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Art and Faith: Letters between Jacques Maritain and Jean Cocteau
by Jean Cocteau Jacques MaritainThe meaning of poetry and the sociological and political significance of art are dealt with in these letters.
Art and Faith: Letters between Jacques Maritain and Jean Cocteau
by Jean Cocteau Jacques MaritainThe meaning of poetry and the sociological and political significance of art are dealt with in these letters.
Art and Poetry
by Jacques MaritainOriginally titled Frontières de la Poésie (1935), this book by Jacques Maritain, whose philosophical writings read as interestingly as a novel, will be welcomed by all who are seeking a better understanding of the art of our time. The book delves into Maritain's thoughts on the nature and subjectivity of art and poetry. As a philosopher, Maritain attempts to define the two concepts, describing art and poetry as virtues, and as being primarily concerned with beauty. Rather than focus on aesthetic theory, Maritain examines the concepts at a more tangible level, including a discussion of how they are made. The principles established with such precision and brilliance in his earlier work, Art and Scholasticism, which has had such a deep influence on contemporary artists, are successfully put to the test in illuminating the creative works of such diverse artists as Georges Rouault, Marc Chagall, Gino Sevirini, and Arthur Lourie.
Art and Poetry
by Jacques MaritainThe French philosopher&’s treatise on the nature of art and poetry includes enlightening critiques of major painters and dialogues with notable writers.Originally published in 1935 with the title Frontières de la Poésie, this work by Jacques Maritain explores the nature and subjectivity of art and poetry. As a philosopher, Maritain attempts to define the two concepts, describing them as virtuous, being primarily concerned with beauty. Rather than focusing on aesthetic theory, Maritain examines his ideas at a more tangible level, including a discussion of how art and poetry are produced.Art and Poetry further develops the principles established in Maritain&’s earlier work, Art and Scholasticism, which has deeply influenced contemporary artists. Those concepts are employed here to illuminate the creative works of such diverse artists as Georges Rouault, Marc Chagall, Gino Severini, and Arthur Lourié. Maritain also relates fascinating dialogues with notable authors such as André Gide, Jean Cocteau, and others.
Artemis Made Me Do It (Myth and Magick #2)
by Trista MateerBestselling and award-winning author Trista Mateer returns with another magical approach to self-care in her newest goddess-themed poetry collection, Artemis Made Me Do It. Using the framework of tarot and conversation, Mateer approaches myth through a witchcraft-inspired lens and uses it to explore timeless issues like burnout, survival, trauma, and the restorative power in taking control of your own lore. Artemis speaks to what is wild and untamed in all of us, and in this new collection, she asks for a moment of calm. This is the second book in the Myth & Magick series, which also includes Aphrodite Made Me Do It and Persephone Made Me Do It.
Arthur Hugh Clough: Everyman's Poetry (Everyman's Poetry Ser.)
by Arthur Hugh Clough John BeerPoems of religious doubt and closely-observed uncertainties, expressing the wants and feelings of man and women everywhere.
Arthur Hugh Clough: Selected Poems
by Arthur Hugh CloughPoems of religious doubt and closely-observed uncertainties, expressing the wants and feelings of man and women everywhere.
Arthur O'Shaughnessy, A Pre-Raphaelite Poet in the British Museum (Among the Victorians and Modernists)
by Jordan KistlerArthur O'Shaughnessy's career as a natural historian in the British Museum, and his consequent preoccupation with the role of work in his life, provides the context with which to reexamine his contributions to Victorian poetry. O'Shaughnessy's engagement with aestheticism, socialism, and Darwinian theory can be traced to his career as a Junior Assistant at the British Museum, and his perception of the burden of having to earn a living outside of art. Making use of extensive archival research, Jordan Kistler demonstrates that far from being merely a minor poet, O'Shaughnessy was at the forefront of later Victorian avant-garde poetry. Her analyses of published and unpublished writings, including correspondence, poetic manuscripts, and scientific notebooks, demonstrate O'Shaughnessy's importance to the cultural milieu of the 1870s, particularly his contributions to English aestheticism, his role in the importation of decadence from France, and his unique position within contemporary debates on science and literature.
Arthurian Romances
by Chrétien de TroyesTaking the legends surrounding King Arthur and weaving in new psychological elements of personal desire and courtly manner, Chrétien de Troyes fashioned a new form of medieval Romance. The Knight of the Cart is the first telling of the adulterous relationship between Lancelot and Arthur's Queen Guinevere, and in The Knight with the Lion Yvain neglects his bride in his quest for greater glory. Erec and Enide explores a knight's conflict between love and honour, Cligés exalts the possibility of pure love outside marriage, while the haunting The Story of the Grail chronicles the legendary quest. Rich in symbolism, these evocative tales combine closely observed detail with fantastic adventure to create a compelling world that profoundly influenced Malory, and are the basis of the Arthurian legends we know today.
Articulations of Resistance: Transformative Practices in Contemporary Arab-American Poetry (Routledge Research in American Literature and Culture)
by Sirene HarbUsing a theoretical framework located at the intersection of US ethnic studies, transnational studies, and postcolonial studies, Articulations of Resistance: Transformative Practices in Arab-American Poetry maps an interdisciplinary model of critical inquiry to demonstrate the intimate link and multilayered connections between poetry and resistance. In this study of contemporary Arab-American poetry, Sirène Harb analyzes how resistance, defined as the force challenging the dominant, intervenes in ways of rethinking the local and the global vis-à-vis traditional paradigms of time, space, language and value.
Artificial Cherry
by Billeh NickersonBilleh Nickerson is one of Canada's showiest poets; his work is colorful, witty, and wise, with undertones of sexy. Alternating between outlandish and poignant, Artificial Cherry heralds the return of Billeh's cheeky/sweet sensibilities. From Elvis Presley and glass eyes to phantom lovers and hockey haiku, you're never quite sure where Billeh will take you, but the outcomes are always worth the ride.Billeh Nickerson is the author of three previous poetry collections, including Impact: The Titanic Poems, and co-editor of Seminal: The Anthology of Canada's Gay Male Poets. He teaches creative writing at Kwantlen Polytechnic University.
Arts of a Cold Sun: POEMS
by G. E. MurrayIn these poems, G. E. Murray blends the colors of the soul with those of the world it brushes up against, exploring the ways in which art, both as possession and possessor, informs perception. Viewing his subjects sometimes from airplane altitude, sometimes from the intimacy of a shared restaurant table, Murray crafts "true stories about color," narratives of dislocation and belonging that invite readers to question their own relationship to art. Included in this volume is a long sequential poem titled "The Seconds," which Murray composed across the second days of thirteen months. The rhythms of this diary-as-poem seize the tensions of shifting times and locales, capturing the essences of moments that are at once chosen and arbitrary. "Codes toward an Incidental City," the sequence that closes the book, is a confederacy of forty poems that delve into the concrete familiarities and mythologies of urban landscapes, illuminating the ecstasies of city life.
Arvind Krishna Mehrotra: Selected Poems and Translations
by Arvind Krishna MehrotraA one-of-a-kind collection of work by one of India's best contemporary poets.Arvind Krishna Mehrotra is one of the most celebrated Indian poets writing in English and an important translator from Indian languages, but until now his work has rarely been available in the United States and Britain. Mehrotra&’s poetry combines the commonplace and the strange, the autobiographical and the fabulous, and reflects an intense and original engagement with American poetry, especially the work of William Carlos Williams and the Beats. This book provides a comprehensive picture of Mehrotra&’s achievements as a poet and translator and includes a striking new poetic sequence.
As Does New Hampshire: And Other Poems
by May SartonMay Sarton&’s exquisitely rendered tribute to her home state Over the course of her career, May Sarton wrote on a range of topics and places in both prose and poetry, and traveled across the world in search of new subjects. There is, however, one place that she always returned to in the end: Nelson, New Hampshire. Written in honor of the town&’s bicentennial, As Does New Hampshire follows the course of a year in this rural hamlet. Sarton gracefully describes the ever-present role of nature, which always reminds humans that their presence on earth is temporary. She conveys both the beauty and the difficulty of a New England winter, and the full bloom of spring and summer. Above all, though, As Does New Hampshire is a lasting tribute not only to Sarton&’s home, but to the greater concept of home found in the heart of every reader.
As Earth Begins to End: New Poems
by Patricia GoedickeThe poems in this collection were written when the author was caring for her husband through his final illness. They reflect the pain of loss and the harsh realities of a marriage that was often filled with strife. Though many of these poems are dark in tone, filled with nightmare images, there are refreshingly bright moments. In one Goedicke describes dancing with her cat in the early-morning kitchen.
As Ever
by Joanne KygerThis collection of Joanne Kyger's work reveals her as one of the major experimenters, hybridizers, and visionaries of poetry. Kyger is a poet of place, with a strong voice-delicate, graceful, and never wasteful; her poems explore themes of friendship, love, community, and morality and draw on Native American myth as well as Asian religion and philosophy. Kyger's love for poetry manifests itself in a grander scheme of consciousness-expansion and lesson, but always in the realm of the everyday. Edited with a foreword by Michael Rothenberg, and with an introduction by poet David Meltzer, this book is a marvelous overview of a wonderfully challenging and important poet. .
As Far As You Know
by A.F. MoritzFrom one of the defining poets of his generation, a new collection that plumbs the depth of beauty, history, responsibility, and love.As Far As You Know, acclaimed poet A. F. Moritz’s twentieth collection of poems, begins with two sections entitled “Terrorism” and “Poetry.” The book unfolds in six movements, yet it revolves around and agonizes over the struggle between these two catalyzing concepts, in all the forms they might take, eventually arguing they are the unavoidable conditions and quandaries of human life.Written and organized chronologically around before and after the poet’s serious illness and heart surgery in 2014, these gorgeously unguarded poems plumb and deepen the reader’s understanding of Moritz’s primary and ongoing obsessions: beauty, impermanence, history, social conscience and responsibility, and, always and most urgently, love. For all its necessary engagement with worry, sorrow, and fragility, As Far As You Know sings a final insistent chorus to what it loves: “You will live.”
As If It Were: Poems
by Fred ChappellInspired by ancient, modern, and contemporary writings, Fred Chappell’s sprightly new collection of verse, As If It Were, presents tales, anecdotes, pointed stories, and aphorisms to spark the conscience of readers young and old. Playful and even zany, the humor in these poems pulls readers into a world filled with noble lions, crafty foxes, predacious wolves, longsuffering asses, and fashionable peacocks. Chappell illustrates how the fable offers a timeless form of wisdom, surprising us with revelations that challenge what we think we already know, along with fresh observations of daily experiences. With its informal, even nonchalant tone of address and lush, polished language, As If It Were endows homespun materials with alchemical insights.
As We Know: Poems
by John AshberyDating from one of the most studied creative periods of John Ashbery&’s career, a groundbreaking collection showcasing his signature polyphonic poem &“Litany&” First published in 1979, four years after Ashbery&’s masterpiece Self-Portrait in a Convex Mirror, the poems in As We Know represent the great American poet writing at the peak of his experimental powers. The book&’s flagship poem, the seventy-page &“Litany,&” remains one of the most exciting and challenging of Ashbery&’s career. Presented in two facing columns, the poem asks to be read as independent but countervailing monologues, creating a dialogue of the private and the public, the human and the divine, the real and the unreal—a wild and beautiful conversation that contains multitudes. As We Know also collects some of Ashbery&’s most witty, self-reflexive interrogations of poetry itself, including &“Late Echo&” and &“Five Pedantic Pieces&” (&“An idea I had and talked about / Became the things I do&”), as well as a wry, laugh-out-loud call-and-response sequence of one-line poems on Ashbery&’s defining subject: the writing of poetry (&“I Had Thought Things Were Going Along Well / But I was mistaken&”). Perhaps the most admired poem in this much-discussed volume is &“Tapestry,&” a measured exploration of the inevitable distance that arises between art, audience, and artist, which the critic Harold Bloom called &“an &‘Ode on a Grecian Urn&’ for our time.&” Built of doubles, of echoes, of dualities and combinations, As We Know is the breathtaking expression of a singular American voice.
As horas são euros atirados a um banco
by Mois BenarrochÚltimo livro de Benarroch em Espanhol, com poemas curtos, alguns deles publicados directamente no Twitter nos últimos anos.
As the Crow Flies
by Judith ShepardA collection of poems by Judith Shepard, co-publisher at The Permanent Press.
Asbestos Heights
by David McgimpseyIf you tore off the tops of canola -- yellow canola flowers -- would you jump in a tub of canola margarine just to make the best of despair? Implored by concerned readers to be 'classy’ and 'real’ for once, David McGimpsey has composed a sequence of canonical notebooks on all things 'poetic’ and 'poetical. ’ Birds! Flowers! History! Sad leaders! The word 'aubade’! They’re all here, in a serial, State Fair-bound collection of lyrics set in the workingclass belvedere of Asbestos Heights. Among the refreshing lemonlime sodas of the world and the rousing lyrics to 'Bootylicious,’ Asbestos Heights amps up McGimpsey’s trademark sideswiping of formal rhetoric and prosody with pop savoir faire to ?nd his boldest collection. Imagine Petrarch in a Tweet war about where to buy a good pair of dad jeans. Imagine Yeats but with a lot fewer swans. Imagine a poet who was told long ago that nothing good ever comes out of a place like Asbestos Heights. 'David McGimpsey is unfuckwithable, poetry-wise, and I'll stand on John Ashbery's coffee table in my cowboy boots and say that. ' -- Michael Robbins David McGimpsey is the author of several books of poetry and short fiction. His poetry has been shortlisted for the Governor General's Literary Award and the A. M. Klein Prize. He is also a musician, a fiction editor for Joyland, and his travel writing is a regular feature of enRoute magazine. He lives in Montréal, where he teaches creative writing and literature at Concordia University.
Ascent Of Mount Carmel
by St. John of the CrossI remained, lost in oblivion; My face I reclined on the Beloved. All ceased and I abandoned myself, Leaving my cares forgotten among the lilies." Thus writes 16th century Spanish poet and mystic, St. John of the Cross. In this, his third work, the author reflects on the nature of a personal union with Christ, found in the abandonment of self.
Ascetic Modernism in the Work of T S Eliot and Gustave Flaubert
by Henry Michael GottGott examines Eliot’s The Waste Land (1922) in conjunction with Gustave Flaubert’s La Tentation de Saint Antoine (1874). He provides a highly original reading of both texts and argues that a stylistic affinity exists between the two works.