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Audio Post Production for Television and Film: An introduction to technology and techniques
by Hilary Wyatt Tim AmyesPreviously titled Audio Post-production in Video and Film, this third edition has been completely revised and restructured to provide a step-by-step guide to the professional techniques used to shape a soundtrack through the production process. Covering sound for both film and television, this edition includes many of the practical techniques and shortcuts used by experienced editors and mixers. Part one explains the basics of audio post production - how audio is recorded, how sound and picture stay in sync, how audio can be exported from system to system, and how film and video technology works. Part two follows the path of production sound from its original recording right through to the final mix, and includes sections on editing sound with picture, dialogue, sound effects and music editing, how to run ADR and Foley record sessions, and mixing, using many practical examples.Audio Post Production for Television and Film is aimed at professionals already working in the industry, newcomers, students and those considering sound for film and television as a career - in fact anyone who wants an insight into current professional practices and a comprehensive overview of the sound post production process.
Audio Postproduction for Film and Video
by Jay RoseNew to this edition:* Learn how many Hollywood techniques--previously impractical on video--can help solve problems on smaller productions* Expanded cookbook recipes section* Technically updated throughoutMake your soundtracks as good as your pictures with this compendium of professional audio techniques that can be adapted to desktop post. Specializing in sound after the shoot, this book features many practical examples, cookbook recipes, and tutorials. Audio theory, when necessary, is presented in plain English with plenty of visual analogies.FAQs, full explanations, and from-the-trenches tips address the complete range of processes from wiring and hardware to testing the final mix. The downloadable resources features platform-independent diagnostics, demonstrations, and tutorial tracks. Novices will learn how to improve their soundtrack--even after the actors have gone home. Experienced producers will learn how to solve technical and creative problems quickly.You'll get recipes and step-by-step instructions on how to:* build an efficient and reliable audio post setup* plan and budget a good soundtrack* get sound into your NLE without losing quality or sync* edit voices and music* record Foley and ADR* find music and use it effectively* find and create your own sound effects* shape sounds with equalization, reverb, noise reduction, and more* produce the final mix* test the final product for various mediaPlease visit the author's website for additional resources: http://www.dplay.com/book/app2e/
Audio Power Amplifier Design
by Douglas SelfThis book is essential for audio power amplifier designers and engineers for one simple reason...it enables you as a professional to develop reliable, high-performance circuits. The Author Douglas Self covers the major issues of distortion and linearity, power supplies, overload, DC-protection and reactive loading. He also tackles unusual forms of compensation and distortion produced by capacitors and fuses. This completely updated fifth edition includes four NEW chapters including one on The XD Principle, invented by the author, and used by Cambridge Audio. Crosstalk, power amplifier input systems, and microcontrollers in amplifiers are also now discussed in this fifth edition, making this book a must-have for audio power amplifier professionals and audiophiles.
Audio Processes: Musical Analysis, Modification, Synthesis, and Control
by David CreaseyDesigned for music technology students, enthusiasts, and professionals, Audio Processes: Musical Analysis, Modification, Synthesis, and Control describes the practical design of audio processes, with a step-by-step approach from basic concepts all the way to sophisticated effects and synthesizers. The themes of analysis, modification, synthesis, and control are covered in an accessible manner and without requiring extensive mathematical skills. The order of material aids the progressive accumulation of understanding, but topics are sufficiently contained that those with prior experience can read individual chapters directly. Extensively supported with block diagrams, algorithms, and audio plots, the ideas and designs are applicable to a wide variety of contexts. The presentation style enables readers to create their own implementations, whatever their preferred programming language or environment. The designs described are practical and extensible, providing a platform for the creation of professional quality results for many different audio applications. There is an accompanying website (www.routledge.com/cw/creasey), which provides further material and examples, to support the book and aid in process development. This book includes: A comprehensive range of audio processes, both popular and less well known, extensively supported with block diagrams and other easily understood visual forms. Detailed descriptions suitable for readers who are new to the subject, and ideas to inspire those with more experience. Designs for a wide range of audio contexts that are easily implemented in visual dataflow environments, as well as conventional programming languages.
Audio Processing and Speech Recognition: Concepts, Techniques and Research Overviews (SpringerBriefs in Applied Sciences and Technology)
by Soumya Sen Anjan Dutta Nilanjan DeyThis book offers an overview of audio processing, including the latest advances in the methodologies used in audio processing and speech recognition. First, it discusses the importance of audio indexing and classical information retrieval problem and presents two major indexing techniques, namely Large Vocabulary Continuous Speech Recognition (LVCSR) and Phonetic Search. It then offers brief insights into the human speech production system and its modeling, which are required to produce artificial speech. It also discusses various components of an automatic speech recognition (ASR) system. Describing the chronological developments in ASR systems, and briefly examining the statistical models used in ASR as well as the related mathematical deductions, the book summarizes a number of state-of-the-art classification techniques and their application in audio/speech classification. By providing insights into various aspects of audio/speech processing and speech recognition, this book appeals a wide audience, from researchers and postgraduate students to those new to the field.
Audio Production and Critical Listening: Technical Ear Training (Audio Engineering Society Presents)
by Jason CoreyAudio Production and Critical Listening: Technical Ear Training, Second Edition develops your critical and expert listening skills, enabling you to listen to audio like an award-winning engineer. Featuring an accessible writing style, this new edition includes information on objective measurements of sound, technical descriptions of signal processing, and their relationships to subjective impressions of sound. It also includes information on hearing conservation, ear plugs, and listening levels, as well as bias in the listening process. The interactive web browser-based "ear training" software practice modules provide experience identifying various types of signal processes and manipulations. Working alongside the clear and detailed explanations in the book, this software completes the learning package that will help you train you ears to listen and really "hear" your recordings. This all-new edition has been updated to include: Audio and psychoacoustic theories to inform and expand your critical listening practice. Access to integrated software that promotes listening skills development through audio examples found in actual recording and production work, listening exercises, and tests. Cutting-edge interactive practice modules created to increase your experience. More examples of sound recordings analysis. New outline for progressing through the EQ ear training software module with listening exercises and tips.
Audio Production Techniques for Video (Routledge Library Editions: Broadcasting #4)
by David Miles HuberAudio Production Techniques for Video (1987) looks at the mechanics and operation of audio tape and video tape recorders; audio and video synchronization-technology; studio and location audio production processes; video and audio post-production; troubleshooting time-code problems.
Audio Production Tips: Getting the Sound Right at the Source
by Peter DowsettAudio Production Tips: Getting the Sound Right at the Source provides practical and accessible information detailing the production processes for recording today’s bands. By demonstrating how to "get the sound right at the source," author Peter Dowsett lays the appropriate framework to discuss the technical requirements of optimizing the sound of a source. Through its coverage of critical listening, pre-production, arrangement, drum tuning, gain staging and many other areas of music production, Audio Production Tips allows you to build the wide array of skills that apply to the creative process of music production. Broken into two parts, the book first presents foundational concepts followed by more specific production advice on a range of instruments. Key features: Important in-depth coverage of music theory, arrangement and its applications. Real life examples with key references to the author’s music production background. Presents concepts alongside the production of a track captured specifically for the book. A detailed companion website, including audio, video, Pro Tools session files of the track recording process, and videos including accompanying audio that can be examined in the reader’s DAW. Please visit the accompanying companion website, available at www.audioproductiontips.com, for resources that further support the book’s practical approach.
Audio Production Worktext: Concepts, Techniques, and Equipment
by Samuel J. Sauls Craig A. StarkThis is an excellent introduction to the modern radio production studio, the equipment found in that studio, and the basic techniques needed to accomplish radio production work. The new edition is updated throughout and features new sections on mobile technology, audio editing apps and software, and digital editing, as well as updated graphics and expanded content on portable digital audio players. Features a worktext/website format tailored for both students and teachers, offering a solid foundation for anyone who wishes to know more about radio/audio equipment and production techniques.
Audio Production Worktext: Concepts, Techniques, and Equipment
by Samuel J. Sauls Craig A. StarkAudio Production Worktext, 9th Edition provides readers the best introduction to audio and radio production. It shows how to navigate modern radio production studios and utilize the latest equipment and software. The 9th edition is updated to cover new mobile technologies, digital consoles, and audio editing apps and software, as well sound for the visual media and Internet radio. The new edition continues to include the worktext/website format tailored for both students and teachers and features like Production Tips that provide notes relevant to various audio production topics, self-study questions and projects, an updated Glossary, and an up-to-date companion website with invaluable student and instructor materials. Included in this edition are offers and features from Pro Sound Effects, FilmTVsound.com, and RadioFX, as well as updated color graphics and images throughout the text.
Audio Production Worktext: Concepts, Techniques, and Equipment
by Samuel J. Sauls Craig A. StarkNow in its tenth edition, the Audio Production Worktext offers a comprehensive introduction to audio production in radio, television, and film. This hands-on, student-friendly text demonstrates how to navigate modern radio production studios and utilize the latest equipment and software. Key chapters address production planning, the use of microphones, audio consoles, and sound production for the visual media. The reader is shown the reality of audio production both within the studio and on location. New to this edition is material covering podcasting, including online storage and distribution. The new edition also includes an updated glossary and appendix on analog and original digital applications, as well as self-study questions and projects that students can use to further enhance their learning. The accompanying instructor website has been refreshed and includes an instructor’s manual and PowerPoint images. This book remains an essential text for audio and media production students seeking a thorough introduction to the field.
Audio Production Worktext
by Craig Stark Sam SaulsProviding insight into the impact media convergence has had on the radio industry, this new edition delivers an excellent introduction to the modern radio production studio, the equipment found in that studio, and the basic techniques needed to accomplish radio production work.New chapters addressing the basics of field recording, production planning, and sound for video are included, as well as a renewed emphasis on not just radio production, but audio production.Featuring a worktext format tailored for both students and teachers, self-study questions, hands-on projects, and a CD with project material, quizzes, and demonstrations of key concepts, this book offers a solid foundation for anyone who wishes to know more about radio/audio equipment and production techniques.
Audio Recording for Profit: The Sound of Money
by Chris StoneThis book is the first real inside look at the business of professional audio recording, which fuels a multibillion dollar global music industry. Industry pioneer Chris Stone, founder of the legendary Record Plant, provides hard-earned business strategies, guidelines, and advice on every aspect of launching and managing a professional audio recording business. This book is for every audio profit center - from the project studio in the garage to the multi-room diversified recording facility. With 30 years of practical business experience, Mr. Stone reveals the secrets of profitable survival in the pro audio world of today and tomorrow. Why be a player in the professional audio recording industry? What is the attraction and potential payoff? How big an operation are you contemplating? To succeed, one must categorize the various types and sizes of pro audio facilities and their customer bases. It is also essential to understand creative management, marketing, promotion, and the modern economics of pro audio. The professional of tomorrow anticipates recording for new media and is prepared for diversification. All of these issues and more are addressed in this book.
Audio Sampling: A Practical Guide
by Sam McGuire Roy PrittsBringing sampling to a new generation of audio engineers and composers Audio Sampling explains how to record and create sampled instruments in a software setting. There are many things that go into creating a sampled instrument and many things that can go wrong, this book is a step by step guide through the process, from introducing sampling, where it begins to recording editing and using samples, providing much sought after detailed information on the actual process of sampling, creating sampled instruments as well as the different ways they can be used. The software used is the NN-XT a sampler that is a part of the Reason studio software and ProTools LE, however the material discussed is applicable and can be used with any sampler. The companion website has exclusive material including a comprehensive comparison of the different hardware software available, as well as audio examples and video clips from each stage of the process
Audio Source Separation (Signals And Communication Technology)
by Shoji MakinoOffers the first comprehensive treatment of audio source separation based on non-negative matrix factorization, deep neural network, and sparse component analysis.<P><P> Describes fundamentals and application of state-of-the-art audio source separation techniques.<P> Presents a comprehensive, authoritative, and accessible treatment to the subject matter.<P>This book provides the first comprehensive overview of the fascinating topic of audio source separation based on non-negative matrix factorization, deep neural networks, and sparse component analysis.<P> The first section of the book covers single channel source separation based on non-negative matrix factorization (NMF). After an introduction to the technique, two further chapters describe separation of known sources using non-negative spectrogram factorization, and temporal NMF models. In section two, NMF methods are extended to multi-channel source separation. Section three introduces deep neural network (DNN) techniques, with chapters on multichannel and single channel separation, and a further chapter on DNN based mask estimation for monaural speech separation. In section four, sparse component analysis (SCA) is discussed, with chapters on source separation using audio directional statistics modelling, multi-microphone MMSE-based techniques and diffusion map methods.<P> The book brings together leading researchers to provide tutorial-like and in-depth treatments on major audio source separation topics, with the objective of becoming the definitive source for a comprehensive, authoritative, and accessible treatment. This book is written for graduate students and researchers who are interested in audio source separation techniques based on NMF, DNN and SCA.
Audio Source Separation and Speech Enhancement
by Emmanuel Vincent Tuomas Virtanen Sharon GannotLearn the technology behind hearing aids, Siri, and Echo Audio source separation and speech enhancement aim to extract one or more source signals of interest from an audio recording involving several sound sources. These technologies are among the most studied in audio signal processing today and bear a critical role in the success of hearing aids, hands-free phones, voice command and other noise-robust audio analysis systems, and music post-production software. Research on this topic has followed three convergent paths, starting with sensor array processing, computational auditory scene analysis, and machine learning based approaches such as independent component analysis, respectively. This book is the first one to provide a comprehensive overview by presenting the common foundations and the differences between these techniques in a unified setting. Key features: Consolidated perspective on audio source separation and speech enhancement. Both historical perspective and latest advances in the field, e.g. deep neural networks. Diverse disciplines: array processing, machine learning, and statistical signal processing. Covers the most important techniques for both single-channel and multichannel processing. This book provides both introductory and advanced material suitable for people with basic knowledge of signal processing and machine learning. Thanks to its comprehensiveness, it will help students select a promising research track, researchers leverage the acquired cross-domain knowledge to design improved techniques, and engineers and developers choose the right technology for their target application scenario. It will also be useful for practitioners from other fields (e.g., acoustics, multimedia, phonetics, and musicology) willing to exploit audio source separation or speech enhancement as pre-processing tools for their own needs.
Audio Technology, Music, and Media: From Sound Wave to Reproduction
by Julian AshbournThis book provides a true A to Z of recorded sound, from its inception to the present day, outlining how technologies, techniques, and social attitudes have changed things, noting what is good and what is less good. The author starts by discussing the physics of sound generation and propagation. He then moves on to outline the history of recorded sound and early techniques and technologies, such as the rise of multi-channel tape recorders and their impact on recorded sound. He goes on to debate live sound versus recorded sound and why there is a difference, particularly with classical music. Other topics covered are the sound of real instruments and how that sound is produced and how to record it; microphone techniques and true stereo sound; digital workstations, sampling, and digital media; and music reproduction in the home and how it has changed. The author wraps up the book by discussing where we should be headed for both popular and classical music recording and reproduction, the role of the Audio Engineer in the 21st century, and a brief look at technology today and where it is headed. This book is ideal for anyone interested in recorded sound. “[Julian Ashbourn] strives for perfection and reaches it through his recordings… His deep knowledge of both technology and music is extensive and it is with great pleasure that I see he is passing this on for the benefit of others. I have no doubt that this book will be highly valued by many in the music industry, as it will be by me.” -- Claudio Di Meo, Composer, Pianist and Principal Conductor of The Kensington Philharmonic Orchestra, The Hemel Symphony Orchestra and The Lumina Choir
Audio, Video, and Media in the Ministry (Nelson's Tech Guides)
by Clarence Floyd RichmondIn a worship service, a great measure of responsibility rests on those who volunteer in the audio, video, and media ministries. When everything is going well, no one notices, but when the microphones don't work or the projected song lyrics aren't in sync, everyone does. A well-functioning audio, video, and media team can help the congregation enter into a deeper and more meaningful worship. Each area of AV ministry is included: sound, projection, lighting, audio, video, broadcast, and web. The book also provides tips and instructions on selecting equipment and the set-up, storage, operation, and maintenance of it. Other leadership topics such as trouble-shooting problems in rehearsal and during services as well as tips for working with ministry leaders, musicians, and fellow congregants are discussed. If you're a new volunteer to this ministry or just wanting a topical refresher, this handbook is the perfect guide for you.
Audio-Vision: Sound On Screen
by Michel ChionMichel Chion’s landmark Audio-Vision has exerted significant influence on our understanding of sound-image relations since its original publication in 1994. Chion argues that sound film qualitatively produces a new form of perception. Sound in audiovisual media does not merely complement images. Instead, the two channels together engage audio-vision, a special mode of perception that transforms both seeing and hearing. We don’t see images and hear sounds separately—we audio-view a trans-sensory whole.In this updated and expanded edition, Chion considers many additional examples from recent world cinema and formulates new questions for the contemporary media environment. He takes into account the evolving role of audio-vision in different theatrical environments, considering its significance for music videos, video art, commercial television, and the internet, as well as conventional cinema. Chion explores how multitrack digital sound enables astonishing detail, extending the space of the action and changing practices of scene construction. He demonstrates that speech is central to film and television and shows why “audio-logo-visual” is a more accurate term than “audiovisual.” Audio-Vision shows us that sound is driving the creation of a sensory cinema.This edition includes a glossary of terms, a chronology of several hundred significant films, and the original foreword by sound designer, editor, and Oscar honoree Walter Murch.
Audio Visual Aids Physical Science Education
by P.N. LAKSHMI SHANMUGAMThis book “Audiovisual aids” provides an essential resource for the better knowledge about the use of Audio-Visual Aids in Physical Science Education. It is useful for teachers to maintain the level of attention and motivation ie. Oral to visual, oral to oral-visual and visual to oral-visual. Sensory aids help the teachers to arrange more effective environments for learning. Visual aids like the chalkboard, bulletin board, magnetic board, flannel board, chart, flash cards, graph, poster, models, and diorama (non projected aids) and filmstrips, slides, OHP sheets (Projected aids) help the imaginative teachers to communicate the concepts clearly. Aural aids like radio and tape-recorder and audio-visual aids like computer, TV, and multimedia help the teachers in achieving teaching excellence.
Audio-Visual Industries and Diversity: Economics and Policies in the Digital Era (Routledge Studies in Media and Cultural Industries)
by Luis A. Albornoz Ma. Trinidad García LeivaThis book reflects critically on issues of diversity, access, and the expansion of digital technologies in audio-visual industries, particularly in terms of economics and policies. It brings together specialists in cultural diversity and media industries, presenting an international and interdisciplinary collection of essays that draw from different fields of studies – notably Communication, Economics, Political Science and Law. Among the topics discussed are: the principle of diversity as a goal of cultural and communication policies, the assessment of the UNESCO Convention on Cultural Diversity, free trade agreements and the conception of cultural goods and services they advance, the challenges faced by the production, circulation and consumption of cultural content through the Internet, the role algorithms play in the organization and functioning of online platforms, Netflix and the hegemony of global media. The approach is a critical understanding of audio-visual diversity, that aims to transcend specific issues like media ownership, ideas portrayed or modes of consumption as such, to focus on a more balanced distribution of communicative power. This volume is an essential read for scholars and researchers in Communication Studies, Economy of Culture, International Relations and International Law, as well as policy makers, journalists specialized in media and culture, and managers of public and private institutions involved in the development of cultural and communication policies. Postgraduate students will find it a key reference point.
Audio Visualization Using ThMAD
by Peter SpäthLearn how to use Thinking Machine Audio Dreams (ThMAD), a realtime audio visualization engine for Ubuntu Linux. This book bridges the gap between programmers and artists. Both artists and developers with an inclination towards arts will profit from this book since it is a combination of a hands-on tutorial, manual, and reference, with many illustrations that accompany the explanations and tutorials.You'll learn the basics of ThMAD's open source software suite and then start experimenting and building your own rendering pipelines to create audio visualizations. You'll see how to soundly use all ThMAD's GUI functionalities, and all modules are provided in a way that will serve both intellectual curiosity and professional needs. The examples that are used as part of the software, and the tutorials included in the book, will serve as a solid basis for your own experiments.What You'll LearnUse the ThMAD software, all GUI functionalities, and all modulesDevelop your own audio visualization projectsExplore the program operations for ThMAD Artiste and ThMAD Player, including all possible options for controlling program operations.Who This Book Is ForVisual artists with some IT background, or developers with artistic inclinations. Development experience is not required, but surely helpful.
Audio-Visuelle Tropen: Die Rhetorik von ‚Nahrungs-Aufnahmen‘ im Dokumentarischen
by Markus KügleIn diesem Buch werden Dokumentarfilme analysiert, welche prominent die zeitgenössische Ernährung zum Thema haben. Die audiovisuelle Dokumentation wird dabei als Argumentation begriffen, das Zusammenspiel von bestimmten Inszenierungs-Modi in Sachen Bewegtbild und Ton als rhetorische Figuren, genauer als Tropen, welche jeweils bestimmte Persuasionen zu evozieren imstande sind. Frei nach Ansätzen aus dem Bereich der Neuen Rhetorik und der Psychoanalytischen Filmtheorie (u. a. Christian Metz) wird ein Modell, bestehend aus Metonymie, Synekdoche, Metapher, Katachrese und Ironie, entwickelt, um klären zu können, wie ‚Nahrungs-Aufnahmen‘ argumentationstechnisch oder vielmehr sophistisch, wenn nicht gar rabulistisch funktionieren.
Audio Watermark: A Comprehensive Foundation Using MATLAB
by Yiqing Lin Waleed H. AbdullaThis book illustrates the commonly used and novel approaches of audio watermarking for copyrights protection. The author examines the theoretical and practical step by step guide to the topic of data hiding in audio signal such as music, speech, broadcast. The book covers new techniques developed by the authors are fully explained and MATLAB programs, for audio watermarking and audio quality assessments and also discusses methods for objectively predicting the perceptual quality of the watermarked audio signals. Explains the theoretical basics of the commonly used audio watermarking techniques Discusses the methods used to objectively and subjectively assess the quality of the audio signals Provides a comprehensive well tested MATLAB programs that can be used efficiently to watermark any audio media
Audio Wiring Guide: How to wire the most popular audio and video connectors
by John HechtmanWhether you're a pro or an amateur, a musician or into multimedia, you can't afford to guess about audio wiring. The Audio Wiring Guide is a comprehensive, easy-to-use guide that explains exactly what you need to know. No matter the size of your wiring project or installation, this handy tool provides you with the essential information you need and the techniques to use it. Using The Audio Wiring Guide is like having an expert at your side. By following the clear, step-by-step directions, you can do professional-level work at a fraction of the cost. Every step is clearly explained and photo-illustrated. All the common audio connectors are covered as well as most special-use multimedia connectors. It is the perfect guide to keep by your side in the studio or on the road.