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The Fischer-dieskau Book of Lieder: The original text of over seven hundred and fifty songs
by Dietrich Fischer-DieskauThis book presents German original texts with English translations in line-by-line format of over 750 German Lieder, including texts for Beethoven's An die ferne Geliebte and Six Gellert Lieder; Brahms's Die schöne Magelone, Four Serious Songs and Gypsy Songs; Paul Hindemith's Life of Mary; Mahler's Song of the Earth, Kindertotenlieder and Song of a Wayfarer; Schubert's Die schöne Müllerin, Die Winterreise and Schwanengesang; Schumann's Dichterliebe, Liederkreis collections and Frauenliebe und -leben; Richard Strauss's Four Last Songs; Hugo Wolf's Italian and Spanish songbooks; Boris Blacher's 3 Psalms in Martin Luther's German; Richard Wagner's Five Poems for a Woman's Voice; Schönberg's Fifteen Poems from "The Book of the Hanging Gardens"; Alban Berg's Seven Early Lieder; Peter Cornelius's Trauer und Trost and Weihnachtslieder. Added to these song collections are nearly 500 texts for individual songs set by Beethoven, Brahms, Mozart, Schubert, Schumann, Richard Strauss, Zemlinsky and others. Fischer-Dieskau introduces the collection with an essay and individual song texts are in alphabetical order. The Index of titles and first lines at the back of the book serves as the table of contents. DAISY markup makes perusing this book easy and electronic searching makes it an excellent companion for anyone who has recordings of these songs or who would like to sing them. Dieskau does not include the text for Wagner's Wesendonck Lieder.
The Fish Who Cried Wolf
by Julia DonaldsonTiddler is the smallest fish in the ocean, but he tells the TALLEST tales: "Sorry I'm late, Miss. I set off really early But on my way to school I was captured by a squid. I wriggled and I struggled till a turtle came and rescued me." "Oh no he didn't." "Oh yes he did." But then one day on the way to school, Tiddler gets caught in a fisherman's net. How can the little fish with the big mouth talk his way out of this one?
The Five Quintets
by Micheal O'SiadhailThe Five Quintets is both poetry and cultural history. It offers a sustained reflection on modernity--people and movements--in poetic meter. Just as Dante, in his Divine Comedy, summed up the Middle Ages on the cusp of modernity, The Five Quintets takes stock of a late modern world on the cusp of the first-ever global century. <p><p> Celebrated Irish poet Micheal O'Siadhail structures his Quintets to echo the Comedy. Where Dante had a tripartite structure ( Inferno, Purgatorio, and Paradiso), O'Siadhail has a five-part structure, with each quintet devoted to a discipline--the arts; economics; politics; science; and philosophy and theology. Each quintet is also marked by a different form: sonnets interspersed by haikus ("saikus"), iambic pentameter, terza rima, and two other invented forms. <p> The Five Quintets captivates even as it instructs, exploring the ever-changing flow of ideas and the individuals whose contributions elicited change and reflected their times. The artists, economists, politicians, scientists, and philosophers O'Siadhail features lived complex lives, often full of contradictions. Others, though deeply rooted in their context, transcended their time and place and pointed beyond themselves--even to us and to a time after modernity's reign. <p> The ancient Horace commended literature that delivered "profit with delight." In The Five Quintets, Micheal O'Siadhail has done just that: he delights us in the present with his artistry, even as he reveals hidden treasures of our past and compels us toward the future.
The Flag of Childhood
by Naomi Shihab NyeIn this stirring anthology of sixty poems from the Middle East, honored anthologist Naomi Shihab Nye welcomes us to this lush, vivid world and beckons us to explore. Eloquent pieces from Palestine, Israel, Egypt, Iraq, and elsewhere open windows into the hearts and souls of people we usually meet only on the nightly news. What we see when we look through these windows is the love of family, friends, and for the Earth, the daily occurrences of life that touch us forever, the longing for a sense of place. What we learn is that beneath the veil of stereotypes, our human connections are stronger than our cultural differences.
The Flame: Poems, Notebooks, Lyrics, Drawings
by Leonard CohenA Stirring Mosaic of Leonard Cohen: Poet, Lyricist and ArtistDive into The Flame, a profound exploration of the celebrated poet and musician, Leonard Cohen. This final work, hailed as a top read by Vogue, TIME, and The Washington Post, offers a rich blend of his life's work, sure to ignite the imagination of Cohen's enduring fans and newcomers alike.With his works spanning generations and continents, Cohen is a remarkable figure who continues to captivate audiences—his ground trodden upon by “very, very few” (Bono).The Flame provides a deeply personal view of Cohen, weaving a vivid tapestry of poems, diary excerpts, lyrics, and intimate hand-drawn self-portraits. This trailblazing collection presents a multi-faceted view of a life lived passionately.“This volume contains my father’s final efforts as a poet,” writes Cohen’s son, Adam Cohen, in his foreword. “It was what he was staying alive to do, his sole breathing purpose at the end.”Whether you’re a lyricist, musician, or a Cohen devotee, The Flame is a glowing tribute to Leonard Cohen that’s sure to inspire and captivate.
The Flared Black Skirt: Selected Poems
by Mary JosephIn this insightful and thought-provoking selection of poems, the reader is taken on a journey through life and death, love and heartbreak, joy and hardship: in other words, human existence in its myriad aspects. Written in deceptively simple language and often in the form of homilies and riddles, these poems cast the familiar in an unfamiliar light. Skilfully employing repeating patterns, personification and metaphor, the author offers a compelling reflection on who we are and how we navigate the world around us.
The Flash of Lightning Behind the Mountain: New Poems
by Charles BukowskiThe second of five new books of unpublished poems from the late, great, Charles Bukowski, America's most imitated and influential poet -- 143 never-before-seen works of gritty, amusing, and inspiring verse.
The Fleece Era
by Joanna LilleyThe Fleece Era is Yukon-based, UK-born Joanna Lilley's first book of poems: a wry and eloquent testament to the intricacies of our various relationships. From the shattered pieces of our environmental puzzles to the labyrinth of family dynamics, Lilley makes these dilemmas come alive. Chillingly sparse, attractively odd and refreshingly frank, The Fleece Era embraces the complexities of human life with an unsettling mix of the sardonic and the compassionate.
The Flower of Anarchy: Selected Poems
by Meir Wieseltier Shirley KaufmanA collection of poems by acclaimed Israeli poet Meir Wieseltier, translated by Shirley Kaufman.
The Flowering of Modern Chinese Poetry: An Anthology of Verse from the Republican Period
by Herbert Batt Sheldon ZitnerThe May Fourth Movement launched an era of turmoil and transformation in China, as Western ideas and Western-style education encroached on the Confucian traditions that lay at the foundation of Chinese society. The reverberations for Chinese culture and literature were profound. The Republican period (1919-1949) witnessed an outpouring of poetry in a form and style new to China, written in the common people’s language baihua ("plain speech").The New Poetry broke with the centuries-old tradition of classical poetry and its intricate forms. The Flowering of Modern Chinese Poetry presents English translations of over 250 poems by fifty poets, including a rich selection of poetry by women writers. The anthology provides a nuanced picture of the astonishingly rapid development of vernacular verse in China from its emergence during the May Fourth Movement, through the years of the Japanese invasion, to the Communist victory in the Civil War in 1949. Michel Hockx introduces the historical and literary contexts of the various schools of vernacular poetry that developed throughout the period: characterized as those of the pioneers, formalists, symbolists, "soldiers and peasants" poets, and Shanghai Poets of the late 1940s. Each selection of verse begins with a biographical sketch of the author’s life and literary career, including their roles in the Civil War and the resistance to the Japanese occupation. Introducing English readers to master poets who are virtually unknown to Western audiences, this anthology presents a collection of verse written in an age of struggle that attests to the courage, sensitivity, and imagination of the Chinese people. The rise of China’s modern poetry reflects the rise of modern China.
The Flowering of Modern Chinese Poetry: An Anthology of Verse from the Republican Period
by Herbert Batt Sheldon ZitnerThe May Fourth Movement launched an era of turmoil and transformation in China, as Western ideas and education encroached on the Confucian traditions at the root of Chinese society. The Republican period (1919–49) witnessed an outpouring of poetry in a form and style new to China, written in the common people’s language, baihua ("plain speech"). The New Poetry broke with the centuries-old tradition of classical poetry and its intricate forms, and the rise of China’s modern poetry reflects the rise of modern China. The Flowering of Modern Chinese Poetry presents English translations of over 250 poems by fifty poets, including a rich selection of poetry by women writers, to provide a nuanced picture of the rapid development of vernacular verse in China from its emergence during the May Fourth Movement, through the years of the Japanese invasion, to the Communist victory in the Civil War in 1949. Michel Hockx introduces the historical and literary contexts of the various schools of vernacular poetry that developed throughout the period – the pioneers, formalists, symbolists, "peasants and soldiers" poets, and Shanghai poets of the late 1940s. Each selection of verse begins with a biographical sketch of the author’s life and literary career, including their roles in the Civil War and Japanese occupation. Introducing English readers to master poets who are virtually unknown to Western audiences, this anthology presents a collection of verse written in an age of struggle that attests to the courage, sensitivity, and imagination of the Chinese people.
The Flowers of Evil
by Jonathan Culler Charles Baudelaire James McgowanThe Flowers of Evil, which T.S. Eliot called the greatest example of modern poetry in any language, shocked the literary world of nineteenth century France with its outspoken portrayal of lesbian love, its linking of sexuality and death, its unremitting irony, and its unflinching celebration of the seamy side of urban life. Including the French texts and comprehensive explanatory notes to the poems, this extraordinary body of love poems restores the six poems originally banned in 1857, revealing the richness and variety of the collection.
The Flowers of Evil & Paris Spleen: Selected Poems (Dover Thrift Editions)
by Charles BaudelaireSex and death, rebellion, corruption -- the themes of Charles Baudelaire's sensual poems sparked outrage upon their 1857 debut. His masterpiece, Flowers of Evil (Les Fleurs du Mal), was dismissed as decadent and obscene and banned in France for nearly a century. Although Baudelaire died in obscurity, today he is recognized as one of the nineteenth century's greatest and most influential poets, whose works were ahead of their time. This unique collection captures the fevered spirit of the transition from Romanticism to Modernism with authoritative interpretations of fifty-one poems from Flowers of Evil. In addition, fourteen prose poems from the posthumously published Paris Spleen offer poignant reflections on the city and its humbler denizens. Noted scholar Wallace Fowlie provides definitive translations of these verses.
The Flowers of Evil: The Definitive English Language Edition
by Charles BaudelaireA DUAL-LANGUAGE EDITION OF THE WORK THAT SCANDALIZED PARIS AND REINVENTED BEAUTYProbing the depths of the modern psyche in a voice at once caustic and vulnerable, melancholic and humorous, Baudelaire&’s infamous book brings to the surface a new understanding of evil, of eroticism, and of social life through an astonishing variety of poetic forms and styles. This edition adds the poems banned from the original 1857 publication to the expanded collection of 1861 and includes an introduction from the translator, acclaimed poetry scholar Nathan Brown.
The Folded Heart (Wesleyan Poetry Series)
by Michael CollierIn his second book, Collier ( The Clasp ) applies a characteristically light touch to profundities: traveling through memory, from conscious to unconscious knowledge, or in physical space that soon acquires figurative dimension, the poet plumbs personal matters of fact that effortlessly outgrow the personal. His narrators seek out the transfiguring moment. In "Spider Tumor," one of the strongest poems, a visit to a childhood friend brings a luminously clarifying encounter with death and the understanding that this meeting is only one of many the future holds for the narrator, while in "The Lights," a boy notices the way ivy "feet" have left tracks on a brick wall in "a pattern radiating / like a corner of a galaxy." Looking but not straining for inherent "patterns" in his subjects, Collier writes with selfless grace about experience; his personas are elegantly unassuming. In his work, "the earth's / powdery talc obscures our keen desires with time," but a reckoning with those desires is still necessary, even if in conclusion one finds "twenty years have passed and I feel / the absence of something / I never held."
The Folding Star: and Other Poems (Lannan Translations Selection Series)
by Jacek Gutorow"We are fortunate to now have them in English so that we who don't read Polish can now read these, and enjoy their insight and wry wit."--Mary Jo BangIn his triumphant collection The Folding Star and Other Poems, poet of the imagination Jacek Gutorow offers thirty-one gems that that will help change our understanding of Polish poetry.Jacek Gutorow has been nominated for the Nike Award, the Cogito Award, and the Gdynia Award. He teaches at the University of Opole.Piotr Florczyk has taught at the University of Delaware, Antioch University Los Angeles, and University of California-Riverside. He lives in Los Angeles, California.
The Forbidden Rumi: The Suppressed Poems of Rumi on Love, Heresy, and Intoxication
by Will Johnson Nevit O. ErginThe first collection of poems translated into English from the forbidden volume of the Divan of Rumi• Presents Rumi’s most heretical and free-form poems• Includes introductions and commentary that provide both 13th-century context and modern interpretationAfter his overwhelming and life-altering encounters with Shams of Tabriz, Rumi, the great thirteenth-century mystic, poet, and originator of the whirling dervishes, let go of many of the precepts of formal religion, insisting that only a complete personal dissolving into the larger energies of God could provide the satisfaction that the heart so desperately seeks. He began to speak spontaneously in the language of poetry, and his followers compiled his 44,000 verses into 23 volumes, collectively called the Divan.When Nevit Ergin decided to translate the Divan of Rumi into English, he enlisted the help of the Turkish government, which was happy to participate. The first 22 volumes were published without difficulty, but the government withdrew its support and refused to participate in the publication of the final volume due to its openly heretical nature. Now, in The Forbidden Rumi, Will Johnson and Nevit Ergin present for the first time in English Rumi’s poems from this forbidden volume. The collection is grouped into three sections: songs to Shams and God, songs of heresy, and songs of advice and admonition. In them Rumi explains that in order to transform our consciousness, we must let go of ingrained habits and embrace new ones. In short, we must become heretics.
The Forerunner
by Kahlil Gibran"You are your own forerunner, and the towers you have builded are but the foundation of your own giant-self. And that self too shall be a foundation.""And I too am my own forerunner, for the long shadow stretching before me at sunrise shall gather under my feet at the noon hour. Yet another sunrise shall lay another shadow before me, and that also shall be gathered at another noon.""Always have we been our own forerunners, and always shall we be. And all that we have gathered and shall gather shall be but seeds for fields yet unploughed. We are the fields and the ploughmen, the gatherers an the gathered."
The Forever Child
by Neil WillisThe Forever Child is a contemplative fourth offering from an author shaped by personal loss. In this reflective journey, the writer poetically navigates through memories of childhood and the contrasts of adulthood, examining how external influences have moulded his life. Amidst the backdrop of nature’s healing embrace, he clings to the beauty of dreams while confronting life’s traumas. Though composed of distinct pieces, The Forever Child is best experienced in its entirety, from the first page to the last.
The Forgetting Tree: A Rememory
by Rae ParisRae Paris began writing The Forgetting Tree: A Rememory in 2010, while traveling the United States, visiting sites of racial trauma, horror, and defiance. The desire to do this work came from being a child of parents born and raised in New Orleans during segregation, who ultimately left for California in the late 1950s. After the death of her father in 2011, the fiction Paris had been writing gave way to poetry and short prose, which were heavily influenced by the questions she’d long been considering about narrative, power, memory, and freedom. The need to write this story became even more personal and pressing. While Paris sometimes uses the genre of “memoir” or “hybrid memoir” when referring to her work, in this case the term “rememory,” born from Toni Morrison’s Beloved, feels most accurate. Paris is driven by the familial and historical spaces and by what happens when we remember seemingly disparate images and moments. The book’s three sections are motivated by the ongoing movement for black lives—with the headings “Bones,” “Bodies,” and “Souls.” Paris’s writing is raw and unapologetic as it delves into a history shaped by stories of terror and resistance. The collection is not fully prose or poetry, but more of an extended funeral program or a prayer for those who have passed through us. A perfect blending of prose, poetry, and images, The Forgetting Tree is a unique and thought-provoking collection that argues for a deeper understanding of past and present so that we might imagine a more hopeful, sustainable, and loving future.
The Forms of Michael Field (Palgrave Studies in Nineteenth-Century Writing and Culture)
by LeeAnne M. RichardsonMichael Field, the poetic identity created by Katharine Bradley (1846-1914) and her niece Edith Cooper (1862-1913), ceaselessly experimented with forms of identity and forms of literary expression. The Forms of Michael Field argues that their modes of self-creation are analogous to their poetic creations, and that exploring them in tandem is the best way to understand Michael Field’s cultural and literary importance. Michael Field deploys a different form in each volume of their lyric poetry: translations of Sappho, ekphrasis, songs, sonnets, and devotional verse. They also appropriate and revise the dramatic genres of verse tragedy and the masque. Each of these experiments in form enable Michael Field to differently address the cultural questions that beset late-Victorian women writers. Drawing on the insights of new lyric studies and new formalism, this book analyzes Michael Field’s continual quest for the aesthetic forms that best express their evolving ideas about identity and sexuality, gender and sacrifice, lyric voice and authority.
The Forms of Youth: Twentieth-Century Poetry and Adolescence
by Stephanie BurtEarly in the twentieth century, Americans and other English-speaking nations began to regard adolescence as a separate phase of life. Associated with uncertainty, inwardness, instability, and sexual energy, adolescence acquired its own tastes, habits, subcultures, slang, economic interests, and art forms. This new idea of adolescence became the driving force behind some of the modern era's most original poetry.Stephen Burt demonstrates how adolescence supplied the inspiration, and at times the formal principles, on which many twentieth-century poets founded their works. William Carlos Williams and his contemporaries fashioned their American verse in response to the idealization of new kinds of youth in the 1910s and 1920s. W. H. Auden's early work, Philip Larkin's verse, Thom Gunn's transatlantic poetry, and Basil Bunting's late-modernist masterpiece, Briggflatts, all track the development of adolescence in Britain as it moved from the private space of elite schools to the urban public space of sixties subcultures. The diversity of American poetry from the Second World War to the end of the sixties illuminates poets' reactions to the idea that teenagers, juvenile delinquents, hippies, and student radicals might, for better or worse, transform the nation. George Oppen, Gwendolyn Brooks, and Robert Lowell in particular built and rebuilt their sixties styles in reaction to changing concepts of youth. Contemporary poets continue to fashion new ideas of youth. Laura Kasischke and Jorie Graham focus on the discoveries of a specifically female adolescence. The Irish poet Paul Muldoon and the Australian poet John Tranter use teenage perspectives to represent a postmodernist uncertainty. Other poets have rejected traditional and modern ideas of adolescence, preferring instead to view this age as a reflection of the uncertainties and restricted tastes of the way we live now. The first comprehensive study of adolescence in twentieth-century poetry, The Forms of Youth recasts the history of how English-speaking cultures began to view this phase of life as a valuable state of consciousness, if not the very essence of a Western identity.
The Forms of Youth: Twentieth-Century Poetry and Adolescence
by Stephen BurtEarly in the twentieth century, Americans and other English-speaking nations began to regard adolescence as a separate phase of life. Associated with uncertainty, inwardness, instability, and sexual energy, adolescence acquired its own tastes, habits, subcultures, slang, economic interests, and art forms. This new idea of adolescence became the driving force behind some of the modern era's most original poetry. Stephen Burt demonstrates how adolescence supplied the inspiration, and at times the formal principles, on which many twentieth-century poets founded their works. William Carlos Williams and his contemporaries fashioned their American verse in response to the idealization of new kinds of youth in the 1910s and 1920s. W. H. Auden's early work, Philip Larkin's verse, Thom Gunn's transatlantic poetry, and Basil Bunting's late-modernist masterpiece, Briggflatts, all track the development of adolescence in Britain as it moved from the private space of elite schools to the urban public space of sixties subcultures. The diversity of American poetry from the Second World War to the end of the sixties illuminates poets' reactions to the idea that teenagers, juvenile delinquents, hippies, and student radicals might, for better or worse, transform the nation. George Oppen, Gwendolyn Brooks, and Robert Lowell in particular built and rebuilt their sixties styles in reaction to changing concepts of youth. Contemporary poets continue to fashion new ideas of youth. Laura Kasischke and Jorie Graham focus on the discoveries of a specifically female adolescence. The Irish poet Paul Muldoon and the Australian poet John Tranter use teenage perspectives to represent a postmodernist uncertainty. Other poets have rejected traditional and modern ideas of adolescence, preferring instead to view this age as a reflection of the uncertainties and restricted tastes of the way we live now. The first comprehensive study of adolescence in twentieth-century poetry, The Forms of Youth recasts the history of how English-speaking cultures began to view this phase of life as a valuable state of consciousness, if not the very essence of a Western identity.
The Fortieth Day (American Poets Continuum)
by Kazim AliFrom the Bible to the Quaraan, the fortieth day symbolizes the last moment before deliverance, a moment in time when a supplicant or prophet or stormbeaten passenger knows there is no state &“after,&” but finally accepts the present state as a permanent one.In The Fortieth Day, Kazim Ali follows the fractured narratives and moving lyrics of his debut collection, The Far Mosque, with a deeply spiritual and meditative book exploring the rhetoric of prayer.Kazim Ali was born in the United Kingdom and raised in an Islamic household. He holds degrees from the University at Albany and New York University. He lives in Oberlin, Ohio.
The Fortunes Of Poetry In An Age Of Unmaking
by James WilsonIn The Fortunes of Poetry in an Age of Unmaking, James Matthew Wilson demolishes the bankruptcy and pretensions of much contemporary poetry and literary scholarship. Though he offers many illustrations of the sometimes hilarious absurdities that have overtaken our literary culture, he does not settle for mere criticism or mirth. Rather, Wilson's study offers us nothing less than a renewed philosophy of poetry and literary criticism, one that accounts for poetry's historical distinction as the "paradigmatic art form" and shows us a way forward to its renewal and restoration in this otherwise dreary "age of unmaking."