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The Cavalier Poets: An Anthology (Dover Thrift Editions: Poetry)
by Thomas CroftsIn the mid-seventeenth century, the poets associated with the court of Charles I of England, known as the Cavaliers, were strongly influenced by the classicism of Ben Jonson. Their verse, often concerned with the vagaries of love, is characteristically charming, witty, graceful, and elegant. This volume contains a rich sampling of more than 120 works by four Cavalier poets: Robert Herrick, Thomas Carew, Sir John Suckling, and Richard Lovelace.Included are such well-known gems as Herrick's "To the Virgins to Make Much of Time," ("Gather ye rosebuds while ye may"), Carew's "A Cruel Mistress," Suckling's "Why so pale and wan, fond lover?" and many more. Gathered in this inexpensive volume, this garland of memorable verse will delight any student of English literature or lover of fine poetry.
The Central Avenue Poetry Prize 2024 (The Central Avenue Poetry Prize #1)
by Beau AdlerA collaborative effort between poets from all corners of the world and all walks of life, The Central Avenue Poetry Prize presents a collection of poetry like no other. Rife with heartache, longing, laughter, and life, this book captures the spark of creativity and the vastness that is the human soul within its pages. This collection contains stories that are funny, some that are sad, some that are beautifulóand all that are true. Diverse in content and rich in talent, this is a testament to the art of poetry, and a reminder that the act of writing comes from the act of living, and when we create, we allow ourselves to see and be seen.
The Central Avenue Poetry Prize 2025 (The Central Avenue Poetry Prize)
by Beau AdlerThis second volume of The Central Avenue Poetry Prize offers a collection of depth and breadth from poets worldwide and of various backgrounds. Readers will find a tapestry of emotionsóheartache, longing, laughter, and the essence of life itselfóeach poem capturing human creativity and experience. From anecdotes to reflections, from tales of beauty to moments of raw truth, this collection serves as both a tribute to the art form and a poignant reminder that writing is an extension of livingóan act of expression that allows us to reveal ourselves and connect with others.
The Century: Poems
by Éireann LorsungA meticulously detailed catalogue of ordinary people performing acts of extraordinary violence, The Century charts an awakening to structures of dominance and violence. In the tradition of witness poetry, The Century tugs apart the quotidian horrors required to perpetuate acts of violence like the Holocaust, the deployment of nuclear weapons in Japan and Iraq, American slavery and its lingering aftermath. When Éireann Lorsung writes of death and dying, of &“bodies in the fields becoming the fields,&” it&’s the simplicity that&’s most haunting. After a fire, &“some of their skin moved off of them as they ran, a very / simple melting…&” But these poems don&’t just witness; they also resist and serve as models for resistant lives. Pushing back against form and grammar, constructions of time and geography, Lorsung traces decades of technological, geopolitical, and cultural shifts through generations and across continents as networks of dominance continue to be stubbornly upheld.The Century is evasive but thorny, splintering in the mind. This collection is a reminder that the arrival of each new century, decade, or year brings with it an invitation to join ongoing movements of resistance, air pockets of hope in the waters that we all swim or drown in.
The Certainty Dream
by Kate HallShortlisted for the 2010 Griffin Poetry Prize. Descartes asked, How can I know that I am not now dreaming? The Certainty Dream poses similar questions through poetry, but without the trappings of traditional philosophy. Kate Hall's bracingly immediate, insistently idiosyncratic debut collection lays bare the tricks and tools of her trade: a mynah bird perches in poems but 'stands for nightingale'; the poet's antelope turns transparent; she dresses up her orange trees with bark and leaves. As the dream world and the waking world blur, the body and the dimensions it inhabits become a series of overlapping circles, all acting as containers for both knowledge and uncertainty. At times disarmingly plainspoken, at others, singing with lyric possibility, these poems make huge associative leaps. Taken together, they present the argument that to truly 'know' something, one must first recognize its traces in something else.
The Chair
by Richard GarciaOne of America's foremost prose poets, Richard Garcia's The Chair simultaneously takes place in the natural world and a speculative world rich in the fabulist tradition: historical figures roam like ghosts, time is pulled and twisted, and narrative spins effortlessly out of language. A core of autobiography grounds these poems that are rife with surprises uniting the mythic and the everyday.Richard Garcia's awards include an NEA, a Pushcart Prize, and the American Poetry Journal Book Prize. He teaches creative writing in the Antioch University Los Angeles Low-Residency MFA program and lives on James Island, South Carolina.
The Challenge of Coleridge: Ethics and Interpretation in Romanticism and Modern Philosophy (Literature and Philosophy)
by David HaneyInterweaving past and present texts, The Challenge of Coleridge engages the British Romantic poet, critic, and philosopher Samuel Taylor Coleridge in a "conversation" (in Hans-Georg Gadamer’s sense) with philosophical thinkers today who share his interest in the relationship of interpretation to ethics and whose ideas can be both illuminated and challenged by Coleridge’s insights into and struggles with this relationship.In his philosophy, poetry, theology, and personal life, Coleridge revealed his concern with this issue, as it manifests itself in the relation between technical and ethical discourse, between fact and value, between self and other, and in the ethical function of aesthetic experience and the role of love in interpretation and ethical action.Relying on Gadamer’s hermeneutics to supply a framework for his approach, Haney connects Coleridge’s ideas with, among others, Emmanuel Levinas’s other-oriented notion of ethical subjectivity, Paul Ricoeur’s view about the other’s implication in the self, reinterpretations of Greek drama by Bernard Williams and Martha Nussbaum, and Gianni Vattimo's post-Nietzschean hermeneutics.Coleridge is treated not as a product of Romantic ideology to be deconstructed from a modern perspective, but as a writer who offers a "challenge" to our modern tendency to compartmentalize interpretive issues as a concern for literary theorists and ethical issues as a concern for philosophers. Looking at the two together, Haney shows through his reading of Coleridge, can enrich our understanding of both.
The Challenges of Orpheus: Lyric Poetry and Early Modern England
by Heather DubrowThis critical exploration of how we define lyric poetry is “thorough, penetrating, and on the cutting edge of contemporary scholarship” (Choice).As a literary mode “lyric” is difficult to define. The term is conventionally applied to brief, songlike poems expressing the speaker’s interior thoughts, but many critics have questioned the underlying assumptions of this definition. While many people associate lyric with the Romantic era, Heather Dubrow turns instead to the poetry of early modern England. The Challenges of Orpheus confronts widespread assumptions about lyric, exploring such topics as its relationship to its audiences, the impact of material conditions of production and other cultural pressures, lyric’s negotiations of gender, and the interactions and tensions between lyric and narrative.Dubrow offers fresh perspectives on major texts of the period—from Sir Thomas Wyatt’s “My lute awake” to John Milton’s Nativity Ode—as well as poems by lesser-known figures. She also extends her critical conclusions to poetry in other historical periods and to the relationship between creative writers and critics, recommending new directions for the study of lyric and of genre.A Choice Magazine Outstanding Academic Title
The Chamber of Maiden Thought: Literary Origins of the Psychoanalytic Model of the Mind (Psychology Revivals)
by Margot Waddell Meg Harris WilliamsLiterature is recognised as having significantly influenced the development of modern psychoanalytic thought. In recent years psychoanalysis has drawn increasingly on the literary and artistic traditions of western culture and moved away from its original medical–scientific context. Originally published in 1991 The Chamber of Maiden Thought (Keats's metaphor for 'the awakening of the thinking principle') is an original and revealing exploration of the seminal role of literature in forming the modern psychoanalytic model of the mind.The crux of the 'post-Kleinian' psychoanalytic view of personality development lies in the internal relations between the self and the mind's 'objects'. Meg Harris Williams and Margot Waddell show that these relations have their origins in the drama of identifications which we can see played out metaphorically and figuratively in literature, which presents the self-creative process in aesthetic terms. They argue that psychoanalysis is a true child of literature rather than merely the interpreter or explainer of literature, illustrating this with some examples from clinical experience, but drawing above all on close scrutiny of the dynamic mental processes presented in the work of Shakespeare, Milton, the Romantic poets, Emily Bronte and George Eliot.The Chamber of Maiden Thought will encourage psychoanalytic workers to respond to the influence of literature in exploring symbolic mental processes. By bringing psychoanalysis into creative conjunction with the arts, it enables practitioners to tap a cultural potential whose insights into the human mind are of immense value.
The Chameleon Couch: Poems
by Yusef KomunyakaaBeginning with "Canticle," this varied new collection often returns to the idea of poem as hymn, ethereal and haunting, as Komunyakaa reveals glimpses of memory, myth, and violence. With contemplations that spring up along walks or memories conjured by the rhythms of New York, Komunyakaa pays tribute more than ever before to those who came before him.
The Chameleon Poet: A Life of George Barker
by Robert FraserThe poet George Barker was convinced that his biography could never be written. 'I've stirred the facts around too much,' he told Robert Fraser. 'It simply can't be done.' Eliot wrote of his 'genius'. Yeats thought him the most interesting poet of his generation. Dylan Thomas envied his power over women. War trapped him in Japan. In America he conducted one of the most celebrated love affairs of the century. He fathered fifteen children in several countries, three during one battle-torn summer. By the 1950s he was the toast of Soho. Barker was Catholic and bohemian, frank and elusive, tender and boisterous. In Eliot's phrase, he was 'a most peculiar fellow.' Robert Fraser's biography offers both a portrait of a talented, tormented and irresistibly entertaining man, and a broad cultural landscape. Around the central figure cluster painters like Francis Bacon, Lucian Freud, Johnny Minton and the 'Roberts' Colquhoun and MacBryde; writers such as Dylan Thomas, Walter de la Mare and Elizabeth Smart, whose By Grand Central Station I Sat Down and Wept hymns their liaison; the lugubrious humorist Jeffrey Bernard. After closing time at the Colony Room, Minton declared, they had to sweep up the jokes.
The Chances of Rhyme: Device and Modernity
by Donald WeslingThis title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1980.
The Changing Light at Sandover: A Poem
by James MerrillJames Merrill&’s audacious and dazzling epic poem, The Changing Light at Sandover, remains as startling today as when it first emerged in separate volumes over a period of several years. Individual parts won the Pulitzer Prize and the National Book Award, and the entire poem, when it was collected into one volume in 1982, won the National Book Critics Circle Award. It is now an American classic, here in a definitive new hardcover edition that includes Voices from Sandover, Merrill&’s recasting of the poem for the stage. The book carries us to the scene of Merrill&’s Ouija board sessions with his partner, David Jackson—the candlelit Stonington dining room with its flame-colored walls and the famous Willowware cup they used as a pointer in their occult travels. In a shimmering interplay of verse forms, Merrill set down their extended conversations with their familiar and guide, Ephraim (a first-century Greek Jew), W. H. Auden, W. B. Yeats, Plato, a brilliant peacock named Mirabell, and other old friends who had passed to the other side. JM (whom the spirits call &“scribe&”) and DJ (&“hand&”) are also introduced to the lonely eminence God B (&“God Biology&”), his sister Mother Nature, and a host of angels and lesser residents of the empyrean who are variously involved in the ways of this world.The laughter, the missteps, and the schoolroom frustrations of the earthly pair&’s gradual enlightenment make this otherworldly journey, finally, and utterly human one. A unique exploration of the writer&’s role in a postatomic, postreligious age, Sandover has been compared to the work of Yeats, Proust, Milton, and Blake. Merrill&’s tale of the joys and tragedies of man&’s powers, and his message about the importance of our endangered efforts to make a good life on earth, will stand as one of the most profound experiences available to readers of poetry.
The Charge of the Light Brigade and Other Poems: And Other Poems (Dover Thrift Editions: Poetry)
by Alfred, Lord TennysonConsidered by Victorians as the finest contemporary poet, Alfred, Lord Tennyson (1809–1892) gained much critical favor for his mastery of poetic technique, high-mindedness, and superb natural description. This volume contains a representative selection of his best works, including the famous long narrative poem "Enoch Arden," as well as a number of important lyrics, monologues, ballads, and other typical pieces. Among these are "The Lady of Shalott," "The Beggar Maid," "The Charge of the Light Brigade," "Break, break, break," "Flower in the Crannied Wall," and "Ode on the Death of the Duke of Wellington." Also here are carefully chosen, uncut excerpts from three longer works: The Princess, "Maud," and "The Brook." With this inexpensive volume at their fingertips, students and lovers of poetry can enjoy a substantial sampling of Tennyson's still-admired, widely quoted verse.
The Chasers
by Renato RosaldoRenato Rosaldo's new prose poetry collection shares his experiences and those of his group of twelve Mexican American Tucson High School friends known as the Chasers as they grew up, graduated, and fell out of touch. Derived from interviews with the Chasers and three other friends conducted after their fiftieth high school reunion, Rosaldo's poems present a chorus of distinct voices and perspectives that convey the realities of Chicano life on the borderlands from the 1950s to the present.
The Chekhov Play: A New Interpretation
by Harvey PitcherThis title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1985.
The Children of Children Keep Coming
by Kim Bridgford Russell L GoingsThe Children of Children Keep Coming is an awe-inspiring contribution to literature. A breathtaking form of poetic expression, this unique work presents a riveting chronicle of the African American experience in the United States. The dramatic odyssey opens with two anonymous slaves running to catch the Freedom Train, where at journey's end they hope to find liberation. Along the way, they encounter fields of laborers sowing seeds, plodding hard under sun high and moon low, working to end slavery. The toilers are sustained by work songs that at one moment express the dreams and fears of the downtrodden and at another moment burst forth with unbound faith and optimism. These determined travelers, with dangerous crows circling around them, roam through fields holding their dead; step over graves of the once enslaved; walk across beds of red, white, and blue flowers, all for the opportunity to march on the green lawns of democracy. Throughout their entangled journey, they meet imaginary and mythological characters. But it is down by the riverside where their belief that a time of change will come is affirmed by engagements with "giants" such as Frederick Douglass, Billie Holiday, Hank Aaron, Sojourner Truth, and Rosa Parks. The Children of Children Keep Coming is strung seamlessly together -- by poetry and prose, blues and gospel, hymns and jazz, work songs and prayers -- forcing the universal harmony of the cry for freedom and justice to reach an unforgettable pitch that cannot be ignored. This astounding mosaic of voices is accentuated by the images of Romare Bearden.
The Children's Hour
by Henry Wadsworth Longfellow"Between the dark and the daylight, When the night is beginning to lower, Comes a pause in the day's occupation, That is known as the children's hour. ..." Other books by this author are available in this library.
The Chinese Written Character as a Medium for Poetry: A Critical Edition
by Jonathan Stalling Ernest Fenollosa Ezra Pound Lucas KleinFirst published in 1919 by Ezra Pound, Ernest Fenollosa’s essay on the Chinese written language has become one of the most often quoted statements in the history of American poetics. As edited by Pound, it presents a powerful conception of language that continues to shape our poetic and stylistic preferences: the idea that poems consist primarily of images; the idea that the sentence form with active verb mirrors relations of natural force. But previous editions of the essay represent Pound’s understanding—it is fair to say, his appropriation—of the text. Fenollosa’s manuscripts, in the Beinecke Library of Yale University, allow us to see this essay in a different light, as a document of early, sustained cultural interchange between North Americaand East Asia.Pound’s editing of the essay obscured two important features, here restored to view: Fenollosa’s encounter with Tendai Buddhism and Buddhist ontology, and his concern with the dimension of sound in Chinese poetry.This book is the definitive critical edition of Fenollosa’s important work. After a substantial Introduction, the text as edited by Pound is presented, together with his notes and plates. At the heart of the edition is the first full publication of the essay as Fenollosa wrote it, accompanied by the many diagrams, characters, and notes Fenollosa (and Pound) scrawled on the verso pages. Pound’s deletions, insertions, and alterations to Fenollosa’s sometimes ornate prose are meticulously captured, enabling readers to follow the quasi-dialogue between Fenollosa and his posthumous editor. Earlier drafts and related talks reveal the developmentof Fenollosa’s ideas about culture, poetry, and translation. Copious multilingual annotation is an important feature of the edition.This masterfully edited book will be an essential resource for scholars and poets and a starting point for a renewed discussion of the multiple sources of American modernist poetry.
The Choice of Achilles
by Susanne Lindgren WoffordThis book examines the ways that Classical and Renaissance epic poems often work against their expressed moral and political values. It combines a formal and tropological analysis that stresses difference and disjunction with a political analysis of the epic's figurative economy. It offers an interpretation of three epic poems - Homer's Iliad, Virgil's Aeneid, and Spencer's Faerie Queene - that focuses on the way these texts make apparent the aesthetic, moral, and political difference that constitutes them, and sketches, in conclusion, two alternative resolutions of such division in Milton's Paradise Lost and Cervantes' Don Quixote, an 'epic' in prose. The book outlines a theory of how and why epic narrative may be said to subvert certain of its constitutive claims while articulating a cultural argument of which it becomes the contradictory paradigm. The author focuses on the aesthetic and ideological work accomplished by poetic figure in these narratives, and understands ideology as a figurative, substitutive system that resembles and uses the system of tropes. She defines the ideological function of tropes in narrative and the often contradictory way in which narratives acknowledge and seek to efface the transformative functions of ideology. Beginning with what it describes as a dual tendency within the epic simile (toward metaphor in the transformations of ideology; toward metonymy as it maintains a structure of difference), the book defines the politics of the simile in epic narrative and identifies metalepsis as the defining trope of ideology. It demonstrates the political and poetic costs of the structural reliance of allegorical narrative on catachresis and shows how the narrator's use of prosopopoeia to assert political authority reshapes the figurative economy of the epic. The book is particularly innovative in being the first to apply to the epic the set of questions posed by the linking of the theory of rhetoric and the theory of ideology. It argues that historical pressures on a text are often best seen as a dialectic in which ideology shapes poetic process while poetry counters, resists, figures, or generates the tropes of ideology itself.