- Table View
- List View
The Chinese Written Character as a Medium for Poetry: A Critical Edition
by Jonathan Stalling Ernest Fenollosa Ezra Pound Lucas KleinFirst published in 1919 by Ezra Pound, Ernest Fenollosa’s essay on the Chinese written language has become one of the most often quoted statements in the history of American poetics. As edited by Pound, it presents a powerful conception of language that continues to shape our poetic and stylistic preferences: the idea that poems consist primarily of images; the idea that the sentence form with active verb mirrors relations of natural force. But previous editions of the essay represent Pound’s understanding—it is fair to say, his appropriation—of the text. Fenollosa’s manuscripts, in the Beinecke Library of Yale University, allow us to see this essay in a different light, as a document of early, sustained cultural interchange between North Americaand East Asia.Pound’s editing of the essay obscured two important features, here restored to view: Fenollosa’s encounter with Tendai Buddhism and Buddhist ontology, and his concern with the dimension of sound in Chinese poetry.This book is the definitive critical edition of Fenollosa’s important work. After a substantial Introduction, the text as edited by Pound is presented, together with his notes and plates. At the heart of the edition is the first full publication of the essay as Fenollosa wrote it, accompanied by the many diagrams, characters, and notes Fenollosa (and Pound) scrawled on the verso pages. Pound’s deletions, insertions, and alterations to Fenollosa’s sometimes ornate prose are meticulously captured, enabling readers to follow the quasi-dialogue between Fenollosa and his posthumous editor. Earlier drafts and related talks reveal the developmentof Fenollosa’s ideas about culture, poetry, and translation. Copious multilingual annotation is an important feature of the edition.This masterfully edited book will be an essential resource for scholars and poets and a starting point for a renewed discussion of the multiple sources of American modernist poetry.
The Choice of Achilles
by Susanne Lindgren WoffordThis book examines the ways that Classical and Renaissance epic poems often work against their expressed moral and political values. It combines a formal and tropological analysis that stresses difference and disjunction with a political analysis of the epic's figurative economy. It offers an interpretation of three epic poems - Homer's Iliad, Virgil's Aeneid, and Spencer's Faerie Queene - that focuses on the way these texts make apparent the aesthetic, moral, and political difference that constitutes them, and sketches, in conclusion, two alternative resolutions of such division in Milton's Paradise Lost and Cervantes' Don Quixote, an 'epic' in prose. The book outlines a theory of how and why epic narrative may be said to subvert certain of its constitutive claims while articulating a cultural argument of which it becomes the contradictory paradigm. The author focuses on the aesthetic and ideological work accomplished by poetic figure in these narratives, and understands ideology as a figurative, substitutive system that resembles and uses the system of tropes. She defines the ideological function of tropes in narrative and the often contradictory way in which narratives acknowledge and seek to efface the transformative functions of ideology. Beginning with what it describes as a dual tendency within the epic simile (toward metaphor in the transformations of ideology; toward metonymy as it maintains a structure of difference), the book defines the politics of the simile in epic narrative and identifies metalepsis as the defining trope of ideology. It demonstrates the political and poetic costs of the structural reliance of allegorical narrative on catachresis and shows how the narrator's use of prosopopoeia to assert political authority reshapes the figurative economy of the epic. The book is particularly innovative in being the first to apply to the epic the set of questions posed by the linking of the theory of rhetoric and the theory of ideology. It argues that historical pressures on a text are often best seen as a dialectic in which ideology shapes poetic process while poetry counters, resists, figures, or generates the tropes of ideology itself.
The Christmas Angels
by Claire FreedmanHush now, can you hear the angels singing? Sweetest songs of peace from heaven above, Christmas songs of hope and joy and wonder, Filling every happy heart with love. It's Christmas! As we count the days until that happy celebration, the angels share our special times of gladness, from blessing the falling snow to lighting up the starry sky.
The Christmas Bears
by Chris ConoverSanta Bear's seven cubs watch as their father loads the sleigh with toys to deliver on Christmas Eve.
The Christmas Story - In Rhyme!
by Laura ClarkeChildren will delight in this beautifully written retelling of the Christmas nativity story. Filled with stunning illustrations and written in engaging rhyming text, this book will become a cherished favourite, perfect for bedtime or sharing with others. Bringing the story of Jesus’ birth to life, it’s ideal for reading at churches, community gatherings, nursing homes, and Sunday school performances. From the divine visit of the angel Gabriel to Mary, to the birth of Jesus, the journey of the shepherds and the wise men, King Herod’s fury upon discovering that the ‘King of the Jews’ had been born, and the final exodus of Joseph, Mary, and Jesus to Egypt. This timeless story will captivate the imagination of any child.
The Christmas Tree Tangle
by Margaret MahyOne animal after another tries to rescue the kitten, but all of them get stuck! Who will help? Other books by Margaret Mahy are available in this library.
The Cinder-Eyed Cats
by Eric RohmannFrom the creator of the Caldecott Honor winner Time Flies, here’s a little boy’s journey to a tropical dream world. Magnificent oil paintings and rhyming text bring to life a mysterious island where cinder-eyed cats move like shadows, boats float above the ocean, whales fly across the dawn sky, and a parade of fish dances in the light of a campfire.
The Cineaste: Poems
by A. Van Jordan"Finds evocative new ways to connect us to a shared storytelling heritage."--Entertainment Weekly A. Van Jordan, an acclaimed American poet and the author of three previous volumes, "demonstrates poetry's power to be at once intimate and wide-ranging" (Robert Pinsky, Washington Post Book World). In this penetrating new work he takes us with him to the movies, where history reverberates and characters are larger than life. The Cineaste is an entrancing montage of poems, wherein film serves as the setting for contemplative trances, memoir, and pure fantasy. At its center is a sonnet sequence that imagines the struggle of pioneer filmmaker Oscar Micheaux against D. W. Griffith's The Birth of a Nation, which Micheaux saw not only as racist but also as the start of a powerful new art form. "Sharpen the focus in your lens, and you / Sharpen your view of the world; you can see / How people inhabit space in their lives, / How the skin of Negroes and whites both play / With light." Scenes and characters from films such as Metropolis, Stranger than Paradise, Last Year at Marienbad, The Red Shoes, and The Great Train Robbery also come to luminous life in this vibrant new collection. The Cineaste is an extended riff on Jordan's life as a moviegoer and a brilliant exploration of film, poetry, race, and the elusiveness of reverie. from "Last Year at Marienbad" A place, though visible, is like a ghost of memories. Even memories one forgets linger in the space in which they occurred. Here within the expanse of vaulted ceilings, doorways leading to more doors, hallways leading to more halls, the faintest recollections absorb over time; no act will wholly evanesce.
The Circle
by David LloydDavid Lloyd's verses are a genuine contribution to the literature of haiku. They capture an image, a moment in time, and engrave it in the memory for all time.
The Circle Game (A List)
by Margaret AtwoodThe appearance of Margaret Atwood's first major collection of poetry marked the beginning of a truly outstanding career in Canadian and international letters. The voice in these poems is as witty, vulnerable, direct, and incisive as we've come to know in later works, such as Power Politics, Bodily Harm, and Alias Grace. Atwood writes compassionately about the risks of love in a technological age, and the quest for identity in a universe that cannot quite be trusted. Containing many of Atwood's best and most famous poems, The Circle Game won the 1966 Governor General's Award for Poetry and rapidly attained an international reputation as a classic of modern poetry.
The Circle Game (A List)
by Margaret AtwoodThe appearance of Margaret Atwood's first major collection of poetry marked the beginning of a truly outstanding career in Canadian and international letters. The voice in these poems is as witty, vulnerable, direct, and incisive as we've come to know in later works, such as Power Politics, Bodily Harm, and Alias Grace. Atwood writes compassionately about the risks of love in a technological age, and the quest for identity in a universe that cannot quite be trusted. Containing many of Atwood's best and most famous poems, The Circle Game won the 1966 Governor General's Award for Poetry and rapidly attained an international reputation as a classic of modern poetry. This beautiful edition of The Circle Game contains the complete collection, with an introduction by Sherrill E. Grace of the University of British Columbia.
The Circulation of Poetry in Manuscript in Early Modern England (Material Readings in Early Modern Culture)
by Arthur F. MarottiThis study examines the transmission and compilation of poetic texts through manuscripts from the late-Elizabethan era through the mid-seventeenth century, paying attention to the distinctive material, social, and literary features of these documents. The study has two main focuses: the first, the particular social environments in which texts were compiled and, second, the presence within this system of a large body of (usually anonymous) rare or unique poems. Manuscripts from aristocratic, academic, and urban professional environments are examined in separate chapters that highlight particular collections. Two chapters consider the social networking within the university and London that facilitated the transmission within these environments and between them. Although the topic is addressed throughout the study, the place of rare or unique poems in manuscript collections is at the center of the final three chapters. The book as a whole argues that scholars need to pay more attention to the social life of texts in the period and to little-known or unknown rare or unique poems that represent a field of writing broader than that defined in a literary history based mainly on the products of print culture.
The City She Was
by Carmen Giminez Smith"When you open this book, expect serious role-playing and syntactic tap dancing. The City She Was presents a world that brings 'the horizon line into your lexicon' and a poet's muse ('The Endangered You') is lent to a friend and returned 'a little more frayed.' Giménez Smith muddles and enchants with her many masks, leaving the ground a little less stable under our feet." -Matthea Harvey, author of Modern Life, Sad Little Breathing Machine, and Pity the Bathtub Its Forced Embrace of the Human Form
The City She Was (Mountain West Poetry Series)
by Carmen Giménez Smith Carmen Giménez SmithMountain West Poetry Series Published by the Center for Literary Publishing at Colorado State University
The City in Which I Love You
by Li-Young LeeContentsI.Furious VersionisII.The InterrogationThis Hour And What Is DeadArise, Go DownMy Father, In Heaven, Is Reading Out LoudFor A New Citizen Of These United StatesWith RuinsIII.This Room And Everything In ItThe City In Which I Love YouIV.The WaitingA StoryGoodnightYou Must SingHere I AmA Final ThingV.The Cleaving
The City in Which I Love You (American Poets Continuum)
by Li-Young LeeContentsI.Furious VersionisII.The InterrogationThis Hour And What Is DeadArise, Go DownMy Father, In Heaven, Is Reading Out LoudFor A New Citizen Of These United StatesWith RuinsIII.This Room And Everything In ItThe City In Which I Love YouIV.The WaitingA StoryGoodnightYou Must SingHere I AmA Final ThingV.The Cleaving
The City, Our City: Poems
by Wayne Miller“[A] wide-ranging, fascinating series of poems that [has] the city as character at its center, the city as a collective soul, the city as idea.” —Sycamore ReviewA William Carlos Williams Award FinalistA Kansas City Star Top Book of the YearA Library Journal Top Winter Poetry PickA series of semi-mythologized, symbolic narratives interspersed with dramatic monologues, the poems collected in The City, Our City showcase the voice of a young poet striking out, dramatically, emphatically, to stake his claim on “the City.” It is an unnamed, crowded place where the human questions and observations found in almost any city—past, present, and future—ring out with urgency. These poems—in turn elegiac, celebratory, haunting, grave, and joyful—give hum to our modern experience, to those caught up in the City’s immensity, and announce the arrival of a major new contemporary poet.
The Clarity Of Distance
by Ayesha ChatterjeeSomeone once asked Ayesha Chatterjee what idiom she wrote in. She still doesn't know what the answer to that is, but the poems in this collection attempt to address the issue behind that question: that of belonging versus the universality of experience. Written in spare language and often using metaphors drawn from both Eastern and Western sources, these poems pare down the complexity of existence in today's global world into simple moments of truth. Much of her poetry is very short, ten lines or less, some of it is photographic and all of it is approachable. Chatterjee believes that the power of poetry is in its accessibility and this is reflected in the simplicity of her writing. Her poetry is intended to pry her readers out of complacency into looking at the world differently, perhaps even into thinking of their place in it. There is a soft thread of violence running thinly through this collection juxtaposed against the imagery in much the same way as the intention of her approach.
The Classic Collection of Mother Goose Nursery Rhymes: Over 100 Cherished Poems and Rhymes for Kids and Families (The Classic Edition)
by Mother GooseRediscover the timeless nursery rhymes of Mother Goose in this gorgeous picture book, packed with beautiful, full-color illustrations and a stunning four-panel gatefold! These charming bedtime stories and fairy tales will delight and enchant children of all ages.Children and adults alike will be charmed by this freshly presented collection of classic nursery rhymes, featuring more than 100 enchanting and colorful illustrations by Rhode Island School of Design illustrator, Gina Baek.This Classic edition of The Classic Collection of Mother Goose Nursery Rhymes:Features a beautiful dust jacket and four-page fold out illustrationIs great for children ages 5+Perfect for family read alouds or as bedtime storiesMakes a great gift for young families, new parents, baby showers, or holiday&’sRediscover favorite tales, rhymes, and stories such as:Twinkle, Twinkle Little StarHumpty DumptyJack and JillThe Cat and the FiddleBaa, Baa, Black Sheepand more!
The Classic Tradition of Haiku: An Anthology (Dover Thrift Editions)
by Faubion BowersA highly distilled form of Japanese poetry, haiku consists of seventeen syllables, usually divided among three lines. Though brief, they tell a story or paint a vivid picture, leaving it to the reader to draw out the meanings and complete them in the mind's eye. Haiku often contains a hidden dualism (near and far, then and now, etc.) and has a seasonal tie-in, as well as specific word-images that reveal deeper layers in each poem.This unique collection spans over 400 years (1488-1902) of haiku history by the greatest masters: Bashō, Issa, Shiki, and many more, in translations by top-flight scholars in the field. Haiku commands enormous respect in Japan. Now readers of poetry in the West can savor these expressive masterpieces in this treasury compiled by noted writer Faubion Bowers, who provides a Foreword and many informative notes to the poems.
The Clearing: Poems (Max Ritvo Poetry Prize Ser.)
by Allison AdairA poetry debut that&’s &“a lush, lyrical book about a world where women are meant to carry things to safety and men leave decisively&” (Henri Cole). Luminous and electric from the first line to the last, Allison Adair&’s debut collection navigates the ever-shifting poles of violence and vulnerability with a singular incisiveness and a rich imagination. The women in these poems live in places that have been excavated for gold and precious ores, and they understand the nature of being hollowed out. From the midst of the Civil War to our current era, Adair charts fairy tales that are painfully familiar, never forgetting that violence is often accompanied by tenderness. Here we wonder, &“What if this time instead of crumbs the girl drops / teeth, her own, what else does she have&”?The Clearing knows the dirt beneath our nails, both alone and as a country, and pries it gently loose until we remember something of who we are, &“from before . . . from a similar injury or kiss.&” There is a dark beauty in this work, and Adair is a skilled stenographer of the silences around which we orbit. Described by Henri Cole as &“haunting and dirt caked,&” her unromantic poems of girlhood, nature, and family linger with an uncommon, unsettling resonance.Winner of the 2019 Max Ritvo Poetry PrizePraise for The Clearing &“A dark and bodily nod to folk- and fairy-tale energy.&” —Boston Globe &“The poems in Adair&’s debut draw on folklore and the animal world to assert feminist viewpoints and mortal terror in lush musical lines, as when &“A fat speckled spider sharpens / in the shoe of someone you need.&” —New York Times Book Review, &“New & Noteworthy Poetry&” &“Like Grimms&’ fairy tales, Adair&’s poems are dark without being bleak, hopeless, or disturbing. Readers will find the collections lush language and provocative imagery powerfully resonant.&” —Publishers Weekly (Starred Review)
The Clerk's Tale
by Spencer ReeceIn a recent double fiction issue, The New Yorker devoted the entire back page to a single poem, "The Clerk's Tale," by Spencer Reece. The poet who drew such unusual attention has a surprising background: for many years he has worked for Brooks Brothers, a fact that lends particular nuance to the title of his collection. The Clerk's Tale pays homage not only to Chaucer but to the clerks' brotherhood of service in the mall, where "the light is bright and artificial, / yet not dissimilar to that found in a Gothic cathedral." The fifty poems in The Clerk's Tale are exquisitely restrained, shot through with a longing for permanence, from the quasi-monastic life of two salesmen at Brooks Brothers to the poignant lingering light of a Miami dusk to the weight of geography on an empty Minnesota farm. Gluck describes them as having "an effect I have never quite seen before, half cocktail party, half passion play . . . We do not expect virtuosity as the outward form of soul-making, nor do we associate generosity and humanity with such sophistication of means, such polished intelligence . . . Much life has gone into the making of this art, much patient craft."