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The Romantic Fragment Poem: A Critique of a Form

The fragment poem, long regarded as a peculiarly Romantic phenomenon, has never been examined outside the context of thematic and biographical criticism. By submitting the unfinished poems of the English Romantics to both a genetic investigation and a reception study, Marjorie Levinson defines the fragment's formal character at various moments in its historical career. She suggests that the formal determinancy of these works, hence their expressive or semantic affinities, is a function of historical conditions and projections.The English Romantic fragment poems share not so much a particular mode of production as a myth of production. Levinson pries apart these two dimensions and analyzes each independently to consider their relationship. By reconstructing the contemporary reception of such works as Wordsworth's "Nutting," Coleridge's "Christabel" and "Kubla Khan," Shelley's "Julian and Maddalo," and Keats's Hyperion fragments, and juxtaposing this model against dominant twentieth-century critical paradigms, Levinson discriminates layers, phases, and kinds of intentionality in the poems and considers the ideological implications of this diversity.This study is the first to investigate the English Romantic fragment poem by identifying the assumptions -- contemporary and belated -- that govern interpretative procedures. In a substantial summary chapter, Levinson reflects upon the meaning and effects of these assumptions with respect to the facts and fictions of literary production in the period and to the processes of canon formation.Originally published in 1986.A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.

The Romantic Imagination and Astronomy

The Romantic Imagination and Astronomy is the first book to reconstruct the history of the science of astronomy and its importance to the Romantic imagination in exploration and colonization by imperial England. It examines how the science of astronomy in exploration and discovery, from Edmund Halley and William Herschel to Captain Cook, changed the world by tying the 'pure' science of astronomy to the practical, commercial, and martial aims of navigation for the maritime nation of England. It demonstrates that the same 'pure' science of astronomy also fueled the Romantic poetic imagination, influencing the evolution of form and content of poetry — from formation of the greater Romantic lyric of Barbauld and Coleridge, to the fantastic narratives of Keats and Shelley.

The Romantic Poets (Wordsworth Classics)

Romanticism gained traction in the late 1700s as writers moved away from the intellectualism of the Enlightenment and toward more emotional and natural themes. The major works of the movement’s five most famous poets--William Wordsworth, George Gordon Byron, Percy Bysshe Shelley, Samuel Taylor Coleridge, and John Keats--are represented in this handsome Word Cloud Classics volume, The Romantic Poets. One of the largest and most influential artistic movements in history, Romanticism valued intuition and pastoralism, and its themes are well represented in the verse of its stars. Lexile code: NP

The Roominghouse Madrigals: Early Selected Poems 1946-1966 (Colección Visor De Poesía Ser. #Vol. 417)

The Roominghouse Madrigals is a selection of poetry from Charles Bukowski's early work. It shows a slightly softer side to the beloved barfly.

The Rooster Crows

Includes well-known nursery rhymes, counting-out games, skipping-rope songs, finger games, and other jingles, such as: "The rooster crows and away he goes", "Mother, may I go out to swim", "Fuzzy Wuzzy was a bear", and "Roses are red, violets are blue". An American Mother Goose for every child's library, it contains verses from collections all over America, beloved by children for generations and beautifully and charmingly illustrated by famous artists.

The Rooster's Wife (American Poets Continuum #Vol. 90)

For the past 40 years, Russell Edson has been producing a body of work unique in its perspective and singular in its approach. He is, arguably, America’s most distinguished writer of prose poems. Here are contorted Darwinian narratives of apes and monkeys exhibiting absurdly human behavior, along with his usual menagerie of elephants, horses, chickens, roosters, dogs, mermaids and mice. Along with his trademark humor, The Rooster’s Wife finds Edson contemplating age, mortality and immortality as well.Of Memory and DistanceIt’s a scientific fact that anyone entering the distance will grow smaller as he proceeds. Eventually becoming so small he might only be found with a microscope, if indeed he is found at all. But there is a vanishing point, where anyone having entered the distance must disappear entirely without hope of his ever returning, leaving only the memory of his ever having been. But then there is fiction, so that one can never really be sure if one is remembering someone who vanished into the distance, or simply who had been made of paper and ink . . .Russell Edson has been called a surrealist comic genius, a magician of metaphor and imagination. He is all of these, and a philosophical poet whose zany expeditions into the twisted labyrinths of logic resemble Lewis Carroll’s adventures through the wonderlands of paradox and illusion. Perhaps that is why even people who do not read significant amounts of contemporary poetry can immediately appreciate the playful accessibility of Russell Edson’s writing. What he pulls out of the hat of the subconscious is always unpredictable, immediate and surprising.Russell Edson’s books include The Very Thing That Happens (1964); The Childhood of an Equestrian (1973); The Tunnel: Selected Poems (1994); and The House of Sara Loo (Rain Taxi Chapbook Series, 2002). He lives in Darien, Connecticut.

The Rose In December

Poem by magical poem, Charlene Baldridge's The Rose in December (plucked from the James Barrie quote "God gave us memory so we might have roses in December") is as elegantly illuminating a ride through how life really is as it is entertainingly irreverent. (from the back cover) The poems in this book are: Art, White Nights, Inside the Hothouse, The Hammer and How It Works, What to Do About the Hammer, Gloves, Hearts of Onyx, A Poet's Love, Bereft, Ebony, Instructions, Stonehenge, Another Mountain, The Structure of Time, The Amaryllis, Make No Mistake, During the Power Outage, Guardian, Unprepared, Glitter, Mission Old Age, The Tender Gap, Out of Tune, Privilege. A Warrior's Stance, mentioned in this book and written by the author's deceased daughter, is available in this library.

The Rose that Grew from Concrete

Tupac Shakur's most intimate and honest thoughts were uncovered only after his death with the instant classic The Rose That Grew from Concrete. For the first time in paperback, this collection of deeply personal poetry is a mirror into the legendary artist's enigmatic world and its many contradictions. Written in his own hand from the time he was nineteen, these seventy-two poems embrace his spirit, his energy -- and his ultimate message of hope.

The Rough Poets: Reading Oil-Worker Poetry (McGill-Queen's Rural, Wildland, and Resource Studies #18)

Oil workers are often typecast as rough: embodying the toxic masculinity, racism, consumerist excess, and wilful ignorance of the extractive industries and petrostates they work for. But their poetry troubles these assumptions, revealing the fear, confusion, betrayal, and indignation hidden beneath tough personas.The Rough Poets presents poetry by workers in the Canadian oil and gas industry, collecting and closely reading texts published between 1938 and 2019: S.C. Ells’s Northland Trails, Peter Christensen’s Rig Talk, Dymphny Dronyk’s Contrary Infatuations, Mathew Henderson’s The Lease, Naden Parkin’s A Relationship with Truth, Lesley Battler’s Endangered Hydrocarbons, and Lindsay Bird’s Boom Time. These writers are uniquely positioned, Melanie Dennis Unrau argues, both as petropoets who write poetry about oil and as theorists of petropoetics with unique knowledge about how to make and unmake worlds that depend on fossil fuels. Their ambivalent, playful, crude, and honest petropoetry shows that oil workers grieve the environmental and social impacts of their work, worry about climate change and the futures of their communities, and desire jobs and ways of life that are good, safe, and just.How does it feel to be a worker in the oil and gas industry in a climate emergency, facing an energy transition that threatens your way of life? Unrau takes up this question with the respect, care, and imagination necessary to be an environmentalist reader in solidarity with oil workers.

The Route 9 Anthology: A Collection of Writing from Wesleyan Students, Faculty, Staff & Middlesex County Residents

The Route Nine Anthology is a collection of poetry and prose from Wesleyan students, faculty, staff, and Middlesex County residents. It is the first collection of prose dedicated specifically to bridging the literary divide between the Wesleyan and Middlesex County communities.

The Routledge Companion to Ecopoetics (Routledge Literature Companions)

The Routledge Companion to Ecopoetics offers comprehensive coverage of the vital and growing movement of ecopoetics. This volume begins with a general introduction to the field, followed by six sections: Perspectives: broad overviews engaging fields such as biosemiosis, kinship praxis, and philosophical approaches Experiments: formal innovations developed by poets in response to planetary crises Earth and Water: explorations of poetic entanglement with planetary chemical and biological systems Waste/Toxicity/Precarity: poetics addressing the effects of pollution and climate change Environmental Justice and Activism: examinations of poetry as an engine of political and cultural change Region and Place: an international array of traditional and contemporary geographically focused responses to ecosystems and environmental conditions; and Subjectivities/Affects/Sexualities: investigations of gender, ethnicity, and race as they intersect with ecological concerns Each section includes an overview and summary addressing the specific essays in the section. These previously unpublished essays represent a wide variety of nationalities, backgrounds, perspectives, and critical approaches exploring the interdisciplinary field of ecopoetics. Contributions from leading scholars working across the globe make The Routledge Companion to Ecopoetics a landmark textbook and reference for a variety of researchers and students.

The Routledge Companion to William Morris (Routledge Art History and Visual Studies Companions)

William Morris (1834–96) was an English poet, decorative artist, translator, romance writer, book designer, preservationist, socialist theorist, and political activist, whose admirers have been drawn to the sheer intensity of his artistic endeavors and efforts to live up to radical ideals of social justice. This Companion draws together historical and critical responses to the impressive range of Morris’s multi-faceted life and activities: his homes, travels, family, business practices, decorative artwork, poetry, fantasy romances, translations, political activism, eco-socialism, and book collecting and design. Each chapter provides valuable historical and literary background information, reviews relevant opinions on its subject from the late-nineteenth century to the present, and offers new approaches to important aspects of its topic. Morris’s eclectic methodology and the perennial relevance of his insights and practice make this an essential handbook for those interested in art history, poetry, translation, literature, book design, environmentalism, political activism, and Victorian and utopian studies.

The Routledge Companion to William Morris (Routledge Art History and Visual Studies Companions)

William Morris (1834–96) was an English poet, decorative artist, translator, romance writer, book designer, preservationist, socialist theorist, and political activist, whose admirers have been drawn to the sheer intensity of his artistic endeavors and efforts to live up to radical ideals of social justice. This Companion draws together historical and critical responses to the impressive range of Morris’s multi-faceted life and activities: his homes, travels, family, business practices, decorative artwork, poetry, fantasy romances, translations, political activism, eco-socialism, and book collecting and design. Each chapter provides valuable historical and literary background information, reviews relevant opinions on its subject from the late-nineteenth century to the present, and offers new approaches to important aspects of its topic. Morris’s eclectic methodology and the perennial relevance of his insights and practice make this an essential handbook for those interested in art history, poetry, translation, literature, book design, environmentalism, political activism, and Victorian and utopian studies.

The Routledge Research Companion to John Gower

The Routledge Research Companion to John Gower reviews the most current scholarship on the late medieval poet and opens doors purposefully to research areas of the future. It is divided into three parts. The first part, "Working theories: medieval and modern," is devoted to the main theoretical aspects that frame Gower’s work, ranging from his use of medieval law, rhetoric, theology, and religious attitudes, to approaches incorporating gender and queer studies. The second part, "Things and places: material cultures," examines the cultural locations of the author, not only from geographical and political perspectives, or in scientific and economic context, but also in the transmission of his poetry through the materiality of the text and its reception. "Polyvocality: text and language," the third part, focuses on Gower’s trilingualism, his approach to history, and narratological and intertextual aspects of his works. The Routledge Research Companion to John Gower is an essential resource for scholars and students of Gower and of Middle English literature, history, and culture generally.

The Royal Baker's Daughter

Winner of the 2008 Felix Pollak Prize in Poetry, selected by David St. John These poems, at once elegant and earthy, reveal the inner workings of the human psyche and show us that sometimes the best defense against terror is making mischief. The Royal Baker's Daughterwas raised on a diet of stone soup and the occasional leftover royal treat. This leaves her with an appetite for authenticity. With nothing but her two deft hands to guide her, she embarks on a journey into the dark forest, "where sticks and stones and absolutes reign and nothing, even sin, is original. " Best Fall book from theMontserrat Review

The Rubais of Rumi: Insane with Love

The first English translation of the rubais of Rumi • Presents 233 of the most evocative of Rumi’s 1,700 rubais • Shows that the mystical embrace is the way to directly experience the Divine Rumi is well known for the over 44,000 verses that appear in a 23-volume collection called the Divan-i Kebir. Yet Rumi also composed 1,700 rubais, short aphorisms and observations, whose depth and message belie their brevity. The form of rubais first became well known through the 11th-century collection The Rubaiyat of Omar Khayyam. But unlike Khayyam, who like most poets would sit and carefully craft each word, Rumi would compose and speak his poems through the spontaneous “language of poetry” that poured from his lips as he traveled the streets of Konya, Anatolia (present-day Turkey). Very few of Rumi’s rubais have been translated into any of the languages of the contemporary Western world. Now, Nevit O. Ergin, the translator of the complete Divan-i Kebir, and Will Johnson present here 233 of the most evocative of Rumi’s 1,700 rubais.Rumi’s poetry expresses profound and complex truths in beautiful yet simple language. He reveals that by going deep into the interior of our heart and soul, we can arrive at a place in which we once again merge and connect with the divine. This mystical quest, Rumi contends, is the birthright of us all. Anything less than a complete dissolving into the world of divine union will not provide the satisfaction and peace that we all seek. The simple, yet profound spiritual truths and visions contained in The Rubais of Rumi lead the way to the path of reconnection to the direct energies of God.

The Rubaiyat

The Rubáiyát of Omar Khayyám

Edward Fitzgerald's free translation of skeptical, hedonistic verse attributed to Omar Khayyám (1048-1122), Persian mathematician, astronomer, and philosopher.

The Rubáiyát of Omar Khayyám: First and Fifth Editions (Dover Thrift Editions)

Omar Khayyám (1048–1122) was a Persian mathematician, astronomer, and a philosopher who was not known as a poet in his lifetime. Later, a body of quatrains became attached to his name, although not all were his works. These verses lay in obscurity until 1859, when Edward FitzGerald (1809–1883), an English country gentleman, published a free adaptation of this Persian poetry. After its discovery by D. G. Rossetti and others, the verse became extremely popular. Essentially a hedonist and a skeptic, Omar Khayyám, through FitzGerald, spoke with both an earthy and spiritual freedom that stirred a universal response. As a result, the Rubáiyát became one of the best-known and most often quoted English classics. The fifth edition, published posthumously in 1889, was based on FitzGerald's handwritten changes in a copy of the fourth edition, and is traditionally printed with the first edition.

The Ruined Elegance: Poems

In her new collection, Fiona Sze-Lorrain offers a nuanced yet dynamic vision of humanity marked by perils, surprises, and the transcendence of a "ruined elegance." Through an intercultural journey that traces lives, encounters, exiles, and memories from France, America, and Asia, the poet explores a rich array of historical and literary allusions to European masters, Asian sources, and American influences. With candor and humor, each lyrical foray is sensitive to silence and experience: "I want to honor / the invisible. I'll use the fog to see white peaches." There are haunting narratives from a World War II concentration camp, the Stalinist Terror, and a persecuted Tibet during the Cultural Revolution. There are also poems that take as their point of departure writings, paintings, sketches, photographs, and music by Gu Cheng, Giorgio Caproni, Bonnard, Hiroshige, Gao Xingjian, Kertész, and Debussy, among others. Grounded in the sensual, these poems probe existential questionings through inspirations from nature and the impermanent earth. Described by the Los Angeles Review of Books as "a high lyricist who refuses to resort to mere lyricism in order to articulate her experience," Sze-Lorrain renews her faith in music and poetic language by addressing the opposing aesthetics of "ruins" and "elegance," and how the experience of both defies judgment.

The Rule of Barbarism: Pirogue Poets Series

Finally available in English, Le Règne de la barbarie by Abdellatif Laâbi is one of the most daring poetic visions of the second half of the twentieth century. First published in 1976 when Laabi was serving an eight-year prison sentence (1972-1980) for 'crimes of opinion' against the Moroccan State, The Rule of Barbarism is a devastating flight through consciousness, acquainting the reader with the trials of a society caught between a colonial past and the tragic realities of a brutal dictatorship. Analysing the presence of 'barbarism' inherent in all of us, and yet deepening our capacity for compassion despite the allure of revenge, this stunning debut from a writer on the threshold of a groundbreaking career can be read as an epic of love, empathy, anger and despair--and is as resonant today as when composed nearly fifty years ago.

The Rumi Collection

Rumi's poems are beloved for their touching perceptions of humanity and the Divine. Here is a rich introduction to the work of the great mystical poet, featuring leading literary translations of his verse. Translators include Coleman Barks, Robert Bly, Andrew Harvey, Kabir Helminski, Camille Helminski, Daniel Liebert, and Peter Lamborn Wilson. To display the major themes of Rumi's work, each of the eighteen chapters in this anthology are arranged topically, such as "The Inner Work," "The Ego Animal," "Passion for God," "Praise," and "Purity." Also contained here is a biography of Rumi by Andrew Harvey, as well as an introductory essay by Kabir Helminski on the art of translating Rumi's work into English.

The Rumi Collection: An Anthology of Translations of Mevlana Jalaluddin Rumi

A rich introduction to the work of Rumi by the foremost scholar on the great mystical poet, featuring leading literary translations of his verse by Coleman Barks, Robert Bly, Andrew Harvey, Kabir Helminski, Camille Helminski, Daniel Liebert, and Peter Lamborn Wilson.Rumi's poems are beloved for their touching perceptions of humanity and the Divine. To display the major themes of Rumi's work, each of the eighteen chapters in this anthology are arranged topically, such as "The Inner Work," "The Ego Animal," "Passion for God," "Praise," and "Purity," uncovering a deep and timeless understanding of Sufism and mysticism. Also included is a biography of Rumi by Andrew Harvey and an introductory essay by Kabir Helminski on the art of translating Rumi's work into English."The Spiritual Surgeon"Can the water of a polluted stream Wash away the dirt? Can human knowledge sweep away The ignorance of the sensual self? How does a sword fashion its own hilt? Go, entrust your wound to a surgeon, For flies will gather around the wound Until it can&’t be seen. These are your selfish thoughts And all you dream of owning. The wound is your own dark hole. Mathnawi I, 3221–3224 (translated by Kabir Helminski and Camille Helminski)

The Rumi Daybook

"My heart wandered through the world constantly seeking after my cure, but the sweet and delicious water of life had to break through the granite of my heart." When the words of Rumi enter your heart, something softens, breaks, and is subtly reborn. That he wrote the words seven hundred years ago in a medieval Persian world that bears little resemblance to ours makes their uncanny resonance to us today just that much more remarkable. Here is a treasury of daily wisdom from this most beloved of all the Sufi masters--both his prose and his ecstatic poetry--that you can use to start every day for a year, or that you can dip into for inspiration any time you need to break through the granite of your heart.

The Rumi Prescription: How an Ancient Mystic Poet Changed My Modern Manic Life

A powerful personal journey to find meaning and life lessons in the words of a wildly popular 13th century poet.Rumi's inspiring and deceptively simple poems have been called ecstatic, mystical, and devotional. To writer and activist Melody Moezzi, they became a lifeline. In The Rumi Prescription, we follow her path of discovery as she translates Rumi's works for herself - to gain wisdom and insight in the face of a creative and spiritual roadblock. With the help of her father, who is a lifelong fan of Rumi's poetry, she immerses herself in this rich body of work, and discovers a 13th-century prescription for modern life. Addressing isolation, distraction, depression, fear, and other everyday challenges we face, the book offers a roadmap for living with intention and ease, and embracing love at every turn--despite our deeply divided and chaotic times. Most of all, it presents a vivid reminder that we already have the answers we seek, if we can just slow down to honor them. • You went out in search of gold far and wide, but all along you were gold on the inside. • Become the sky and the clouds that create the rain, not the gutter that carries it to the drain. • You already own all the sustenance you seek. If only you'd wake up and take a peek. • Quit being a drop. Make yourself an ocean.<