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The Art of the Band T-shirt
by Amber Easby Henry OliverONCE, T-shirts were just unadorned undergarments. But with the evolution of screen printing and the birth of band merchandising, T-shirts became so much cooler. Now every band with an ounce of savvy knows the importance of T-shirts not only as a lucrative sideline but also as a means of self- promotion and a way for fans to show their allegiance. The Art of the Band T-shirt is a visual history of that perennial fashion statement, complete with nearly two hundred images of the most important, influential, iconic, and ironic T-shirts. It includes shirt images from artists as diverse as Led Zeppelin, the Ramones, Madonna, Morrissey, Public Enemy, and the Flaming Lips, each with a caption that includes historical background, little-known facts, or an artist's comments about the design. A fascinating, beautifully illustrated archive for hipsters, fashionistas, serious collectors, and all music fans, The Art of the Band T-shirt is as indispensable and classically cool as the perfect T-shirt.
The Art of the Fugue and A Musical Offering (Dover Chamber Music Scores)
by Johann Sebastian BachAmong Bach's last instrumental compositions are two splendid works that reflect his genius for working complex contrapuntal figures into an expressive, apparently seamless musical texture. The Art of the Fugue, composed ca. 1745-50, consists of nineteen canons and fugues that progressively illustrate the rich variety and complexity of fugal writing. This edition, reproduced directly from the authoritative Breitkopf & Härtel score, includes a keyboard reproduction printed directly beneath the score.A Musical Offering (1747), composed for King Frederick the Great of Prussia, comprises a three-part ricercar and a six-part ricercar for keyboard, a famous sonata for flute and violin, and a set of canons, all based on a theme devised by the King himself. Solutions of the canons and a realization of the keyboard part are included in an appendix.
The Art of the Straight Line: My Tai Chi
by Laurie Anderson Lou ReedThe Art of the Straight Line captures the energy of Lou Reed’s worlds of Tai Chi, music, and meditation. It was edited by his wife, the artist Laurie Anderson, with Stephan Berwick, Bob Currie, and Scott Richman.Lou Reed was a musician, singer, songwriter, poet, and founding member of the legendary rock band the Velvet Underground. He collaborated with many artists, from Andy Warhol and John Cale to Robert Wilson and Metallica. Reed had a groundbreaking solo career that spanned five decades until his death in 2013.Reed was also an accomplished martial artist whose practice began in the 1980s. He studied with Chen Tai Chi pioneer Master Ren GuangYi. This book is a comprehensive collection of Reed’s writings on Tai Chi. It includes conversations with Reed’s fellow musicians, artists, friends, and Tai Chi practitioners, including Julian Schnabel, A. M. Homes, Hal Willner, Mingyur Rinpoche, Eddie Stern, Tony Visconti, and Iggy Pop.Including over 150 photos, ephemera, and a color photo insert, The Art of the Straight Line features Reed’s unpublished writings on the technique, practice, and purpose of martial arts, as well as essays, observations, and riffs on meditation and life.
The Artist and Academia (SEMPRE Studies in The Psychology of Music)
by Helen PhelanThe Artist and Academia explores the relationship between artistic and academic ways of knowing. Historically, these have often been presented as opposites; the former characterized as passionate and intuitive and the latter portrayed as systematic and rigorous. Recent scholarship presents a more complex picture. Artistic knowledge demands high levels of skill and rigor, while academic research requires creativity and innovative thinking. This edited collection brings together leading artists and scholars (as well as artist-scholars) to offer a variety of philosophical, educational, experiential, reflexive and imaginative perspectives on the artist and academia. The contributions include in-depth, scholarly discussions on the nature of knowledge and creativity, as well as personal artistic statements from musicians, dancers, actors and writers. Additionally, it explores both the mediational and subversive spaces created by the meeting of artistic and academic traditions. While the book addresses global themes by global writers, its core case study is an educational experiment called the Irish World Academy of Music and Dance at the University of Limerick in Ireland. Established in 1994, it set out to reconfigure the place of the artist in the context of contemporary higher education. The material is clustered into three parts. Part One and Part Two explore the artist as mediator, educator and subversive in academia. Grounded in close-to-practice research, Part Three concludes the volume with a set of case studies from the Irish World Academy. Artistic and academic knowledge come together in this unique set of pieces to explore the development of more inclusive and imaginative pedagogical values.
The Artist-Operas of Pfitzner, Krenek and Hindemith: Politics and the Ideology of the Artist
by Claire Taylor-JayThis is the first book-length study of the genre of 'artist-opera', in which the work's central character is an artist who is uncomfortable with his place in the world. It investigates how three such operas (Pfitzner's Palestrina (1915), Krenek's Jonny spielt auf (1926) and Hindemith's Mathis der Maler (1935)) contributed to the debate in early twentieth-century Germany about the place of art and the artist in modern society, and examines how far the artist-character may be taken as functioning as a persona for the real composer of the work. Because of their concern with the place of art within society, the works are also engaged with inherently political questions, and each opera is read in the light of the political context of its time: conservatism circa World War I, Americanism and democracy, and the rise of National Socialism.
The Artistry of Afro-Cuban Batá Drumming: Aesthetics, Transmission, Bonding, and Creativity (Caribbean Studies Series)
by Kenneth SchweitzerAn iconic symbol and sound of the Lucumí/Santería religion, Afro-Cuban batá are talking drums that express the epic mythological narratives of the West African Yoruba deities known as orisha. By imitating aspects of speech and song, and by metaphorically referencing salient attributes of the deities, batá drummers facilitate the communal praising of orisha in a music ritual known as a toque de santo. In The Artistry of Afro-Cuban Batá Drumming, Kenneth Schweitzer blends musical transcription, musical analysis, interviews, ethnographic descriptions, and observations from his own experience as a ritual drummer to highlight the complex variables at work during a live Lucumí performance. Integral in enabling trance possessions by the orisha, by far the most dramatic expressions of Lucumí faith, batá drummers are also entrusted with controlling the overall ebb and flow of the four- to six-hour toque de santo. During these events, batá drummers combine their knowledge of ritual with an extensive repertoire of rhythms and songs. Musicians focus on the many thematic acts that unfold both concurrently and in quick succession. In addition to creating an emotionally charged environment, playing salute rhythms for the orisha, and supporting the playful song competitions that erupt between singers, batá drummers are equally dedicated to nurturing their own drumming community by creating a variety of opportunities for the musicians to grow artistically and creatively.
The Arts Entwined: Music and Painting in the Nineteenth Century (Critical and Cultural Musicology)
by Marsha Morton Peter L. SchmunkThis collection of essays by musicologists and art historians explores the reciprocal influences between music and painting during the nineteenth century, a critical period of gestation when instrumental music was identified as the paradigmatic expressive art and theoretically aligned with painting in the formulation ut pictura musica (as with music, so with painting). Under music's influence, painting approached the threshold of abstraction; concurrently many composers cultivated pictorial effects in their music. Individual essays address such themes as visualization in music, the literary vs. pictorial basis of the symphonic poem, musical pictorialism in painting and lithography, and the influence of Wagner on the visual arts. In these and other ways, both composers and painters actively participated in interarts discourses in seeking to redefine the very identity and aims of their art. Also includes 17 musical examples.
The Arts and Culture of the American Civil War
by James A. DavisIn 1864, Union soldier Charles George described a charge into battle by General Phil Sheridan: "Such a picture of earnestness and determination I never saw as he showed as he came in sight of the battle field . . . What a scene for a painter!" These words proved prophetic, as Sheridan’s desperate ride provided the subject for numerous paintings and etchings as well as songs and poetry. George was not alone in thinking of art in the midst of combat; the significance of the issues under contention, the brutal intensity of the fighting, and the staggering number of casualties combined to form a tragedy so profound that some could not help but view it through an aesthetic lens, to see the war as a concert of death. It is hardly surprising that art influenced the perception and interpretation of the war given the intrinsic role that the arts played in the lives of antebellum Americans. Nor is it surprising that literature, music, and the visual arts were permanently altered by such an emotional and material catastrophe. In The Arts and Culture of the American Civil War, an interdisciplinary team of scholars explores the way the arts – theatre, music, fiction, poetry, painting, architecture, and dance – were influenced by the war as well as the unique ways that art functioned during and immediately following the war. Included are discussions of familiar topics (such as Ambrose Bierce, Peter Rothermel, and minstrelsy) with less-studied subjects (soldiers and dance, epistolary songs). The collection as a whole sheds light on the role of race, class, and gender in the production and consumption of the arts for soldiers and civilians at this time; it also draws attention to the ways that art shaped – and was shaped by – veterans long after the war.
The Ashgate Research Companion to Experimental Music (Routledge Music Companions)
by James SaundersThe recent resurgence of experimental music has given rise to a more divergent range of practices than has previously been the case. The Ashgate Research Companion to Experimental Music reflects these recent developments by providing examples of current thinking and presenting detailed case studies that document the work of contemporary figures. The book examines fourteen current practitioners by interrogating their artistic practices through annotated interviews, contextualized by nine authored chapters which explore central issues that emerge from and inform these discussions. Whilst focusing on composition, the book also encompasses related aspects of performance, improvisation and sonic art. The interviews all explore how the selected artists work, focusing on the processes involved in developing their recent projects, set against more general aesthetic concerns. They aim to shed light on the disparate nature of current work whilst seeking to find possible points of contact. Many of the practitioners are active in areas that span disciplines, such as composition and improvisation, and the book explores the interaction of these activities in the context of their work. The other chapters consider a range of issues pertinent to recent developments in the genre, including: definitions of experimentalism and its relationship with a broader avant garde; experimentalism and cultural change; notation and its effect on composition; realising open scores; issues of notation and interpretation in live electronic music; performing experimental music; improvisation and technology; improvisation and social meaning; instrumentalizing objects; visual artists' relationships to experimental music; working across interdisciplinary boundaries; listening and the soundscape; working methods, techniques and aesthetics of recent experimental music.
The Ashgate Research Companion to Henry Purcell (Routledge Music Companions)
by Rebecca HerissoneThe Ashgate Research Companion to Henry Purcell provides a comprehensive and authoritative review of current research into Purcell and the environment of Restoration music, with contributions from leading experts in the field. Seen from the perspective of modern, interdisciplinary approaches to scholarship, the companion allows the reader to develop a rounded view of the environment in which Purcell lived, the people with whom he worked, the social conditions that influenced his activities, and the ways in which the modern perception of him has been affected by reception of his music after his death. In this sense the contributions do not privilege the individual over the environment: rather, they use the modern reader's familiarity with Purcell's music as a gateway into the broader Restoration world. Topics include a reassessment of our understanding of Purcell's sources and the transmission of his music; new ways of approaching the study of his creative methods; performance practice; the multi-faceted theatre environment in which his work was focused in the last five years of his life; the importance of the political and social contexts of late seventeenth-century England; and the ways in which the performance history and reception of his music have influenced modern appreciation of the composer. The book will be essential reading for anyone studying the music and culture of the seventeenth century.
The Ashgate Research Companion to Japanese Music (SOAS Studies in Music)
by David W. HughesMusic is a frequently neglected aspect of Japanese culture. It is in fact a highly problematic area, as the Japanese actively introduced Western music into their modern education system in the Meiji period (1868-1911), creating westernized melodies and instrumental instruction for Japanese children from kindergarten upwards. As a result, most Japanese now have a far greater familiarity with Western (or westernized) music than with traditional Japanese music. Traditional or classical Japanese music has become somewhat ghettoized, often known and practised only by small groups of people in social structures which have survived since the pre-modern era. Such marginalization of Japanese music is one of the less recognized costs of Japan's modernization. On the other hand, music in its westernized and modernized forms has an extremely important place in Japanese culture and society, Beethoven's Ninth Symphony, for example, being so widely known and performed that it is arguably part of contemporary Japanese popular and mass culture. Japan has become a world leader in the mass production of Western musical instruments and in innovative methodologies of music education (Yamaha and Suzuki). More recently, the Japanese craze of karaoke as a musical entertainment and as musical hardware has made an impact on the leisure and popular culture of many countries in Asia, Europe and the Americas. This is the first book to cover in detail all genres including court music, Buddhist chant, theatre music, chamber ensemble music and folk music, as well as contemporary music and the connections between music and society in various periods. The book is a collaborative effort, involving both Japanese and English speaking authors, and was conceived by the editors to form a balanced approach that comprehensively treats the full range of Japanese musical culture.
The Ashgate Research Companion to Minimalist and Postminimalist Music (Routledge Music Companions)
by Kyle Gann Keith PotterIn recent years the music of minimalist composers such as La Monte Young, Terry Riley, Steve Reich and Philip Glass has, increasingly, become the subject of important musicological reflection, research and debate. Scholars have also been turning their attention to the work of lesser-known contemporaries such as Phill Niblock and Eliane Radigue, or to second and third generation minimalists such as John Adams, Louis Andriessen, Michael Nyman and William Duckworth, whose range of styles may undermine any sense of shared aesthetic approach but whose output is still to a large extent informed by the innovative work of their minimalist predecessors. Attempts have also been made by a number of academics to contextualise the work of composers who have moved in parallel with these developments while remaining resolutely outside its immediate environment, including such diverse figures as Karel Goeyvaerts, Robert Ashley, Arvo Pärt and Brian Eno. Theory has reflected practice in many respects, with the multimedia works of Reich and Glass encouraging interdisciplinary approaches, associations and interconnections. Minimalism’s role in culture and society has also become the subject of recent interest and debate, complementing existing scholarship, which addressed the subject from the perspective of historiography, analysis, aesthetics and philosophy. The Ashgate Research Companion to Minimalist and Postminimalist Music provides an authoritative overview of established research in this area, while also offering new and innovative approaches to the subject.
The Ashgate Research Companion to Popular Musicology (Routledge Music Companions)
by Derek B. ScottThe research presented in this volume is very recent, and the general approach is that of rethinking popular musicology: its purpose, its aims, and its methods. Contributors to the volume were asked to write something original and, at the same time, to provide an instructive example of a particular way of working and thinking. The essays have been written with a view to helping graduate students with research methodology and the application of relevant theoretical models. The team of contributors is an exceptionally strong one: it contains many of the pre-eminent academic figures involved in popular musicological research, and there is a spread of European, American, Asian, and Australasian scholars. The volume covers seven main themes: Film, Video and Multimedia; Technology and Studio Production; Gender and Sexuality; Identity and Ethnicity; Performance and Gesture; Reception and Scenes and The Music Industry and Globalization. The Ashgate Research Companion is designed to offer scholars and graduate students a comprehensive and authoritative state-of-the-art review of current research in a particular area. The companion's editor brings together a team of respected and experienced experts to write chapters on the key issues in their speciality, providing a comprehensive reference to the field.
The Audible Past: Cultural Origins of Sound Reproduction
by Jonathan SterneThe Audible Past explores the cultural origins of sound reproduction. It describes a distinctive sound culture that gave birth to the sound recording and the transmission devices so ubiquitous in modern life. With an ear for the unexpected, scholar and musician Jonathan Sterne uses the technological and cultural precursors of telephony, phonography, and radio as an entry point into a history of sound in its own right. Sterne studies the constantly shifting boundary between phenomena organized as "sound" and "not sound. " In The Audible Past, this history crisscrosses the liminal regions between bodies and machines, originals and copies, nature and culture, and life and death. Blending cultural studies and the history of communication technology, Sterne follows modern sound technologies back through a historical labyrinth. Along the way, he encounters capitalists and inventors, musicians and philosophers, embalmers and grave robbers, doctors and patients, deaf children and their teachers, professionals and hobbyists, folklorists and tribal singers. The Audible Past tracks the connections between the history of sound and the defining features of modernity: from developments in medicine, physics, and philosophy to the tumultuous shifts of industrial capitalism, colonialism, urbanization, modern technology, and the rise of a new middle class. A provocative history of sound, The Audible Past challenges theoretical commonplaces such as the philosophical privilege of the speaking subject, the visual bias in theories of modernity, and static descriptions of nature. It will interest those in cultural studies, media and communication studies, the new musicology, and the history of technology.
The Audio Circuits Cookbook: Building Blocks and Tools to Design Professional Audio Devices
by Ethan WinerThe Audio Circuits Cookbook is a comprehensive collection of high-quality audio circuit modules—“building blocks” —that readers can arrange to create complete audio devices. More than 80 featured circuits cover every aspect of audio, from basics such as active rectifiers, peak followers, and oscillators, to complete professional quality devices including compressors, equalizers, preamps, and an analog synthesizer.Offering a range of tutorial advice that covers capacitor selection, multi-layer PC board design, and more, each circuit in this book is also provided as an LTspice file, ready to be copied into your projects. It includes detailed explanations of every type of active filter commonly used for audio, along with a spreadsheet that calculates their component values, as well as Ohm’s Law and Decibels spreadsheets.Providing practical explanations of both simple and sophisticated audio circuits using minimal math and theory, this is an ideal manual for intermediate audio professionals, hobbyists, and students coming to audio electronics from non-engineering backgrounds. Professional engineers will find much of value as well in the complete and tested circuits.
The Audition: World Book Day 2014 (Rock War #100)
by Robert MuchamoreTwo kids, one band, one crucial audition. Noah's a natural on the guitar, and he'd give anything to get through the Rock War audition. But when he betrays his best friend to join another band, he knows he's crossed the line. Will he risk their friendship for the sake of musical stardom?Introducing new characters, a never-before-seen band, and a behind-the-scenes look at the Rock War auditions, in a story written especially for World Book Day.
The Auditory Culture Reader (Sensory Formations)
by Michael BullThe first edition of The Auditory Culture Reader offered an introduction to both classical and recent work on auditory culture, laying the foundations for new academic research in sound studies. Today, interest and research on sound thrives across disciplines such as music, anthropology, geography, sociology and cultural studies as well as within the new interdisciplinary sphere of sound studies itself. This second edition reflects on the changes to the field since the first edition and offers a vast amount of new content, a user-friendly organization which highlights key themes and concepts, and a methodologies section which addresses practical questions for students setting out on auditory explorations. All essays are accessible to non-experts and encompass scholarship from leading figures in the field, discussing issues relating to sound and listening from the broadest set of interdisciplinary perspectives. Inspiring students and researchers attentive to sound in their work, newly-commissioned and classical excerpts bring urban research and ethnography alive with sensory case studies that open up a world beyond the visual. This book is core reading for all courses that cover the role of sound in culture, within sound studies, anthropology, sociology, cultural studies, history, media studies and urban geography.
The Australian Symphony from Federation to 1960
by Rhoderick McNeillThe symphony retained its primacy as the most prestigious large-scale orchestral form throughout the first half of the twentieth century, particularly in Britain, Russia and the United States. Likewise, Australian composers produced a steady stream of symphonies throughout the period from Federation (1901) through to the end of the 1950s. Stylistically, these works ranged from essays in late nineteenth-century romanticism, twentieth-century nationalism, neo-classicism and near-atonality. Australian symphonies were most prolific during the 1950s, with 36 local entries in the 1951 Commonwealth Jubilee Symphony competition. This extensive repertoire was overshadowed by the emergence of a new generation of composers and critics during the 1960s who tended to regard older Australian music as old-fashioned and derivative. The Australian Symphony from Federation to 1960 is the first study of this neglected genre and has four aims: firstly, to show the development of symphonic composition in Australia from Federation to 1960; secondly, to highlight the achievement of the main composers who wrote symphonies; thirdly, to advocate the restoration and revival of this repertory; and, lastly, to take a step towards a recasting of the narrative of Australian concert music from Federation to the present. In particular, symphonies by Marshall-Hall, Hart, Bainton, Hughes, Le Gallienne and Morgan emerge as works of particular note.
The Authorized Roy Orbison
by Alex Orbison Roy Orbison Wesley Orbison Jeff SlateFor the first time, legendary performer Roy Orbison's story as one of the most beloved rock legends will be revealed through family accounts and records. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; text-indent: 36.0px; font: 12.0px Geneva} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Geneva} span.Apple-tab-span {white-space:pre} Roy Orbison is a rock and roll icon almost without peer. He came of age as an artist on the venerable Sun Records label; toured with The Beatles; had massive hits in the 1960s, 1970s, and 1980s; invented the black-clad, sunglasses-wearing image of the rock star; and reinvented the art of songwriting many times over. He is a member of the Rock & Roll and Songwriters Halls of Fame, a recipient of the Musicians Hall of Fame's inaugural Iconic Riff Award, and the winner of multiple GRAMMY® awards. He is known the world over for hits like "Blue Bayou," "You Got It," and "Oh, Pretty Woman" and was a member of the band that inspired the term "supergroup"-the Traveling Wilburys, with Bob Dylan, George Harrison, Jeff Lynne, and Tom Petty. Despite these and countless other accolades, the story of Roy Orbison's life is virtually unknown to his millions of fans around the world. Now, for the first time ever, the Orbison Estate, headed by Roy's sons, Wesley, Roy Jr., and Alex Orbison, has set out to set the record straight. The Authorized Roy Orbison tells the epic tale of a West Texas boy, drawn to the guitar at age six, whose monumental global career successes were matched at nearly every turn by extraordinary personal tragedies, including the loss of his first wife in a motorcycle accident and his two oldest sons in a fire. It's a story of the intense highs and severe lows that make up the mountain range of Roy Orbison's career; one that touched four decades and ended abruptly at perhaps its highest peak, when he passed away at the age of fifty-two on December 6, 1988. Filled with hundreds of photographs, many never before seen, gathered from across the globe and uncovered from deep within the Orbison Vault, The Authorized Roy Orbison shows Roy Orbison as a young child and follows him all the way through to the peak of his stardom and up to his tragic end. Wesley, Roy Jr., and Alex Orbison-Roy's Boys-have left no stone unturned in order to illustrate the people, places, things, and events that forged their father, the man behind those famous sunglasses.
The Autobiography of Gucci Mane
by Gucci Mane Neil Martinez-BelkinThe New York Times bestselling memoir from legendary rapper Gucci Mane spares no detail in this &“cautionary tale that ends in triumph&” (GQ).For the first time, Gucci Mane tells his extraordinary life story in his own words. It&’s &“as wild, unpredictable, and fascinating as the man himself&” (Complex). The platinum-selling trap pioneer began writing this remarkable autobiography while serving time in a federal maximum-security prison. When he was released in 2016, he emerged transformed—sober, focused, and creatively reinvigorated. A critically acclaimed classic in hip hop literature, The Autobiography of Gucci Mane offers raw insight into the volatile rise, fall, and rise again of one of the most influential artists in modern rap. It&’s a compelling story of addiction, fame, incarceration, and redemption that &“provides incredible insight into one of the most influential rappers of the last decade...By the end, every reader will have a greater understanding of Gucci Mane, the man and the musician&” (Pitchfork).
The Autobiography of Karl von Dittersdorf
by Karl Von DittersdorfThis autobiography of the famous Austrian composer, violinist and silvologist Karl Ditters von Dittersdorf was dictated from his death-bed, completed only two days before the artist’s death on 24 October 1799. First published in 1896, it represents a valuable as the record of an artist’s every-day life at the close of the 18th century.“Dittersdorf, the honest chronicler of his own failures and successes, should have his say in England as well as in Germany. If not ornate, he is true. Haydn’s imaginary talk, as given in George Sand’s ‘Consuelo,’ is hard to reconcile with the language of Haydn’s Diary. In this plain-spoken little volume we hear the very words uttered by men of genius, not those coined for them by others.”—A. D. Coleridge, Preface
The B Side
by Ben YagodaFrom an acclaimed cultural critic, a narrative and social history of the Great American Songwriting era. Everybody knows and loves the American Songbook. But it's a bit less widely understood that in about 1950, this stream of great songs more or less dried up. All of a sudden, what came over the radio wasn't Gershwin, Porter, and Berlin, but "Come on-a My House" and "How Much Is That Doggie in the Window?" Elvis and rock and roll arrived a few years later, and at that point the game was truly up. What happened, and why? In The B Side, acclaimed cultural historian Ben Yagoda answers those questions in a fascinating piece of detective work. Drawing on previously untapped archival sources and on scores of interviews--the voices include Randy Newman, Jimmy Webb, Linda Ronstadt, and Herb Alpert--the book illuminates broad musical trends through a series of intertwined stories. Among them are the battle between ASCAP and Broadcast Music, Inc.; the revolution in jazz after World War II; the impact of radio and then television; and the bitter, decades-long feud between Mitch Miller and Frank Sinatra. The B Side is about taste, and the particular economics and culture of songwriting, and the potential of popular art for greatness and beauty. It's destined to become a classic of American musical history.
The BBC Asian Network: The Cultural Production of Diversity
by Gurvinder Aujla-SidhuThis ground-breaking new book provides a unique, in-depth analysis of the BBC Asian Network, the BBC’s national ethnic-specific digital radio station in the UK. Gurvinder Aujla-Sidhu offers an insight into the internal production culture at the radio station, revealing the challenges minority ethnic producers faced as they struggled to create a cohesive and distinct 'community of listeners'. Besides the differences of opinion that emerged within the inter-generational British Asian staff over how to address the audience’s needs, the book also reveals the ways in which 'race' is managed by the BBC, and how the culture of managerialism permeates recruitment strategies, music playlists and mother tongue language programmes. In-depth interviews unveil how the BBC's 'gatekeeping' system limits the dissemination of original journalism about British Asian communities, through the marginalisation of the expertise of narratives created by the network's own minority ethnic journalists.
The Bach Choir: The First Hundred Years
by Basil KeenThis study of the Bach Choir provides a much-needed overview of one of the major choral societies in London. Dr Basil Keen examines the background that led to the formation of an ad hoc body to give the first performance in England of J.S. Bach's B minor Mass. The musical and organizational effects of a permanent choral society drawn from one social group are traced during the first twenty years, after such time the pressures of social change led to a complete review followed by a restructuring of the methods of recruitment and internal organization. The rebuilding of the choir at the opening of the twentieth century, the expansion of the repertoire, the upheaval resulting from the First World War and the impact of these events on preparation and performance, are all considered. The book is essentially structured around the tenure of successive Musical Directors: Otto Goldschmidt, Charles Villiers Stanford, Walford Davies, Hugh Allen, Ralph Vaughan Williams, Adrian Boult, Reginald Jacques and David Willcocks, since their varied tastes and interests inevitably had a decisive influence on policy. Keen draws upon previously unpublished material, including minutes and correspondence of the Bach Choir, interviews with relatives and descendants, and examination of family records and correspondence. To date, there has been no survey of a major London choir that encompasses the full history of the organization in context. In this study, Dr Basil Keen provides a thorough examination of the Bach Choir, including the response of the choir to social changes; the influence of conductors and officials; changes in musical taste; relationships with composers and composition; major national and international events; and the effect of these matters on organization and repertoire.
The Bach Family: Seven Generations of Creative Genius (Routledge Revivals)
by Karl Geiringer Irene GeiringerWhen this volume was originally published in 1954 it was the first complete history of the Bach family from the 16th Century miller Veit to Wilhelm Friedrich Ernst (1759-1845), Johann Sebastian’s grandson. The author views the family as a whole and shows the characteristic similarities in their artistic and human attitudes as well as the most significant divergences. Equal stress is laid on the discussion of the personalities, against the swiftly changing historical scene, and on the music, for which the author was able to use vast, hitherto inaccessible material. Apart from describing the fascinating phenomenon of this musical family, the author gives a history of musical thought in the last 300 years.