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The Bungler
by Molière Richard Wilbur"A mischievous new translation by the poet Richard Wilbur, [The Bungler] is great good fun and should open the gate for the play to be presented with the regularity it deserves."--Bruce Weber, The New York Times"My notion of translation is that you try to bring it back alive. Speak-ability is so important. . . . I came to see that a line that simply says 'I love you,' at the right point in the show, is entirely adequate, that a great deal of verbal sophistication is not necessarily called for."--Richard WilburPoet Richard Wilbur's translations of Molière's plays are loved, renowned, and performed throughout the world. This volume is part of Theater Communications Group's new series (with cover designs by Chip Kidd) to complete trade publication of these vital works of French neoclassical comedy. The Bungler is Molière's first recognizably great play, and the first to be written in verse. The charming farce is set in Sicily and born of the great Italian tradition of the commedia dell'arte: Loyal valet Mascarille schemes to win the lovely Celie away from rival Leadre, and into the arms of his master Leslie. Molière himself originated the role Mascarille, self-described as "the rashest fool on earth," who naturally bungles the job along the way.Richard Wilbur is a two-time Pulitzer Prize winner and a former Poet Laureate of the United States. His publications include six volumes of poetry and two collections of selected verses, a collection of prose, and two books for children.
The Burden of Rhyme: Victorian Poetry, Formalism, and the Feeling of Literary History
by Naomi LevineA major new account of Victorian poetry and its place in the field of literary studies. The Burden of Rhyme shows how the nineteenth-century search for the origin of rhyme shaped the theory and practice of poetry. For Victorians, rhyme was not (as it was for the New Critics, and as it still is for us) a mere technique or ahistorical form. Instead, it carried vivid historical fantasies derived from early studies of world literature. Naomi Levine argues that rhyme’s association with the advent of literary modernity and with a repertoire of medievalist, Italophilic, and orientalist myths about love, loss, and poetic longing made it a sensitive historiographic instrument. Victorian poets used rhyme to theorize both literary history and the most elusive effects of aesthetic form. This Victorian formalism, which insisted on the significance of origins, was a precursor to and a challenge for twentieth-century methods. In uncovering the rich relationship between Victorian poetic forms and a forgotten style of literary-historical thought, The Burden of Rhyme reveals the unacknowledged influence of Victorian poetics—and its repudiation—on the development of modern literary criticism.
The Burning Alphabet
by Barry DempsterThe Burning Alphabet confirms and extends Barry Dempster’s reputation as one of Canada’s most respected poets. Underpinning these poems, as in his previous work, there lies an unswerving dedication to emotional and spiritual honesty, clear-eyed recognitions rendered without pomp. In one section, "Sick Days", he focuses on that "other place" of chronic illness. Other poems present arguments against suicide, and explore the tropical wonders of a woman’s closet. The closing section renders, with great candour and poignancy, the powerful love-hate relationship with an aging father. Dempster writes as though it were simply natural to have speech and song cohabit with such grace. In the thick of night, when we're dreaming of corridors and Dali clocks, the soft brown bodies of bucks and does are basking in our moonlight, nibbling on the last of our lettuce leaves, scratching impressions in our sand. They are the children we wish we'd had, fleeting images of ourselves before inner lives grew blotchy, eyes heavy with 10 p.m. cop shows and those blessedly nonsensical dreams. …From "Deer""In The Burning Alphabet, mood, with all its elaborate subtleties and manifestations, both in sickness and in health, constitutes a metaphysics. I feel as though I've lived an entire inner life in these pages, wrenching, dark, and amazingly sweet." – Roo Borson. Shortlisted for the Governor General’s Award for Poetry 2005; Winner of the CAA Jack Chalmers Poetry Award.
The Burning Season
by Caroline Starr RoseIn this riveting coming-of-age survival story in verse perfect for fans of Alan Gratz, a fire lookout-in-training must find her courage when a wildfire breaks out on her watch.Twelve-year-old Opal has a secret: she&’s deathly afraid of fire. Still Opal is preparing to become a fourth-generation lookout on Wolf Mountain, deep in the New Mexico wilderness. She, Mom, and Gran live at ten thousand feet in a single room at the top of a fire tower. They are responsible for spotting any hint of smoke before it becomes an uncontrollable blaze. Instead of training for the lonely life of a lookout, Opal wishes she could be starting seventh grade in Silver City, attending real classes with kids her own age and even going to afterschool clubs like FFA. But Wolf Mountain has other ideas. When Mom makes the long trek to town for supplies and Gran goes missing, Opal is the only one to spot a tell-tale spiral of smoke moving up the mountainside. She&’ll have to be braver than she&’s ever been as she heads into the woods, beyond Wolf Ridge&’s old blackened burn scar, to face down a fire on her own. But when a fire is what took her father away, and Opal herself knows the sting of smoke and lick of flames, how can she be brave enough when it really counts?
The Business
by Stephanie LenoxWinner of the 2015 Colorado Prize for Poetry. What does it mean to work in the age of the cubicle? The Business takes on the modern workplace with sharp-witted poems that sting like a paper cut. A former secretary, Stephanie Lenox positions herself as a poetic note-taker of the mundane. Organized by the classical components of Greek tragedy, these poems enact the relationships, heartbreaks, and small heroic efforts that make up our working lives. Think there's nothing poetic about annoying coworkers, endless meetings, and stained coffee mugs? Think again. While tragedy provides the organizational structure for this collection, humor plays a central role. This collection transforms office politics and paper clips into a funny and critical examination of the mortal rat race. If you've ever been fired, let go, unemployed, underemployed, or overlooked, these poems are for you. Begun on stolen reams of printer paper, this book reclaims the hours of our lives we give, out of necessity, to others in order to survive.
The Business of Fancydancing: Stories and Poems
by Sherman AlexieEarlier stories and poemsabout life on the Spokane Indian Reservation and the lives of American Indians in the Northwest from the author of numerous books and screenplays, including "Smoke Signals."
The Butter Battle Book
by Dr SeussDr. Seuss chronicles the feud between the Yooks and the Zooks from slingshots through sophisticated weaponry, until each side has the capacity to destroy the world.
The Butterfly Babies' Book
by Elizabeth GordonTo Mrs. Nettle, rough but kind,Red Admirals leave their babes to mind,And spend the golden summer hoursAmong the lovely garden flowers.Beautiful full-color illustrations and amusing verses recapture the magic and wonder of butterflies in this antique book from 1914. All of the baby butterfly characters are based on real species, and the text cites their common and scientific names and identifies the flowers and trees where they find food and shelter.
The Butterfly Effect
by Susan HawthorneThe flap of a butterfly's wing in one part of the world can cause devastating storms on the other side, just as the word "lesbian"--a force full of vitality and world-changing creativity--can destroy families and bring down governments. Evoking the ancient worlds of pre-Vedic and Sapphic lovers, medieval jonglaresas, and nuns "fingering petals and hips," as well as the contemporary world of circuses, global politics, friendship, betrayal, and death, the poems in this collection fold in on themselves, exploding into concentric rings of meaning, rich in symbol and metaphor.
The Butterfly Jar
by Jeff MossJeff Moss, one of the original creators of the award-winning Sesame Street, in collaboration with illustrator Chris Demarest, has created this "offering of upbeat poetry that includes the serious and the silly." -- Booklist.From the Hardcover edition.
The Butterfly's Way
by Edwidge DanticatIn five sections—Childhood, Migration, Half/First Generation, Return, and Future—the thirty-three contributors to this anthology write movingly, often hauntingly, of their lives in Haiti and the United States. Their dyaspora, much like a butterfly's fluctuating path, is a shifting landscape in which there is much travel between two worlds, between their place of origin and their adopted land. <P><P> This compilation of essays and poetry brings together Haitian-Americans of different generations and backgrounds, linking the voices for whom English is a first language and others whose dreams will always be in French and Kreyòl. Community activists, scholars, visual artists and filmmakers join renowned journalists, poets, novelists and memoirists to produce a poignant portrayal of lives in transition. <P><P> Edwidge Danticat, in her powerful introduction, pays tribute to Jean Dominique, a sometime participant in the Haitian dyaspora and a recent martyr to Haiti's troubled politics, and the many members of the dyaspora who refused to be silenced. Their stories confidently and passionately illustrate the joys and heartaches, hopes and aspirations of a relatively new group of immigrants belonging to two countries that have each at times maligned and embraced them.
The Cabinetmaker's Window: Poems (Southern Messenger Poets)
by Steve Scafidi"Dying never / ends for us. It only slowly rearranges us," writes Steve Scafidi in his poignant new collection. Inspired by his own work as a cabinetmaker -- defined by the peppery dust from the woodworker planing a walnut board, turning an oak spindle at the lathe, or honing chisels while gazing out a window -- Scafidi's poems reveal both the tenuous and the everlasting nature of existence.
The Cachoeira Tales and Other Poems: An Anthology of Revisionist Writings (L. E. Phillabaum Poetry Award Ser.)
by Marilyn NelsonSoaring images, rhythmic language, and wry humor come together in these three narrative poems that explore travel from an African American historical and social perspective. A cab ride turns into an amazing encounter with the driver, an amateur physicist whose ideas about space and time travel spark the poet's musings on chutzpah and artistic ambition. A trip to Triolet, a Creole village in the Indian Ocean island nation of Mauritius, leads the poet to ponder the past and present as she reflects on the ironic complexities of the slave trade and its legacy shared by so many peoples. And in "The Cachoeira Tales," longing to take her family on a journey to "some place sanctified by the Negro soul," the poet finds herself in Brazil's Bahia, along with a theater director, a jazz musician, a retired commercial pilot, an activist, a university student, and two mysterious African American women whom they meet along the way. In rhymed couplets, each pilgrim tells a story, and the result is a rollicking, sensual exploration of spirit and community, with a nod to Chaucer and to traditional Trickster tales. Using her remarkable ability to educate and inspire, Marilyn Nelson demonstrates the power of travel to transform our imaginations. We have long known that travel broadens; in these poems, it also deepens and makes wiser.Joined skin to skin, we moved like moleculesin the great, impossible miracleof atmosphere, swaying to the music,all eyes on the stage, all hearts attuningthemselves in beautiful polyrhythmy,one shaking booty. On one side of mea young man danced; I felt his muscled warmthflow into mine, his pure, sexual strength.On my other sides young women danced, whose curvesbumped me softly, dancing without reserve,hands waving in the air, releasing scentfragrant as nard. We danced in reverent,silent assent to the praise-song of drums.-- from "Olodum" of "The Cachoeira Tales"
The Caged Owl
by Gregory OrrGregory Orr's genius is the transformation of trauma into art. Whether writing about his responsibility for a brother's death during a hunting accident, drug addiction, or being jailed during the Civil Rights struggle, lyricism erupts in the midst of desolation and violence. Orr's spare, succinct poems distill myth from the domestic and display a richness of action and visual detail.This long-awaited collection is soulful work from a remarkable poet, whose poems have been described as "mystical, carnal, reflective, and wry." (San Francisco Review)"Love Poem"A black biplane crashes through the window of the luncheonette. The pilot climbs down, removing his leather hood. He hands me my grandmother's jade ring. No, it is two robin's eggs and a telephone number: yours.from "Gathering the Bones Together" A father and his four sons run down a slope toward a deer they just killed. the father and two sons carry rifles. They laugh, jostle, and chatter together. A gun goes off and the youngest brother falls to the ground. A boy with a rifle stands beside him, screaming..."Orr's is an immaculate style of latent violence and inhibited tenderness, charged with a desperate intensity whose source is often obscure."--The New York Times Book ReviewGregory Orr is the author of seven volumes of poetry and three books of criticism. He is the editor at Virginia Quarterly Review, teaches at the University of Virginia, and lives with his wife and daughters in Charlottesville. In 2002, along with his selected poems The Caged Owl, he will also publish a memoir and a book about poetry writing: Three Strange Angels: Trauma and Transformation in Lyric Poetry.Also Available by Gregory Orr: Orpheus & Eurydice: A Lyric Sequence
The Caiplie Caves: Poems
by Karen SolieThe award-winning poet Karen Solie’s striking fifth collection of poetry blends the story of a seventh-century monk with contemporary themes of economic class, environmentalism, and solitude in an ever-connected worldif one asks for a signmust one accept what’s given?Ethernan, an Irish missionary in the seventh century, retreated to the Caiplie Caves on the eastern coast of Scotland to consider life as a hermit. In The Caiplie Caves, Karen Solie’s fifth collection of poems, short-listed for the T. S. Eliot Prize, Solie inhabits a figure inspired by Ethernan, a man torn between the communal and the contemplative. His story is remarkable for the mysticism embedded in the ordinary; as Solie writes in her preface, Ethernan is not known for supernatural feats, but “is said to have survived for a very long time on bread and water.” Interwoven with the voice of this figure are poems whose subjects orbit the physical location of the caves and join the sharply contemporary to the mythic past: the fall of a coal-fired power station; a “druid shouting astrology” outside a liquor store, putting “the Ambien in ambience”; seabirds “frontloaded with military tech”; the dichotomous nature of the stinging nettle. These are meditations on the crisis of time and change, on class, power, and belief. Above all, these are ambitious and exhilarating poems from one of today’s most gifted poetic voices.
The Calamity Form: On Poetry and Social Life
by Anahid NersessianRomanticism coincided with two major historical developments: the Industrial Revolution, and with it, a turning point in our relationship to the earth, its inhabitants, and its climate. Drawing on Marxism and philosophy of science, The Calamity Form shines new light on Romantic poetry, identifying a number of rhetorical tropes used by writers to underscore their very failure to make sense of our move to industrialization. Anahid Nersessian explores works by Friedrich Hölderlin, William Wordsworth, John Keats, and others to argue that as the human and ecological costs of industry became clear, Romantic poetry adopted formal strategies—among them parataxis, the setting of elements side by side in a manner suggestive of postindustrial dissonance, and apostrophe, here an address to an absent or vanishing natural environment—as it tried and failed to narrate the calamities of capitalism. These tropes reflect how Romantic authors took their bewilderment and turned it into a poetics: a theory of writing, reading, and understanding poetry as an eminently critical act. Throughout, Nersessian pushes back against recent attempts to see literature as a source of information on par with historical or scientific data, arguing instead for an irreducibility of poetic knowledge. Revealing the ways in which these Romantic works are of their time but not about it, The Calamity Form ultimately exposes the nature of poetry’s relationship to capital—and capital’s ability to hide how it works.
The Call-Out: A Novel in Rhyme
by Cat FitzpatrickA fast-paced, debut tragicomedy of manners written in verse about queer (mostly trans) women that is funny, literary, philosophical, witty, sometimes bitchy and sometimes heartbreaking.Anvi, Kate, Bette, Keiko, Gaia, and Day are six queer, mostly trans women surviving and thriving in Brooklyn. Visiting all the fixtures of fashionable 21st century queer society—picnics, literary readings, health conferences, drag shows, punk houses, community accountability processes, Grindr hookups—The Call-Out also engages with pressing questions around economic precarity, sexual consent, racism in queer spaces, and feminist theory, in the service of asking what it takes to build, or destroy, a marginalized community. A novel written in verse, The Call-Out recalls the Russian literary classic Eugene Onegin, but instead of 19th century Russian aristocrats crudely solved their disagreements with pistols, the participants in this rhyming drama have developed a more refined weapon, the online call-out, a cancel-culture staple. In this passionate tangle of modern relationships, where a barbed tweet can be as dangerous as the narrator&’s bon-mots, Cat Fitzpatrick has fashioned a modern novel of manners that gives readers access to a vibrant cultural underground.
The Cambridge Companion to American Poetry since 1945
by Jennifer AshtonThe extent to which American poetry reinvented itself after World War II is a testament to the changing social, political, and economic landscape of twentieth-century American life. Registering an important shift in the way scholars contextualize modern and contemporary American literature, this Companion explores how American poetry has documented and, at times, helped propel the literary and cultural revolutions of the past sixty-five years. Offering authoritative and accessible essays from fourteen distinguished scholars, the Companion sheds new light on the Beat, Black Arts, and other movements while examining institutions that govern poetic practice in the United States today. The text also introduces seminal figures like Sylvia Plath, John Ashbery, and Gwendolyn Brooks while situating them alongside phenomena such as the "academic poet" and popular forms such as spoken word and rap, revealing the breadth of their shared history. Students, scholars, and readers will find this Companion an indispensable guide to post-war and late twentieth-century American poetry.
The Cambridge Companion to American Poets: The Cambridge Companion to American Poets
by Mark RichardsonThe Cambridge Companion to American Poets brings together thirty-one essays on some fifty-four American poets, spanning nearly 400 years, from Anne Bradstreet to contemporary performance poetry. This book also examines such movements in American poetry as modernism, the Harlem (or New Negro) Renaissance, 'confessional' poetry, the Black Mountain School, the New York School, the Beats, and L=A=N=G=U=A=G=E poetry. Its reputable host of contributors approach American poetry from perspectives as diverse as the poetry itself. The result is a Companion concise enough to be read with pleasure yet expansive enough to do justice to the many traditions American poets have modified, inaugurated, and made their own.
The Cambridge Companion to Andrew Marvell
by Derek Hirst Steven N. ZwickerAndrew Marvell is one of the greatest English lyric poets of the seventeenth century and one of its leading polemicists. This Companion brings a set of fresh questions and perspectives to bear on the varied career and diverse writings of a remarkable writer and elusive man. Drawing on important new editions of Marvell's poetry and of his prose, scholars of both history and literature examine Marvell's work in the contexts of Restoration politics and religion, and of the seventeenth-century publishing world in both manuscript and print. The essays, individually and collectively, address Marvell within his literary and cultural traditions and communities; his almost prescient sense of the economy and ecology of the country; his interest in visual arts and architecture; his opaque political and spiritual identities; his manners in controversy and polemic; the character of his erotic and transgressive imagination and his biography, still full of intriguing gaps.
The Cambridge Companion to Baudelaire
by Rosemary LloydCharles Baudelaire's place among the great poets of the Western world is undisputed, and his influence on the development of poetry since his lifetime has been enormous. In this Companion, essays by outstanding scholars illuminate Baudelaire's writing both for the lay reader and for specialists. In addition to a survey of his life and a study of his social context, the volume includes essays on his verse and prose, analyzing the extraordinary power and effectiveness of his language and style, his exploration of intoxicants like wine and opium, and his art and literary criticism. The volume also discusses the difficulties, successes and failures of translating his poetry and his continuing power to move his readers. Featuring a guide to further reading and a chronology, this Companion provides students and scholars of Baudelaire and of nineteenth-century French and European literature with a comprehensive and stimulating overview of this extraordinary poet.
The Cambridge Companion to British Poetry, 1945–2010.: The Cambridge Companion to British Poetry, 1945–2010
by Edward LarrissyThe Cambridge Companion to British Poetry, 1945–2010 brings together sixteen essays that explore the full diversity of British poetry since the Second World War, a period of significant achievement in which varied styles and approaches have flourished. As a comprehensive critical, literary-historical and scholarly guide, this Companion offers not only new readings of a wide range of poets but a detailed account of the contexts in which their verse was written and received. Focusing on famous and neglected names alike, from Dylan Thomas to John Agard, leading scholars provide readers with insight into the ongoing importance and profundity of post-war poetry.
The Cambridge Companion to British Romantic Poetry
by James Chandler Maureen N. MclaneMore than any other period of British literature, Romanticism is strongly identified with a single genre. Romantic poetry has been one of the most enduring, best loved, most widely read and most frequently studied genres for two centuries and remains no less so today. This Companion offers a comprehensive overview and interpretation of the poetry of the period in its literary and historical contexts. The essays consider its metrical, formal, and linguistic features; its relation to history; its influence on other genres; its reflections of empire and nationalism, both within and outside the British Isles; and the various implications of oral transmission and the rapid expansion of print culture and mass readership. Attention is given to the work of less well-known or recently rediscovered authors, alongside the achievements of some of the greatest poets in the English language: Wordsworth, Coleridge, Blake, Scott, Burns, Keats, Shelley, Byron and Clare.
The Cambridge Companion to Byron
by Drummond BoneByron's life and work have fascinated readers around the world for two hundred years, but it is the complex interaction between his art and his politics, beliefs and sexuality that has attracted so many modern critics and students. In three sections devoted to the historical, textual and literary contexts of Byron's life and times, these specially commissioned essays by a range of eminent Byron scholars provide a compelling picture of the diversity of Byron's writings. The essays cover topics such as Byron's interest in the East, his relationship to the publishing world, his attitudes to gender, his use of Shakespeare and eighteenth-century literature, and his acute fit in a post-modernist world. This Companion provides an invaluable resource for students and scholars, including a chronology and a guide to further reading.
The Cambridge Companion to Coleridge
by Lucy NewlynSamuel Taylor Coleridge is one of the most influential, as well as one of the most enigmatic, of all Romantic figures. The possessor of a precocious talent, he dazzled contemporaries with his poetry, journalism, philosophy and oratory without ever quite living up to his early promise, or overcoming problems of dependence and drug addiction. The Cambridge Companion to Coleridge does full justice to the many facets of Coleridge's life and work. Specially commissioned essays focus on his major poems, including The Rime of the Ancient Mariner and Christabel, his notebooks, and his major work of non-fiction the Biographia Literaria. Attention is given to his role as talker, journalist, critic, and philosopher, his politics, his religion, and his reputation in his own times and afterwards. A chronology and guides to further reading complete the volume, making this an indispensable guide to Coleridge and his work.