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The Great Fires: Poems, 1982-1992
by Jack GilbertJOYCE'S MOTTO has had much fame but few apostles. Among them, there has been Jack Gilbert and his orthodoxy, a strictness that has required of this poet, now in the seventh decade of his severe life, the penalty of his having had almost no fame at all. In an era that puts before the artist so many sleek and official temptations, keeping unflinchingly to a code of "silence, exile, and cunning" could not have been managed without a show of strictness well beyond the reach of the theater of the coy. The "far, stubborn, disastrous" course of Jack Gilbert's resolute journey--not one that would promise in time to bring him home to the consolations of Penelope and the comforts of Ithaca but one that would instead take him ever outward to the impossible blankness of the desert--could never have been achieved in the society of others. What has kept this great poet brave has been the difficult company of his poems--and now we have, in Gilbert's third and most silent book, what may be, what must be, the bravest of these imperial accomplishments.
The Great Fires: Poems, 1982-1992
by Jack GilbertJOYCE'S MOTTO has had much fame but few apostles. Among them, there has been Jack Gilbert and his orthodoxy, a strictness that has required of this poet, now in the seventh decade of his severe life, the penalty of his having had almost no fame at all. In an era that puts before the artist so many sleek and official temptations, keeping unflinchingly to a code of "silence, exile, and cunning" could not have been managed without a show of strictness well beyond the reach of the theater of the coy. The "far, stubborn, disastrous" course of Jack Gilbert's resolute journey--not one that would promise in time to bring him home to the consolations of Penelope and the comforts of Ithaca but one that would instead take him ever outward to the impossible blankness of the desert--could never have been achieved in the society of others. What has kept this great poet brave has been the difficult company of his poems--and now we have, in Gilbert's third and most silent book, what may be, what must be, the bravest of these imperial accomplishments. From the Trade Paperback edition.
The Great Frog Race and Other Poems
by Kristine O'Connell GeorgeA fresh collection of twenty-eight poems about a girl living in the country.
The Great Ledge
by Peter DavisonJames Dickey, in reviewing Peter Davison's last book, Praying Wrong: New and Selected Poems, 1957-1984, said, ' Davison will not let things break him. His voice is his; he has earned it and can use it, and as a result is surely one of our better poets.' That sense of this poet's singularity is one of the great strengths of this new book; these deeply felt poems are uniquely his. From the almost unbearably moving 'Equinox 1980, ' which opens the book, to the delightful 'Peaches, ' The Great Ledge confirms the remark of Vernon Young that Davison is 'one of the few poets of the first order writing in English today.'
The Great Migration: Journey to the North
by Eloise Greenfield Jan Spivey Gilchrist<p><i>We were one family among the many thousands. Mama and Daddy leaving home, coming to the city, with their hopes and their courage, their dreams and their children, to make a better life.</i> <p>When Eloise Greenfield was four months old, her family moved from their home in Parmele, North Carolina, to Washington, D.C. Before Jan Spivey Gilchrist was born, her mother moved from Arkansas and her father moved from Mississippi. Both settled in Chicago, Illinois. Though none of them knew it at the time, they had all become part of the Great Migration. <p>In this collection of poems and collage artwork, award winners Eloise Greenfield and Jan Spivey Gilchrist gracefully depict the experiences of families like their own, who found the courage to leave their homes behind during The Great Migration and make new lives for themselves elsewhere. The Great Migration concludes with a bibliography.</p>
The Great Modern Poets: An anthology of the essential poets and poetry since 1900
by Michael SchmidtAn essential introduction to the most significant poems and their works since 1900Reproduced within this collection are some of the greatest poems of the 20th century, featuring works from major writers such as T.S. Eliot and Sylvia Plath to Langston Hughes and W.B. Yeats. For each, Michael Schmidt provides an insight into their themes and the background to their work, opening for the reader a deeper understanding and enjoyment of these extraordinary poems.Poets include:W.B. YeatsRobert FrostEdward ThomasPhilip LarkinT.S. EliotTed HughesLangston HughesSylvia PlathC.S SissonDerek WalcottEzra Pound& many more!
The Great Modern Poets: An anthology of the essential poets and poetry since 1900
by Michael SchmidtAn essential introduction to the most significant poems and their works since 1900Reproduced within this collection are some of the greatest poems of the 20th century, featuring works from major writers such as T.S. Eliot and Sylvia Plath to Langston Hughes and W.B. Yeats. For each, Michael Schmidt provides an insight into their themes and the background to their work, opening for the reader a deeper understanding and enjoyment of these extraordinary poems.Poets include:W.B. YeatsRobert FrostEdward ThomasPhilip LarkinT.S. EliotTed HughesLangston HughesSylvia PlathC.S SissonDerek WalcottEzra Pound& many more!
The Great Poems of the Bible: A Reader's Companion with New Translations
by James L. KugelFrom the Psalms to the Prophets, from job to Ecclesiastes, much of the Bible is written in poetry. The poems of the Bible include some of its best known and most beloved passages: "The Lord is my shepherd," "Let justice roll down like waters," "By the rivers of Babylon," "Remember your Creator," "Arise, shine, for thy light is come!" These poems live in the hearts of those who are familiar with the Bible and offer rich rewards to anyone who is approaching the world's greatest book for the first time.In The Great Poems of the Bible, Harvard scholar James Kugel presents original translations of the most beautiful and important poems of the Scripture. Taken together, these poems represent the very essence of the Hebrew Bible. Reading them one after another is like taking a guided tour through Scripture, meeting firsthand some of its most important teachings and opening the way to an understanding of the Bible as a whole.Each poem is accompanied by an eloquent and accessible explanation of the poem's language, and a reflection on its meaning. These learned, compact essays introduce readers to the broader spiritual world of ancient Israel. What did people in biblical times believe about God? Where is a person's soul located and what does it do? Is there an afterlife? How does one come to "know" God? Why wasn't Eve meant to be Adam's "helpmate" (Kugel shows how this was just a translator's slip-up), and what does the Bible have to say about the role of women?Kugel's sparkling translations of the poems, together with the fascinating insights that accompany them, distill the very best that the Bible and modern scholarship have to offer. Kugel brings new life to some of history's greatest poems, and offers a new look at a Bible we thought we already knew. Here, in one volume, is a "Bible's bible" that belongs in every home.
The Great Realization
by Tomos Roberts (Tomfoolery)Selected by Today as a book "to ease kids’ anxiety about coronavirus.”We all need hope. Humans have an extraordinary capacity to battle through adversity, but only if they have something to cling onto: a belief or hope that maybe, one day, things will be better.This idea sparked The Great Realization. Sharing the truths we may find hard to tell but also celebrating the things—from simple acts of kindness and finding joy in everyday activities, to the creativity within us all—that have brought us together during lockdown, it gives us hope in this time of global crisis.Written for his younger brother and sister in response to the Covid-19 pandemic, Tomos Roberts’s heartfelt poem is as timely as it is timeless. Its message of hope and resilience, of rebirth and renewal, has captured the hearts of children and adults all over the globe—and the glimpse it offers of a fairer, kinder, more sustainable world continues to inspire thousands every day. With Tomos Roberts’s heartfelt poem and beautiful illustrations by award-winning artist Nomoco, The Great Realization is a profound work, at once striking and reassuring, reminding readers young and old that in the face of adversity there are still dreams to be dreamt and kindnesses to be shared and hope. There is still hope.We now call it The Great Realizationand, yes, since then there have been many.But that’s the story of how it started . . .and why hindsight’s 2020.
The Great Realization Ukrainian (Ukrainian Edition)
by Tomos Roberts (Tomfoolery)Translated by Dasha Peipon, writer, editor and teacher, who’s originally from Ukraine, and Larysa Tsilyk, a Ukrainian poet, HarperCollins Children’s Books is happy to make available in ebook format this picture book in the Ukrainian language for no charge in the hopes that it will bring joy to displaced Ukrainian children and their families.Selected by Today as a book "to ease kids’ anxiety about coronavirus.”We all need hope. Humans have an extraordinary capacity to battle through adversity, but only if they have something to cling onto: a belief or hope that maybe, one day, things will be better.This idea sparked The Great Realization. Sharing the truths we may find hard to tell but also celebrating the things—from simple acts of kindness and finding joy in everyday activities, to the creativity within us all—that have brought us together during lockdown, it gives us hope in this time of global crisis.Written for his younger brother and sister in response to the Covid-19 pandemic, Tomos Roberts’s heartfelt poem is as timely as it is timeless. Its message of hope and resilience, of rebirth and renewal, has captured the hearts of children and adults all over the globe—and the glimpse it offers of a fairer, kinder, more sustainable world continues to inspire thousands every day. With Tomos Roberts’s heartfelt poem and beautiful illustrations by award-winning artist Nomoco, The Great Realization is a profound work, at once striking and reassuring, reminding readers young and old that in the face of adversity there are still dreams to be dreamt and kindnesses to be shared and hope. There is still hope.We now call it The Great Realizationand, yes, since then there have been many.But that’s the story of how it started . . .and why hindsight’s 2020.
The Great Wave
by Ron SlateIn his acclaimed debut collection The Incentive of the Maggot, Ron Slate delivered an ingenious and enigmatic account of the intersections of global, family and personal histories. Now, in The Great Wave, a more personal tone asserts itself as Slate fashions poignant and haunting poems that shock us with a recognition of our perilous times. These are poems of strange and sometimes caustic assessment, reflecting on family, the work life, catastrophe, creativity, solitude, and desire--tracking the transit between reality and the imagination, and creating the sound of its discoveries. Seductive, demanding, witty, and embittered, Slate's voice comes from a secret, intimate space abutting a large, incongruous world.The poems in The Great Wave, so taken with the collisions between history and contemporary life, remind us that the role of poetry is to confirm our existence by giving shape to the inner world.
The Great Zoo: A Bilingual Edition (Phoenix Poets)
by Nicolás GuillénA fantastical collection of poems by revolutionary Afro-Cuban poet Nicolás Guillén presented in a Spanish-English bilingual edition. Born in Cuba to parents of African and European ancestry, Nicolás Guillén worked in printing presses and studied law before moving into Havana’s literary scene. A virtuosic maker and breaker of forms, Guillén rose to fame by transforming a popular form of Cuban music into poetry that called attention to the experience of Afro-Cuban people, and he continued to interweave his artistic and political commitments as he traveled the world. Originally published in Spanish in 1967, The Great Zoo is a humorous and biting collection of poems that presents a fantastical bestiary of ideas, social concerns, landscapes, phenomena, and more. The “animals” on view in this menagerie include the Mississippi and Amazon Rivers, clouds from different countries, a singing guitar, a temperamental atomic bomb, blue-pelted police, a hurricane, the KKK, and the North Star, among many others. Translated by Aaron Coleman with a keen understanding of the contexts of colonial racialization, oppression, and exoticism, this bilingual edition stands as a testament to Guillén’s carnivalesque vision.
The Greek Epic Cycle and Its Ancient Reception
by Fantuzzi, Marco and Tsagalis, Christos Marco Fantuzzi Christos TsagalisThe poems of the Epic Cycle are assumed to be the reworking of myths and narratives which had their roots in an oral tradition predating that of many of the myths and narratives which took their present form in the Iliad and the Odyssey. The remains of these texts allow us to investigate diachronic aspects of epic diction as well as the extent of variation within it on the part of individual authors - two of the most important questions in modern research on archaic epic. They also help to illuminate the early history of Greek mythology. Access to the poems, however, has been thwarted by their current fragmentary state. This volume provides the scholarly community and graduate students with a thorough critical foundation for reading and interpreting them.
The Green Knight (Movie Tie-In)
by AnonymousThe inspiration for the major motion picture The Green Knight starring Dev Patel, an early English poem of magic, chivalry and seduction.Composed during the fourteenth century in the English Midlands, Sir Gawain and the Green Knight describes the events that follow when a mysterious green-coloured knight rides into King Arthur's Camelot in deep mid-winter. The mighty knight presents a challenge to the court: he will allow himself to be struck by one blow, on the condition that he will be allowed to return the strike on the following New Year's Eve. Sir Gawain takes up the challenge, decapitating the stranger - only to see the Green Knight seize up his own severed head and ride away, leaving Gawain to seek him out and honour their pact. Blending Celtic myth and Christian faith, Gawain is among the greatest Middle English poems: a tale of magic, chivalry and seduction.
The Grey Among The Green
by John FullerThe Grey Among The Green is John Fuller's eleventh collection, and his first since Selected Poems 1954-1982. Generally acknowledged to be the most accomplished and influential poet of his generation, John Fuller is always brilliantly in command of a dazzling diversity of themes and moods. This collection is his finest to date; its brio and reflective gravity will delight his admirers and win many new appreciative readers.
The Grey Islands
by John StefflerSince its first publication in 1985, The Grey Islands has become a classic of Canadian wilderness writing to set beside the works of Thoreau, Annie Dillard and Aldo Leopold. Using a broad range of forms and styles – lyric, anecdote, field notes, documents and pseudo-documents, ghost story, tall tale – Steffler relates the story of one man’s pilgrimage to a remote island of Newfoundland’s northern peninsula. Often comic, and always deeply passionate and sensuous, The Grey Islands tells of the sharpening of perceptions whetted by solitude, wind and rock, and of the pilgrim’s people – living and dead – who have striven to exist under its harsh regime. As in his other books, like That Night We Were Ravenous or his acclaimed novel The Afterlife of George Cartwright, Steffler’s writing delivers the bite of raw experience and embraces existence at the edge in all its terror and beauty.
The Grey Islands
by John StefflerDeluxe redesign of a seminal book by Canada’s former Parliamentary Poet Laureate.Includes new material. On the occasion of the press's 40th anniversary, Brick Books is proud to present the second of six new editions of classic books from our back catalogue. This new edition of The Grey Islands features a foreword by scholar Adrian Fowler and a detailed and insightful look back at the book and the time of its inception by Steffler himself. Featuring a new cover and design by the renowned typographer Robert Bringhurst. The Grey Islands is the story of one man’s pilgrimage to a remote island of Newfoundland’s northern peninsula. Using a broad range of styles, The Grey Islands delivers the bite of raw experience and embraces existence at the edge in all its terror and beauty.
The Groove of the Poem: Reading Philippe Beck (Univocal)
by Jacques Rancière&“Music is the brute that shows. It is the avowal of materials, And stutters between its clanging of things.&”How should one think this musical groove of the poem whose back and forth motion shuffles the material of ordinary language and revives the frozen speech of old chants? This question by renowned French thinker Jacques Rancière is the entry point for his earnest and careful reading of one of France&’s most singular and important contemporary poets. For Rancière, Philippe Beck sets himself the task of a poetry after poetry whereby Beck re-writes and transforms the poems of the past, reanimating faded genres, poetizing the prose of popular tales and even commentaries regarding poems. To read and follow this groove traced as such cannot simply be done by way of taking the poems as objects of study. It supposes a dialogue regarding what these poems attempt to do as well as an idea of a poetry which serves as their foundation. This book on Philippe Beck is thus also a book made with him.
The Ground: Poems
by Rowan Ricardo PhillipsA masterful debut from a powerfully original poetic voiceA poignant and terse vision of New York City unfolds in Rowan Ricardo Phillips's debut book of poetry. A work of rare beauty and lyric grace, The Ground is an entire world, drawn and revealed through contemplation of the post-9/11 landscape. With musicality and precision of thought, Phillips's poems limn the troubadour's journey in an increasingly surreal modern world ("I plugged my poem into a manhole cover/That flamed into the first guitar"). The origin of mankind, the origin of the self, the self's development in the sensuous world, and––in both a literal and figurative sense––the end of all things sing through Phillips's supple and idiosyncratic poems. The poet's subtle formal sophistication—somewhere between flair and restraint—and sense of lyric possibility bring together the hard glint of the contemporary world and the eroded permanence of the archaic one through remixes, underground sessions, Spenserian stanzas, myths and revamped translations. These are poems of fiery intelligence, inescapable music and metaphysical splendor that concern themselves with lived life and the life of the imagination––both equally vivid and true––as they lay the framework for Phillips's meditations on our connection to and estrangement from the natural world.
The Gruffalo
by Julia DonaldsonA mouse is taking a stroll through the deep, dark wood when along comes a hungry fox, then an owl, and then a snake. Mouse outwits them by talking about his friend, the gruffalo, a creature with terrible claws, and terrible tusks in its terrible jaws, and knobbly knees and turned-out toes, and a poisonous wart at the end of its nose. Of course, there's no such thing as a gruffalo... or is there?
The Guest from the Future: Anna Akhmatova and Isaiah Berlin
by Gyorgy Dalo Andrea Dunai Antony WoodIn 1945 Berlin, Russian-born Oxford professor & first secretary for the British Embassy in Moscow, visited Russian poet Akhmatova. She saw him as a visitor from the democratic world that she'd never experienced. The KGB saw him as a British spy. The book deals with the interesting relationship between these extraordinary individuals as well as the history of Russia before and after communism, especially just after World War II.
The Ha-ha: Poems (Southern Messenger Poets)
by Professor David KirbyA feature of English landscape architecture, a ha-ha is a wall at the bottom of a ditch; its purpose is to allow the presence of cows and sheep on one's lawn, but at an agreeable distance and with none of the malodorous unsightliness that proximity would bring. Similarly, The Ha-Ha, the latest offering from poet David Kirby, is both an exploration of the ways in which the mind invites chaos yet keeps it at a distance and an apologia for humor, reflecting Irish poet Patrick Kavanagh's observation that tragedy is merely underdeveloped comedy. Embracing wit, wide-ranging scholarship, and an equal love of travel as well as the pleasures of home, The Ha-Ha depicts comedy as a radical form of intelligence, a way of thinking that just happens to be noisy and rumbustious.We are staying with Barbara's parents on Oahu, and the first night we're there, I notice an angry-looking man is staring at meout of the neighbor's upstairs window and mumbling something, but the second night I realize that it's that poster of Bo Diddleyfrom the famous Port Arthur concert, and there's a phone wirein front of his face that bobs up and down when the trade winds blow,which they do constantly, making it seem as though Mr. Diddley is saying something to me.From "The Ha-Ha, Part I: The Tao of Bo Diddley" published in The Ha-Ha: Poems by David Kirby. Copyright © 2003 by David Kirby. All rights reserved. - See more at: http://lsupress.org/books/detail/the-ha-ha/#sthash.g8vUSeuN.dpuf
The Haiku Apprentice
by Abigail Friedman Michael Dylan WelchThe problem came to a head one day as I was driving through Tokyo. While waiting for the light to change, I saw the following public service announcement on the side of a bus: Omoiyari hitonikurumani konomachini (Sympathy / toward people, toward cars / toward this town). Seventeen syllables. Five-seven-five format. It must be a haiku, I thought. But when I reached the office and repeated the announcement to my Japanese coworkers, none of them thought it was a haiku. I knew they were thinking to themselves, What kind of a lunatic is she? One tried to break the news to me gently, It's not a haiku, it's an advertising jingle. Well, I knew it was an advertising jingle, but still, wasn't it an advertising jingle haiku?--From The Haiku ApprenticeAbigail Friedman was an American diplomat in Tokyo, not a writer. A chance encounter leads her to a haiku group, where she discovers poetry that anyone can enjoy writing. Her teacher and fellow haiku group members instruct her in seasonal flora and fauna, and gradually she learns to describe the world in plain words, becoming one of the millions in Japan who lead a haiku life. This is the author's story of her literary and cultural voyage, and more: it is an invitation to readers to form their own neighborhood haiku groups and, like her, learn to see the world anew."...A deft and seamless merging of genres: at once memoir, travel literature, and an unpretentious guide onto the terrain of Japanese poetry. It will appeal not just to poetry lovers, but to all readers who are curious about the world beyond their own borders." -- Foreword Magazine"Friedman is an appealing guide through an alternate Japan where modern people make poems about teacups and temples but also about skyscrapers and kidney surgery." -- East Bay Express"The book is not designed to make the reader a poet, but it does, perhaps, help us to pay more attention to our poetical eye." -- BiblioBuffet"The Haiku Apprentice gives the reader an original, thoughtful and personal glimpse of one expat's productive encounter with Japan." -- Metropolis "...Notable for its frankness and enthusiasm...Friedman has made a lively narrative out of the things she learned..." -- The Japan Times
The Haiku Form
by Joan GirouxThis book, the first of its kind, examines English-language haiku in the light of the Japanese form. Author Joan Giroux explicates the meaning and history of the Japanese haiku, its cultural background, the creative process which gives it birth and the technical devices developed by Japanese poets over the centuries. Examples by classic and contemporary poets, including Basho and Buson, Shiki and Hatsutaro, are given in romanized Japanese and in English translation. Poems in English, from early efforts by Ezra Pound and Wallace Stevens to the work of contemporaries like James Hackett, are discussed and evaluated. Wherever possible, comparisons are made, contrasts indicated and suggestions given, with a rare sensitivity to the poetic possibilities of both languages and a keen appreciation of the unique qualities of both cultures.The author, after more than a decade of study, foresees the emergence of "a great haiku poet who will take the Japanese form and give it the truly English shape that is waiting for it." Before that can happen, she points out, poets must seek a thorough knowledge of the Japanese language, as well as Japanese culture and poetics. This book enables English-speaking poets and students of haiku to take the essential first steps to such knowledge.