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The Selected Poems of Donald Hall
by Donald HallThe former U.S. poet laureate presents the essential work from across his long and celebrated career in this sweeping collection. For decades, Donald Hall produced a body of work that established him as one of America&’s most significant—and beloved—poets of his generation. Celebrated for his plainspoken yet evocative imagery and his stirring explorations of bucolic life, Hall won numerous awards, including the Robert Frost Medal, the Ruth Lilly Poetry Prize, and the National Medal of Arts.When Hall reached his eighties, his health began to decline, and he announced that the ability to write poems has &“abandoned&” him. Looking back over his astonishingly rich body of work, Hall hand-picked his finest and most memorable poems for this final, concise, and essential volume.
The Selected Poems of Emily Dickinson
by Emily Dickinson Billy CollinsEmily Dickinson lived as a recluse in Amherst, Massachusetts, dedicating herself to writing a "letter to the world"--the 1,775 poems left unpublished at her death in 1886. Today, Dickinson stands in the front rank of American poets. This enthralling collection includes more than four hundred poems that were published between Dickinson's death and 1900. They express her concepts of life and death, of love and nature, and of what Henry James called "the landscape of the soul." And as Billy Collins suggests in his Introduction, "In the age of the workshop, the reading, the poetry conference and festival, Dickinson reminds us of the deeply private nature of literary art."
The Selected Poems of T'ao Ch'ien
by David Hinton Tao ChienT'ao Ch'ien, (365 - 427, C.E.), one of the most revered poets in classical Chinese literature, is presented in a lucid translation with an introduction. "David Hinton is one of the most impressive of the younger translators of classical Chinese poetry.... His renderings are varied and imaginative while remaining faithful to the spirit of the original."--Burton Watson
The Selected Poems of Tu Fu
by David Hinton Tu FuFor over a millennium, Chinese literati have almost unanimously considered Tu Fu (712-770 A.D.) to be their greatest poet. Tu Fu radically altered poetry as he found it in the High T'ang period. In addition to making formal innovations in language and structure, he extended the range of acceptable subject matter to include all aspects of public and private experience, thus becoming in the words of translator David Hinton, "the first complete poetic sensibility in Chinese literature." This edition of The Selected Poems of Tu Fu is the only comprehensive selection of the poet's work currently available in English. While retaining a scholar's devotion to the text, Hinton has attempted "to recreate Tu Fu's poems as new systems of uncertainty." By reflecting all the ambiguity and density of the originals, he has created compelling English poems that significantly alter our conception of Chinese poetry. Included with the poems are the translator's introduction and translation principles. as well as a biography of Tu Fu; together these provide a fascinating portrait of a uniquely sensitive spirit during one of the most tumultuous periods in Chinese history.
The Selected Poems of Tu Fu: Expanded And Newly Translated By David Hinton
by Tu FuA new and substantially expanded version of Hinton’s landmark translation of Tu Fu, published on the thirtieth anniversary of that original edition A newly translated and substantially expanded version of Hinton’s landmark Tu Fu, published on the thirtieth anniversary of the original edition Tu Fu (712–770 C.E.) has for a millennium been widely considered the greatest poet in the Chinese tradition, and Hinton’s original translation played a key role in developing that reputation in America. Most of Tu Fu’s best poems were written in the last decade of his life, as an impoverished refugee fleeing the devastation of civil war. In the midst of these challenges, his always personal poems manage to combine a remarkable range of possibilities: elegant simplicity and great complexity, everyday life and grand historical drama, private philosophical depth and social engagement in a world consumed by war. Through it all, his is a wisdom that can only be called elemental, and his poems sound remarkably contemporary: Leaving the City It’s bone-bitter cold, and late, and falling frost traces my gaze all bottomless skies. Smoke trails out over distant salt mines. Snow-covered peaks slant shadows east. Armies haunt my homeland still, and war drums throb in this far-off place. A guest overnight here in this river city, I return again to shrieking crows, my old friends.
The Selected Poems of Wendell Berry
by Wendell BerryThe Selected Poems of Wendell Berry gathers one hundred poems written between 1957 and 1996. Chosen by the author, these pieces have been selected from each of nine previously published collections. The rich work in this volume reflects the development of Berry's poetic sensibility over four decades. Focusing on themes that have occupied his work for years--land and nature, family and community, tradition as the groundwork for life and culture-- The Selected Poems of Wendell Berry celebrates the broad range of this vital and transforming poet.
The Selected Poetry of Edna St. Vincent Millay (Modern Library Torchbearers)
by Edna St. Vincent Millay Nancy Milford"These are the poems that made Edna St. Vincent Millay's reputation when she was young. Saucy, insolent, flip, and defiant, her little verses sting the page," writes Nancy Milford in the Introduction to The Selected Poetry of Edna St. Vincent Millay. As one of America's most beloved poets-and the winner of the Pulitzer Prize in 1923-Millay defined a generation with her intoxicating voice of liberation. Most remembered for her passionate, lyrical voice and mastery of the sonnet form, Millay explores love, death, and nature in her poetry while deftly employing allusions to the classical and the romantic. In 1917, at the age of twenty, she burst onto the New York literary scene with the publication of her first book of poetry, Renascence and Other Poems, which is included in this volume.Edited by Millay biographer Nancy Milford, The Selected Poetry of Edna St. Vincent Millay also includes the collections A Few Figs from Thistles and Second April, as well as "The Ballad of the Harp-Weaver" and eight of Millay's sonnets from the early twenties.
The Selected Poetry of Firag Gorakhpuri
by Noorul Hasan Firag GorakhpuriSelected poems of Firaq Gorakhpuri, 1896-1982, translated from Urdu into English.
The Selected Poetry of Rainer Maria Rilke
by Rainer Maria Rilke Stephen Mitchell Robert Hass"This miracle of a book, perhaps the most beautiful group of poetic translations this century has ever produced," (Chicago Tribune) should stand as the definitive English language version.From the Trade Paperback edition.
The Selected Poetry of Yehuda Amichai
by Stephen Mitchell C. K. Williams Yehuda Amichai Chana BlochYehuda Amichai (1924-2000) was Israel's most popular poet, as well as a literary figure of international reputation. In this collection, renowned translators Chana Bloch and Stephen Mitchell have selected Amichai's most beloved poems, including forty poems from his later work. A new foreword by C.K. Williams, written especially for this edition, addresses Amichai's enduring legacy and sets his poetry in the context of the new millennium.
The Selected Works of Audre Lorde
by Audre LordeA definitive selection of Audre Lorde’s "intelligent, fierce, powerful, sensual, provocative, indelible" (Roxane Gay) prose and poetry, for a new generation of readers. Self-described "black, lesbian, mother, warrior, poet" Audre Lorde is an unforgettable voice in twentieth-century literature, and one of the first to center the experiences of black, queer women. This essential reader showcases her indelible contributions to intersectional feminism, queer theory, and critical race studies in twelve landmark essays and more than sixty poems—selected and introduced by one of our most powerful contemporary voices on race and gender, Roxane Gay. Among the essays included here are: "The Transformation of Silence into Language and Action" "The Master’s Tools Will Never Dismantle the Master’s House" "I Am Your Sister" Excerpts from the American Book Award–winning A Burst of Light The poems are drawn from Lorde’s nine volumes, including The Black Unicorn and National Book Award finalist From a Land Where Other People Live. Among them are: "Martha" "A Litany for Survival" "Sister Outsider" "Making Love to Concrete"
The Selected Writings of Andrew Lang (The Pickering Masters)
by Tom HubbardA novelist, poet, literary critic and anthropologist, Andrew Lang is best known for his publications on folklore, mythology and religion; many have grown up with the ‘colour’ Fairy Books which he compiled between 1889 and 1910. This three volume set presents a selection of his work in these areas. The first volume covers the general and theoretical aspects of Lang’s work on folklore, mythology and anthropology along with the tools and concepts which he used in his often combative contributions to these inter-related disciplines. As a companion to the first volume, the second is comprised of various case studies made by Lang, ranging from ‘The Aryan Races of Peru’ and ‘The Folk-lore of France’ to ‘Irish Fairies’ and ‘The Ballads, Scottish and English’. The third volume arranges his literary criticism, first by geo-cultural context and then chronologically. It begins with Lang’s views on the nature and purpose of fiction, then presents samples of his work on some of the most important authors in the respective canons of French, American, Scottish and English literature including Victor Hugo, Edgar Allan Poe, Robert Burns and Charles Dickens among many others, mainly of the nineteenth century. Collectively, the General Introduction to the set and the Introductions to the individual volumes offer a thorough overview of Lang’s work in an astonishing variety of fields, including his translation work on Homer and his contributions to historiography (particularly Scottish). The Introduction to Volume III sets Lang within the context of the literature of his times, comparing and contrasting him with significant contemporaries. Headnotes to the individual items are of varying length and provide more detail on specific topics, and explanatory notes supply unique intellectual comment rather than merely factual information.
The Selected Writings of Andrew Lang: Volume I: Folklore, Mythology, Anthropology; General and Theoretical (The Pickering Masters)
by Tom HubbardA novelist, poet, literary critic and anthropologist, Andrew Lang is best known for his publications on folklore, mythology and religion; many have grown up with the ‘colour’ Fairy Books which he compiled between 1889 and 1910. This three volume set presents a selection of his work in these areas. The first volume covers the general and theoretical aspects of Lang’s work on folklore, mythology and anthropology along with the tools and concepts which he used in his often combative contributions to these inter-related disciplines. Collectively, the General Introduction to the set and the Introductions to the individual volumes offer a thorough overview of Lang’s work in an astonishing variety of fields, including his translation work on Homer and his contributions to historiography (particularly Scottish). Headnotes to the individual items are of varying length and provide more detail on specific topics, and explanatory notes supply unique intellectual comment rather than merely factual information.
The Selected Writings of Andrew Lang: Volume II: Folklore, Mythology, Anthropology; Case Studies (The Pickering Masters)
by Tom HubbardA novelist, poet, literary critic and anthropologist, Andrew Lang is best known for his publications on folklore, mythology and religion; many have grown up with the ‘colour’ Fairy Books which he compiled between 1889 and 1910. This three volume set presents a selection of his work in these areas. As a companion to the first volume, the second is comprised of various case studies made by Lang, ranging from ‘The Aryan Races of Peru’ and ‘The Folk-lore of France’ to ‘Irish Fairies’ and ‘The Ballads, Scottish and English’. Collectively, the General Introduction to the set and the Introductions to the individual volumes offer a thorough overview of Lang’s work in an astonishing variety of fields, including his translation work on Homer and his contributions to historiography (particularly Scottish). Headnotes to the individual items are of varying length and provide more detail on specific topics, and explanatory notes supply unique intellectual comment rather than merely factual information.
The Selected Writings of Andrew Lang: Volume III: Literary Criticism (Routledge Historical Resources)
by Tom HubbardA novelist, poet, literary critic and anthropologist, Andrew Lang is best known for his publications on folklore, mythology and religion; many have grown up with the ‘colour’ Fairy Books which he compiled between 1889 and 1910. This three volume set presents a selection of his work in these areas. The third volume arranges his literary criticism, first by geo-cultural context and then chronologically. It begins with Lang’s views on the nature and purpose of fiction, then presents samples of his work on some of the most important authors in the respective canons of French, American, Scottish and English literature including Victor Hugo, Edgar Allan Poe, Robert Burns and Charles Dickens among many others, mainly of the nineteenth century. Collectively, the General Introduction to the set and the Introductions to the individual volumes offer a thorough overview of Lang’s work in an astonishing variety of fields, including his translation work on Homer and his contributions to historiography (particularly Scottish). The Introduction to Volume III sets Lang within the context of the literature of his times, comparing and contrasting him with significant contemporaries. Headnotes to the individual items are of varying length and provide more detail on specific topics, and explanatory notes supply unique intellectual comment rather than merely factual information.
The Self-Completing Tree
by Dorothy LivesayThe Self-Completing Tree is the author’s own collection of the best of her last 50 years of writing. In this new edition, the celebrated Grand Dame of English Canadian letters and award-winning poet uses the metaphor implied by the title — a tree, half verdant, half in flames — to symbolize the androgynous self. This is the theme of much of Livesay’s work and a central metaphor for the most definitive collection of her poetry. The result is a spiritual autobiography charting the fascinating domains of her own life and the universal struggles we all share.
The Self-Dismembered Man: Selected Later Poems of Guillaume Apollinaire (French Edition) (Wesleyan Poetry Series)
by Guillaume ApollinaireGuillaume Apollinaire's final years exactly coincided with the clamorous advent of European Modernism and with the cataclysms of WWI. In The Self-Dismembered Man, poet Donald Revell offers new English translations of the most powerful poems Apollinaire wrote during those years: poems of nascent surrealism, of combat and of war-weariness. Here, too, is Apollinaire's last testament, "The Pretty Redhead," a farewell to the epoch that he—as poet, convict, art-critic, artilleryman and boulevardier—did so much to conjure and sustain until his death on Armistice Day in 1918. Readers of Apollinaire's more familiar early work, Alcools (Wesleyan, 1995), will find here a darker and yet more tender poet, a poet of the broken world who shares entirely the world's catastrophe even as he praises to the end its glamour and its strange innocence. This English translation, facing the original French, illuminates Apollinaire's crucial and continuing influence on the European and American avant-garde. The volume includes a short translator's preface.
The Selvage
by Linda GregersonA magnificent new collection from National Book Award finalist and Kingsley Tufts Award winner Linda GregersonIn eloquent poems about Ariadne, Theseus, and Dido, the death of a father, a bombing raid in Lebanon, and in a magnificent series detailing Masaccio's Brancacci frescoes, The Selvage deftly traces the "line between" the "wonder and woe" of human experience. Keenly attuned to the precariousness of our existence in a fractured world--of "how little the world will spare us"--Gregerson explores the cruelty of human and political violence, such as the recent island massacre in Norway and "the current nightmare" of war and terrorism. And yet, running as a "counterpoint" to violence and cruelty is "The reigning brilliance / of the genome and / the risen moon . . . ," "The / arachnid's exoskeleton. The kestrel's eye." The Selvage is the boldest evidence yet that Linda Gregerson's unique combination of dramatic lyricism and fierce intelligence transcends current fashions to claim an enduring place in American poetry.
The Senses of Walden: An Expanded Edition
by Stanley CavellStanley Cavell, one of America's most distinguished philosophers, has written an invaluable companion volume to Walden, a seminal book in our cultural heritage. This expanded edition includes two essays on Emerson.
The Sentence: Poems
by Morri CreechIn The Sentence, Morri Creech interrogates our daily lives and experiences to examine the anxieties and despair that often attend our awareness of mortality. Through a variety of subjects, and through styles ranging from rhyme and meter to prose poetry, he takes an unflinching look at what it means to live in the shadow of the end, the common fate to which each of us is sentenced.
The Sentinel
by A.F. MoritzMortality, Love, Ethics, Civilization, Divine Presence, Human Body, Modernity, The Natural World, and Constructed Spaces. The Sentinel watches and reports back to us in a voice that is timeless and worthy of trust. Whether describing renewal and regeneration, the despair brought on by global capitalism, or a place where decay and loss meet their antithesis, A. F. Moritz's magisterial voice, rare insight, and supple craft are on impressive display.
The Serpent's Teeth
by OvidIn a world of gods and monsters, nothing is as it seems.When a deadly serpent's teeth are sown in the ground, warriors spring from the bloody soil. Only a great man can tame them and fulfil his destiny. Far away, Medusa, snakes writhing in her hair, meets her nemesis; the princess Andromeda is chained to a rock; people are transformed into owls, frogs, even mountains; a boy falls tragically in love with his own reflection.Enter a universe where love is cruel, men are destroyed by the gods and treachery is paid for in blood ...
The Serpent's Tongue: Prose, Poetry, and Art of the New Mexico Pueblos
by Willa Cather Tony Hillerman Oliver La Farge Paula Gunn Allen Nancy Wood Frank Hamilton Cushing Oliver LittlebirdThis landmark anthology chronicles more than 500 years of Pueblo culture. Lavishly designed in five colors, this eminently readable volume offers a story and mood for everyone and an authentic introduction to the cultural legacy of the ancient peoples of the Southwest.
The Seven Ages
by Louise GluckThe Seven Ages is Glück's ninth book, her strangest and most bold. In it she stares down her own death, and, in so doing, forces endless superimpositions of the possible on the impossible -- an act that simultaneously defies and embraces the inevitable, and is, finally, mimetic. Over and over, at each wild leap or transformation, flames shoot up the reader's spine.
The Seven Ages
by Louise GluckWinner of the Nobel Prize in LiteratureThe masterful collection from the acclaimed Pulitzer Prize-winning author of The Wild Iris and Vita Nova Louise Glück has long practiced poetry as a species of clairvoyance. She began as Cassandra, at a distance, in league with the immortal; to read her books sequentially is to chart the oracle’s metamorphosis into unwilling vessel, reckless, mortal and crude. The Seven Ages is Glück’s ninth book, her strangest and most bold. In it she stares down her own death, and, in doing do, forces endless superimpositions of the possible on the impossible—an act that simultaneously defies and embraces the inevitable, and is, finally, mimetic. over and over, at each wild leap or transformation, flames shoot up the reader’s spine.