraordinary life of one of the most talented singer-songwriters in music today.
Stories We Could Tell: Putting Words To American Popular Music (Ashgate Popular and Folk Music Series)
by David SanjekHow has the history of rock ‘n’ roll been told? Has it become formulaic? Or remained, like the music itself, open to outside influences? Who have been the genre’s primary historians? What common frameworks or sets of assumptions have music history narratives shared? And, most importantly, what is the cost of failing to question such assumptions? "Stories We Could Tell:Putting Words to American Popular Music" identifies eight typical strategies used when critics and historians write about American popular music, and subjects each to forensic analysis. This posthumous book is a unique work of cultural historiography that analyses, catalogues, and contextualizes music writing in order to afford the reader new perspectives on the field of cultural production, and offer new ways of thinking about, and writing about, popular music.
Stories of Tonality in the Age of François-Joseph Fétis
by Thomas ChristensenStories of Tonality in the Age of François-Joseph Fétis explores the concept of musical tonality through the writings of the Belgian musicologist François-Joseph Fétis (1784–1867), who was singularly responsible for theorizing and popularizing the term in the nineteenth century. Thomas Christensen weaves a rich story in which tonality emerges as a theoretical construct born of anxiety and alterity for Europeans during this time as they learned more about “other” musics and alternative tonal systems. Tonality became a central vortex in which French musicians thought—and argued—about a variety of musical repertoires, be they contemporary European musics of the stage, concert hall, or church, folk songs from the provinces, microtonal scale systems of Arabic and Indian music, or the medieval and Renaissance music whose notational traces were just beginning to be deciphered by scholars. Fétis’s influential writings offer insight into how tonality ingrained itself within nineteenth-century music discourse, and why it has continued to resonate with uncanny prescience throughout the musical upheavals of the twentieth and twenty-first centuries.
Stories to Tell: A Memoir
by Richard Marx*National Bestseller* Legendary musician Richard Marx offers an enlightening, entertaining look at his life and career.Richard Marx is one of the most accomplished singer-songwriters in the history of popular music. His self-titled 1987 album went triple platinum and made him the first male solo artist (and second solo artist overall after Whitney Houston) to have four singles from their debut crack the top three on the Billboard Hot 100. His follow-up, 1989&’s Repeat Offender, was an even bigger smash, going quadruple platinum and landing two singles at number one. He has written fourteen number one songs in total, shared a Song of the Year Grammy with Luther Vandross, and collaborated with a variety of artists including NSYNC, Josh Groban, Natalie Cole, and Keith Urban. Lately, he&’s also become a Twitter celebrity thanks to his outspokenness on social issues and his ability to out-troll his trolls. In Stories to Tell, Marx uses this same engaging, straight-talking style to look back on his life and career. He writes of how Kenny Rogers changed a single line of a song he&’d written for him then asked for a 50% cut—which inspired Marx to write one of his biggest hits. He tells the uncanny story of how he wound up curled up on the couch of Olivia Newton-John, his childhood crush, watching Xanadu. He shares the tribulations of working with the all-female hair metal band Vixen and appearing in their video. Yet amid these entertaining celebrity encounters, Marx offers a more sobering assessment of the music business as he&’s experienced it over four decades—the challenges of navigating greedy executives and grueling tour schedules, and the rewards of connecting with thousands of fans at sold-out shows that make all the drama worthwhile. He also provides an illuminating look at his songwriting process and talks honestly about how his personal life has inspired his work, including finding love with wife Daisy Fuentes and the mystery illness that recently struck him—and that doctors haven&’t been able to solve. Stories to Tell is a remarkably candid, wildly entertaining memoir about the art and business of music.
Storms: My Life with Lindsey Buckingham and Fleetwood Mac
by Carol Ann HarrisA consummate insider as the girlfriend of Lindsey Buckingham, Fleetwood Mac singer and guitarist, Carol Ann Harris leads fans into the very heart of the band's storms between 1976 and 1984. From interactions between the band and other stars--Mick Jagger, Eric Clapton, and Dennis Wilson--to the chaotic animosity between band members, this memoir combines the sensational account of some of the world's most famous musicians with a thrilling love story. The parties, fights, drug use, shenanigans, and sex lives of Fleetwood Mac are presented in intimate detail and illustrated with never-before-seen photographs. With the exception of one brief interview, Carol Ann Harris has never before spoken about her time with Fleetwood Mac.
Storyteller Guitar
by Doug LarsonEvery object around us contains the history of all the people and places that brought it here. But rarely is that history explored. In this book, instead of breaking an object apart to reveal those stories, they are told by building the object a guitar named Storyteller from scratch. The text and illustrations reveal the rich lives of the people, places, and projects that breathed life into it. The stories range from people who were pioneers in landscape restoration to those involved with automobile manufacturing. The places include the high arctic, tropical forests, and vertical cliffs of the Niagara Escarpment. The projects include stage plays, laser physics and the establishment of the first Canadian diamond mines. By bringing together these disparate stories in one musical instrument the book makes the argument that art, science, and history are part of everybody’s life.
Storytelling in Jazz and Musicality in Theatre: Through the Mirror
by Sven BjerstedtArt forms tend to mirror themselves in each other. In order to understand literature and fine arts better, we often turn to music, speaking of the ‘tone’ in a book and of the ‘rhythm’ in a painting. In attempts to understand music better, we turn instead to the narrative arts, speaking of the ‘story’ of a musical piece. This book focuses on two examples of such conceptual mirror reflexivity: narrativity in jazz music and musicality in spoken theatre. These intermedial metaphors are shown to be significant to the practice and reflection of performing artists through their ability to mediate holistic views of what is considered to be of crucial importance in artistic practice, analysis, and education. This exploration opens up possibilities for new theoretical and practical insights with regard to how the borderland between temporal art forms can be conceptualized. The book will be of interest not only to scholars of music and theatre, but also to those who work in the fields of aesthetics, intermedial studies, cognitive linguistics, arts theory, communication theory, and cultural studies.
Storytelling in Opera and Musical Theater (Musical Meaning and Interpretation)
by Nina PennerStorytelling in Opera and Musical Theater is the first systematic exploration of how sung forms of drama tell stories. Through examples from opera's origins to contemporary musicals, Nina Penner examines the roles of character-narrators and how they differ from those in literary and cinematic works, how music can orient spectators to characters' points of view, how being privy to characters' inner thoughts and feelings may evoke feelings of sympathy or empathy, and how performers' choices affect not only who is telling the story but what story is being told. Unique about Penner's approach is her engagement with current work in analytic philosophy. Her study reveals not only the resources this philosophical tradition can bring to musicology but those which musicology can bring to philosophy, challenging and refining accounts of narrative, point of view, and the work-performance relationship within both disciplines. She also considers practical problems singers and directors confront on a daily basis, such as what to do about Wagner's Jewish caricatures and the racism of Orientalist operas. More generally, Penner reflects on how centuries-old works remain meaningful to contemporary audiences and have the power to attract new, more diverse audiences to opera and musical theater. By exploring how practitioners past and present have addressed these issues, Storytelling in Opera and Musical Theater offers suggestions for how opera and musical theater can continue to entertain and enrich the lives of 21st-century audiences.
Storytelling in Siberia: The Olonkho Epic in a Changing World
by Robin P HarrisOlonkho , the epic narrative and song tradition of Siberia 's Sakha people, declined to the brink of extinction during the Soviet era. In 2005, UNESCO 's Masterpiece Proclamation sparked a resurgence of interest in olonkho by recognizing its important role in humanity 's oral and intangible heritage. Drawing on her ten years living in the Russian North, Robin P. Harris documents how the Sakha have used the Masterpiece program to revive olonkho and strengthen their cultural identity. Harris 's personal relationships with and primary research among Sakha people provide vivid insights into understanding olonkho and the attenuation, revitalization, transformation, and sustainability of the Sakha 's cultural reemergence. Interdisciplinary in scope, Storytelling in Siberia considers the nature of folklore alongside ethnomusicology, anthropology, comparative literature, and cultural studies to shed light on how marginalized peoples are revitalizing their own intangible cultural heritage.
Storytime in India: Wedding Songs, Victorian Tales, and the Ethnographic Experience
by Umesh Chandra Pandey Helen Priscilla MyersAn American ethnomusicologist and her Indian collaborator recount their experiences researching Bhojpuri wedding songs in India.Stories are the backbone of ethnographic research. During fieldwork, subjects describe their lives through stories. Afterward ethnographers come home from their journeys with stories of their own about their experiences in the field.Storytime in India is an exploration of the stories that come out of ethnographic fieldwork. Helen Priscilla Myers and Umesh Chandra Pandey examine the ways in which their research collecting Bhojpuri wedding songs became interwoven with the stories of their lives, their work together, and their shared experience reading The Eustace Diamonds by Anthony Trollope. Moving through these intertwined stories, the reader learns about the complete Bhojpuri wedding tradition through songs sung by Gangajali and access to the original song recordings and their translations. In the interludes, Pandey reads and interprets The Eustace Diamonds, confronting the reader with the ever-present influence of colonialism, both in India and in ethnographic fieldwork. Interwoven throughout are stories of the everyday, highlighting the ups and downs of the ethnographic experience.Storytime in India combines the style of the Victorian novel with the structure of traditional Indian village tales, in which stories are told within stories. This book questions how we can and should present ethnography as well as what we really learn in the field. As Myers and Pandey ultimately conclude, writers of scholarly books are storytellers themselves and scholarly books are a form of art, just like the traditions they study.
Stradivari's Genius
by Toby Faber"'Tis God gives skill, but not without men's hands: He could not make Antonio Stradivari's violins without Antonio."-George EliotAntonio Stradivari (1644--1737) was a perfectionist whose single-minded pursuit of excellence changed the world of music. In the course of his long career in the northern Italian city of Cremona, he created more than a thousand stringed instruments; approximately six hundred survive. In this fascinating book, Toby Faber traces the rich, multilayered stories of six of these peerless instruments-five violins and a cello-and the one towering artist who brought them into being.Blending history, biography, meticulous detective work, and an abiding passion for music, Faber embarks on an absorbing journey as he follows some of the most prized instruments of all time. Mysteries and unanswered questions proliferate from the outset-starting with the enigma of Antonio Stradivari himself. What made this apparently unsophisticated craftsman so special? Why were his techniques not maintained by his successors? How is it that even two and a half centuries after his death, no one has succeeded in matching the purity, depth, and delicacy of a Stradivarius?In Faber's illuminating narrative, each of the six fabled instruments becomes a character in its own right-a living entity cherished by artists, bought and sold by princes and plutocrats, coveted, collected, hidden, lost, copied, and occasionally played by a musician whose skill matches its maker's.Here is the fabulous Viotti, named for the virtuoso who enchanted all Paris in the 1780s, only to fall foul of the French Revolution. Paganini supposedly made a pact with the devil to transform the art of the violin-and by the end of his life he owned eleven Strads. Then there's the Davidov cello, fashioned in 1712 and lovingly handed down through a succession of celebrated artists until, in the 1980s, it passed into the capable hands of Yo-Yo Ma. From the salons of Vienna to the concert halls of New York, from the breakthroughs of Beethoven's last quartets to the first phonographic recordings, Faber unfolds a narrative magnificent in its range and brilliant in its detail. "A great violin is alive," said Yehudi Menuhin of his own Stradivarius. In the pages of this book, Faber invites us to share the life, the passion, the intrigue, and the incomparable beauty of the world's most marvelous stringed instruments.From the Hardcover edition.
Straight Life: The Story Of Art Pepper
by Art Pepper Laurie PepperArt Pepper (1925-1982) was called the greatest alto saxophonist of the post-Charlie Parker generation. But his autobiography, Straight Life, is much more than a jazz book--it is one of the most explosive, yet one of the most lyrical, of all autobiographies. This edition is updated with an extensive afterword by Laurie Pepper covering Art Pepper's last years, and a complete and up-to-date discography by Todd Selbert.