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The Lost Roads Adventure Club: Poems
by R. M. RyanIn a collection of poems that moves from meditations on emotions to struggles with a cancer diagnosis, from the comfortable world of sun and sand to the jarring dark corners of the so, R. M. Ryan offers us insights into the experience of living. The Lost Road Adventures Club recalls the ephemera of times and places gone by: a rosary pulled from an old coffee can in a small, shabby church; the clicks of a record player needle at the end of a 45; dusty chalk coating the hands of a teenage boy laden down with textbooks. Though grounded in precise observation of the world as it is, Ryan’s poetry also offers the reader a boundless capacity for imagined adventure: “Why shouldn’t this road / outside of Verona, Wisconsin / / be called Epic Lane?” he asks. “Poems start / from everywhere.” Sometimes lighthearted and sometimes disheartening, his poems travel across the years as they help us reach a new understanding of what it means to be human.
The Lotus Sutra
by Gene ReevesThe Lotus Sutra is regarded as one of the world's great religious scriptures and most influential texts. It's a seminal work in the development of Buddhism throughout East Asia and, by extension, in the development of Mahayana Buddhism throughout the world. Taking place in a vast and fantastical cosmic setting, the Lotus Sutra places emphasis on skillfully doing whatever is needed to serve and compassionately care for others, on breaking down distinctions between the fully enlightened buddha and the bodhisattva who vows to postpone salvation until all beings may share it, and especially on each and every being's innate capacity to become a buddha. Gene Reeves's new translation appeals to readers with little or no familiarity with technical Buddhist vocabulary, as well as long-time practitioners and students. In addition, this remarkable volume includes the full "threefold" text of this classic.
The Love Poems of Lord Byron: A Romantic's Passion
by George Gordon Byron David Stanford BurrTruly the epitome of the Romantic Poet, Lord Byron traveled and loved throughout Europe and wrote picaresque verse that proved immensely popular to audiences of his day. The man whose name is synonymous with romance gave his life in the noble cause of Greek liberty at the young age of thirty-six. Byron's love lyrics-like his epic works, Childe Harold's Pilgrimage and Don Juan-cast light on his legendary amorous exploits. The poems range from his schoolboy imitation of Catullus, to the poems praising such early loves as Mary Chaworth and Theresa Macri, to the tender lyrics for his half sister, Augusta Leigh, and poignant reflections on a failed marriage in "Fare Thee Well." Byron's poetry reveals a complex mix of self-revelation and breadth of knowledge plus an artistically modern sensibility. This selection of forty-four poems includes an introduction to Byron's life and notes on individual poems. Portraits of the various women in Byron's life contribute to this handsome collector's edition. The Love Poems of Lord Byron: A Romantic's Passion is the seventh volume in a poetry series that already includes The Sonnets: Poems of Love by William Shakespeare, The Love Poems of John Donne, Rubaiyat of Omar Khayyam, A Poet to His Beloved: The Early Poems of W.B. Yeats, Sonnets from the Portuguese: A Celebration of Love by Elizabeth Barrett Browning, and The Love Poems of John Keats: In Praise of Beauty.
The Love Song of J. Alfred Prufrock
by T. S. EliotOne of T.S. Eliot's earliest, and most significant works. A great achievement of modernist literature, The Love Song of J. Alfred Prufrock takes the form of the complex musings of the titular Prufrock as he considers life and his role in it. The poem draws heavily on allusion to classical works, including Dante's Divine Comedy and Shakespeare's Hamlet. Penguin Random House Canada is proud to bring you classic works of literature in e-book form, with the highest quality production values. Find more today and rediscover books you never knew you loved.
The Love Songs of W.E.B. Du Bois: A Novel
by Honoree Fanonne JeffersA Kirkus "Best Book of the 21st Century"An instant New York Times, Washington Post and USA Today Bestseller • AN OPRAH BOOK CLUB SELECTION • ONE OF THE ATLANTIC'S "GREAT AMERICAN NOVELS" • BARACK OBAMA'S FAVORITE BOOKS OF 2021 • WINNER OF THE NATIONAL BOOK CRITICS CIRCLE AWARD FOR FICTIONA BEST BOOK OF THE YEAR: New York Times • Time • Washington Post • Oprah Daily • People • Boston Globe • BookPage • Booklist • Kirkus • Atlanta Journal-Constitution • Chicago Public Library Finalist for the PEN/Hemingway Award for Debut Novel • Longlisted for the National Book Award for Fiction • Finalist for the Kirkus Prize for Fiction • Nominee for the NAACP Image Award"Epic. . . . I was just enraptured by the lineage and the story of this modern African-American family. . . . I’ve never read anything quite like it. It just consumed me." —Oprah WinfreyThe NAACP Image Award-winning poet makes her fiction debut with this magisterial epic—an intimate yet sweeping novel with all the luminescence and force of Homegoing; Sing, Unburied, Sing; and The Water Dancer—that chronicles the journey of one American family, from the centuries of the colonial slave trade through the Civil War to our own tumultuous era. The great scholar, W. E. B. Du Bois, once wrote about the Problem of race in America, and what he called “Double Consciousness,” a sensitivity that every African American possesses in order to survive. Since childhood, Ailey Pearl Garfield has understood Du Bois’s words all too well. Bearing the names of two formidable Black Americans—the revered choreographer Alvin Ailey and her great grandmother Pearl, the descendant of enslaved Georgians and tenant farmers—Ailey carries Du Bois’s Problem on her shoulders.Ailey is reared in the north in the City but spends summers in the small Georgia town of Chicasetta, where her mother’s family has lived since their ancestors arrived from Africa in bondage. From an early age, Ailey fights a battle for belonging that’s made all the more difficult by a hovering trauma, as well as the whispers of women—her mother, Belle, her sister, Lydia, and a maternal line reaching back two centuries—that urge Ailey to succeed in their stead.To come to terms with her own identity, Ailey embarks on a journey through her family’s past, uncovering the shocking tales of generations of ancestors—Indigenous, Black, and white—in the deep South. In doing so Ailey must learn to embrace her full heritage, a legacy of oppression and resistance, bondage and independence, cruelty and resilience that is the story—and the song—of America itself.
The Lover of God
by Rabindranath Tagore Chase TwichellTagore's supressed book now available in an English-Bengali editionFor the first time in English, here is the sequence of poems Nobel laureate Rabindranath Tagore (1861-1941) worked on his entire life-the erotic and emotionally powerful dialogue about Lord Krishna and his young lover Radha.These "song offerings" are the first poems Tagore ever published, though he passed them off as those of an unknown Bengali religious poet. As the first and last poems Tagore wrote and revised, they represent the entrance and exit to one of the most prolific literary lives of our contemporary world.The translation rights to Tagore's poetry were tightly guarded until 2001, when they entered the public domain, making publication of this book possible. These English versions are the result of a five-year collaboration between Bengali scholar Tony K. Stewart, who provided richly associative literal translations, and the celebrated poet Chase Twichell, who shaped the poems into English. This bilingual Bengali-English edition also includes the "biography" Tagore wrote of the unknown religious poet who supposedly authored these poems.Rabindranath Tagore was born in Bengal, the youngest son of a religious reformer and scholar. He wrote successfully in all literary genres and is the author of the national anthems for both India and Bangladesh. In his mature years he managed the family estates, which brought him into close touch with common humanity and increased his interest in social reforms. He participated in the Indian nationalist movement, and was a devoted friend of Mahatma Gandhi. Tagore received the Nobel Prize in Literature in 1913; he was knighted in 1915 by the British Government, but later resigned the honor as a protest against British policies in India.
The Low Passions: Poems
by Anders Carlson-WeeIn a knockout debut collection haunted by shame, violence, and the darkest of our human origins, Anders Carlson-Wee mines nourishment and holiness from our depths. Explosive and incantatory, The Low Passions traces the fringes of the American experiment through the eyes of a young drifter. Pathologically frugal, reckless, and vulnerable, the narrator of these viscerally compelling poems hops freight trains, hitchhikes, dumpster dives, and sleeps in the homes of total strangers, scavenging forgotten and hardscrabble places for tangible forms of faith. A range of strong-willed characters takes shape, amplified by a chorus of monologues from the strangers who shelter him and the family he’s left behind—each made manifest by the poet’s devoted ear and sensitive eye.
The Low-Down, Bad-Day Blues
by Derrick D. BarnesOn a day when everything seems to be going wrong, from cloudy skies to the cancellation of a favorite cartoon, a boy discovers what a difference his attitude can make.
The Lumberjack's Dove: A Poem
by GennaRose NethercottIn the ingenious and vividly imagined narrative poem The Lumberjack’s Dove, GennaRose Nethercott describes a woodsman who cuts off his hand with an axe—however, instead of merely being severed, the hand shapeshifts into a dove. Far from representing just an event of pain and loss in the body, this incident spirals outward to explore countless facets of being human, prompting profound reflections on sacrifice and longing, time and memory, and—finally—the act of storytelling itself. The lumberjack, his hand, and the axe that separated the two all become participants in the story, with unique perspectives to share and lessons to impart. “I taught your fathers how to love,” Axe says to the acorns and leaves around her. “I mean to be felled, sliced to lumber, & reassembled into a new body.”Inflected with the uncanny enchantment of modern folklore and animated by the sly shifting of points of view, The Lumberjack’s Dove is wise, richly textured poetry from a boundlessly creative new voice.
The Lunatic
by Charles SimicFrom Pulitzer Prize winner and former poet laureate charles simic comes a dazzling collection of poems as original, meditative, and humorous as the poet himselfThis latest volume of poetry from Charles Simic, one of America's most celebrated poets, demonstrates his revered signature style--a mix of wry melancholy and sardonic wit. These seventy luminous poems range in subject from mortality to personal ads, from the simple wonders of nature to his childhood in war-torn Yugoslavia.For more than fifty years, Simic has delighted readers with his innovative form, quiet humor, and his rare ability to limn our interior life and concisely capture the depth of human emotion. These stunning, succinct poems validate and reinforce Simic's importance and relevance in modern poetry.
The Lusiads
by William Atkinson Luis Vaz de CamõesFirst published in 1572, The Lusiads is one of the greatest epic poems of the Renaissance, immortalizing Portugal's voyages of discovery with an unrivalled freshness of observation. At the centre of The Lusiads is Vasco da Gama's pioneer voyage via southern Africa to India in 1497-98. The first European artist to cross the equator, Camoes's narrative reflects the novelty and fascination of that original encounter with Africa, India and the Far East. The poem's twin symbols are the Cross and the Astrolabe, and its celebration of a turning point in mankind's knowledge of the world unites the old map of the heavens with the newly discovered terrain on earth. Yet it speaks powerfully, too, of the precariousness of power, and of the rise and decline of nationhood, threatened not only from without by enemies, but from within by loss of integrity and vision.
The Luskville Reductions
by Monty ReidA book of lyrics, fragmented, extended, and recovered, which read as a single long poem. The Luskville Reductions records a year in the life of a small Quebec town and the marriage that disintegrates there. While a book about loss, it is also a book about the state of becoming that coexists with change, the imbalance that for a time makes everything lucid, all the details adding up to much more than only an "us." The visible goes beyond mere facts in these poems, transformed into the deeply seen - and therefore sacred. The problem with daylilies is the usual contemporary twaddle: how is it we know anything now that you're gone. What do you mean now that you're gone? What do you mean daylilies? "Marry the passionate grief of By Grand Central Station I Sat Down and Wept with the pared-down utterances of Beckett's lost men and you might arrive at The Luskville Reductions. While it evokes the dark cry of the lover in ‘O Western Wind,' this long poem is entirely contemporary in its ontological alertness, its wry ironies. At once threnody and enactment of loss, it brings something utterly new into the corpus of Canadian poetry. It is a brilliantly achieved poem." -- Mary Dalton
The Lymond Poetry
by Dorothy Dunnett Elspeth MorrisonA beautiful collection of Renaissance poetry, assembled by one of the world's finest historical novelists.Dorothy Dunnett died in November 2001. She left behind this anthology, chosen by her from the hundreds of poems which she used in her world-famous series of novels known as THE LYMOND CHRONICLES. It is a fascinating set of choices, featuring Thomas Wyatt, King James I, extracts from the Psalms, and even an anonymous poem called 'Monologue of a Drunkard' - as Dorothy herself writes, here in one volume is 'the poetry of love, of folk-humour and ballad, the songs of Persian poets and of the troubadours, translated where need be into English.'
The Lyric Now
by James LongenbachFor more than a century, American poets have heeded the siren song of Ezra Pound’s make it new, staking a claim for the next poem on the supposed obsolescence of the last. But great poems are forever rehearsing their own present, inviting readers into a nowness that makes itself new each time we read or reread them. They create the present moment as we enter it, their language relying on the long history of lyric poetry while at the same time creating a feeling of unprecedented experience. In poet and critic James Longenbach’s title, the word “now” does double duty, evoking both a lyric sense of the present and twentieth-century writers’ assertion of “nowness” as they crafted their poetry in the wake of Modernism. Longenbach examines the fruitfulness of poetic repetition and indecision, of naming and renaming, and of the evolving search for newness in the construction, history, and life of lyrics. Looking to the work of thirteen poets, from Marianne Moore and T. S. Eliot through George Oppen and Jorie Graham to Carl Phillips and Sally Keith, and several musicians, including Virgil Thomson and Patti Smith, he shows how immediacy is constructed through language. Longenbach also considers the life and times of these poets, taking a close look at the syntax and diction of poetry, and offers an original look at the nowness of lyrics.
The Lyric Poem
by Marion ThainAs a study of lyric poetry, in English, from the early modern period to the present, this book explores one of the most ancient and significant art forms in Western culture as it emerges in its various modern incarnations. Combining a much-needed historicisation of the concept of lyric with an aesthetic and formal focus, this collaboration of period-specialists offers a new cross-historical approach. Through eleven chapters, spanning more than four centuries, the book provides readers with both a genealogical framework for the understanding of lyric poetry within any particular period, and a necessary context for more general discussion of the nature of genre.
The Lyric in Victorian Memory
by Veronica AlfanoThis book is a study of nineteenth-century poems that remember, yearn for, fixate on, and forget the past. Reflecting the current critical drive to reconcile formalist and historicist approaches to literature, it uses close readings to trace the complex interactions between memory as a theme and the (often-memorable) formal traits - such as brevity, stanzaic structure, and sonic repetition - that appear in the lyrics examined. This book considers the interwoven nature of remembering and forgetting in the work of four Victorian poets. It uses this theme to shed new light on the relationship between lyric and narrative, on the connections between gender and genre, and on the way in which Victorians represented and commemorated the past.
The Lyric in the Age of the Brain
by Nikki SkillmanScience has transformed understandings of the mind, supplying physiological explanations for what once seemed transcendental. Nikki Skillman shows how lyric poets--caught between a reductive scientific view and naïve literary metaphors--struggled to articulate a vision of consciousness that was both scientifically informed and poetically truthful.
The Lyrical in Epic Time
by David Der-Wei WangThis book positions the lyrical as key to rethinking the dynamics of Chinese modernity and emphasizes Chinese lyricism's deep roots in its own native traditions
The Lyrical in Epic Time: Modern Chinese Intellectuals and Artists Through the 1949 Crisis
by David Der-wei WangIn this book, David Der-wei Wang uses the lyrical to rethink the dynamics of Chinese modernity. Although the form may seem unusual for representing China's social and political crises in the mid-twentieth century, Wang contends that national cataclysm and mass movements intensified Chinese lyricism in extraordinary ways. Wang calls attention to the form's vigor and variety at an unlikely juncture in Chinese history and the precarious consequences it brought about: betrayal, self-abjuration, suicide, and silence. Despite their divergent backgrounds and commitments, the writers, artists, and intellectuals discussed in this book all took lyricism as a way to explore selfhood in relation to solidarity, the role of the artist in history, and the potential for poetry to illuminate crisis. They experimented with poetry, fiction, film, intellectual treatise, political manifesto, painting, calligraphy, and music. Western critics, Wang shows, also used lyricism to critique their perilous, epic time. He reads Martin Heidegger, Theodor Adorno, Cleanth Brooks, and Paul de Man, among others, to complete his portrait.The Chinese case only further intensifies the permeable nature of lyrical discourse, forcing us to reengage with the dominant role of revolution and enlightenment in shaping Chinese—and global—modernity. Wang's remarkable survey reestablishes Chinese lyricism's deep roots in its own native traditions, along with Western influences, and realizes the relevance of such a lyrical calling of the past century to our time.
The Machine for Living
by Carmen AvilaThe Machine for Living - A book of poems on the body and the senses A book of poems about the human body, senses and emotions. This work, that bears the title of a poem by Paul Valéry, has managed to embody a great sensitivity and a sonorous quality. This work was a finalist in the XIII María del Villar de Navarra Poetry Contest in Spain and also received an honorable mention in the 2008 Francisco Cervantes Vidal National Poetry Prize in Querétaro, México.
The Machine that Sings: Modernism, Hart Crane and the Culture of the Body (Studies in Major Literary Authors #21)
by Gordon A. TapperExamining how Crane's corporeal aesthetic informs poems written across the span of his career, The Machine That Sings focuses on four texts in which Crane's preoccupation with the body reaches its apoge. Tapper treats Voyages, The Wine Merchant, and Possessions as a triptych of erotic poems in which Crane plays out alternative resolutions to the dialectic between purity and defilement, a conceptual dynamic which Tapper argues is central to both Crane's poetics of difficulty and his representations of homosexual desire. Tapper concentrates on the three sections of The Bridge, most concerned with recuperating animality: 'National Winter Garden,' 'The Dance,' and 'Cape Hatteras.'
The Mad Farmer Poems
by Wendell BerryDuring the otherwise quiet course of his life as a poet, Wendell Berry has become “mad” at what contemporary society has made of its land, its communities, and its past. This anger reaches its peak in the poems of the Mad Farmer, an open–ended sequence he's found himself impelled to continue against his better instincts. These poems can take the shape of manifestos, meditations, insults, Whitmanic fits and ravings—these are often funny in spite of themselves. The Mad Farmer is a character as necessary, perhaps, as he is regrettable.Here are gathered the individual poems from Berry's various collections to offer the teachings of this amazing American voice. After the great success of the lovely Window Poems, Bob Baris of the Press on Scroll Road returns to design and produce an edition illustrated with etchings by Abigail Rover. James Baker Hall and William Kloefkorn offer poems here that also show how the Mad Farmer has escaped into the work of others. The whole is a wonderful testimony to the power of anger and humor to bring even the most terrible consequences into a focus otherwise impossible to obtain.
The Mad Poet's Tea Party
by Sandy Jeffsbut I am madnessand madness is meit holds you captivelike a hapless bunnycaught in the headlights.In this moving collection of poems, award-winning writer Sandy Jeffs shares her journey through madness over four decades, drawing inspiration from Lewis Carroll's Alice in Wonderland and the motley gathering of characters at the Mad Hatter's tea party. Both delightful and insightful, playful and serious, witty and whimsical, The Mad Poet's Tea Party provides a devastating commentary on how our society treats those with mental illness from the perspective of someone who has experienced all its interventions. It captures in poetic form the enigmas and contradiction in madness.
The Madman
by Kahlil Gibran"This volume is in part translation from the Arabic parables, in part written directly in English. A small book of only seventy pages, it is a product of the poet's youth and early manhood, rich with promise of what was to follow. It is entirely of the East, with no shading of Western thought or content. It is an expression of the passionate inner life not yet restrained and controlled by the vaster wisdom andcompassion that came to bud in The Forerunner and to full flower in The Prophet . . ."Here for the first time Gibran registers fully his sense of that aloneness which remained with him always, even unto the end. Always he was alien to this planet, to this time and this scene, yet always he battled to reduce this distance between himself and ourselves. But as he once said, 'Ye would not.'"--Barbara Young, in This Man from Lebanon: A Study of Kahlil Gibran
The Madman: His Parables and Poems
by Kahlil GibranWidely known in America as author of The Prophet, which sold more copies in the 20th century than any other book but the Bible, the great Lebanese-American poet and artist Kahlil Gibran (1883–1931) first became known to Americans in 1918 with the publication of The Madman.Thought-provoking and inspiring, the book is a collection of memorable, life-affirming parables and poems, many of them casting an ironic light on the beliefs, aspirations, and vanities of humankind — and many reminiscent of the work of Tagore and Nietzsche, both of whom were strong influences on Gibran.Among the 35 poems and parables in this volume are "How I Became a Madman," "The Two Hermits," "The Wise Dog," "The Good God and the Evil God," "Night and the Madman," "The Three Ants," "When My Sorrow Was Born," "And When My Joy Was Born," and many more.The book includes several illustrations by the author, whose exquisite drawings are reminiscent of Rodin and the best of Blake. ". . . the greatest of Arab Romantics and father of a 20th-century Romantic tradition whose impact on Arab writers has been at least as strong as that of 19th-century figures such as Wordsworth and Keats on their English-speaking counterparts." — Dr. Suheil Bushrui, Director of the Kahlil Gibran Chair on Values and Peace, University of Maryland