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The Dream of the Poem: Hebrew Poetry from Muslim and Christian Spain, 950-1492 (The Lockert Library of Poetry in Translation #58)

by Peter Cole

Hebrew culture experienced a renewal in medieval Spain that produced what is arguably the most powerful body of Jewish poetry written since the Bible. Fusing elements of East and West, Arabic and Hebrew, and the particular and the universal, this verse embodies an extraordinary sensuality and intense faith that transcend the limits of language, place, and time. Peter Cole's translations reveal this remarkable poetic world to English readers in all of its richness, humor, grace, gravity, and wisdom. The Dream of the Poem traces the arc of the entire period, presenting some four hundred poems by fifty-four poets, and including a panoramic historical introduction, short biographies of each poet, and extensive notes. (The original Hebrew texts are available on the Princeton University Press Web site.) By far the most potent and comprehensive gathering of medieval Hebrew poems ever assembled in English, Cole's anthology builds on what poet and translator Richard Howard has described as "the finest labor of poetic translation that I have seen in many years" and "an entire revelation: a body of lyric and didactic verse so intense, so intelligent, and so vivid that it appears to identify a whole dimension of historical consciousness previously unavailable to us." The Dream of the Poem is, Howard says, "a crowning achievement."

The Drift

by Alan Jenkins

ALAN JENKINS - POERTY IS EXHILARATING. . . . . IT IS CHARGED WITH EROTIC ENERGY, RAGE, SORROW AND CONFUSION. - DAVID LEHMAN The poeoms in Alan Jenkin's magnificent new collection are closely linked, forming a movingly autobiographical book which deals with the disjunction between the aspirations of youth and the realities of middle-age. The narrator looks back on his twenties, full of the grand ambition to be the next Rimbaud, and wryly contrasts it with his current situation: friends dead, women lost, opportunities missed. Images of drifting, of the random patterns that fate imposes on existence, weave their way through poems full of sea-scapes and sailing boats. Ghosts loom through the mist; objects imbued with memory accumulate like driftwood. But although Alan Jenkins writes about a sense of loss and failure -his rich poetry formally dextrous and inventive, witty and subtle in its allusions - acts as a counterbalance, showing how the twisting of an emotion into shape can salvage feelings of pointlessness. Through his personal experience, he explores themes that will resonate with a broad audience: the difference between men and women.

The Drowned Book

by Coleman Barks John Moyne

The Lost Words of the Sufi Master and Father of RumiBahauddin, Rumi's father, was not only a major force in the development of Islamic spirituality, but also a deeply influential force in his son's life. In this, the first ever substantial English version of a wonderful but virtually unknown book, Bahauddin proves to be a daring, spiritual genius. His voice comes through the delightful, passionate craft of Coleman Barks, who transforms the Persian translations of John Moyne into fresh spiritual literature.

The Drunken Boat: Selected Writings

by Arthur Rimbaud

A new translation of the best and most provocative work by France's infamous rebel poet. Poet, prodigy, precursor, punk: the short, precocious, uncompromisingly rebellious career of the poet Arthur Rimbaud is one of the legends of modern literature. By the time he was twenty, Rimbaud had written a series of poems that are not only masterpieces in themselves but that forever transformed the idea of what poetry is. Without him, surrealism is inconceivable, and his influence is palpable in artists as diverse as Henry Miller, John Ashbery, Bob Dylan, and Patti Smith. In this essential volume, renowned translator Mark Polizzotti offers authoritative and inspired new versions of Rimbaud&’s major poems and letters, including generous selection of Illuminations and the entirety of his lacerating confession A Season in Hell—capturing as never before not only the meaning but also the daredevil attitudes and incantatory rhythms that make Rimbaud&’s works among the most perpetually modern of his or any other generation.

The Drunken Driver Has the Right of Way: Poems

by Ethan Coen

In his screenplays and short stories, Coen surprises and delights with a rich brew of ideas, observations, and perceptions. His first collection of poems is remarkable-funny, ribald, provocative, sometimes raw, and often touching and profound.

The Duende of Tetherball

by Tim Bowling

The Duende of Tetherball fearlessly ransacks the scrutinizing role of the past on the present; the interactions and accountabilities of ourselves and other species; the challenges and pleasures of getting older and forever striving to balance our most cherished and often incomprehensible relationships both with the world and each other.Bowling strives to account for and address our human need to resolve the tension between personal freedom and a world burdened by increasing homogenization and centralized control by adopting an industry of personal fortitude and thoughtful redress. He seeks to remember and to remember again the lessons polished over a lifetime: "Fifteen, scared but still apt / to toss "damn thee black / thou cream-faced loon" / in PE class at the rippling back / of some hoop or net-bound jock, / I was learning - too soon - / the only lesson that counts: / how to be alone."

The Dug-Up Gun Museum (American Poets Continuum Series #197)

by Matt Donovan

Traveling the nation, Matt Donovan examines the paradox of a country plagued by gun violence yet consumed with protecting the right to bear arms.Matt Donovan’s The Dug-Up Gun Museum confronts our country’s obsession with guns to explore America’s deep-seated political divisions and issues linked to violence, race, power, and privilege. Taking its title from an actual museum located in Wyoming, this collection of poems interrogates our country’s history of gun violence, asking questions about our fetishization of weapons, how mass shootings and the killing of unarmed civilians by police have become normalized, and the multitudinous ways in which firearms are ingrained in our country’s culture. Much like the poet himself, Donovan’s poems are dynamic and constantly in motion as he explores the ways in which capitalism and its relentless stream of content have led to a collective desensitization in the face of violence. In turns harrowing, elegiac, and ironic, set in locations ranging from Cody to Chicago, from Las Vegas to Sandy Hook, The Dug-Up Gun Museum probes America’s failures, bizarre infatuations, and innumerable tragedies linked to guns.

The Duino Elegies & The Sonnets to Orpheus

by Rainer Maria Rilke Stephen Mitchell

Available for the first time in a single volume, Ranier Maria Rilke's two most beloved sequences of poems rendered by his most faithful translator. Rilke is unquestionably the twentieth century's most significant and compelling poet of romantic transformation and spiritual quest. His poems of ecstatic identification with the world exert perennial fascination. In Stephen Mitchell's versions of Rilke's two greatest masterpieces readers will discover an English rendering that captures the lyric intensity, fluency, and reach of his poetry. Stephen Mitchell adheres impeccably to Rilke's text, to his formal music, and to the complexity of his thought; at the same time, Mitchell's work has authority and power as poetry in its own right.

The Dunciad in Four Books: The Dunciad (1728) And The Dunciad Variorum (1729) (Longman Annotated Texts)

by Valerie Rumbold

The Dunciad in Four Books of 1743 was the culmination of the series of Dunciads which Alexander Pope produced over the last decade and a half of his life. It comprises not only a poem, but also a mass of authorial annotation and appendices, and this authoritative edition is the only one available which gives all the verse and the prose in a clearly laid-out form, with a full modern commentary. Accessibly presented on the same page as Pope’s text are explanatory notes, written in a style adapted to the needs of undergraduate readers, but still comprehensive enough to address the interests of scholars. The many books and pamphlets to which Pope refers have been examined in detail, and the commentary takes advantage of the fifty years’ scholarship on literary, bibliographical, cultural and political aspects of the period which has accumulated since James Sutherland’s The Dunciad, volume five of the Twickenham Edition. A substantial introduction offers a stimulating and helpful approach to the work, and the bibliography includes extensive suggestions for further reading.

The Dust of Everyday Life

by Jana Harris

Spanning the years 1853-1933--beginning with conveyance by oxcart and ending with air travel--this series of dramatic monologues tells the story of Helen Walsh and Thomas Hodgson, whose families trekked the trails of the great migration to the West. Helen and Thomas get married, and together, tame the remote corners of the wilderness by means of their imperishable love and a clear, well-beaten path.

The Dwelling of Weather

by Hilary Clark

Shortlisted for the 2003 Anne Szumigalski Award for Poetry and for the 2003 City of Saskatoon Book Award (Saskatchewan Book Awards) Hilary Clark's newest volume of poems shelters a world of stories and poems, of the tricks of language that are the dearest home of a writer. "The hinge," she writes later in "Dwelling", "is attention to the moment, its particular light." And Clark attends with mind acutely tuned, with heart open and eager; she writes with the subtle nuances, the gentle shifts of one who has dwelt long in words and found in them an endless unfolding of possibilities: "each word could be others, thresholds to possible tales" ("Other Worlds"). These poems trace, through their web of reference, a life story of reading -- the Bible, Shakespeare, Blake, Lewis Carroll, and Emily Bronte meet Michael Palmer, Fred Wah, and Robert Duncan -- not just Clark's life story but any reader’s who finds in words a way to lure the spirit homeward.

The Dyer's Hand and Other Essays

by W. H. Auden

In this volume, W. H. Auden assembled, edited, and arranged the best of his prose writing, including the famous lectures he delivered as Oxford Professor of Poetry. The Dyer's Hand is a surprisingly personal, intimate view of the author's mind, whose central focus is poetry--Shakespearean poetry in particular--but whose province is the author's whole experience of the twentieth century.

The Dyzgraphxst

by Canisia Lubrin

Windham-Campbell Prize, WinnerOCM Bocas Prize for Caribbean Literature, WinnerOCM Bocas Prize for Caribbean Literature Poetry, WinnerGriffin Poetry Prize, WinnerDerek Walcott Prize for Poetry, Winner Rebel Women Lit Caribbean Readers' Awards, FinalistGovernor General's Literary Award for Poetry, FinalistTrillium Book Award for Poetry, FinalistRaymond Souster Award, LonglistPat Lowther Memorial Award, LonglistQuill & Quire 2020 Books of the Year: Editor&’s PicksCBC Best Canadian Poetry of 2020Winnipeg Free Press Top 10 Poetry Picks of 2020The Paris Review, Contributor's Edition, Best Books of 2020 The Dyzgraphxst presents seven inquiries into selfhood through the perennial figure Jejune. Polyvocal in register, the book moves to mine meanings of kinship through the wide and intimate reach of language across geographies and generations. Against the contemporary backdrop of intensified capitalist fascism, toxic nationalism, and climate disaster, the figure Jejune asks, how have I come to make home out of unrecognizability. Marked by and through diasporic life, Jejune declares, I was not myself. I am not myself. My self resembles something having nothing to do with me.

The Eagle's Mile (Wesleyan Poetry Series)

by James Dickey

A book of new poems by a major writer is an event. A book of new poems that marks a different, more powerful approach is cause for celebration. "What I looked for here," James Dickey tells us about The Eagle's Mile, "was a flicker of light 'from another direction,' and when I caught it - or thought I did - I followed where it went, for better or worse." In this new work, Dickey edges away from the narrative-based poems of his previous books and gives instead more primacy to the language in which he writes. His poetry gains flexibility, and his poetic power becomes even surer and more clearly expressed. "I have experimented," Dickey writes, "and look forward to experimenting more."

The Earliest English Poems

by Michael Alexander

Anglo-Saxon poetry was produced between 700 and 1000 AD for an audience that delighted in technical accomplishment, and the durable works of Old English verse spring from the source of the English language. Michael Alexander has translated the best of the Old English poetry into modern English and into a verse form that retains the qualities of Anglo-Saxon metre and alliteration. Included in this selection are the ‘heroic poems’ such as Widsith, Deor, Brunanburh and Maldon, and passages from Beowulf; some of the famous ‘riddles’ from The Exeter Book; all the ‘elegies’, including The Ruin, The Wanderer, The Seafarer, The Wife’s Complaint and The Husband’s Message, in which the virtu of Old English is found in its purest and most concentrated form; together with the great Christian poem The Dream of the Rood.

The Early Textual History of Lucretius' De rerum natura

by David Butterfield

This is the first detailed analysis of the fate of Lucretius' De rerum natura from its beginnings in the 50s BC down to the creation of our earliest extant manuscripts during the Carolingian age. A detailed investigation of the knowledge of Lucretius' poem among writers throughout the Roman, and subsequently the medieval, worlds allows fresh insight into the work's readership and reception, and an assessment of the value of the indirect tradition for editing the poem. The first extended analysis of the 170+ subject headings (capitula) that intersperse the text reveals the close engagement of Roman readers. A fresh inspection and assignation of marginal hands in the poem's most important manuscript provides new evidence about the work of Carolingian correctors and the basis for a new Lucretian stemma codicum. Further clarification of the interrelationship of Renaissance manuscripts of Lucretius gives additional evidence of the poem's reception in fifteenth-century Italy.

The Earth Gods

by Kahlil Gibran

"The Earth Gods, the last book to be published while Gibran was still in this world, came into the poet's hands two weeks before he was to lay aside all earthly volumes. . . . He had a peculiar feeling of tenderness for this book, unlike what he felt for any of the others. 'Because,' he said, 'it was written out of the poet's hell--a process of childbirth and child-bearing.' . . . "It is, in my opinion, one of the greatest poems in the language. The Earth Gods is, perhaps, a book for the mystic, a poet's book for poets, for the initiate and the dreamer of vast dreams. Yet I have known those who pride themselves on being highly practical and feet-on-the-ground, who disown any bent toward the mystical and the occult, to pronounce it a book of wonder and power. And as a child of seven to whom I read portions of the poem on request, says unvaryingly, 'Read it again!' This, perhaps, for the music and the almost unearthly beauty of rhythm."--Barbara Young, in This Man From Lebanon: A Study of Kahlil Gibran

The Earth House

by Jeanne Duprau

Two women in the midst of busy suburban lives, one a dental hygienist, the other, a technical writer, visit a Zen center "out of curiosity and some vague inclination to find something deeper than our everyday experience." As these Western women encounter Eastern spirituality, they begin to develop a new life plan--centered on building a house in the Sierras--and life begins a new plan for them. Soon, the course of nature and humanity will collide, converge, and compromise in two lives transformed by pain and patience. Jeanne DuPrau gives us a powerful lesson in listening, loving, and letting go.

The Earth Under Sky Bear's Feet: Native American Poems of the Land

by Joseph Bruchac Thomas Locker

"A thoughtful collection that eloquently bears out the theme of unity of all creatures. " --School Library Journal Native American elders will tell you there is as much to see in the night as in the familiar light of day, and here Abenaki storyteller and American Book Award recipient Joseph Bruchac offers twelve unforgettable stories of the living earth seen from the sky. "From the Mohawk and Missisquoi peoples of the Northeastern United States to the Pima, Cochiti Pueblo, and Navajo people of the Southwest to the Subarctic Inuit, these pieces reflect an awe and appreciation of the natural world. Locker's deeply hued paintings burst with the beauty of night. " --The Horn Book

The East Wind and the Crow

by Steffan Balsom

This collection of poems and essays ranges from reflections on the unknowable ('Shiloh'), the eternal ('To a Holly Tree') and the totemic ('Dreaming Brother Beast'), to the light-hearted and the downright silly ('Things Which Are Thingy' and 'A Brief History of Muddy-Evil Britain').

The Ecco Anthology of International Poetry

by Ilya Kaminsky Susan Harris

In this remarkable anthology, introduced and edited by Ilya Kaminsky and Susan Harris, poetic visions from the twentieth century will be reinforced and in many ways revised. Here, alongside renowned masters, are internationally celebrated poets who have rarely, if ever, been translated into English.

The Echo Chamber: Poems

by Michael Bazzett

From Michael Bazzett, poet and translator of The Popol Vuh, a collection that explores the myth of Echo and Narcissus, offering a reboot, a remix, a reimagining. “Narcissus was never one to see himself // in moving water. // He liked his image / still.” In The Echo Chamber, myth is refracted into our current moment. A time traveler teaches a needleworker the pleasures of social media gratification. A man goes looking for his face and is first offered a latex mask. A book reveals eerie transmutations of a simple story. And the myth itself is retold, probing its most provocative qualities—how reflective waters enable self-absorption, the tragic rightness of Echo and Narcissus as a couple.The Echo Chamber examines our endlessly self-referential age of selfies and televised wars and manufactured celebrity, gazing lingeringly into the many kinds of damage it produces, and the truths obscured beneath its polished surface. In the process, Bazzett cements his status as one of our great poetic fools—the comedian who delivers uncomfortable silence, who sheds layers of disguises to reveal light underneath, who smuggles wisdom within “rage-mothered laughter.” Late-stage capitalism, history, death itself: all are subject to his wry, tender gaze. By turns searing, compassionate, and darkly humorous, The Echo Chamber creates an echo through time, holding up the broken mirror of myth to our present-day selves.

The Echo of Ice Letting Go

by Julie LeMay

Rooted in the harsh, yet beautiful landscape of Alaska, this collection of poems is at once comforting and disquieting, permeated with wisdom, darkness, and resilience. Taken together, the poems form a powerful narrative, as Julie Hungiville LeMay relates a personal story of the recurrence of cancer and interweaves it with an account of her son’s struggle with addiction. In a world of so much pain, her poems ask, how can we find meaning? The answer, often, is nature: among “spruce branches that whisper” and “the yellow joy / of warblers.” Half-found poems that contain lines from John Muir's essays are arranged throughout the book like touchstones, while other poems invoke the spirit of Wordsworth. LeMay’s voice is precise and clear, her lines musical and sonically rich, making this ambitious, wide-ranging book one that readers won’t soon forget.

The Eclogues

by Virgil

Haunting and enigmatic, Virgil's Eclogues combined a Greek literary form with scenes from contemporary Roman life to create a work that inspired a whole European tradition of pastoral poetry. For despite their rustic setting and the beauty of their phrasing, the poems in Virgil's first collection are also grounded in reality. Shepherds are overwhelmed by the torments of poetic love - but they must also endure such real-life events as the tragic consequences of Julius Caesar's murder in 44 bc and a civil war. In giving unforgettable expression to the disasters of the day through poetry, the Eclogues paved the way for the Georgics and the Aeneid, the two greatest works of Latin literature, and are also a major masterpiece in their own right.

The Eclogues of Virgil

by Virgil

“Fresh-minted and sparkling . . . Ferry’s translation wonderfully preserves the exquisite harmonies of the mode while giving it a vigorous edge of reality.” —Robert Taylor, The Boston GlobeVirgil’s great lyrics, rendered by the acclaimed translator of Gilgamesh . . . The Eclogues of Virgil gave definitive form to the pastoral mode, and these magically beautiful poems, which were influential in so much subsequent literature, perhaps best exemplify what pastoral can do. “Song replying to song replying to song,’ touchingly comic, poignantly sad, sublimely joyful, the various music that these shepherds make echoes in scenes of repose and harmony, and of hardship and trouble in work and love.Available in ebook for the first time, this English-only edition of The Eclogues of Virgil includes concise, informative notes and an introduction that describes the fundamental role of this deeply original book in the pastoral tradition.“Direct, unmannered and fresh: a modern version of classical simplicity.” —Merle Rubin, Los Angeles Times“Mr. Ferry is a gifted poet and much-admired translator . . . Those to whom the original is a sealed book will enjoy much of its charm through the medium of the author’s accomplished translation, while those who, like Shakespeare, have ‘small Latin’ can experience the additional pleasure of savoring, with Mr. Ferry’s help, the musical perfection of Virgil’s lines.” —Bernard Knox, The Washington Times“Ferry has achieved a high degree of fidelity to what Virgil wrote . . . Simple, luminous clarity.” —Richard Jenkyns, The New Republic

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