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Showing 11,351 through 11,375 of 14,119 results

The Music of Leaving: Poems

by Tricia McCallum

There is a music of leaving, as surely as there is that of arriving. And it is this distinct soulful music that we often hear, however faintly, in the background of our lives. McCallum’s poems are about elephants being traipsed through the Queens Midtown Tunnel, an unstable child’s slide, and roaming island dogs. About a visit to a family home before it is sold, a late night conversation in a plane above an ocean, and shrewd Irish falcons. About eloquent gravestones, da Vinci’s unfinished joke book, the elegant legs of a heron, and landing on the moon. About a jackknife dive at dusk, a young girl’s sleepover, and a memory instantly evoked by brushing against a stand of lavender. McCallum’s hope for her new book The Music of Leaving is that it delivers to her readers those “magical moments of understanding” that a good poem can.

The Music of Time: Poetry in the Twentieth Century

by John Burnside

A revelatory and deeply personal history of twentieth-century poetry by prize-winning poet and memoirist John BurnsidePoetry helps us to make sense of our world, transforming what the Russian poet Osip Mandelstam called the "noise of time" into a kind of music. The Music of Time is a unique history of twentieth-century poetry by one of today's most acclaimed poets, blending incandescent personal meditations with rare insights about a broad range of poets who distilled the essence of the moment, gave voice to our griefs and joys, and shaped our collective memory.Bringing together poets from times and places as diverse as Tsarist Russia, 1960s Harlem, and Ireland at the height of the Troubles, Burnside reveals how poetry responded to the dramatic events of the century while shaping our impressions of them. He takes readers from the trenches of World War I to a prison cell in Nazi Germany, and from Rilke's grave in the Swiss Alps to Dylan Thomas's Welsh seaside. His luminous narrative is woven through with insights into the poet's creative process as well as lyrical and thought-provoking digressions on topics ranging from marriage to the Kennedy assassination.A spellbinding work of literary history, The Music of Time reveals how poets engaged with the most important issues and events of the twentieth century, and bears personal witness to the beauty and power of an art form unlike any other.

The Music of Verse

by Joseph Phelan

Through its recovery of the metrical principles underlying the work of some of the century's major poets, this study highlights the intricacy of the relation between the 'music' of verse and its meaning, and helping us to understand the way in which the ferment of metrical experiment eventually led to the emergence of free verse.

The Music of What Happens: Poems That Tell Stories

by Paul B. Janeczko

A collection of bitter-sweet, thought-provoking poems by a variety of modern authors

The Names of the Lost

by Philip Levine

The 2011-2012 U.S. Poet Laureate writing in his rich period of the 1970s.

The Narrative Poems

by William Shakespeare Stephen Orgel A. R. Braunmuller Jonathan Crewe

"I feel that I have spent half my career with one or another Pelican Shakespeare in my back pocket. Convenience, however, is the least important aspect of the new Pelican Shakespeare series. Here is an elegant and clear text for either the study or the rehearsal room, notes where you need them and the distinguished scholarship of the general editors, Stephen Orgel and A. R. Braunmuller who understand that these are plays for performance as well as great texts for contemplation." (Patrick Stewart) The distinguished Pelican Shakespeare series, which has sold more than four million copies, is now completely revised and repackaged. Each volume features: * Authoritative, reliable texts * High quality introductions and notes * New, more readable trade trim size * An essay on the theatrical world of Shakespeare and essays on Shakespeare's life and the selection of texts

The Narrative Poems: The Complete Non-dramatic Poetry (The Pelican Shakespeare)

by William Shakespeare

The acclaimed Pelican Shakespeare series edited by A. R. Braunmuller and Stephen Orgel The legendary Pelican Shakespeare series features authoritative and meticulously researched texts paired with scholarship by renowned Shakespeareans. Each book includes an essay on the theatrical world of Shakespeare’s time, an introduction to the individual play, and a detailed note on the text used. Updated by general editors Stephen Orgel and A. R. Braunmuller, these easy-to-read editions incorporate over thirty years of Shakespeare scholarship undertaken since the original series, edited by Alfred Harbage, appeared between 1956 and 1967. With definitive texts and illuminating essays, the Pelican Shakespeare will remain a valued resource for students, teachers, and theater professionals for many years to come. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

The Narrow Circle

by Nathan Hoks

Selected as a winner of the National Poetry Series by Dean Young John Ashbery called Reveilles, Nathan Hoks’s debut book, a "dazzling” collection and Hoks a poet whose "fine gradations of observation turn the reader into a barometer of strong subtleties like those of the weather, that can be minute even as they affect us powerfully. ” The poems in Hoks’s new book, The Narrow Circle, perform a similar magic. In associative lyrics and fabulist prose, Hoks explores inner and outer experiences. The poems frequently focus on the body as a membrane where everything becomes inside-out-where the "face disperses with angels of teeth and loam,” where "sky comes out of the mouth,” where a giant green worm "burrows a hole in the head,” and where the heart is a vestibule that cannot be closed. Suites of pictures within the text further delineate this inward-outward pull, offering visualizations of interior voices and sketches of exterior shadows. .

The Narrow Road to the Deep North and Other Travel Sketches

by Nobuyuki Yuasa Matsuo Bash

Matsuo Bash(1644 - 1694), later known as Matsuo Chemon Munefusa,was the most famous poet of the Edo period in Japan. In his haiku poems, Basho described the natural world with great simplicity and delicacy of feeling.

The Narrow Road to the Deep North and Other Travel Sketches

by Matsuo Basho

'It was with aweThat I beheldFresh leaves, green leaves,Bright in the sun'When the Japanese haiku master Basho composed The Narrow Road to the Deep North, he was an ardent student of Zen Buddhism, setting off on a series of travels designed to strip away the trappings of the material world and bring spiritual enlightenment. He writes of the seasons changing, the smell of the rain, the brightness of the moon and the beauty of the waterfall, through which he sensed the mysteries of the universe. These writings not only chronicle Basho's travels, but they also capture his vision of eternity in the transient world around him.Translated with an Introduction by Nobuyuki Yuasa

The Narrow Road to the Interior: Poems

by Kimiko Hahn

An expansive work inspired by Japanese prose-poetry from a poet of "rigorous intelligence, fierce anger, and deep vulnerability" (Mark Doty). Kimiko Hahn, "a welcome voice of experimentation and passion" (Bloomsbury Review), takes up the Japanese prose-poetry genre zuihitsu--literally "running brush," which utilizes tactics such as juxtaposition, contradiction, and broad topical variety--in exploring her various identities as mother and lover, wife and poet, daughter of varied traditions.

The Nation's Cause: French, English and German Poetry of the First World War (Routledge Revivals)

by Elizabeth A. Marsland

As we approach the centenary of the outbreak of the First World War, this timely reissue, first published in 1991, evaluates the function of poetry in wartime Europe, arguing that war poetry must be understood as a social as well as a literary phenomenon. As well as locating the work of well-known French, English and German war poets in a European context, Elizabeth Marsland discusses lesser-known poetry of the war years, including poems by women and the neglected tradition of civilian protest through poetry. Identifying shared characteristics as well as the unique features of each nation’s poetry, The Nation’s Cause affords new insight into the relationship between nationalism and the social attitudes that determined the conduct of war.

The Nation's Favourite: Twentieth Century Poems

by Griff Rhys Jones

This lovely book of poetry brings together over 100 of the most celebrated and cherished poems of the 20th century. Including poets as diverse as John Betjeman and Ted Hughes, Siegfried Sassoon and Allan Ahlberg, and subjects from all avenues of life - war, family life, love, death, religion, the countryside, animals and comedy - the whole breadth of the nation's life during the 20th century is encapsulated here. Compiled and edited by Griff Rhys Jones as part of the successful The Nations Favourite Poems series, this book brings together the wealth of new and innovative poetry styles that flourished in the 20th Century.

The Natural Hustle: Poems

by Eva H.D.

An astonishing, inventive new collection of poems from the author of Rotten Perfect Mouth.Includes the poem &“Bonedog&” featured in the film I&’m Thinking of Ending ThingsDeeply attuned to the cadence of life, the poems in The Natural Hustle offer provocative, intimate snapshots. They explore the bewildering experience of living—precisely locating unexpected truths. Ingenious, original, surprising, here is a one-of-a-kind poetic voice.

The Nature of Early Greek Lyric: Three Preliminary Studies

by Robert L. Fowler

Three important literary questions in early Greek lyrics are addressed in this study. First, Fowler attempts to determine the extent that Homer and epic poetry generally influenced the lyric poets, with respect to both the style of compositions and their content. Identifying the certain examples of influence – which are far fewer than often thought – he analyses the technique of imitation, tracing a development from simpler to more complex as the archaic period proceeds. Throughout this and the following chapter, he often finds occasion to take issue with the famous and influential view of the early Greek mind championed by Bruno Snell and Hermann Fränkel. In the second chapter Fowler studies the organization of individual poems, identifying compositional principles that may be used to solve literary and textual problems. Some of these principles, like ring-composition, are old familiars; others are not. All are found to be more pervasive than is often realized, and reflect an attitude to composition rather different from the disorderly and associative techniques traditionally ascribed to the lyrics poets. The last chapter explores the nature of genres in the archaic period, starting from the vexed question of the definition of elegy. In all the genres associated with particular occasions, the author finds that the poets' professional skills and self-consciousness became more important than the purely occasional aspects of their composition. Observations of interest are made on, among others, citharodic songs, epigrams and epinician odes; and elegy in the end turns out, paradoxically, not to be a true genre at all.

The Nature of Modernism: Ecocritical Approaches to the Poetry of Edward Thomas, T. S. Eliot, Edith Sitwell and Charlotte Mew (Routledge Studies in Twentieth-Century Literature)

by Elizabeth Black

This books presents the first extended study of the relationship between British modernist poetry and the environment. Challenging reductive associations of modernism as predominantly anthropocentric in character and urban in focus, the book’s central argument is that within British modernist poetry there is a clear and sustained interest in the natural world which has yet to receive adequate critical attention. Whilst modernist studies continues to emphasize the plurality of the movement and the breadth of voices and concerns within it, the environmental consciousness of modernist literature and its response to changes to human/nature relations following the experience of war and modernity remain largely unexamined. Exploring British modernist poetry from an ecocritical perspective offers a fresh approach to the movement and its context, and produces original readings of both canonical and more marginalized modernist voices. This book opens by discussing the relationship between modernism and ecocriticism and the benefits of creating a dialogue between the two. It then presents new readings of Edward Thomas, T. S. Eliot, Edith Sitwell, and Charlotte Mew that reveal a shared preoccupation with environmental issues and a common desire to find new ways of achieving physical, psychological, and artistic reconnection with nature. Building on the continuing growth of ecocriticism, this book demonstrates how green approaches to modernist studies can produce new insights into both individual poets and the modernist movement as a whole, making it an essential resource for students of modernism, ecocriticism, and early-twentieth-century literature.

The Nature of Things

by Lucretius

De rerum natura (On the Nature of Things) is a 1st century BC didactic poem by the Roman poet and philosopher Lucretius with the goal of explaining Epicurean philosophy to a Roman audience. Lucretius presents the principles of atomism; the nature of the mind and soul; explanations of sensation and thought; the development of the world and its phenomena; and explains a variety of celestial and terrestrial phenomena. The universe described in the poem operates according to these physical principles, guided by fortuna, "chance," and not the divine intervention of the traditional Roman deities.

The Nature of Things

by Lucretius

Lucretius' poem On the Nature of Things combines a scientific and philosophical treatise with some of the greatest poetry ever written. With intense moral fervour he demonstrates to humanity that in death there is nothing to fear since the soul is mortal, and the world and everything in it is governed by the mechanical laws of nature and not by gods; and that by believing this men can live in peace of mind and happiness. He bases this on the atomic theory expounded by the Greek philosopher Epicurus, and continues with an examination of sensation, sex, cosmology, meteorology, and geology, all of these subjects made more attractive by the poetry with which he illustrates them.

The Nature of Things

by Stallings Lucretius

Lucretius' poem On the Nature of Things combines a scientific and philosophical treatise with some of the greatest poetry ever written. With intense moral fervour he demonstrates to humanity that in death there is nothing to fear since the soul is mortal, and the world and everything in it is governed by the mechanical laws of nature and not by gods; and that by believing this men can live in peace of mind and happiness. He bases this on the atomic theory expounded by the Greek philosopher Epicurus, and continues with an examination of sensation, sex, cosmology, meteorology, and geology, all of these subjects made more attractive by the poetry with which he illustrates them.

The Nature of the Page: Poetry, Papermaking, and the Ecology of Texts in Renaissance England (Material Texts)

by Joshua Calhoun

In The Nature of the Page, Joshua Calhoun tells the story of handmade paper in Renaissance England and beyond. For most of the history of printing, paper was made primarily from recycled rags, so this is a story about using old clothes to tell new stories, about plants used to make clothes, and about plants that frustrated papermakers' best attempts to replace scarce natural resources with abundant ones. Because plants, like humans, are susceptible to the ravages of time, it is also a story of corruption and the hope that we can preserve the things we love from decay.Combining environmental and bibliographical research with deft literary analysis, Calhoun reveals how much we have left to discover in familiar texts. He describes the transformation of plant material into a sheet of paper, details how ecological availability or scarcity influenced literary output in the sixteenth and seventeenth centuries, and examines the impact of the various colors and qualities of paper on early modern reading practices. Through a discussion of sizing—the mixture used to coat the surface of paper so that ink would not blot into its fibers—he reveals a surprising textual interaction between animals and readers. He shows how we might read an indistinct stain on the page of an early modern book to better understand the mixed media surfaces on which readers, writers, and printers recorded and revised history. Lastly, Calhoun considers how early modern writers imagined paper decay and how modern scholars grapple with biodeterioration today.Exploring the poetic interplay between human ideas and the plant, animal, and mineral forms through which they are mediated, The Nature of the Page prompts readers to reconsider the role of the natural world in everything from old books to new smartphones.

The Navy's Night Before Christmas: Read & Listen Edition

by Christine Ford Trish Holland

This story, written for military families, is about a visit from &“the Santa of Sailors&” to those who can&’t be home for Christmas. &’Twas the night before Christmas, when way out to sea Not a creature was stirring to windward or lee. The sailors were nestled all snug in their racks Like orders of pancakes, so tight were the stacks. One Christmas Eve out at sea, some homesick sailors are paid a visit by Master Chief Claus, the Santa of Sailors. This lively and poignant tale was inspired by Clement C. Moore&’s classic yuletide poem.This Read & Listen edition contains audio narration.

The Necropastoral: Poetry, Media, Occults

by Joyelle Mcsweeney

In The Necropastoral: Poetry, Media, Occults, poet Joyelle McSweeney presents an ecopoetics and a theory of Art that reflect such biological principles as degradation, proliferation, contamination, and decay. In these ambitious, bustling essays, McSweeney resituates poetry as a medium amid media; hosts "strange meetings" of authors, texts, and artworks across the boundaries of genre, period, and nation; and examines such epiphenomena as translation, anachronism, and violence. Through readings of artists as diverse as Wilfred Owen, Andy Warhol, Harryette Mullen, Roberto Bolaño, Aimé Césaire, and Georges Bataille, The Necropastoral shows by what strategies Art persists amid lethal conditions as a spectacular, uncanny force.

The Need To Hold Still: Poems

by Lisel Mueller

Winner of the National Book Award for Poetry in 1981.

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Showing 11,351 through 11,375 of 14,119 results