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The British Union Catalogue of Music Periodicals (Routledge Revivals)
by John WagstaffFirst published in 1998, the aim of this catalogue is to help students, researchers and librarians determine the UK locations of over 2,000 music periodical titles held in public, academic and national libraries. Over 220 libraries in the UK have been surveyed, from St. Austell to Aberdeen, Aberystwyth to Brighton. Each catalogue entry provides detailed information on library holdings, and full bibliographic details of periodical titles, including ISSNs. The main catalogue is preceded by an address list, and by a preface outlining the history of music periodicals in Britain, together with statistical tables.
The Burial Hour: Lincoln Rhyme Book 13 (Lincoln Rhyme Thrillers #1)
by Jeffery DeaverFrom the author of The Goodbye Man, discover Jeffery Deaver's chilling series that inspired the film starring Angelina Jolie and Denzel Washington, and is now a major NBC TV series Number one bestselling author and master of suspense Jeffery Deaver returns with the thirteenth Lincoln Rhyme thriller, which sees a crime go global . . .When a man is snatched from a New York street in broad daylight, the only clue is a miniature noose left on the pavement. By the time criminal forensic scientist Lincoln Rhyme is involved, a video of the missing man is already online, his dying breaths set to a grisly music by someone calling himself The Composer. Rhyme and fellow investigator Amelia Sachs must follow The Composer across the globe as he continues his horrifying creation, kidnapping further victims to add their last breaths to his piece. But with Rhyme and Sachs in a whole new world with its own rules, how can they possibly guess what danger they're in when the music finally stops?'If you want thrills, Deaver is your man' Guardian'One of the most consistent writers of clever, entertaining and often thought-provoking thrillers in the world' Simon Kernick'Deaver is a master of plot twists, and they are abundant in this story...essential for fans of the franchise' Daily Mail
The Burial Hour: Lincoln Rhyme Book 13 (Lincoln Rhyme Thrillers #13)
by Jeffery DeaverFrom the author of The Goodbye Man, discover Jeffery Deaver's chilling series that inspired the film starring Angelina Jolie and Denzel Washington, and is now a major NBC TV series Number one bestselling author and master of suspense Jeffery Deaver returns with the thirteenth Lincoln Rhyme thriller, which sees a crime go global . . .When a man is snatched from a New York street in broad daylight, the only clue is a miniature noose left on the pavement. By the time criminal forensic scientist Lincoln Rhyme is involved, a video of the missing man is already online, his dying breaths set to a grisly music by someone calling himself The Composer. Rhyme and fellow investigator Amelia Sachs must follow The Composer across the globe as he continues his horrifying creation, kidnapping further victims to add their last breaths to his piece. But with Rhyme and Sachs in a whole new world with its own rules, how can they possibly guess what danger they're in when the music finally stops?'If you want thrills, Deaver is your man' Guardian'One of the most consistent writers of clever, entertaining and often thought-provoking thrillers in the world' Simon Kernick'Deaver is a master of plot twists, and they are abundant in this story...essential for fans of the franchise' Daily Mail
The Burial Hour: Lincoln Rhyme Book 13 (Lincoln Rhyme Thrillers #13)
by Jeffery DeaverNumber one bestselling author and master of suspense Jeffery Deaver returns with the thirteenth Lincoln Rhyme thriller, which sees a crime go global...The only leads in a broad-daylight kidnapping are the account of an eight-year-old girl, some nearly invisible trace evidence and the calling card: a miniature noose left lying on the street. A crime scene this puzzling demands forensic expertise of the highest order. Lincoln Rhyme and Amelia Sachs are called in to investigate. Then the case takes a stranger turn: a recording surfaces of the victim being slowly hanged, his desperate gasps the backdrop to an eerie piece of music. The video is marked as the work of The Composer...Despite their best efforts, the suspect gets away. So when a similar kidnapping occurs on a dusty road outside Naples, Rhyme and Sachs don't hesitate to rejoin the hunt. But the search is now a complex case of international cooperation - and not all those involved may be who they seem. All they can do is follow the evidence, before their time runs out.(P)2017 Hodder & Stoughton Limited
The Business Behind the Song: Navigating a Career in the Music Industry
by Scott BrickellWhether you&’re an aspiring artist, a new college grad, or a seasoned professional, Scott Brickell&’s The Business Behind the Song is a must-have handbook for helping you navigate the often-confusing, seemingly unapproachable world of the music industry.Drawing on his years of experience as a manager for numerous record-breaking artists and bands, Brickell explains the nitty gritty details of what it takes to be an artist, a manager, a promotor, a booking agent, and much more. He shares industry secrets on the formula to a successful song, and he gives invaluable tips on how to put on a successful show and tour. No matter your goal—whether that&’s to be on stage behind a microphone or behind the scenes promoting shows—The Business Behind the Song will help you • Understand the industry before you get started • Learn the insider terminology • Identify the goals you need to set for yourself • Create a clear path for your future career • And start your own journey in the music business You can break into an exciting and fulfilling career in the music industry, and Scott Brickell&’s go-to guide will show you how.
The Business of Opera (Ashgate Interdisciplinary Studies in Opera)
by Anastasia Belina-Johnson Derek B. ScottThe study of the business of opera has taken on new importance in the present harsh economic climate for the arts. This book presents research that sheds new light on a range of aspects concerning marketing, audience development, promotion, arts administration and economic issues that beset professionals working in the opera world. The editors' aim has been to assemble a coherent collection of essays that engage with a single theme (business), but differ in topic and critical perspective. The collection is distinguished by its concern with the business of opera here and now in a globalized market. This includes newly commissioned operas, sponsorship, state funding, and production and marketing of historic operas in the twenty-first century.
The Butterfly Effect: How Kendrick Lamar Ignited the Soul of Black America
by Marcus J. MooreThis &“smart, confident, and necessary&” (Shea Serrano, New York Times bestselling author) first cultural biography of rap superstar and &“master of storytelling&” (The New Yorker) Kendrick Lamar explores his meteoric rise to fame and his profound impact on a racially fraught America—perfect for fans of Zack O&’Malley Greenburg&’s Empire State of Mind.Kendrick Lamar is at the top of his game. The thirteen-time Grammy Award-winning rapper is just in his early thirties, but he&’s already won the Pulitzer Prize for Music, produced and curated the soundtrack of the megahit film Black Panther, and has been named one of Time&’s 100 Influential People. But what&’s even more striking about the Compton-born lyricist and performer is how he&’s established himself as a formidable adversary of oppression and force for change. Through his confessional poetics, his politically charged anthems, and his radical performances, Lamar has become a beacon of light for countless people. Written by veteran journalist and music critic Marcus J. Moore, this is much more than the first biography of Kendrick Lamar. &“It&’s an analytical deep dive into the life of that good kid whose m.A.A.d city raised him, and how it sparked a fire within Kendrick Lamar to change history&” (Kathy Iandoli, author of Baby Girl) for the better.
The Butterfly Effect: How Kendrick Lamar Ignited the Soul of Black America
by Marcus Moore__________'Essential reading' Rolling Stone'A must read. The best bit of literature currently out there on Kendrick Lamar' VICE __________Kendrick Lamar is at the top of his game.He has been described as perceptive, philosophical, unapologetic, fearless, and an innovative storyteller whose body of work has been compared to James Joyce and James Baldwin.He is a visionary who will go down as history as one of the most important artists of all time.But what's so striking about Kendrick Lamar, aside from his impressive accolades, is how he's effectively established himself as a formidable opponent of oppression, a force for change. Through his confessional poetics, his politically charged anthems, and his radical performances, Lamar has become a beacon of light for many people in America.The Butterfly Effect not only Lamar's powerful impact on music but also on our current society, especially under the weight of police brutality, divisive politics, and social injustice. This is the extraordinary, triumphant story of a modern lyrical prophet and an American icon who has given hope to those buckling under the weight of systemic oppression, reminding everyone that through it all, "we gon' be alright".__________'By the end of listening to his first full album, I felt like I knew everything about him. He brings you into his world with his lyrics in a way that really paints a clear picture' Eminem'I love everything about his music. I can literally listen to his music and become a kid growing up with all the struggles in the inner city, but at the same time [learn] all the lessons it taught that we use as men today.' Lebron James'Kendrick Lamar understands and employs blues, jazz, and soul in his music, which makes it startling. His work is more than merely brilliant; it is magic' Toni Morrison'Lamar is a man living on a real and metaphorical peak, with one eye trained on the heavens, the other searching for stories in the valley below' Guardian
The Butterfly Effect: How Kendrick Lamar Ignited the Soul of Black America
by Marcus Moore'Kendrick Lamar understands and employs blues, jazz, and soul in his music, which makes it startling. His work is more than merely brilliant; it is magic' Toni Morrison'Lamar is a man living on a real and metaphorical peak, with one eye trained on the heavens, the other searching for stories in the valley below' Guardian __________Kendrick Lamar has been described as the poet Laurette of hip-hop, perceptive, philosophical, unapologetic, fearless, and an innovative storyteller whose body of work has been compared to James Joyce and James Baldwin. He is a visionary who will go down as history as one of the most important artists of all time. But what's so striking about Kendrick Lamar, aside from his impressive accolades, is how he's effectively established himself as a formidable opponent of oppression, a force for change. Through his confessional poetics, his politically charged anthems, and his radical performances, Lamar has become a beacon of light for many people in America. Now, for the first time, we will be taken on a journey of Lamar's life. Told through his three albums, The Butterfly Effect gives unparalleled insight into his background, influences and the importance of his music. The book traces not only Lamar's powerful impact on music but also on our current society, especially under the weight of police brutality, divisive politics, and social injustice. With exclusive interviews with his family, friends, and record producers, this book is the must-read for any fan.
The Cake and The Rain: A Memoir
by Jimmy WebbJIMMY WEBB'S words have been sung to his music by a rich and deep roster of pop artists, including Glen Campbell, Art Garfunkel, Frank Sinatra, Donna Summer, and Linda Ronstadt. He's the only artist ever to win Grammy Awards for music, lyrics, and orchestration, and his chart-topping career has, so far, lasted fifty years, most recently including a Kanye West rap hit and a new classical nocturne. Now, in his first memoir, Webb delivers a snapshot of his life from 1955 to 1970, from simple and sere Oklahoma to fast and fantastical Los Angeles, from the crucible of his family to the top of his longed-for profession. Webb was a preacher's son whose father climbed off a tractor to receive his epiphany, and Jimmy, barely out of his teenage years, sank down into the driver's seat of a Cobra to speed to Las Vegas to meet with Elvis. Classics such as "Up, Up and Away," "By the Time I Get to Phoenix," "Wichita Lineman," "Galveston," "The Worst That Could Happen," "All I Know," and "MacArthur Park" were all recorded by some of the most important voices in pop before Webb's twenty-fifth birthday--and he thought it was easy. The sixties were a supernova, and Webb was at the center, whipsawed from the proverbial humble beginnings into a moneyed and manic international world of beautiful women, drugs, cars, and planes. That stew almost took him down, but Webb survived, his passion for music and work among his lifelines. The Cake and the Rain is a surprising and unusual book; Webb's talent as a writer and storyteller is on every page. His book is rich with a sense of time and place, and with the voices of characters, vanished and living, famous and not, but all intimately involved with him in his youth, when life seemed nothing more than a party and Webb the eternal guest of honor. "America's songwriter," is the author of the musician's bible Tunesmith: Inside the Art of Songwriting (on Bookshare and on BARD). Webb's songs, with their complex chord structure, have been recorded or performed by artists from Frank Sinatra to Carly Simon to REM. He tours extensively, performing his own works and stories in the United States and around the world. He was the youngest man ever inducted into the Songwriters' Hall of Fame and was named by Rolling Stone magazine as one of the top fifty songwriters of all time. A father of six and grandfather of one, Webb lives with his wife, Laura Savini, in New York.
The Cambridge Berlioz Encyclopedia
by Julian RushtonWith over forty international specialist authors, this Encyclopedia covers all aspects of the life and work of Hector Berlioz. One of the most original composers of the nineteenth century, he was also internationally known as a pioneer of modern conducting, and as an entertaining author of memoirs, fiction, and criticism. His musical reputation has fluctuated, partly because his works rarely fit into conventional categories. As this Encyclopedia demonstrates, however, his influence on other composers, through his music and his orchestration treatise, was considerable, and extended into the twentieth century. The volume also covers Berlioz's connections with government officials and Paris concert societies and theatres, and contains information on his wide social circle including important literary figures. The Encyclopedia explores his fascination with foreign authors such as Shakespeare, Moore, and Goethe, and treats fully his promotion of his own and others' music, often at his own financial risk.
The Cambridge Companion To Brass Instruments
by Trevor Herbert John WallaceThe Cambridge Companion to Brass Instruments provides an overview of the history of brass instruments, and their technical and musical development. Much of the volume is devoted to the way brass instruments have been used in classical music, but there are also important contributions on the ancient world, non-Western music, vernacular and popular traditions and the rise of jazz. The editors are two of the most respected names in the world of brass performance and scholarship, and the list of contributors includes the names of many of the world's most prestigious scholars and performers.
The Cambridge Companion To Schubert
by Christopher H. GibbsThis volume explores the culture in which the composer Franz Schubert (1797SH1828) lived and worked, and provides a basic outline of his life examined in relation to the most persistent myths and legends. Schubert's music is then explored according to genre, a chapter on his songs, another on his symphonies, and so forth. The final section looks at the reception of Schubert's music, primarily during the nineteenth century, and considers the performance tradition of his music.
The Cambridge Companion to Bach
by John ButtThe Cambridge Companion to Bach, first published in 1997, goes beyond a basic life-and-works study to provide a late twentieth-century perspective on J. S. Bach the man and composer. The book is divided into three parts. Part One is concerned with the historical context, the society, beliefs and the world-view of Bach's age. The second part discusses the music and Bach's compositional style, while Part Three considers Bach's influence and the performance and reception of his music through the succeeding generations. This Companion benefits from the insights and research of some of the most distinguished Bach scholars, and from it the reader will gain a notion of the diversity of current thought on this great composer.
The Cambridge Companion to Beethoven
by Glenn StanleyThis Companion provides a comprehensive view of Beethoven and his work. The first part of the book presents the composer as a private individual, as a professional, and at the work-place, discussing biographical problems, Beethoven's professional activities when not composing and his methods as a composer. In the heart of the book, individual chapters are devoted to all the major genres cultivated by Beethoven and to the elements of style and structure that cross all genres. The book concludes by looking at the ways that Beethoven and his music have been interpreted by performers, writers on music, and in the arts, literature, and philosophy. The essays in this volume, written by leading Beethoven specialists, maintain traditional emphases on Beethoven studies while incorporating some of the most recent developments in musicology and theory.
The Cambridge Companion to Benjamin Britten, Billy Budd
by Mervyn CookeBilly Budd, based on Herman Melville's nautical allegory, is one of Britten's most challenging operas. This comprehensive guide considers the work from both literary and musical viewpoints. Melville's novella is discussed, as is the interpretation given to the novella by the librettists E. M. Forster and Eric Crozier. A detailed synopsis guides the reader through the musical and dramatic action of the opera and in a chapter devoted to the music, Britten's distinctive technique of tonal symbolism is analyzed to demonstrate the effectiveness of his musical response to the dramatic suggestions of Melville's story. The most important critical writings on Billy Budd are represented by an expanded version of Donald Mitchell's 1979 notebook on the opera. A final chapter charts the opera's stage history and fluctuating critical reception.
The Cambridge Companion to Berlioz
by Peter BloomStill chiefly known as the extravagant composer of the Symphonie fantastique, Berlioz was an artist caught in the crossfire between the academic classicism of the French musical establishment and the romantic modernism of the Parisian musical scene. He was a thinker in an age that invented both the religion of art and the notion of the 'genius' who preached and practised it. This Companion contains essays by eminent scholars on Berlioz's place in nineteenth-century French cultural life, on his principal compositions (symphonies, overtures, operas, sacred works, songs), on his major writings (a delightful volume of memoires, a number of short stories, large quantities of music criticism, an orchestration treatise), on his direct and indirect encounters with other famous musicians (Gluck, Mozart, Beethoven, Wagner), and on his legacy in France. The volume is framed by a detailed chronology of his life and a usefully annotated bibliography.
The Cambridge Companion to Blues and Gospel Music
by Allan MooreFrom Robert Johnson to Aretha Franklin, Mahalia Jackson to John Lee Hooker, blues and gospel artists play significant roles in twentieth-century culture. This overview of these genres provides an expression of the twentieth-century black American experience. Histories are questioned; songs and lyrical imagery are analyzed; perspectives are presented from the standpoint of voice, guitar, piano, and working musician. A concluding chapter discusses the impact that the genres have had on mainstream musical culture.
The Cambridge Companion to Bob Dylan
by Kevin J. H. DettmarA towering figure in American culture and a global twentieth-century icon, Bob Dylan has been at the centre of American life for over forty years. The Cambridge Companion to Bob Dylan brings fresh insights into the imposing range of Dylan's creative output. The first Part approaches Dylan's output thematically, tracing the evolution of Dylan's writing and his engagement with American popular music, religion, politics, fame, and his work as a songwriter and performer. Essays in Part II analyse his landmark albums to examine the consummate artistry of Dylan's most accomplished studio releases. As a writer Dylan has courageously chronicled and interpreted many of the cultural upheavals in America since World War II. This book will be invaluable both as a guide for students of Dylan and twentieth-century culture, and for his fans, providing a set of new perspectives on a much-loved writer and composer.
The Cambridge Companion to Brahms
by Michael MusgraveThis Companion gives a comprehensive view of the German composer Johannes Brahms (1833–97). Twelve specially-commissioned chapters by leading scholars and musicians provide systematic coverage of the composer's life and works. Their essays represent recent research and reflect changing attitudes towards a composer whose public image has long been out-of-date. The first part of the book contains three chapters on Brahms's early life in Hamburg and on the middle and later years in Vienna. The central section considers the musical works in all genres, while the last part of the book offers personal accounts and responses from a conductor (Roger Norrington), a composer (Hugh Wood), and an editor of Brahms's original manuscripts (Robert Pascall). The volume as a whole is an important addition to Brahms scholarship and provides indispensable information for all students and enthusiasts of Brahms's music.
The Cambridge Companion to Bruckner
by John WilliamsonSixteen essays by leading experts introduce the lay reader to issues that have concerned scholars over the past twenty years regarding Anton Bruckner (1824-1896). They provide an introduction to the composer's life and works, covering such problematic areas as his relationship to Vienna; the numerous editions of his symphonies; performing styles; and his appropriation by the Nazis during the Third Reich. They also consider the extent to which his Catholicism shaped not just his religious music but his symphonies as well.
The Cambridge Companion to Caribbean Music (Cambridge Companions to Music)
by Nanette De JongThe diverse musics of the Caribbean form a vital part of the identity of individual island nations and their diasporic communities. At the same time, they witness to collective continuities and the interrelatedness that underlies the region's multi-layered complexity. This Companion introduces familiar and less familiar music practices from different nations, from reggae, calypso and salsa to tambú, méringue and soca. Its multidisciplinary, thematic approach reveals how the music was shaped by strategies of resistance and accommodation during the colonial past and how it has developed in the postcolonial present. The book encourages a comparative and syncretic approach to studying the Caribbean, one that acknowledges its patchwork of fragmented, dynamic, plural and fluid differences. It is an innovative resource for scholars and students of Caribbean musical culture, particularly those seeking a decolonising perspective on the subject.
The Cambridge Companion to Chopin
by Jim SamsonThis Companion is designed to provide the enquiring music lover with helpful insights into a musical style that recognizes no contradictions between the accessible and the sophisticated, between the popular and the significant.
The Cambridge Companion to Composition (Cambridge Companions to Music)
by Toby YoungThere are as many ways of creating music as there are composers in the world, with a vast array of possible methods and practices. This book provides essential critical and practical tools for composers as they try to navigate this complex landscape, whilst also offering provocations for practitioners discovering their own voices and solidifying their place in their musical communities. Designed to be a companion in the truest sense, the book offers practical support throughout the creative process and thought-provoking insights on technical questions for a range of compositional approaches.
The Cambridge Companion to Debussy
by Simon TreziseOften considered the father of twentieth-century music, Debussy was a visionary whose influence is still felt. This Companion offers new insights into Debussy's character, his environment and his music, including challenging views of the roles of nature and eroticism in his life and music. While works in all genres are discussed, they are considered through the themes of sonority, rhythm, tonality and form, with closing chapters considering the performance and reception of his music in the first years of the new century.