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The Haiku Form
by Joan GirouxThis book, the first of its kind, examines English-language haiku in the light of the Japanese form. Author Joan Giroux explicates the meaning and history of the Japanese haiku, its cultural background, the creative process which gives it birth and the technical devices developed by Japanese poets over the centuries. Examples by classic and contemporary poets, including Basho and Buson, Shiki and Hatsutaro, are given in romanized Japanese and in English translation. Poems in English, from early efforts by Ezra Pound and Wallace Stevens to the work of contemporaries like James Hackett, are discussed and evaluated. Wherever possible, comparisons are made, contrasts indicated and suggestions given, with a rare sensitivity to the poetic possibilities of both languages and a keen appreciation of the unique qualities of both cultures.The author, after more than a decade of study, foresees the emergence of "a great haiku poet who will take the Japanese form and give it the truly English shape that is waiting for it." Before that can happen, she points out, poets must seek a thorough knowledge of the Japanese language, as well as Japanese culture and poetics. This book enables English-speaking poets and students of haiku to take the essential first steps to such knowledge.
The Haiku Form
by Joan GirouxThis classic book is a collection and analysis of Japanese haiku in the English language.The Haiku is a brief poetic form expressing a moment of insight. No foreign form since the sonnet has so fascinated and challenged the poets of the English-speaking world. Yet no scholar or critic, until now, has undertaken a definitive study of the problems of writing haiku in English.This book, the first of its kind, examines English language haiku in the light of Japanese form. Author Joan Giroux explicates the meaning and history of the Japanese haiku, its cultural background the creative process which gives it birth and the technical devices developed by Japanese poets over the centuries. Examples by classic and contemporary poets, including Basho and Buson, Shiki and Hastutaro, are given Romanized Japanese and in English translation. Poems, in English, from early efforts by Ezra Pound and Wallace Stevens to work of contemporaries like James Hackett, are discussed and evaluated. Wherever possible, comparisons are made, contrast indicated and suggestions given, with a rare sensitivity to the poetic possibilities of both languages and keen appreciation of the unique qualities of both cultures.
The Half-Finished Heaven: Selected Poems
by Tomas TranstromerFrom the Winner of the 2011 Nobel Prize in LiteratureThe contemporary Swedish poet Tomas Tranströmer is a recipient of the Nobel Prize in Literature and has a prestigious worldwide reputation. Robert Bly, a longtime friend and confidant of Tranströmer's, as well as one of his first translators, has carefully chosen and translated the finest of Tranströmer's poems to create this cherished and invaluable collection.ContentsIntroduction: "Upward into the Depths" by Robert Bly1From17 Poems (1954)Secrets on the Road (1958)The Half-Finished Heaven (1962)Evening—MorningStormThe Man Awakened by a Song above His RoofTrackKyrieAfter the AttackBalakirev's Dream (1905)The CoupleAllegroLamentoThe Tree and the SkyA Winter NightDark Shape SwimmingThe Half-Finished HeavenNocturne2FromResonance and Footprints (1966)Night Vision (1970)Open and Closed SpaceFrom an African DiaryMorning Bird SongsSummer GrassAbout HistoryAfter a DeathUnder PressureSlow MusicOut in the OpenSolitudeBreathing Space JulyThe Open Windows26PreludesThe BookcaseOutskirtsGoing with the CurrentTrafficNight DutyA Few MomentsThe NameStanding Up3FromPathways (1973)Truth Barriers (1978)ElegyThe Scattered CongregationSnow-Melting Time, '66Further InLate MayDecember Evening, '72Seeing through the GroundGuard DutyAlong the Lines (Far North)At Funchal (Island of Madeira)Calling HomeCitoyensFor Mats and LailaAfter a Long Dry SpellA Place in the WoodsStreet CrossingBelow FreezingStart of a Late Autumn NovelFrom the Winter of 1947The ClearingSchubertiana4FromThe Wild Market Square (1983)For the Living and the Dead (1989)Grief Gondola (1996)From March '79Fire ScriptBlack PostcardsRomanesque ArchesThe Forgotten CommanderVermeerThe CuckooThe Kingdom of UncertaintyThree StanzasTwo CitiesIsland Life, 1860April and SilenceGrief Gondola #2
The Half-Finished Heaven: The Best Poems of Tomas Transtromer
by Robert Bly Tomas TranstromerRobert Bly, a longtime friend and confidant of Transtromer's, as well as one of his first translators, has carefully chosen and translated the finest of Transtromer's poems to create this cherished and invaluable collection.
The Handbook of Mirza Ghalib's Poetry and Poetics: Commentaries and Contemporary Concerns (Springer Handbooks in Languages and Linguistics)
by Tariq RahmanThe Handbook of Mirza Ghalib's Poetry and Poetics: Commentaries and Contemporary Concerns is a seminal contribution to Ghalib studies. It provides a detailed commentary in English on the poetry of Mirza Asadullah Khan Ghalib, known as Ghalib (1797-1869), arguably the greatest poet of Urdu not only of the 19th century, when he lived, but of all time. Each couplet is explained in English and is underpinned by historical references. Each chapter is rigorous, thorough, and jargon-free, making it accessible to all readers. The commentary relates to the historical reality of Ghalib's time as well as the contemporary period. It quotes several couplets from Urdu, Punjabi and English literature as well as other significant texts that have influenced civilisations, such as the Bible, the Quran, Dhammapada, Bhagwat Gita, Plato, and so on. It touches upon cultural history, too. Ghalib's commentaries - rich in cultural, historical, and literary references - make his work relevant to a wide range of contemporary concerns. The book is a social and literary guide to Indo-Islamicate culture, Iranian pre-Islamic cultural influences and local folk Indian Islam. The Urdu text of Ghalib and poetry in the literary languages of South Asia -- Persian, Urdu and Punjabi -- are transliterated according to a list of symbols that maintain accuracy and accessibility. The book introduces the reader not only to Ghalib's couplets but also to the most famous form of Islamicate poetry, the ghazal, found in Arabic, Persian, Turkish and Urdu literary traditions. In turn, it provides an alternative lens to understanding Islam and its interdisciplinary connections within the fields of international relations, politics, and sociology.
The Handiest Things in the World
by Andrew ClementsThis book showcases the importance of hands in our life and how to utilize them in such a way as to keep them clean.
The Handiest Things in the World (Elementary Core Reading)
by Andrew ClementsNIMAC-sourced textbook
The Handless Maiden
by Vicki FeaverThe poems in this extraordinary book deal in familiar emotions - love, grief, rage, loneliness - but do so with such a fresh and fierce eye, such lived intensity, that the familiar is given again the force to touch our nerves, to seem raw and new. Some of the poems are based in the territory of home and childhood, others move into that unnerving space where the safe and polite world plunges over a ledge - into anarchic revisions of what is possible or acceptable. They treat myths and fairy stories, or even paintings, not as fictions but as part of our continuing experience. Powerful and sensuous, wry and witty, their clear voice stays in the mind: provoking, questioning, refusing to accept the soft lie. These disturbing and passionate poems demand to be read.
The Hands of Strangers
by Janice N. HarringtonAs people live longer, we face the challenges that come with caring for, and living as, an aging population. This collection focuses on the sad, funny, mundane reality of life in a nursing home. In her own words, Janice N. Harrington worked her way through college as a nurses' aide and wrote The Hands of Strangers because she "cannot forget the 'girls' I worked with or the 'residents' under my care. I haven't forgotten what I saw, heard, felt, or learned." Janic N. Harrington's debut Even the Hollow My Body Made is Gone earned teh 2007 Kate Tufts Discovery Award, the A. Poulin Jr. Poetry Prize, and an NEA fellowship for poetry.
The Hands of Strangers: Poems from the Nursing Home (American Poets Continuum)
by Janice N. HarringtonAs people live longer, we face the challenges that come with caring for, and living as, an aging population. This collection focuses on the sad, funny, mundane reality of life in a nursing home. In her own words, Janice N. Harrington worked her way through college as a nurses' aide and wrote The Hands of Strangers because she "cannot forget the 'girls' I worked with or the 'residents' under my care. I haven't forgotten what I saw, heard, felt, or learned." Janic N. Harrington's debut Even the Hollow My Body Made is Gone earned teh 2007 Kate Tufts Discovery Award, the A. Poulin Jr. Poetry Prize, and an NEA fellowship for poetry.
The Handyman's Guide to End Times: Poems (Mary Burritt Christiansen Poetry Series)
by Juan J. MoralesIn Morales&’s newest collection, an imagined zombie apocalypse intertwines with personal narrative. From zombie dating to the sin of popcorn ceilings, these poems investigate the nature of impermanence while celebrating the complexities of life.
The Hanging God
by James Matthew WilsonIn The Hanging God, James Matthew Wilson mines the landscape of contemporary American life for images to reflect its moral ravages. Raw in their affective power, Wilson's narratives avoid ambiguity in matters of faith without sacrificing complexity of feeling, compassion, and self-examination. Strippers, divorcees, corporate accountants move among dumpsters, barrooms, bedfellows, beer bottles, and Excel spreadsheets, while the poet examines our confused postmodern responses to these tragicomic figures: would I 'weep or smile' at their worldly losses?
The Happiness of this World
by Karl KirchweyIt is this "shockability" that informs Karl Kirchwey's new work. Through four collections, he has explored the resonances between past and present, seeking a sense of home in a world of losses. Now, as the horrors of the modern world crowd in on him, he meditates on the future his children will inherit. These are angry poems, tender poems, poems of hope, love, and despair. Reviewing Kirchwey's last book in The New Criterion, William Logan wrote: "An elegy for an uncle, a World War II pilot killed in the Pacific, reminds us that we live only by the sacrifice of the dead, and therefore in their shadows. Shadows fall frequently over these poems, from lives corrupted, crippled, or destroyed," and in the concluding section of this new work, a prose memoir with poems that will appear in full in Parnassus, the poet revisits that dead uncle and the unhappy generations preceding his own. Seeking out family origins and family secrets, this section climaxes in a holy Hindu pilgrimage in honor of the dead and returns the poet, who in his search has circled the globe, to the family of the living and the circumscribed happiness of this world.
The Happiness of this World
by Karl KirchweyIt is this "shockability" that informs Karl Kirchwey's new work. Through four collections, he has explored the resonances between past and present, seeking a sense of home in a world of losses. Now, as the horrors of the modern world crowd in on him, he meditates on the future his children will inherit. These are angry poems, tender poems, poems of hope, love, and despair. Reviewing Kirchwey's last book in The New Criterion, William Logan wrote: "An elegy for an uncle, a World War II pilot killed in the Pacific, reminds us that we live only by the sacrifice of the dead, and therefore in their shadows. Shadows fall frequently over these poems, from lives corrupted, crippled, or destroyed," and in the concluding section of this new work, a prose memoir with poems that will appear in full in Parnassus, the poet revisits that dead uncle and the unhappy generations preceding his own. Seeking out family origins and family secrets, this section climaxes in a holy Hindu pilgrimage in honor of the dead and returns the poet, who in his search has circled the globe, to the family of the living and the circumscribed happiness of this world.
The Harvill Book of 20th Century Poetry in English
by Michael SchmidtMichael Schmidt’s anthology includes the work of more than a hundred poets from every part of the English-speaking world. What links their diverse voices is a common language: each poem, in its own way, adds to the resources of the medium and makes it new.The poems in this book are allowed to slip free of their moorings in the biography and history of the last century to create new spaces and times. They have been chosen because they are exceptional, profound and unique in what they do to language, regardless of their subject matter or the orientation of the poet. It is a powerful reminder that in the twentieth century poems did what they have never done before, and it provides us with a unique insight into the forces that will shape the poetry of the twenty-first century.
The Hatred Of Poetry
by Ben LernerNo art has been denounced as often as poetry. It's even bemoaned by poets: "I, too, dislike it," wrote Marianne Moore. "Many more people agree they hate poetry," Ben Lerner writes, "than can agree what poetry is. I, too, dislike it and have largely organized my life around it and do not experience that as a contradiction because poetry and the hatred of poetry are inextricable in ways it is my purpose to explore." In this inventive and lucid essay, Lerner takes the hatred of poetry as the starting point of his defense of the art. He examines poetry's greatest haters (beginning with Plato's famous claim that an ideal city had no place for poets, who would only corrupt and mislead the young) and both its greatest and worst practitioners, providing inspired close readings of Keats, Dickinson, McGonagall, Whitman, and others. Throughout, he attempts to explain the noble failure at the heart of every truly great and truly horrible poem: the impulse to launch the experience of an individual into a timeless communal existence. In The Hatred of Poetry, Lerner has crafted an entertaining, personal, and entirely original examination of a vocation no less essential for being impossible.
The Hatred of Poetry
by Ben LernerNovelist and poet Ben Lerner argues that our hatred of poetry is ultimately a sign of its continued relevance.Poetry. Perhaps Marianne Moore said it best: "I, too, dislike it." What other art takes its marginality as a given, and is so widely bemoaned even by its practitioners? Ben Lerner writes, "Many more people agree they hate poetry than can agree what poetry is. I, too, dislike it and have largely organized my life around it and do not experience that as a contradiction because poetry and the hatred of poetry are inextricable in ways it is my purpose to explore."In this inventive and plain-spoken essay, Lerner takes the hatred of poetry as the starting point of his defence of the art. He examines both poetry's greatest haters (beginning with Plato, who famously claimed that an ideal city had no place for poets, who would only corrupt and mislead the young) and its greatest practitioners, providing inspired close-readings of Keats, Dickinson, Whitman, and others. Throughout, he attempts to explain the noble failure at the heart of every poem: the impulse to launch the experience of an individual into a timeless, communal existence. In The Hatred of Poetry, Lerner has crafted an entertaining, personal, and entirely original examination of a vocation no less essential for being impossible.
The Haunted Computer and the Android Pope
by Ray BradburyRejoice in the strange and the ordinary in this contemplative collection of poetry from the celebrated author of Fahrenheit 451.One of the most well-known figures in modern fantasy and science fiction, often credited for heralding the genre into the mainstream, Ray Bradbury delights readers time and time again with writing that pushes the boundaries of reality. In this outstanding collection, Bradbury delivers poem after poem full of hope, fear, philosophy and faith. As in his work of speculative fiction, Bradbury&’s unique perspective on humanity graces every page.From technology to Ty Cobb, strawberry shortcake and death, this selection delivers some of Bradbury&’s best. Some of his most beloved poetry, including &“They Have Not Seen the Stars,&” &“This Attic Where the Meadow Greens,&” &“There Are No Ghosts in Catholic Spain,&” &“Farewell Summer,&” &“Once the Years Were Numerous and the Funerals Few,&” &“Doing Is Being,&” and &“We Are The Reliquaries of Lost Time,&” is featured.Humorous, thoughtful, and every bit as out of this world as readers have come to expect from the legend, this is a must-have for collectors and new readers alike.&“Let us now praise Ray Bradbury, the uncrowned poet laureate of science fiction.&”—The Times
The Hawk Temple at Tierra Grande (American Poets Continuum #Vol. 72)
by Ray GonzalezKnown for his superrealism and magical images born of the imagery of the Chicano/South Western culture, Ray Gonzalez gives new imagery and intensity to the mystery and common miracles of that culture, the passionate reclamation of identity.Ray Gonzalez is a poet, essayist, and editor born in El Paso, Texas. He is the author of five books of poetry, including The Heat of Arrivals (BOA 1996), which won the 1997 Josephine Miles Book Award for Excellence in Literature, and Cabato Sentora (BOA 1999). He is the editor of twelve anthologies and serves as Poetry Editor of The Bloomsbury Review.Also available by Ray Gonzalez: The Heat of Arrivals TP $12.50, 1-880238-39-X o CUSA Cabato Sentora TP $12.50, 1-880238-70-5 o CUSA
The Hayflick Limit
by Matthew TierneyTo be human is to cope with knowing. In the early 1960s, Leonard Hayflick determined that healthy cells can divide only a finite number of times. Known as the Hayflick Limit, it sets an unsurpassable lifespan for our species at just over 120 years. Shifting focus between the limits of the microscope and the limits of the telescope, Matthew Tierney gives voice to a range of characters who scrape out meaning in a carnivalesque universe, one that has birthed black holes and Warner Bros. cartoons, murky market economies, murkier quantum laws, Vincent Price, Molotov cocktails, seedless grapes, Area 51 and competing Theories of Everything.
The Healing Notebooks
by Kenny FriesIn this book of poetry Kenny Fries explores love and its ramifications and shows us a haunting world of risk and loss, tempered by dignity and affirmation.
The Heart of American Poetry
by Edward HirschAn acclaimed poet and our greatest champion for poetry offers an inspiring and insightful new reading of the American traditionWe live in unsettled times. What is America and who are we as a people? How do we understand the dreams and betrayals that have shaped the American experience? For poet and critic Edward Hirsch, poetry opens up new ways of answering these questions, of reconnecting with one another and with what&’s best in us. In this landmark new book from Library of America, Hirsch offers deeply personal readings of forty essential American poems we thought we knew—from Anne Bradstreet&’s &“The Author to Her Book&” and Phillis Wheatley&’s &“To S.M. a Young African Painter, on seeing his Works&” to Garrett Hongo&’s &“Ancestral Graves, Kahuku&” and Joy Harjo&’s &“Rabbit Is Up to Tricks&”—exploring how these poems have sustained his own life and how they might uplift our diverse but divided nation. &“This is a personal book about American poetry,&” writes Hirsch, &“but I hope it is more than a personal selection. I have chosen forty poems from our extensive archive and songbook that have been meaningful to me,part of my affective life, my critical consideration, but I have also tried to be cognizant of the changing playbook in American poetry, which is not fixed but fluctuating, ever in flow, to pay attention to the wider consideration, the appreciable reach of our literature. This is a book of encounters and realizations.&”
The Heart of God
by Rabindranath Tagore Herbert F. VetterAwarded the Noble Prize for Literature in 1913, Rabindranath Tagore (1861-- 1941) is considered the most important poet of modern-day India. He was also a distinguished author, educator, social reformer, and philosopher. Today, Tagore along with Mahatma Gandhi are prized as the foremost intellectual and spiritual advocates of India's liberation from imperial rule.This inspiring collection of Tagore's poetry represent his "simple prayers of common life." Each of the seventy-seven prayers is an eloquent affirmation of the divine in the face of both joy and sorrow. Like the Psalms of David, they transcend time and speak directly to the human heart.
The Heart of God
by Rabindranath Tagore Herbert F. VetterAwarded the Noble Prize for Literature in 1913, Rabindranath Tagore (1861-- 1941) is considered the most important poet of modern-day India. He was also a distinguished author, educator, social reformer, and philosopher. Today, Tagore along with Mahatma Gandhi are prized as the foremost intellectual and spiritual advocates of India's liberation from imperial rule.This inspiring collection of Tagore's poetry represent his "simple prayers of common life." Each of the seventy-seven prayers is an eloquent affirmation of the divine in the face of both joy and sorrow. Like the Psalms of David, they transcend time and speak directly to the human heart.The spirit of this collection may be best symbolized by a single sentence by Sarvepalli Radhakrishnan, the renowned philosopher and statesman who served as president of India: "Rabindranath Tagore was one of the few representatives of the universal person to whom the future of the world belongs."
The Heartbreak, It is Mine
by Nathalie Andrews Stanislas Kazal“The Heartbreak” (copyright July 2008) was a clandestinely published book, sold illicitly after performances in Paris and Bordeaux’s underground scene until 2010. At last, here is a final edition of this rare and hard to find book, (a collector’s item), which has been responsible for fomenting division and revolution. In addition, this opus draws on other work published covertly by the author in 2008. I thus want to celebrate the long period of catharsis that inspired me to pull these miscellaneous writings together into this “mashup,” which was never meant to be mass-produced or sold in bookshops. This version is complete, containing the spirit of the original in the writing. One should view “The Heartbreak” as the ‘materia primera’ of an alchemical reaction. It ends differently to the original underground edition, from 2008, by returning to a new point of departure, but remains a poignant testimony to my years of wandering. – Stanislas Kazal (18th May 2014).