- Table View
- List View
The Ecology of the English Outlaw in Medieval Literature: From Fen to Greenwood (Outlaws in Literature, History, and Culture)
by Sarah Harlan-HaugheyArguing that outlaw narratives become particularly popular and poignant at moments of national ecological and political crisis, Sarah Harlan-Haughey examines the figure of the outlaw in Anglo-Saxon poetry and Old English exile lyrics such as Beowulf, works dealing with the life and actions of Hereward, the Anglo-Norman romance of Fulk Fitz Waryn, the Robin Hood ballads, and the Tale of Gamelyn. Although the outlaw's wilderness shelter changed dramatically from the menacing fens and forests of Anglo-Saxon England to the bright, known, and mapped greenwood of the late outlaw romances and ballads, Harlan-Haughey observes that the outlaw remained strongly animalistic, other, and liminal. His brutality points to a deep literary ambivalence towards wilderness and the animal, at the same time that figures such as the Anglo-Saxon resistance fighter Hereward, the brutal yet courtly Gamelyn, and Robin Hood often represent a lost England imagined as pristine and forested. In analyzing outlaw literature as a form of nature writing, Harlan-Haughey suggests that it often reveals more about medieval anxieties respecting humanity's place in nature than it does about the political realities of the period.
The Ecopoetics of Entanglement in Contemporary Turkish and American Literatures
by Meliz ErginThis book foregrounds entanglement as a guiding concept in Derrida's work and considers its implications and benefits for ecocritical thought. Ergin introduces the notion of "ecological text" to emphasize textuality as a form of entanglement that proves useful in thinking about ecological interdependence and uncertainty. She brings deconstruction into a dialogue with social ecology and new materialism, outlining entanglements in three strands of thought to demonstrate the relevance of this concept in theoretical terms. Ergin then investigates natural-social entanglements through a comparative analysis of the works of the American poet Juliana Spahr and the Turkish writer Latife Tekin. The book enriches our understanding of complicity and accountability by revealing the ecological network of material and discursive forces in which we are deeply embedded. It makes a significant contribution to current debates on ecocritical theory, comparative literature, and ecopoetics.
The Ecopoetics of War (Routledge Studies in World Literatures and the Environment)
by Sylvain Belluc, Isabelle Brasme, and Guillaume TanguyThe Ecopoetics of War explores the interrelationality of human and nonhuman entities in the context of conflict, as recorded in literature and culture. This collection of essays demonstrates the specific and fertile role of literature in representations of war, as it foregrounds the manifold ways in which the borders between human and nonhuman—including flora,fauna, and technology—become porous, thus questioning traditional onto-epistemological and ethical categories.Bringing together British, American, and postcolonial studies, The Ecopoetics of War covers a variety of historical periods, geographical areas, and literary genres. Interdisciplinary in its outlook, it intertwines war studies, ecocriticism, literary theory, philosophy, and cultural studies. By analyzing the stylistic and discursive strategies devised by writers to translate the sensory experience of the battlefield, the contributors shed light on the unique capacity of literature to foreground the entanglement of human and nonhuman in the context of armed conflict, and thus unveil an “ecopoetics of war.”This collection will interest scholars of literature, specialists of war studies and ecocriticism, and any reader interested in such issues such as ecowar, ecocide, the Anthropocene, or environmental justice. It can inspire interdisciplinary teaching or research projects, especially in the current context of global environmental crisis.
The Ecopoetry Anthology
by Robert Hass Laura-Gray Street Ann Fisher-WirthDefinitive and daring, The Ecopoetry Anthology is the authoritative collection of contemporary American poetry about nature and the environment--in all its glory and challenge. From praise to lament, the work covers the range of human response to an increasingly complex and often disturbing natural world and inquires of our human place in a vastness beyond the human.To establish the antecedents of today's writing,The Ecopoetry Anthology presents a historical section that includes poetry written from roughly the mid-nineteenth to the mid-twentieth century. Iconic American poets like Walt Whitman and Emily Dickinson are followed by more modern poets like Wallace Stevens, William Carlos Williams, Ezra Pound, and even more recent foundational work by poets like Theodore Roethke, Elizabeth Bishop, Robert Hayden, and Muriel Rukeyser. With subtle discernment, the editors portray our country's rich heritage and dramatic range of writing about the natural world around us.
The Edge of Modernism: American Poetry and the Traumatic Past
by Walter KalaidjianIn The Edge of Modernism, Walter Kalaidjian explores American poetry on genocide, the Holocaust, and total war as well as on postwar social antagonisms, racial oppression, and domestic violence. By asking what it means for traumatic memory to have agency in the American verse tradition, Kalaidjian creates an original historical account of how American poets became witnesses, often unconsciously, to modern extremity. Combining psychoanalytic theory and cultural studies, this intense, sweeping account of modern poetics analyzes the ways in which literary form gives testimony to the trauma of twentieth-century history. Through close readings of well-known and less familiar poets—among them Langston Hughes, Countee Cullen, Claude McKay, Edwin Rolfe, Sylvia Plath, Adrienne Rich, Peter Balakian, Rachel Blau DuPlessis, Anne Sexton, and Anthony Hecht—Kalaidjian discerns the latent "edge" of modern trauma as it cuts through the literary representations, themes, and formal techniques of twentieth-century American poetics. In this way, The Edge of Modernism advances an innovative and dynamic model of modern periodization.
The Ekphrastic Encounter in Contemporary British Poetry and Elsewhere
by David KennedyExamining a wide range of ekphrastic poems, David Kennedy argues that contemporary British poets writing out of both mainstream and avant-garde traditions challenge established critical models of ekphrasis with work that is more complex than representational or counter-representational responses to paintings in museums and galleries. Even when the poem appears to be straightforwardly representational, it is often selectively so, producing a 'virtual' work that doesn't exist in actuality. Poets such as Kelvin Corcoran, Peter Hughes, and Gillian Clarke, Kennedy suggests, relish the ekphrastic encounter as one in which word and image become mutually destabilizing. Similarly, other poets engage with the source artwork as a performance that participates in the ethical realm. Showing that the ethical turn in ekphrastic poetry is often powerfully gendered, Kennedy also surveys a range of ekphrastic poets from the Renaissance and nineteenth century to trace a tradition of female ekphrastic poetry that includes Pauline Stainer and Frances Presley. Kennedy concludes with a critique of ekphrastic exercises in creative writing teaching, proposing that ekphrastic writing that takes greater account of performance spectatorship may offer more fruitful models for the classroom than the narrativizing of images.
The Elder Edda: A Book Of Viking Lore (Legends from the Ancient North)
by Petra BornerPart of a new series Legends from the Ancient North, The Elder Edda is one of the classic books that influenced JRR Tolkien's The Hobbit and The Lord of the Rings'So the company of men led a careless life,All was well with them: until One beganTo encompass evil, an enemy from hell.Grendel they called this cruel spirit...'J.R.R. Tolkien spent much of his life studying, translating and teaching the great epic stories of northern Europe, filled with heroes, dragons, trolls, dwarves and magic. He was hugely influential for his advocacy of Beowulf as a great work of literature and, even if he had never written The Hobbit and The Lord of the Rings, would be recognised today as a significant figure in the rediscovery of these extraordinary tales.Legends from the Ancient North brings together from Penguin Classics five of the key works behind Tolkien's fiction.They are startling, brutal, strange pieces of writing, with an elemental power brilliantly preserved in these translations.They plunge the reader into a world of treachery, quests, chivalry, trials of strength.They are the most ancient narratives that exist from northern Europe and bring us as near as we will ever get to the origins of the magical landscape of Middle-earth (Midgard) which Tolkien remade in the 20th century.
The Elder Edda: A Book of Viking Lore
by Andy OrchardCompiled by an unknown scribe in Iceland around 1270, and based on sources dating back centuries earlier, these mythological and heroic poems tell of gods and mortals from an ancient era: the giant-slaying Thor, the doomed Völsung family, the Hel-ride of Brynhild and the cruelty of Atli the Hun. Eclectic, incomplete and fragmented, these verses nevertheless retain their stark beauty and their power to enthrall, opening a window on to the thoughts, beliefs and hopes of the Vikings and their world.
The Elder Edda: Myths, Gods, and Heroes from the Viking World (Legends from the Ancient North)
by Andy OrchardLegends from the Ancient North: Five classics of Norse literature that inspired J. R. R. Tolkien's epic vision in The Hobbit and The Lord of the Rings <P><P> Legendary fantasy writer J. R. R. Tolkien spent much of his life studying, translating, and teaching the ancient tales of northern Europe at Oxford and drew on them for his own writing. These epic stories, with their wizards and knights, dragons and trolls, cursed rings and magic swords, are as fascinating today as they were thousands of year ago. Reading them brings us as close as we will ever get to the magical worlds of the Vikings and the origins of their twentieth-century counterpart: Tolkien’s Middle Earth. <P><P> Compiled by an unknown scribe in Iceland around 1270, and based on sources dating centuries earlier, the heroic poems of The Elder Edda tell of gods and mortals from an ancient era: the giant-slaying Thor, the doomed Völsung family, the Hell-ride of Brynhild, and the cruelty of Atli the Hun. Eclectic and fragmented, these verses nevertheless retain their stark beauty and power to enthrall, opening a window on to the thoughts, beliefs and hopes of the Vikings and their world. <P><P> For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
The Electric Life: Essays on Modern Poetry
by Sven P. Birkerts Maria D. GuarnaschelliAlert to the genuine, wary of pose and pretension, Birkerts guides us through the shoals and depths of contemporary verse as he spotlights a score of less well-known poets, among them Alice Fulton, Frank Bidart, Jorie Graham, Peter Klappert, Melissa Green. His close readings of Keats and Marianne Moore remind us why we still turn to their poetry.
The Elements of San Joaquin
by Gary SotoA timely new edition of a pioneering work in Latino literature, National Book Award nominee Gary Soto's first collection (originally published in 1977) draws on California's fertile San Joaquin Valley, the people, the place, and the hard agricultural work done there by immigrants. In these poems, joy and anger, violence and hope are placed in both the metaphorical and very real circumstances of the Valley. Rooted in personal experiences—of the poet as a young man, his friends, family, and neighbors—the poems are spare but expansive, with Soto's voice as important as ever. This welcome new edition has been expanded with a crucial selection of complementary poems (some previously unpublished) and a new introduction by the author.
The Elephant of Silence: Essays on Poetics and Cinema
by John Wall Barger“A poem is an act of faith because the poet believes in it,” contends John Wall Barger in The Elephant of Silence, a collection of essays exploring forms of knowing (and not knowing) that awaken a poetic mind. By considering poetry, film, and the intersections among aesthetic moments and our lives, Barger illuminates the foundations of poetic craft but also probes how to be alive, creative, and open in the world. Each piece investigates unanswerable questions and indefinable words: Lorca’s duende, Nabokov’s poshlost, Bashō’s underglimmer, Huizinga’s ludic, Tarkovsky’s Zona. Influenced by poets such as Glück and Ruefle, and filmmakers such as Kubrick and Lynch, Barger writes—first always sharing his own personal life stories—on the nature of perception, experience, and the human mind. With lyric eloquence and disarming candor, The Elephant of Silence tackles how to live an imaginative life, how to gravitate toward the silence from which art comes, and how the mystical is also the everyday.
The Emergence of Arabic Poetry: From Regional Identities to Islamic Canonization
by Nathaniel A. MillerA new literary history of Arabic poetry from 500–750 CE that includes hundreds of lines of poetry never before translated into EnglishTo interpret the Quran’s Arabic, early medieval Muslims turned to pre-Islamic poetry, a corpus that the Prophet Muhammad’s cousin called “the archive of the Arabs.” While this principle seems straightforward, pre-Islamic Arabs did not, in fact, think of themselves as either pre-Islamic or Arab. The term Arab barely appears at all in pre-Islamic poetry.The Emergence of Arabic Poetry reexamines this early poetry to reconstruct what pre-Islamic culture actually entailed. Nathaniel A. Miller draws on a wide range of texts, including hundreds of lines of poetry never before translated into English—in addition to new inscriptional, archaeological, and non-Arabic sources—to explore the diverse world of pre- and early-Islamic Arabia in which Islam developed. Miller traces the emergence of two regional identities, and their distinctive poetic traditions, in the Arabian Peninsula of late antiquity: Najdi in the center and northeast and Hijazi in the southwest. The book shows how later efforts of Muslim scholars to use early poetry as an aesthetic, linguistic ideal to interpret the Quran resulted in an image of a unitary, exceptional, and isolated Arab identity and culture. These scholars drew on the Najdi tradition, canonizing its forms as classical Arabic poetry par excellence, and solidifying many tropes of Arabness that are still ubiquitous today: of nomadism, performative generosity, and martial equestrianism. However, Miller argues, it was the neglected Hijazi tradition that was actually more central to the emergence of early Islam.Early Arabic poetry has been largely overlooked in current scholarship in adjacent fields, largely due to twentieth-century controversies over whether this corpus is legitimate or was forged. In combining a reconstruction of pre-Islamic poetry’s social function with a consideration of the circumstances of its later canonization, The Emergence of Arabic Poetry offers an urgently needed reappraisal of a significant but underexamined poetic corpus, as well as a new literary history of the origins of Arabic poetry from 500 to 750 CE.
The Emperor of Ice-Cream and Other Poems
by Wallace Stevens Bob BlaisdellAn insurance company executive with a law degree, Wallace Stevens (1879-1951) lived an outwardly conventional life but composed highly original and exotic works of verse. One of America's most important twentieth-century poets, Stevens forever changed the landscape of modern poetry with his provocative, experimental style.This first-rate collection by the winner of the 1955 Pulitzer Prize for poetry invites students and other readers to enjoy the richness and variety found in 82 of Stevens's finest creations. Included are such well-known compositions as "Sunday Morning," "Disillusionment of Ten O'Clock," "Anecdote of the Jar," "Peter Quince at the Clavier," "Thirteen Ways of Looking at a Blackbird," and the title piece -- the author's favorite -- as well as lesser known yet equally stimulating works such as "The Florist Wears Knee-Breeches" and "The Man Whose Pharynx Was Bad."Invaluable to students of American literature, this volume will be an indispensable treasury for lovers of modern poetry.
The Empty Bowl: Poems of the Holocaust and After
by Judith H. ShermanIn The Empty Bowl: Poems of the Holocaust and After, Holocaust survivor Judith H. Sherman strives to record trauma through art. Her poems, written largely in the words of a fifteen-year-old survivor, provide historical entry into the Holocaust. Put simply, the poems explore the reality of the events experienced by Sherman in her determination to survive—from first leaving home to illegal border crossings, hiding, capture, imprisonment by the Gestapo, the horrors of the Ravensbrück concentration camp, liberation, and, finally, a full life of joys and challenges that came after, including the unyielding intrusions of the past and hopeful celebration of a compassionate future.
The Enchanted Dust
by Pratibha Satpathy Raju SamalThe poems in this collection depict the spiritual experiences of the poet. They concern human existence, which according to Satpathy is like a grain of ordinary dust enchanted with magical powers.
The End of Beauty (The American Poetry Series; v. #33)
by Jorie GrahamThis book is a collection of poems with a metaphysical flair and emotional power by Ms. Graham.
The End of Desire
by Jill BialoskyJill Bialosky's first collection of poems is an exceptional one--moving, very accomplished, marked by an unflinching realism and a sharply observant eye combined with great technical skill. Childhood and adolescence shattered by a father's death and the struggles of a mother to raise her daughters are among its concerns. The poems have a dignity and magic that are quite distinctive.
The End of Pink (American Poets Continuum)
by Kathryn NuernbergerWinner of the 2015 James Laughlin Award, Kathryn Nuernberger's The End of Pink is populated by strange characters—Bat Boy, automatons, taxidermied mermaids, snake oil salesmen, and Benjamin Franklin—all from the annals of science and pseudoscience. Equal parts fact and folklore, these poems look to the marvelous and the weird for a way to understand childbirth, parenthood, sickness, death, and-of course—joy.
The End of Travel
by Julie BruckWith crisp, elegant language, sharp wit and resonant images, Julie Bruck's new book gentles the largesse of life out of its many smallnesses. The way a straw buoys up in a can of pop, or a friend’s dress holds her shape, even on its hanger: Bruck textures her poetry with a life "you could close your hand around." Bruck's is the urban world so many of us walk through, eyes closed. But Bruck's eyes are wide open, keen and collecting. With teeth and heart, she cracks open the ordinary to reveal life’s love and loss, joy and fragility, its extraordinary fullness.
The End of the Alphabet: Poems
by Claudia RankineThese poems—intrepid, obsessive, and erotic—tell the story of a woman's attempt to overcome despair. Claudia Rankine, whose first collection was the prize-winning Nothing in Nature is Private, creates a transfixing testimonial to a woman facing her own disease. Drawing on voices from Jane Eyre to Lady MacBeth, Rankine welds the cerebral and the spiritual, the sensual and the grotesque, courting paradox into the center of her voice.
The End of the Mind: The Edge of the Intelligible in Hardy, Stevens, Larking, Plath, and Gluck (Literary Criticism and Cultural Theory)
by DeSales HarrisonFirst Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.
The End of the Poem: Oxford Lectures
by Paul MuldoonIn The End of the Poem, Paul Muldoon, "the most significant English-language poet born since the Second World War" (The Times Literary Supplement), presents engaging, rigorous, and insightful explorations of a diverse group of poems, from Yeats's "All Souls' Night" to Stevie Smith's "I Remember" to Fernando Pessoa's "Autopsychography." Here Muldoon reminds us that the word "poem" comes, via French, from the Latin and Greek: "a thing made or created." He asks: Can a poem ever be a freestanding, discrete structure, or must it always interface with the whole of its author's bibliography—and biography? Muldoon explores the boundlessness, the illimitability, created by influence, what Robert Frost meant when he insisted that "the way to read a poem in prose or verse is in the light of all the other poems ever written." And he writes of the boundaries or borders between writer and reader and the extent to which one determines the role of the other.At the end, Muldoon returns to the most fruitful, and fraught, aspect of the phrase "the end of the poem": the interpretation that centers on the "aim" or "function" of a poem, and the question of whether or not the end of the poem is the beginning of criticism. Irreverent, deeply learned, often funny, and always stimulating, The End of the Poem is a vigorous and accessible approach to looking at poetry anew.
The End of the West
by Michael Dickman"Dickman's book moves with careful intensity as it confidently illuminates buried, contemporary suffering."--Publishers Weekly"Elizabeth Bishop said that the three qualities she admired most in poetry were accuracy, spontaneity, and mystery. Michael Dickman's first full-length collection of poems demonstrates each brilliantly....These are lithe, seemingly effortless poems, poems whose strange affective power remains even after several readings. Again and again the language seems to disappear, leaving the reader with woven flashes of image, situation, emotion....These are durable poems from one of the most accomplished and original poets to emerge in years."--The Believer"With vacant space and verbal economy, his work suggests volumes." --Poets & Writers The poems in Michael Dickman's energized debut document the bright desires and all-too-common sufferings of modern times: the churn of domestic violence, spiritual longing, drug abuse, and the impossible expectations fathers have for their sons. In a poem that references heroin and "scary parents," Dickman reminds us that "Still there is a lot to pray to on earth." Dickman is a poet to watch.You can go blind, waitingUnbelievable quietexcept for their soundingsMoving the sea aroundUnbelievable quiet inside you, as they changethe face of waterThe only other time I felt this still was watching Leif shoot up when we were twelveSunlight all over his facebreakingthe surface of somethingI couldn't seeYou can wait yourwhole lifeMichael Dickman was born and raised in Portland, Oregon, and began writing poems "after accidentally reading a Neruda ode." His work has appeared in The New Yorker, Tin House, and The American Poetry Review.
The Ends of Meter in Modern Japanese Poetry: Translation and Form
by Scott MehlIn The Ends of Meter in Modern Japanese Poetry, Scott Mehl analyzes the complex response of Meiji-era Japanese poets and readers to the challenge introduced by European verse and the resulting crisis in Japanese poetry. Amidst fierce competition for literary prestige on the national and international stage, poets and critics at the time recognized that the character of Japanese poetic culture was undergoing a fundamental transformation, and the stakes were high: the future of modern Japanese verse. Mehl documents the creation of new Japanese poetic forms, tracing the first invention of Japanese free verse and its subsequent disappearance. He examines the impact of the acclaimed and reviled shintaishi, a new poetic form invented for translating European-language verse and eventually supplanted by the reintroduction of free verse as a Western import. The Ends of Meter in Modern Japanese Poetry draws on materials written in German, Spanish, English, and French, recreating the global poetry culture within which the most ambitious Meiji-era Japanese poets vied for position.