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The Memorial Feast for Kökötöy Khan: A Kirghiz Epic Poem in the Manas Tradition
by Saghïmbay Orozbaq uuluThis great Central Asian epic, passed down through generations and now brought to life in a new translation, carries the reader into a world of nomads, warriors and horselords'I am a steel-fanged lion, a dragon ready to pounce, a mighty poplar with golden branches rising up to the sky'The bard Saghïmbay Orozbaq uulu composed his oral telling of the great Central Asian Manas epic in the early twentieth century, although it draws on far older sources. This vivid episode from his narrative tells the bravura story of an uncertain new khan, Boqmurun, who holds a great feast to commemorate his predecessor, Kökötöy. From east and west, warriors and their turbulent retinues come to compete in horse races, jousting and wrestling, and soon insults are hurled and scores settled violently. Yet none can beat the supreme hero, the mighty, truculent Manas. By turns earthy, stirring, bombastic and funny, Saghïmbay's work stands as a monument to the oral culture of a nomadic people.Daniel Prior's landmark translation includes a 'How to Read the Epic' section, commentary, maps and illustrations.Composed in oral performance by Saghïmbay Orozbaq uulu Translated by Daniel Prior
The Men With No Names
by Neil WillisPeople of the world all look to find their own position; firstly through family and friends, then the neighbourhood and finally work. Others prefer the commune of religion. All these influence the way they live and think, which in turn, allows them to find a cause close to our heart. But give people a democracy and you allow them to bloom, not just in their cause, but rendering them more freedom of thought. What could be better? The Men With No Names follows democracy in an insular town in Britain. This allows each person to have their opinion or put forward their own cause towards their fellow neighbours, as well as suggesting or rejecting ideas by the town mayor and council. Looking at the town’s folk from afar is one man who has seen the world and has his quiet opinions, also influenced by his own experiences of war, but far beyond what he had expected. The book looks at past history that repeats through each generation, the struggles of the people to find who they are, and finally, to who are the heroes in our world, and those who think they are heroic in their cause. There is always more to learn, but the main concern is that most people only use the narrow mind that they know.
The Mentor Book of Major American Poets
by Oscar Williams Edwin HonigA compact anthology of 3 centuries of poetry by 20 great American poets.
The Mercy: Poems
by Philip LevinePhilip Levine's new collection of poems (his first since The Simple Truth was awarded the Pulitzer Prize) is a book of journeys: the necessary ones that each of us takes from innocence to experience, from youth to age, from confusion to clarity, from sanity to madness and back again, from life to death, and occasionally from defeat to triumph. The book's mood is best captured in the closing lines of the title poem, which takes its name from the ship that brought the poet's mother to America: A nine-year-old girl travels all night by train with one suitcase and an orange. She learns that mercy is something you can eat again and again while the juice spills over your chin, you can wipe it away with the back of your hands and you can never get enough.From the Trade Paperback edition.
The Merry Wheels on the Bus (A Holiday Wheels on the Bus Book)
by J. Elizabeth MillsIt's Christmas Eve! Celebrate and sing along with this bestselling, jolly follow-up to The Spooky Wheels on the Bus -- plus, a sheet of festive stickers!One merry bus goes HO-HO-HO,HO-HO-HO, HO-HO-HO.One merry bus goes HO-HO-HO,All through the snow.Count from One Merry Bus up to Ten Busy Elves as this Christmas ride races through town picking up a few festive passengers along the way! Eye-catching art and a bouncy, countdown rhyme based on the familiar The Wheels on the Bus, is sure to make this a read-aloud favorite!
The Mersey Sound: Restored 50th Anniversary Edition (Penguin Modern Classics)
by Adrian Henri Roger McGough Brian Patten'The Mersey Sound is an attempt to introduce contemporary poetry to the general reader by publishing representative work by each of three modern poets in a single volume, in each case the selection has been made to illustrate the poet's characteristics in style and form'. With this modest brief, The Mersey Sound was conceived and first published in 1967. An anthology which features Roger McGough's work, alongside that of Brian Patten and Adrian Henri (The Liverpool Poets), it went on to sell over half a million copies and to become the bestselling poetry anthology of all time.
The Metabolism of Desire: The Poetry of Guido Cavalcanti
by Guido Cavalcanti David R SlavittThe fact that Cavlacanti’s friend, Dante Alighieri, was a supremely fine poet ought not blind us to Cavalcanti’s own, rather different excellence. Both men were attracted to the dolce stil nuovo, the “sweet new style” that emerged in thirteenth-century Florence. While Dante’s poetry was devoted to his childhood sweetheart, Beatrice, Cavalcanti’s poetry had more the tang of real-world experience: he struggled against unruly passions and sought instead to overcome love – a source of torment and despair. It is chiefly through the translations of Rossetti and Pound that English-speaking readers have encountered Cavalcanti’s work. Pound’s famous translation, now viewed by some as antiquated, is remarkably different from the translation provided here in the graceful voice of poet David Slavitt. Working under the significant restraints of Cavalcanti’s elaborate formal structures, Slavitt renders an English translation faithful to the original poetry in both rhyme and rhythm.
The Metamorphoses of Ovid
by Allen MandelbaumThrough Mandelbaum’s poetic artistry, this gloriously entertaining achievement of literature-classical myths filtered through the worldly and far from reverent sensibility of the Roman poet Ovid-is revealed anew. “[An] extraordinary translation...brilliant” (Booklist). With an Introduction by the Translator.
The Metamorphoses of Ovid
by Mary M. InnesOvid has gathered together a rich assortment of tales, which have one element in common: they all deal with transformations. He tells us of chaos changed into ordered harmony, of animals turned to stone, of men and women who become trees or animals, stones or stars.
The Metamorphoses of Publius Ovidius Naso
by OvidMetamorphose is a Latin narrative poem in fifteen books by the Roman poet Ovid, describing the history of the world from its creation to the deification of Julius Caesar within a loose mythico-historical framework. Completed in AD 8, it is recognized as a masterpiece of Golden Age Latin literature.
The Metamorphoses: Selected Stories in Verse (Dover Thrift Editions)
by OvidOne of ancient Rome's most celebrated poets, Ovid (43 B.C.–A.D. 18) wrote during the reign of Augustus. His works reflect a sentiment of art for pleasure's sake, without the ethical or moral overtones, which perhaps accounts for his enduring popularity. For more than two thousand years, readers have delighted in Ovid's playful eloquence; his influence on other writers has ranged from Dante and Chaucer to Shakespeare and Milton, and scenes from his stories have inspired many great works by Western artists.This selection of thirty stories from the verse translation by F. A. Wright of Ovid's famous work, The Metamorphoses, does full justice to the poet's elegance and wit. All of the tales involve a form of metamorphosis, or transformation, and are peopled by mythological gods, demigods, and mortals: Venus and Adonis, Pygmalion, Apollo and Daphne, Narcissus, Perseus, and Andromeda, Orpheus and Eurydice, the Cyclops, and Circe, among others.Although most of the stories did not originate with Ovid, it is quite possible that had he not written them down, these oral traditions would have been lost forever — and with them, a vast and valuable amount of Greco-Roman culture. This collection of the poet's best and most beloved narrative verses reflects the vitality of classical mythology. A selection of the Common Core State Standards Initiative.
The Metaphor of Celebrity
by Joel DeshayeThe Metaphor of Celebrity is an exploration of the significance of literary celebrity in Canadian poetry. It focuses on the lives and writing of four widely recognized authors who wrote about stardom - Leonard Cohen, Michael Ondaatje, Irving Layton, and Gwendolyn MacEwen - and the specific moments in Canadian history that affected the ways in which they were received by the broader public.Joel Deshaye elucidates the relationship between literary celebrity and metaphor in the identity crises of celebrities, who must try to balance their public and private selves in the face of considerable publicity. He also examines the ways in which celebrity in Canadian poetry developed in a unique way in light of the significant cultural events of the decades between 1950 and 1980, including the Massey Commission, the flourishing of Canadian publishing, and the considerable interest in poetry in the 1960s and 1970s, which was followed by a rapid fall from public grace, as poetry was overwhelmed by greater popular interest in Canadian novels.
The Mexico Reader: History, Culture, Politics (The Latin America Readers)
by Gilbert M. Joseph Timothy J. HendersonThe Mexico Reader is a vivid introduction to muchos Méxicos—the many Mexicos, or the many varied histories and cultures that comprise contemporary Mexico. Unparalleled in scope and written for the traveler, student, and expert alike, the collection offers a comprehensive guide to the history and culture of Mexico—including its difficult, uneven modernization; the ways the country has been profoundly shaped not only by Mexicans but also by those outside its borders; and the extraordinary economic, political, and ideological power of the Roman Catholic Church. The book looks at what underlies the chronic instability, violence, and economic turmoil that have characterized periods of Mexico’s history while it also celebrates the country’s rich cultural heritage. A diverse collection of more than eighty selections, The Mexico Reader brings together poetry, folklore, fiction, polemics, photoessays, songs, political cartoons, memoirs, satire, and scholarly writing. Many pieces are by Mexicans, and a substantial number appear for the first time in English. The Mexico Reader explores what it means to be Mexican, tracing the history of Mexico from pre-Columbian times through the country’s epic revolution (1910–17) to the present day. The materials relating to the latter half of the twentieth century focus on the contradictions and costs of postrevolutionary modernization, the rise of civil society, and the dynamic cross-cultural zone marked by the two thousand-mile Mexico-U.S. border. The editors have divided the book into several sections organized roughly in chronological order and have provided brief historical contexts for each section. They have also furnished a lengthy list of resources about Mexico, including websites and suggestions for further reading.
The Middle Ages
by Roger FanningA new collection from a Whiting award and National Poetry Series winner. Thomas Lux has called Roger Fanning "an American original...[whose] poems are so pure, so piercing, so simple, so distilled that reading him is like taking a drunk-with-language dive into a moonlit lake on a night you believe you will live forever!" Fanning writes surprising and evocative poems that are filled with humor and ingenuity; Mary Karr says he "tunes us in to those minuscule instants of revelation that can keep life from being a long zombie convention." This new collection of poems, Fanning's first in more than ten years, in part chronicles a period of time when he suffered a break with reality, and continues his investigations into the drudgeries, the disappointments, and the joy of our daily lives.
The Middle English Breton Lays
by Eve Salisbury Anne LaskayaThis volume is the first to make the Middle English Breton lays available to teachers and students of the Middle Ages. Breton lays were produced by or after the fashion of Marie de France in the twelfth century and claim to be literary versions of lays sung by ancient Bretons to the accompaniment of the harp. The poems edited in this volume are considered distinctly English Breton lays because of their focus on the family values of late medieval England. With the volume's helpful glosses, notes, introductions, and appendices, the door is opened for students to study Middle English poetry and the medieval family alike.
The Midnight Court and Other Poems: And Other Poems
by Frank O'ConnorA bawdy and boisterous poem of Ireland, translated by one of its most distinguished literary sons. As a teacher and translator of Irish verse, Frank O’Connor brought to the world’s attention many fine poems from his native land, few as enduring—and none as controversial—as Brian Merriman’s The Midnight Court.An eighteenth-century masterpiece widely recognized as the greatest comic poem in Irish literature, The Midnight Court is a hilarious and insightful take on the battle of the sexes. In the court of a fairy queen, the men and women of Ireland air their grievances with one another. The competing lists of complaints are as long as they are uproarious, and when the queen rules in favor of the women, all young Irish bachelors are doomed to a terrible fate: marriage.The Midnight Court has now taken its rightful place in the Irish literary canon, but when O’Connor’s English translation was first published in 1945, the Irish government banned it as obscene. In a delicious irony that might have been lifted from one of O’Connor’s short stories, the Gaelic original met with no censure. Here, as it first appeared, is Frank O’Connor’s faithful, funny, and eloquent translation of one of the most important works in Irish literature.
The Midnight Ride of Paul Revere
by Christopher Bing Henry LongfellowIn his magnificent interpretation of Henry Wadsworth Longfellows poem, Christopher Bing seamlessly weaves history and imagination into a rich portrait of an American hero. A meticulous researcher, Bing includes material that provides texture to history, maps that follow the British campaign to quell the rebellious citizenry, as well as the patriots ride into the Massachusetts night of April, 1775. Documents firmly affixed into the book, including the British generals orders to his troops and Reveres own deposition relating the events, give the reader not only a visual experience but a tactile one as well. Far more than a brilliantly presented history lesson, this book represents a tour de force of coherent artistic vision. In an extraordinary series of rich and moody engravings, from the mysteriously shimmering rigging of the British sloop, The Somerset, looming in a moonlit Boston harbor to the taut urgency of a man and his horse galloping at a combustible moment in the American experience, this book illuminates our country's past unlike any other.
The Mighty Slide
by Allan Ahlberg‘This is the storyOf Alison Hubble,Who went to bed single,And woke up double.’Here, in verse, are the hilariously original stories of a mighty slide, a man who fought crocodiles, a girl who doubled, a couple of baby skinners and a thing that lived under a school. A wonderful collection from Allan Ahlberg, author of ‘Please Mrs Butler, Woof!’ and ‘Happy Families’, illustrated throughout with delightful drawings by Charlotte Voake.
The Milk Bowl of Feathers: Essential Surrealist Writings
by Mary Ann CawsAn exciting new collection of the essential writings of surrealism, the European avant-garde movement of the mind’s deepest powers Originating in 1916 with the avant-garde Dada movement at the famous Café Voltaire in Zurich, surrealism aimed to unleash the powers of the creative act without thinking. Max Ernst, André Breton, Tristan Tzara, Paul Éluard, Philippe Soupault, and Louis Aragon created a movement that spread wildly to all corners of the globe, inspiring not only poetry but also artists like Joan Miro and René Magritte and cinematic works by Antonin Artaud, Luis Bunuel, and Salvador Dalí. As the editor, Mary Ann Caws, says, “Essential to surrealist behavior is a constant state of openness, of readiness for whatever occurs, whatever marvelous object we might come across, manifesting itself against the already thought, the already lived.” Here are the gems of this major, mind-bending aesthetic, political, and humane movement: writers as diverse as Aragon, Breton, Dalí, René Char, Robert Desnos, Mina Loy, Paul Magritte, Alice Paalen, Gisele Prassinos, Man Ray, Kay Sage, and Elsa von Freytag-Loringhoven are included here, providing a grand picture of this revolutionary movement that shocked the world.
The Milk Hours: Poems
by John JamesWinner of the Max Ritvo Poetry Prize: A &“luminous [and] memorable&” debut that searches widely to ask what it means to exist in a state of loss (Publishers Weekly). &“We lived overlooking the walls overlooking the cemetery.&” So begins the title poem of this collection, whose recursive temporality is filled with living, grieving things, punctuated by an unseen world of roots, bodies, and concealed histories. Like a cemetery, too, The Milk Hours sets unlikely neighbors alongside each other: Hegel and Murakami, Melville and the Persian astronomer al-Sufi, enacting a transhistorical poetics even as it brims with intimacy. These are poems of frequent swerves and transformations, which never stray far from an engagement with science, geography, art, and aesthetics, nor from the dream logic that motivates their incessant investigations. While John James begins with the biographical—the haunting loss of a father in childhood, the exhausted hours of early fatherhood—the questions that emerge from his poetic synthesis are both timely and universal: What is it to be human in an era where nature and culture have fused? To live in a time of political and environmental upheaval, of both personal and public loss? How do we make meaning, and to whom—or what—do we turn, when such boundaries so radically collapse? &“A poet of staggering lyricism, intricate without ever obscuring his intent. Quite simply, The Milk Hours announces the arrival of a great new talent in American poetry.&” —Shelf Awareness
The Milk of Amnesia (Hugh MacLennan Poetry Series #55)
by Danielle Janessfire / and water surging on the screen - / since children, metros, planets, beds, and lovers are / so lightly swept away - I must not even breathe. Danielle Janess's debut poetry collection resists the erasing effects of war, nationalism, and forced migration. Following the speaker's arduous relocation to a twenty-first-century Europe still etched with the wounds of the past, the poems take on daring forms and language, becoming theatre, film clips, photographs, and dance, all embodied by a cast of characters marked by the violence of the last century. Arrested in Warsaw within the first twenty days of the Second World War, Janess's maternal grandfather was sent to a Soviet gulag where he survived for three years before joining the Free Polish Army in Russia and later the battle of Monte Cassino in the Italian Campaign. Many of the poems in The Milk of Amnesia grow from the soil of Warsaw and Berlin, where the poet-speaker catapults herself and her young child in an effort to locate and unearth their family inheritance. Drawing from the tradition of poetry of witness, The Milk of Amnesia performs a visionary resistance, lit with signposts in a charged atmosphere. An address to our ongoing struggles with historical memory, these poems act as both artifact of and antidote to our time.
The Millennium Hotel: The Rider Quintet, vol. 2 (Wesleyan Poetry Series)
by Mark RudmanIn this captivating sequel to his award-winning Rider, Mark Rudman reclaims a sacred space for poetry. The Millennium Hotel is a world of dazzling imitations, a vast casino where personal narrative is recognized as a fiction and death always holds the winning hand. Rudman asks, "How not to be seduced by the new?" as he illustrates the intimate ways in which facade, gender, and memory inform both our private and public realms.Here the interlocutor's voice shifts and freely crosses gender lines, especially in poems about early erotic experience. Mothers, daughters, lovers, and wives are passionately engaged. Its inclusiveness and wide range of tonal registers enable The Millennium Hotel to blend seamlessly the intimate, the social, the comic, and the apocalyptic. The book moves like a series of sonatas, melding childhood, the diaspora, and eros.
The Milwaukee Anthology (Belt City Anthologies)
by Justin KernA collection of essays, art, stories, and poetry that offer a nuanced portrait of Milwaukee in all its hope and hurt, weirdness and wonder.The Milwaukee Anthology presents a rich mosaic of one of America&’s toughest zip codes. With a diverse range of perspectives, authors and artists share honest first-hand stories about Riverwest, Sherman Park, Hmong New Year&’s shows, 7 Mile Fair, the Rolling Mill commemoration, and much more. Edited by Justin Kern, and with more than fifty contributors including Dasha Kelly, Pardeep Kaleka, and Michael Perry, this collection includes stories about: Redlining in the city Painting a community mural in Sherman Park Reflections after the Oak Creek Sikh Temple Shooting The city&’s upstart microbrewing industry The rise of Giannis Antetokounmpo and the Milwaukee Bucks
The Mind Has Cliffs of Fall: Poetry At The Extremes Of Feeling
by Robert PinskyA bold new anthology of poems that contend with the most extreme human emotions, from former Poet Laureate Robert Pinsky. Despair, mania, rage, guilt, derangement, fantasy: poetry is our most intimate, personal source for the urgency of these experiences. Poems get under our skin; they engage with the balm, and the sting, of understanding. In The Mind Has Cliffs of Fall—its title inspired by a Gerard Manley Hopkins poem—acclaimed poet Robert Pinsky gives us more than 130 poems that explore emotion at its most expansive, distinct, and profound. With seven illuminating chapters and succinct headnotes for each poem, Pinsky leads us through the book’s sweeping historical range. Each chapter, with contents chronologically presented from Shakespeare to Terrance Hayes, Dante to Patricia Lockwood, shows the persistence and variation in our states of mind. “The Sleep of Reason” explores sanity and the imagination, moving from William Cowper’s “Lines Written During a Time of Insanity” to Nicole Sealey’s “a violence.” “Grief” includes Walt Whitman’s “When Lilacs last in the Door-yard Bloom’d” and Marie Howe’s “What the Living Do,” and “Manic Laughter” highlights both Lewis Carroll and Martín Espada. Each poem reveals something new about the vastness of human emotion; taken together they offer a sweeping ode to the power of poetry. Guided by “our finest living example of [the American civic poet]” (New York Times), The Mind Has Cliffs of Fall demonstrates how extreme feelings can be complementary and contradicting, and how poetry is not just an expression of emotion, but emotion itself.
The Mind-Body Problem: Poems
by Katha PollittPollitt now enjoys national fame for her political columns and her personal essays; she gained attention earlier, though, as a poetAntarctic Traveller (1982) won the National Book Critics Circle Award. Twenty-seven years later, this second collection shows her fine ear and eye, urbane tones, attention to the ups and downs of middle age and motherhood, and her debts to Elizabeth Bishop, whose most ardent fans will find Pollitt at her worst derivative, but at her best a wise and worthy heir. Shore Road just rewrites Bishop's Filling Station (somebody/ crew-cuts the crab-grass. . . puts out the plastic lawn chairs). Poems about biblical scenes and characters seem thin compared to Bishop's prodigal son. Yet when Pollitt uses Bishop's careful and careworn tones for autobiography, she achieves wry, urbane retrospect and a power all her own: Old Sonnets, for example, recalls Pollitt's undergraduate poetic ambitions; Always Already considers how the adult writer loses herself in the forest of other works, where culture is a kind of nature,/ a library of oak leaves,/ muttering their foregone oracles. No one is likely to call Pollitt's verse radically new. Yet these poems can rise far above their promptings, as fleeting verse about an urban scene can rise to representative powers: often enough, Pollitt does. (June) Copyright Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.