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Stravinsky and the Russian Traditions, Volume Two: A Biography of the Works through Mavra

by Richard Taruskin

This book undoes 50 years of mythmaking about Stravinsky's life in music. During his spectacular career, Igor Stravinsky underplayed his Russian past in favor of a European cosmopolitanism. Richard Taruskin has refused to take the composer at his word. In this long-awaited study, he defines Stravinsky's relationship to the musical and artistic traditions of his native land and gives us a dramatically new picture of one of the major figures in the history of music. Taruskin draws directly on newly accessible archives and on a wealth of Russian documents. In Volume One, he sets the historical scene: the St. Petersburg musical press, the arts journals, and the writings of anthropologists, folklorists, philosophers, and poets. Volume Two addresses the masterpieces of Stravinsky's early maturity—Petrushka, The Rite of Spring, and Les Noces. Taruskin investigates the composer's collaborations with Diaghilev to illuminate the relationship between folklore and modernity. He elucidates the Silver Age ideal of "neonationalism"—the professional appropriation of motifs and style characteristics from folk art—and how Stravinsky realized this ideal in his music. Taruskin demonstrates how Stravinsky achieved his modernist technique by combining what was most characteristically Russian in his musical training with stylistic elements abstracted from Russian folklore. The stylistic synthesis thus achieved formed Stravinsky as a composer for life, whatever the aesthetic allegiances he later professed. Written with Taruskin's characteristic mixture of in-depth research and stylistic verve, this book will be mandatory reading for all those seriously interested in the life and work of Stravinsky.

Stravinsky in Context (Composers in Context)

by Graham Griffiths

Stravinsky in Context offers an alternative to chronological biography. Thirty-five short, specially commissioned essays explore the eventful life-tapestry from which Stravinsky's compositions emerged. The opening chapters draw on new research into the composer's childhood in St. Petersburg. Stravinsky's early, often traumatic upbringing is examined in depth, particularly in the context of his brother Roman's death, and religious sensibilities within the family. Further essays consider Stravinsky's years in exile at the centre of dynamic and ever-evolving cultural environments, the composer constantly refining his idiom and re-defining his aesthetics against a backdrop of world events and personal tragedy. The closing chapters review new material regarding Stravinsky's complicated relationship with the Soviet Union, whilst also anticipating his legacy from the varied perspectives of publishing, research and even - in the iconic example of The Rite of Spring - space exploration. The book includes previously unpublished images of the composer and his family.

Stravinsky in the Americas: Transatlantic Tours and Domestic Excursions from Wartime Los Angeles (1925-1945) (California Studies in 20th-Century Music #23)

by H. Colin Slim

Stravinsky in the Americas explores the “pre-Craft” period of Igor Stravinsky’s life, from when he first landed on American shores in 1925 to the end of World War II in 1945. Through a rich archival trove of ephemera, correspondence, photographs, and other documents, eminent musicologist H. Colin Slim examines the twenty-year period that began with Stravinsky as a radical European art-music composer and ended with him as a popular figure in American culture. This collection traces Stravinsky’s rise to fame—catapulted in large part by his collaborations with Hollywood and Disney and marked by his extra-marital affairs, his grappling with feelings of anti-Semitism, and his encounters with contemporary musicians as the music industry was emerging and taking shape in midcentury America. Slim’s lively narrative records the composer’s larger-than-life persona through a close look at his transatlantic tours and domestic excursions, where Stravinsky’s personal and professional life collided in often-dramatic ways.

Stravinsky's Piano

by Graham Griffiths

Stravinsky's reinvention in the early 1920s, as both neoclassical composer and concert-pianist, is here placed at the centre of a fundamental reconsideration of his whole output – viewed from the unprecedented perspective of his relationship with the piano. Graham Griffiths assesses Stravinsky's musical upbringing in St Petersburg with emphasis on his education at the hands of two extraordinary teachers whom he later either ignored or denounced: Leokadiya Kashperova, for piano and Rimsky-Korsakov, for instrumentation. Their message, Griffiths argues, enabled Stravinsky to formulate from that intensely Russian experience an internationalist brand of neoclassicism founded upon the premises of objectivity and craft. Drawing directly on the composer's manuscripts, Griffiths addresses Stravinsky's lifelong fascination with counterpoint and with pianism's constructive processes. Stravinsky's Piano presents both of these as recurring features of the compositional attitudes that Stravinsky consistently applied to his works, whether Russian, neoclassical or serial and regardless of idiom and genre.

Stravinsky: A Creative Spring: Russia and France, 1882-1934 (New Grove Composer Biographies Ser.)

by Stephen Walsh

Widely regarded the greatest composer of the twentieth century, Igor Stravinsky was central to the development of modernism in art. Deeply influential and wonderfully productive, he is remembered for dozens of masterworks, from The Firebird and The Rite of Spring to The Rake's Progress, but no dependable biography of him exists. Previous studies have relied too heavily on his own unreliable memoirs and conversations, and until now no biographer has possessed both the musical knowledge to evaluate his art and the linguistic proficiency needed to explore the documentary background of his life--a life whose span extended from tsarist Russia to Switzerland, France, and ultimately the United States.In this revealing volume, the first of two, Stephen Walsh follows Stravinsky from his birth in 1882 to 1934. He traces the composer's early Russian years in new and fascinating detail, laying bare the complicated relationships within his family and showing how he first displayed his extraordinary talents within the provincial musical circle around his teacher, Nikolay Rimsky-Korsakov. Stravinsky's brilliantly creative involvement with the Ballets Russes is illuminated by a sharp sense of the internal artistic politics that animated the group. Portraying Stravinsky's circumstances as an émigré in France trying to make his living as a conductor and pianist as well as a composer while beset by emotional and financial demands, Walsh reveals the true roots of his notorious obsession with money during the 1920s and describes with sympathy the nature of his long affair with Vera Sudeykina.While always respecting Stravinsky's own insistence that life and art be kept distinct, Stravinsky makes clear precisely how the development of his music was connected to his life and to the intellectual environment in which he found himself. But at the same time it demonstrates the composer's remarkably pragmatic psychology, which led him to consider the welfare of his art to be of paramount importance, before which everything else had to give way. Hence, for example, his questionable attitude toward Hitler and Mussolini, and his reputation as a touchy, unpredictable man as famous for his enmities as for his friendships.Stephen Walsh, long established as an expert on Stravinsky's music, has drawn upon a vast array of material, much of it unpublished or unavailable in English, to bring the man himself, in all his color and genius, to glowing life. Written with elegance and energy, comprehensive, balanced, and original, Stravinsky is essential reading for anyone interested in the adventure of art in our time.Praise from the British press for Stephen Walsh's The Music of Stravinsky "One of the finest general studies of the composer."--Wilfrid Mellers, composer, Times Literary Supplement"The beautiful prose of The Music of Stravinsky is itself a fund of arresting images. For those who already love Stravinsky's music, Walsh's essays on each work will bring a smile of recognition and joy at new kernels of insight. For those unfamiliar with many of the works he discusses, Walsh's commentaries are likely to whet appetites for performances of the works."--John Shepherd, Notes"This book sent me scurrying back to the scores and made me want to recommend it to other people. Above all, it is a good read."--Anthony Pople, Music and Letters

Stravinsky: France and America, 1934-1971

by Stephen Walsh

Picking up where the first volume left off, Walsh, a critic and musicologist at Cardiff U. , continues his biography of Russian composer Igor Stravinsky (1882-1971) from 1934 in France to his death in 1971. The biography follows his life and career from Paris to America, during a time when his wife died, he remarried, composed neoclassical works such as The Rake's Progress and Symphony in C, and dabbled in serialism. The first volume of the biography is Stravinsky: A Creative Spring: Russia and France, 1882-1934, which was published in 1999. Annotation ©2006 Book News, Inc. , Portland, OR (booknews. com)

Strawberry Swing (LyricPop)

by Coldplay

Coldplay’s warm and infectious hit song “Strawberry Swing” finds a perfect vessel in this gentle picture book for children.“I rememberWe were walking up to strawberry swingI can’t wait till the morningWouldn’t wanna change a thing . . .”Strawberry Swing is a tenderly illustrated picture book of one of Coldplay’s best known songs. It was the fifth single released from their hit album Viva la Vida, and gained widespread acclaim for its accompanying stop-motion animation music video.With lyrics by Coldplay and illustrations by Mitch Miller, Strawberry Swing tells a sweet story of friendship, encapsulating the innocence, fun, and struggle of finding someone special—and wanting to share every moment with them. The book provides an excellent opportunity to introduce Coldplay’s irresistible melodies to children who will delight in both the music and the message.

Strawberry Swing: A Children's Picture Book (LyricPop #0)

by Coldplay Mitch Miller

Coldplay’s warm and infectious hit song “Strawberry Swing” finds a perfect vessel in this gentle picture book for children. "I remember We were walking up to strawberry swing I can't wait till the mornin

Strayhorn

by Inc. Produced by Billy Strayhorn Songs Contributions by David Hajdu Walter van de Leur Robert Levi Bruce Mayhall Rastrelli Gregory A. Morris Edited by A. Alyce Claerbaut David Schlesinger

Strayhorn: An Illustrated Life is a stunning collection of essays, photographs, and ephemera celebrating Billy Strayhorn, one of the most significant yet under-appreciated contributors to 20th century American music. Released in commemoration of Strayhorn's centennial, this luxurious coffee-table book offers intimate details of the composer's life from musicians, scholars, and Strayhorn's closest relatives. Perhaps best known for his 28-year collaborative role as Duke Ellington's "writing and arranging companion," Strayhorn has emerged in recent years as an even more meritorious force in shaping the jazz canon. Strayhorn begins by describing Billy's abusive upbringing and early success, and goes on to cover his music, family, intellectual pursuits, involvement with civil rights, and open homosexuality. Strayhorn features contributions from Strayhorn's biographer David Hajdu, film director Rob Levi, music scholar Walter van de Leur, as well as commentary from jazz greats like Lena Horne, Clark Terry, Dianne Reeves, Nancy Wilson, Terell Stafford, Herb Jeffries, and more. With lush photography and rare memorabilia like handwritten scores, this is a book to be treasured by jazz aficionados and music lovers everywhere. Enthralling and visually captivating, Strayhorn: An Illustrated Life lauds a beloved jazz legend and captures a prodigious legacy that will influence generations to come.

Streben nach Momentum: Musikkultur zwischen Marken und Medienplattformen (Musikwirtschafts- und Musikkulturforschung)

by Lorenz Grünewald-Schukalla

Seit der industriellen Produktion von Notendrucken nutzen Unternehmen Musik, um ihre Marken zu entwickeln und zu etablieren. Diese Studie beleuchtet die vielfältigen Formen der Verbindung von Marken und Musik, von den gebrandeten Radioshows im frühen 20. Jahrhundert bis hin zu den modernen, integrierten Musik-Dachmarken von Red Bull, der Telekom oder Seat. Sie zeigt, wie die Beziehungen zwischen Marken und Musik im Verlauf der Geschichte verändert wurden. Dabei lenkt sie erstmals den Blick auf die Rolle neuer Medienentwicklungen in diesem Prozess. Anhand der innovativen Methode einer digitalen, fokussierten und verteilten Ethnographie wird die besondere Rolle digitaler Plattformen für gegenwärtige gebrandete Musikkultur in den Blick genommen. Der Autor zeigt anschaulich, wie Markenunternehmen Orte und Events so arrangieren, dass medienbezogene Praktiken auf Plattformen ausgerichtet werden. So steigern Unternehmen die Wahrscheinlichkeit gebrandeter Kommunikationsströme und erzeugen ein „Momentum“, das den Wert einer Marke, die Karrieren von Musikschaffenden, aber auch gewöhnliche Musikerfahrung beflügeln kann. In der Summe führt dies zu einer neuen Musikkultur, einer Musikkultur zwischen Marken und Medienplattformen. In dieser können zwar viele an Musikkultur teilhaben, sind jedoch dem Zwang ausgesetzt, etwas zum Momentum einer Marke beizutragen.

Street Ballads in Nineteenth-Century Britain, Ireland, and North America: The Interface between Print and Oral Traditions

by Steve Roud David Atkinson

In recent years, the assumption that traditional songs originated from a primarily oral tradition has been challenged by research into ’street literature’ - that is, the cheap printed broadsides and chapbooks that poured from the presses of jobbing printers from the late sixteenth century until the beginning of the twentieth. Not only are some traditional singers known to have learned songs from printed sources, but most of the songs were composed by professional writers and reached the populace in printed form. Street Ballads in Nineteenth-Century Britain, Ireland, and North America engages with the long-running debate over the origin of traditional songs by examining street literature’s interaction with, and influence on, oral traditions.

Streets of Fire: Bruce Springsteen in Photographs and Lyrics 1977–1979

by Bruce Springsteen Eric Meola

“On a day like this, I remember—I’m the President, but he’s The Boss.” —President Barack Obama, 2009 Kennedy Center Awards ceremonyCompiled by accomplished photographer Eric Meola—who knew “the Boss” when he was just an unknown Jersey kid with big rock and roll dreams—Streets of Fire is an intimate photographic look at Bruce Springsteen during a pivotal year in his life and career. In 1977, Springsteen was coming off the enormous success of his album, Born to Run, and in the studio working on his fourth record, Darkness on the Edge of Town—and these breathtaking candid photos are portraits of a master musician finally coming into his own. A stunning collection of photographs—some never before published—of Bruce and the E-Street Band combined with the haunting lyrics of some of Springsteen’s most unforgettable songs, Streets of Fire offers fans a privileged and rarefied look at one of rock’s most legendary and beloved icons.

Stretching Exercises for Guitarists

by Gareth Evans

i>“Highly recommended to any musician who would like to improve and enrich his warm-up routine.” Lorenzo Micheli, Concert Classical Guitarist (Italy)“This is a book that every guitarist should have, a great tool that will help keep you playing.” Victor D'Ablaing, MFA in Classical Guitar performance (Georgia US)Stretching Exercises for Guitarists is a compact guide that can be used as part of a healthy and productive practise regime suited for guitarists and other musicians alike.- Stretching Like the importance of stretching for sport, stretching for musicians is important, yet an often overlooked aspect of many a practise regime. Whether you are a beginner finding it hard to stretch their fretting fingers to get a clear open G or C chord, or a more experienced player wanting fluent movement when playing at speed, stretching exercises encourage lengthening of your muscles and their associated tendons thereby improving your mobility and range of movement. Stretching opposes the shortening and tightening of muscles that can occur immediately after use and contributes to injury avoidance.- Diagrams and More All 30 exercises are demonstrated with over 40 professionally hand-drawn illustrations, starting from the top at the neck and shoulders, working down to the back, forearms, wrists, fingers and thumbs. Some stretches are graded from easier versions to the more difficult so you can choose which suits your level. Stretching Exercises for Guitarists also includes exercises for nerve mobility and has tips for posture and practise.Grab a copy today!“I like the simple instructions and clear drawings which rule out any potential misinterpretations. If you have been lazy about warming up for playing or practicing, trying a couple of exercises from this book will help you remember and experience how beneficial this part of your practice routine is.” Ingo Stahl - Singer, Guitarist and Songwriter (Denmark) “I find the book very thorough yet concise. As a Classical guitarist I would have liked to see some mention of the use of a footstool. Other than that the book is excellent.” Alan Grundy, MA in Performance and Musicology, F.T.C.L. - L.R.S.M. Hon. V.C.M. (The Dublin School of Guitar)

String Methods for Beginners

by Selim Giray

String Methods for Beginners is designed for students to receive the essential playing and teaching skills on all orchestral string instruments. The goal of this textbook is to be truly methodical in its approach, and to assist the instructor, completely eliminating the need to do additional research, or reorganization in preparation to teach this class. Students will gain the basic knowledge and experience to teach bowed stringed instruments in public schools. String Methods for Beginners covers the necessary topics to learn and teach the violin, viola, cello, and string bass. It explores the fundamentals of those instruments and teaching considerations, utilizing a heterogeneous approach. As the primary resource to any college- and university-level String Techniques, String Methods, or Instrumental Methods class, this course book fits into a standard semester, comprised of 25 lessons, which correspond with two hourly classes per week for the term. It provides the instructor with the tools to teach a classroom of non-majors or string education majors, or a mixed classroom of both. FEATURES Offers a blueprint for a semester long string methods course. For beginning students, and also comprehensive for more in-depth study or for reference. Logical, step-by-step "recipe-like" approach.

String Quartets by Debussy and Ravel: Quartet in G Minor, Op. 10/Debussy; Quartet in F Major/Ravel (Dover Chamber Music Scores)

by Maurice Ravel Claude Debussy

Few composers of the 20th century have wielded more influence in the musical world than the two "impressionist" masters represented in this volume. Such composers as Webern, Bartók, Varèse, Messianen, and even John Cage owe a debt to Debussy's innovations in harmony, coloring, and psychological penetration.Similarly, Ravel's achievements in pianistic style, sophisticated harmonies, and bold experiments with form had a profound effect on both contemporary and later musicians. Each composer wrote only one string quartet, but by virtue of their individuality, unique interpretations of the medium and delicate and subtle beauties, both compositions enjoy a special place in the chamber music repertoire.This attractive, high-quality volume, based on authoritative French editions, brings both influential masterpieces together in one inexpensive resource. Clearly printed and sturdily bound for long life on the music stand, this book will enable musicians and music lovers to study, compare, and delight in two landmarks of the string quartet genre.

String Quartets: A Research and Information Guide (Routledge Music Bibliographies)

by Mara Parker

This research guide is an annotated bibliography of sources dealing with the string quartet. This second edition is organized as in the original publication (chapters for general references, histories, individual composers, aspects of performance, facsimiles and critical editions, and miscellaneous topics) and has been updated to cover research since publication of the first edition. Listings in the previous volume have been updated to reflect the burgeoning interest in this genre (social aspects, newly issued critical editions, doctoral dissertations). It also offers commentary on online links, databases, and references.

Stringbean: The Life and Murder of a Country Legend (Music in American Life)

by Taylor Hagood

A beloved member of the country music community, David “Stringbean” Akeman found nationwide fame as a cast member of Hee Haw. The 1973 murder of Stringbean and his wife forever changed Nashville’s sense of itself. Millions of others mourned not only the slain couple but the passing of the way of life that country music had long represented. Taylor Hagood merges the story of Stringbean’s life with an account of murder and courtroom drama. Mentored by Uncle Dave Macon and Bill Monroe, Stringbean was a bridge to country’s early days. His instrumental savvy and old-time singing style drew upon a deep love for traditional country music that, along with his humor and humanity, won him the reverence of younger artists and made his violent death all the more shocking. Hagood delves into the unexpected questions and uneasy resolutions raised by the atmosphere of retribution surrounding the murder trial and recounts the redemption story that followed decades later.

Strings Attached (Orca Limelights)

by Diane Dakers

Brielle and Tawni have played cello side by side in orchestras since they were nine years old. Brielle has always played second chair to Tawni’s first, and she's been happy with that arrangement. When Tawni is injured, Brielle suddenly finds herself principal cellist. Not only does that mean she'll be thrust into the spotlight, but it also means she is now leader of the cello section. Brielle is terrified. Is she good enough? Will the other musicians accept her? What if she screws up? Despite her fears, Brielle rises to the occasion. Her cello skills, and her leadership skills, improve as she grows into her new role. But just as Brielle is beginning to feel confident, Tawni returns. And she wants her job back. If Brielle steps down now, she'll lose her place in the spotlight. If she doesn't, her friendship could be in jeopardy. This short novel is a high-interest, low-reading level book for middle-grade readers who are building reading skills, want a quick read or say they don’t like to read! The epub edition of this title is fully accessible.

Strings Attached: One Tough Teacher And The Art Of Perfection

by Joanne Lipman Melanie Kupchynsky

Strings Attached is a powerful memoir about resilience in the face of unspeakable tragedy, an inspiring and poignant tale of how one man transformed his own heartache into a legacy of joy for his students. His students knew Jerry Kupchynsky as "Mr. K"-the fierce Ukrainian-born music teacher who rehearsed them until their fingers almost bled and who made them better than they ever expected to be. Away from the classroom, though, life seemed to conspire against him at every turn. Strings Attached takes you on his remarkable journey, from his childhood on the run in Nazi Germany, to his life in America caring for his disabled wife while raising their two small daughters, to his search for his beloved younger daughter after she mysteriously disappeared-a search that would last for seven years. His unforgettable story is lyrically told in alternating chapters by two childhood friends who reconnected decades later: Melanie Kupchynsky, his daughter, and Joanne Lipman, a former student. Heartbreaking yet ultimately triumphant, Strings Attached is a testament to the astonishing power of hope-and a celebration of the profound impact one person can have on the lives of others.

Stronger: Forty Days of Metal and Spirituality

by Brian Welch

This 40-Day devotional from Brian “Head” Welch, former lead guitarist of Korn and the New York Times bestselling author of Save Me From Myself, is an intimate tour through the Bible passages that have meant the most to him on his trying journey from substance abuse to salvation. Save Me From Myself, Welch’s self-effacing story his against addiction and his reawakening to divine love, has made the metal band icon into a hero of Christian rock. Uncompromisingly honest about his demons, and equally fervent about his faith, Head and his impassioned devotional offer a uniquely voiced guiding light perfect for young Christians and rock music fans everywhere.

Structurally Sound: Seven Musical Masterworks Deconstructed (Dover Books on Music)

by Eric Wen

Music theorist Eric Wen presents in-depth analyses of seven masterworks from the common-practice period of Western art music:Bach: Air from Orchestral Suite No. 3 in D, BWV 1068 Mendelssohn: Andante con moto tranquillo from Piano Trio No. 1 in D minor, Op. 49 Schubert: Nacht und Traüme, D. 827 Haydn: Adagio — Vivace assai from Symphony No. 94 in G, Hob. I:94 Mozart: Molto Allegro from Symphony No. 40 in G minor, K. 550 Beethoven: Marcia funebre: Adagio assai from Symphony No. 3 in E-flat, Op. 55 Brahms: Un poco presto e con sentimento from Violin Sonata No. 3 in D minor, Op. 108Wen employs the analytic approach developed by Heinrich Schenker, a method that uses musical notation to clarify and illuminate a work's structural hierarchies. Copiously illustrated with analytic musical examples that elucidate the tonal organization of each of the seven works, this study also explores aspects of form, rhythmic organization, and programmatic meaning. This volume will be of particular interest to musicologists and professional musicians, and it will also appeal to listeners keen to probe the rich complexities of these masterpieces.

Struggling for Perfection: The Story of Glenn Gould

by Vladimir Konieczny

Struggling for Perfection is the story of the famous pianist, an enigmatic figure who made some of the most acclaimed classical recordings of the last century. A former child prodigy and an unpredictable, passionate man, Glenn Gould was known as much for his eccentricities as his vast musical genius. After retiring prematurely from performing, Gould branched out into work in film and radio and helped bring classical music recording technology into a new age. He has became a national icon in Canada. Vladimir Konieczny delivers a sensitive and affectionate portrait of this imposing figure in music history. The book is illustrated with sketches and archival photos.

Strumming the Guitar: Guitar Strumming for Beginners and Upward with Audio and Video (Strumming the Guitar #1)

by Gareth Evans

Strumming the Guitar Book 1 is a detailed course for beginners and upward, focusing solely on the subject of guitar strumming. Separate sections take on strumming, changing chords and coordinating chord changes while strumming, therefore maintaining a thorough approach throughout with components broken down at every level. With this incremental method, this guitar strumming book enables beginners to absorb everything important from the start and progress consistently as the difficulty level increases. Guitar Strumming Techniques - Before anything else, the basics of strumming are covered from the ground up, assisted with professional hand drawn illustrations. Learn how to hold the plectrum for strumming, how to strum chords that require you to miss certain strings, pre-emptive chord changing, open strums and more.Guitar Strumming Patterns - 70 different guitar strumming patterns that can be used throughout the book, all written with easy to understand, graphical, strumming diagrams. Rhythmical Notation - Understand the common language of music by becoming familiar with rhythmical notation. Learn whole notes, half notes, quarter notes, eighth notes, their equivalent rests, dotted notes, ties and the basics of time signatures. All shown with clear charts and diagrams.Chord Changes - Seven groups of chord changes, made up almost entirely of open chords. The book starts with the easiest chord changes in which fretting finger locations can be shared and works up to more difficult chord changes where fretting fingers need to relocate in independent directions.Strumming Exercises and Study Pieces - Every section includes strumming exercises that combine chord changes with strumming, each section concluding with a musical study piece using the skills learnt in styles of Slow Pop, Spanish style, Grunge and Country Pop. In total there are 85 strumming exercises and 10 musical study pieces, while more combinations can be found by selecting from the 70 given strumming patterns to use with them.Audio and Video - All exercises and musical study pieces are demonstrated with audio (downloadable 154 MB). All study pieces have a backing track for you to play over. Online videos (21 in total size of 775 MB) are also used to enhance explanations.Please Note: The eBook includes musical pieces so is not suitable for smaller screens.

Strumming the Guitar: Guitar Strumming for Intermediate & Upward with Audio & Video (Strumming the Guitar #2)

by Gareth Evans

Strumming the Guitar Book 2 is a detailed course for intermediate level and upward focusing solely on the subject of guitar strumming. This book goes beyond the basics, covering power chords, strumming in 3/4 time, barre chords, swing feel, early chord changes, using a capo to change key, using a capo to avoid barre chords, muted strums and 16th note strumming in 4/4 time and 6/8 time. Throughout the book as the difficulty level progresses, separate sections take on strumming alone, changing chords alone and coordinating chord changes while strumming, therefore maintaining a thorough approach with components broken down at every level. Guitar Strumming Techniques - Advice is given on how to fret and strum power chords, barre chords (major, minor and dominant 7th) and how to refer to the root note to find them, using a capo and muted strumming. All with purpose made diagrams and professionally hand drawn illustrations. Guitar Strumming Patterns - 158 different guitar strumming patterns that can be used throughout the book, all written with easy to understand, graphical, strumming diagrams. These include 70 strumming patterns in 4/4 time, 22 strumming patterns in 3/4 time, 20 muted strumming patterns, 24 sixteenth note strumming patterns in 6/8 time and 22 sixteenth note strumming patterns in 4/4 time. Chord Changes - Over 100 chords are used to facilitate what the book teaches about strumming, divided into fourteen groups of chord changes. From simpler chords such as A major to more advanced ones such as A7sus2/G and lots more inbetween. Strumming Exercises and Study Pieces - Every section includes strumming exercises that combine chord changes with strumming, each section concluding with a musical study piece using the skills learnt in styles of Grunge, UK Modern Alternative, Jig, Waltz, Pop, Swing Jazz, Blues, Pop Ballad and Power Ballad. There are 70+ strumming exercises and 15 musical study pieces, while more combinations can be found by selecting from the 158 given strumming patterns to use with them. Audio and Video - All exercises and musical study pieces are demonstrated with audio (downloadable 149 MB). All study pieces have a backing audio track for you to play over. Online videos (7 in total size of 90.8 MB) are also used to enhance explanations. Please Note: The eBook includes musical pieces so is not suitable for smaller screens.

Struts and Frets

by Jon Skovron

Told in a voice that's honest, urgent, and hilarious, "Struts and Frets" is a bright debut novel about forming a band, falling in love, and facing the truth.

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