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Two Brothers, One Tail
by Richard T. Morris"A gentle and loving illustration of the absolute bond between a boy and his canine buddy." -KirkusA sweet and charming picture book about the unending love between a boy and his dog.Two brothers, two handsTwo brothers, four pawsTwo brothers, ten fingersTwo brother, ten clawsWith simple rhyming text by Richard T. Morris and charming illustrations from Jay Fleck, Two Brothers, One Tail is a heart-warming story about a boy and his brother, who just happens to be a dog. Perfect for fans of Bad Dog, Marley and Harry the Dirty Dog!
Two Brown Dots (New Poets of America #46)
by Danni QuintosSelected by Aimee Nezhukumatathil as the winner of the A. Poulin, Jr. Poetry Prize, Danni Quintos carves a space for brown girls and weird girls in her debut collection of poems. Two Brown Dots explores what it means to be a racially ambiguous, multiethnic, Asian American woman growing up in Kentucky. In stark, honest poems, Quintos recounts the messiness and confusion of being a typical ‘90s kid—watching Dirty Dancing at sleepovers, borrowing eye shadow out of a friend’s caboodle, crushing on a boy wearing khaki shorts to Sunday mass—while navigating the microagressions of the neighbor kids, the awkwardness of puberty, and the casual cruelties of fellow teenagers. The mixed-race daughter of a dark skinned Filipino immigrant, Quintos retells family stories and Phillipine folklore to try and make sense of an identity with roots on opposite sides of the globe. With clear-eyed candor and a wry sense of humor, Quintos teases the line between tokenism and representation, between assimilation and belonging, offering a potent antidote to the assumption that “American” means “white.” Encompassing a whole journey from girlhood to motherhood, Two Brown Dots subverts stereotypes to reclaim agency and pride in the realness and rawness and unprettyness of a brown girl’s body, boldly declaring: We exist, we belong, we are from here, and we will continue to be.
A Two-Colored Brocade
by Annemarie SchimmelAnnemarie Schimmel, one of the world's foremost authorities on Persian literature, provides a comprehensive introduction to the complicated and highly sophisticated system of rhetoric and imagery used by the poets of Iran, Ottoman Turkey, and Muslim India. She shows that these images have been used and refined over the centuries and reflect the changing conditions in the Muslim world.According to Schimmel, Persian poetry does not aim to be spontaneous in spirit or highly personal in form. Instead it is rooted in conventions and rules of prosody, rhymes, and verbal instrumentation. Ideally, every verse should be like a precious stone--perfectly formed and multifaceted--and convey the dynamic relationship between everyday reality and the transcendental.Persian poetry, Schimmel explains, is more similar to medieval European verse than Western poetry as it has been written since the Romantic period. The characteristic verse form is the ghazal--a set of rhyming couplets--which serves as a vehicle for shrouding in conventional tropes the poet's real intentions.Because Persian poetry is neither narrative nor dramatic in its overall form, its strength lies in an "architectonic" design; each precisely expressed image is carefully fitted into a pattern of linked figures of speech. Schimmel shows that at its heart Persian poetry transforms the world into a web of symbols embedded in Islamic culture.
Two-Countries: US Daughters & Sons of Immigrant Parents: Flash Memoir, Personal Essays and Poetry
by Tina SchumannThe IPPY Award–winning anthology of poetry, memoir, and essays—&“accounts of assimilation and nostalgia, celebration and resistance&” (Rick Barot, author of The Galleons). This collection contains contributions from sixty-five writers who were either born and/or raised in the United States by one or more immigrant parent. Their work describes the many contradictions, discoveries and life lessons one experiences when one is neither seen as fully American nor fully foreign. Contributors include Richard Blanco, Tina Chang, Joseph Lagaspi, Li-Young Lee, Timothy Liu, Naomi Shihab Nye, Oliver de la Paz, Ira Sukrungruang, Ocean Vuong, and many other talented writers from throughout the United States. Winner of a Bronze Medal from the Independent Publisher Book Awards for Multicultural Nonfiction &“When you hold in your DNA two countries—the cultures, the languages, the delicious foods and stories—you embody richness. These writers know on the cellular level many-layered ways to live, to struggle, to love. Here are voices we need to hear, writers we need to read. This is a brilliant, timely book, an antidote to divisiveness.&” —Peggy Shumaker, former Alaska State Writer Laureate &“The poets and writers in Two-Countries show that one result of our ongoing national experiment is a rich deepening in our literature. We may be in perilous times as a country, but our writers have never been in more ferocious health.&” —Rick Barot, author of The Galleons
Two for Stew
by Laura Joffe Numeroff Barney Saltzberg"Stew for two" seems like such a simple request, but in this wacky restaurant romp, that order is anything but simple. A busload of tourists from Spain ate up every drop; and so a woman, her poodle, and the waiter set out on a quest for that chunky yet creamy, ever so dreamy, world-famous stew. There's nothing these two hungry customers like better -- except perhaps just one thing. . . . Along the way to becoming a bestselling children's book writer and illustrator, Laura Numroff walked dogs, worked at a jazz radio station, and ran a carousel. She is best known for her popular books "If You Give a Mouse a Cookie" and "If You Give a Moose a Muffin. " Ms. Numeroff lives in Los Angeles. A writer and illustrator with more than a dozen children's books to his credit, Barney Saltzberg is also a composer of music for children. His original songs, such as "Where, Oh, Where's My Underwear?," show the same delightful humor that inspires "Two for Stew. " A native Californian, Mr. Saltzberg was born and raised in Los Angeles, where he lives with his wife and two children.
Two Hands to Love You
by Diane Adams Paige KeiserI'll bathe you in bubbles and soak you in sun,then wrap you up tightly when bath time is done.With two loving hands, an adoring mother cradles her baby after bath time and a devoted father lifts his newborn to look into a nest. Sister, brother, grandma, and grandpa all can't wait to share what they love best with their newest family member. And when it is time to step out into the world, this caring family is right there alongside their littlest one. In simple, heartfelt language, this soothing picture book for the very young will tug at the heartstrings and remind us all of the caring hands that helped us along our way. Plus, this is the fixed format version, which will look almost identical to the print version. Additionally for devices that support audio, this ebook includes a read-along setting.
Two Hands to Love You
by Paige Keiser Diane AdamsI'll bathe you in bubbles and soak you in sun,then wrap you up tightly when bath time is done.With two loving hands, an adoring mother cradles her baby after bath time and a devoted father lifts his newborn to look into a nest. Sister, brother, grandma, and grandpa all can't wait to share what they love best with their newest family member. And when it is time to step out into the world, this caring family is right there alongside their littlest one. In simple, heartfelt language, this soothing picture book for the very young will tug at the heartstrings and remind us all of the caring hands that helped us along our way.
Two Hemispheres
by Nadine McInnisShortlisted for the 2008 Pat Lowther Award, the 2008 Lampman Scott Award and the 2008 ReLit Awards Imagining the lives of nineteenth-century women asylum patients, Nadine McInnis charts her descent into, and recovery from, depression. In the afterword to Two Hemispheres, McInnis describes her first encounter with the remarkable photographs that illustrate this moving volume. Patients of the Surrey County Lunatic Asylum, these women's names and stories are lost to history. McInnis imagines their experiences of mental illness as she explores her own journey through clinical depression, and finds in these haunting photographs solace and community. I used to embellish an impressive picture of the woman whose palms I mysteriously possess, describing her right down to her mismatched shoes: her gait, stiff and shuffling, from nights spent sleeping under the bridge near the off-ramp, her hair, a tangled nest of leaves and dead grass. -- from "Entertainment: a dramatic spectacle" "In the medical world, the body is often described metaphorically as a machine. Physician-poet William Carlos Williams invoked a similar metaphor when he noted that a poem is a machine made of words. What intrigues me about Nadine McInnis's insightful collection of poems is how the mechanics of poetry serve to explore what can happen when we as human machines break down. Equally captivating in these evocative and sometimes disturbing poems is the historical impetus for their creation-Victorian medical photographs. Two Hemispheres truly acts as a causeway between past and present, health and illness, and the supposed vastly different worlds of arts and biomedicine." - Dr. J.T.H. Connor, John Clinch Professor of Medical Humanities and History of Medicine, Faculty of Medicine, Memorial University, St. John's, Newfoundland
Two Menus (Phoenix Poets)
by Rachel DeWoskinThere are two menus in a Beijing restaurant, Rachel DeWoskin writes in the title poem, “the first of excess, / second, scarcity.” DeWoskin invites us into moments shaped by dualities, into spaces bordered by the language of her family (English) and that of her new country (Chinese), as well as the liminal spaces between youth and adulthood, safety and danger, humor and sorrow. This collection works by building and demolishing boundaries and binaries, sliding between their edges in movements that take us from the familiar to the strange and put us face-to-face with our assumptions and confusions. Through these complex and interwoven poems, we see how a self is never singular. Rather, it is made up of shifting—and sometimes colliding—parts. DeWoskin crosses back and forth, across languages and nations, between the divided parts in each of us, tracing overlaps and divergences. The limits and triumphs of translation, the slipperiness of relationships, and movements through land and language rise and fall together. The poems in Two Menus offer insights into the layers of what it means to be human, to reconcile living as multiple selves. DeWoskin dives into the uncertain spaces, showing us how a life lived between walls is murky, strange, and immensely human. These poems ask us how to communicate across the boundaries that threaten to divide us, to measure and close the distance between who we are, were, and want to be.
Two Menus (Phoenix Poets)
by Rachel DeWoskinThere are two menus in a Beijing restaurant, Rachel DeWoskin writes in the title poem, “the first of excess, / second, scarcity.” DeWoskin invites us into moments shaped by dualities, into spaces bordered by the language of her family (English) and that of her new country (Chinese), as well as the liminal spaces between youth and adulthood, safety and danger, humor and sorrow. This collection works by building and demolishing boundaries and binaries, sliding between their edges in movements that take us from the familiar to the strange and put us face-to-face with our assumptions and confusions. Through these complex and interwoven poems, we see how a self is never singular. Rather, it is made up of shifting—and sometimes colliding—parts. DeWoskin crosses back and forth, across languages and nations, between the divided parts in each of us, tracing overlaps and divergences. The limits and triumphs of translation, the slipperiness of relationships, and movements through land and language rise and fall together. The poems in Two Menus offer insights into the layers of what it means to be human, to reconcile living as multiple selves. DeWoskin dives into the uncertain spaces, showing us how a life lived between walls is murky, strange, and immensely human. These poems ask us how to communicate across the boundaries that threaten to divide us, to measure and close the distance between who we are, were, and want to be.
Two Minds: Poems
by Callie SiskelIn a piercing and beautiful elegy for the poet’s father, this debut volume investigates the enduring pain and transformative potential of grief. Does loss define us, or do we define loss? Tracing the duality of grief as it reverberates through a family, Callie Siskel wrestles with questions of identity and inheritance in precise, lucid poetry. Two Minds indulges and therefore exposes the vanity of turning private pain into art and the pursuit of self-revelation. Drawing on ekphrasis, ars poetica, and the prose poem, Siskel expands the elegiac genre as she oscillates between childhood and adulthood, art and mythology, as well as the natural and domestic world. At once cerebral and emotional, Two Minds is an essential meditation on the ways that loss cleaves and doubles our perceptive power.
Two Open Doors in a Field (The Backwaters Prize in Poetry Honorable Mention)
by Sophie KlahrThe poems of Two Open Doors in a Field are constructed through deliberate limitations, restlessly exploring place, desire, and spirituality. A profusion of sonnets rises from a single circumstance: Sophie Klahr&’s experience of driving thousands of miles alone while listening to the radio, where unexpected landscapes make listening to the unexpected more acute. Accompanied by the radio, Klahr&’s experience of land is transformed by listening, and conversely, the body of the radio is sometimes lost to the body of the land. The love story at the core of this work, Klahr&’s bond with Nebraska, becomes the engine of this travelogue. However far the poems range beyond Nebraska, they are tethered to an environment of work and creation, a place of dirt beneath the nails where one can see every star and feel, acutely, the complexity of connection.
A Two-Placed Heart
by Doan Phuong NguyenAfraid her sister (and maybe even herself) could lose sight of their Vietnamese identity, twelve-year-old Bom writes a poetic memoir to help them both remember--a love letter in verse to sisterhood and the places we leave behind.Bom can't believe that her sister doesn't see herself as Vietnamese, only American. She says she doesn't remember Vietnam or their lives there, their family there, their house and friends. How could her sister forget the terrible journey through Saigon and the airplanes and... everything? And what about Bom? She remembers now, but how long will she keep her memories? She always found comfort in the sound of her father's typewriter Clickity-clack, clickity-clack. So she has an idea. She'll write down all that she can remember: the time when her father was a spy, when her mother was nicknamed a "radio," when they were so hungry Bom couldn't walk well, when the family all said goodbye. Bom will even tell her sister, and herself, about what it was like moving to Tennessee. The ESL classes, bullies, strange new foods, icy weather, friendships, and crushes--and how her family worked to keep their heritage alive. She'll type one poem at a time, until they'll never forget again.
The Two Sillies
by Mary Anne Hoberman Lynne CravathTold in rhyme, the story is of two silly people and the way in which they help each other get a pet cat and get rid of mice.
The Two Standards (Mountain West Poetry Series)
by Heather WintererHeather Winterer explores the intimate territory between desolation and consolation, offering a poetry that translates the distances between spiritual endings and beginnings, between an "after what it used to be" and "an arrival." The work enacts the model of St. Ignatius Loyola, encouraging the collapse of lines between creation and creativity, time and space, the Christian and Christ, the self and the other. The voice of these poems moves exuberantly through various forms, resisting predication and celebrating its own multiplicity. With lyrical dexterity and humor, Winterer invites us into her world, a world of tangible absences and presences--where the Mojave Desert and the city of Las Vegas become the unlikely sites of spiritual encounter. The god of this quirky world appears in cars, apartment buildings, and swimming pools and speaks to us through desert plants and birds. Everything from the outside--natural and unnatural--spills into the poems and they turn whatever they are given into movement away from darkness and loss, toward possibility, potency and grace.
The Two Standards
by Heather WintererHeather Winterer explores the intimate territory between desolation and consolation, offering a poetry that translates the distances between spiritual endings and beginnings, between an "after what it used to be" and "an arrival". The work enacts the model of St Ignatius Loyola, encouraging the collapse of lines between creation and creativity, time and space, the Christian and Christ, the self and the other. The voice of these poems moves exuberantly through various forms, resisting predication and celebrating its own multiplicity. With lyrical dexterity and humour, Winterer invites us into her world, a world of tangible absences and presences -- where the Mojave Desert and the city of Las Vegas become the unlikely sites of spiritual encounter. The god of this quirky world appears in cars, apartment buildings, and swimming pools and speaks to us through desert plants and birds. Everything from the outside -- natural and unnatural -- spills into the poems and they turn whatever they are given into movement away from darkness and loss, toward possibility, potency and grace.
Two Studies of Friedrich Hölderlin (Meridian: Crossing Aesthetics)
by Werner HamacherTwo Studies of Friedrich Hölderlin shows how the poet enacts a radical theory of meaning that culminates in a unique and still groundbreaking concept of revolution, one that begins with a revolutionary understanding of language. The product of an intense engagement with both Walter Benjamin and Jacques Derrida, the book presents Werner Hamacher's major attempts at developing a critical practice commensurate with the immensity of Hölderlin's late writings. These essays offer an incisive and innovative combination of critical theory and deconstruction while also identifying where influential critics like Heidegger fail to do justice to the poet's astonishing radicality. Readers will not only come away with a new appreciation of Hölderlin's poetic and political-theoretical achievements but will also discover the motivating force behind Hamacher's own achievements as a literary scholar and political theorist. An introduction by Julia Ng and an afterword by Peter Fenves provide further information about these studies and the academic and theoretical context in which they were composed.
Two Tragedies in 429 Breaths
by Susan PaddonTwo Tragedies in 429 Breaths is a book-length series of poems written from the perspective of a daughter who reads Chekhov obsessively while spending a spring and summer caring for her mother, who is dying from pulmonary fibrosis. Through the prism of the relationships in Chekho's work and life emerges an honest, intimate, and even occasionally humorous portrayal of the energy we put into each other's lives during times of deterioration and suffering.
The Two Yvonnes: Poems (Princeton Series of Contemporary Poets #61)
by Jessica GreenbaumThis is the second collection from a Brooklyn poet whose work many readers will know from the New Yorker. Jessica Greenbaum's narrative poems, in which objects and metaphor share highest honors, attempt revelation through close observation of the everyday. Written in "plain American that cats and dogs can read," as Marianne Moore phrased it, these contemporary lyrics bring forward the challenges of Wisława Szymborska, the reportage of Yehuda Amichai, and the formal forays of Marilyn Hacker. The book asks at heart: how does life present itself to us, and how do we create value from our delights and losses? Riding on Kenneth Koch's instruction to "find one true feeling and hang on," The Two Yvonnes overtakes the present with candor, meditation, and the classic aspiration to shape lyric into a lasting force.Moving from 1960s Long Island, to 1980s Houston, to today's Brooklyn, the poems range in subject from the pages of the Talmud to a squirrel trapped in a kitchen. One tells the story of young lovers "warmed by the rays / Their pelvic bones sent over the horizon of their belts," while another describes the Bronx Zoo in winter, where the giraffes pad about "like nurses walking quietly / outside a sick room." Another poem defines the speaker via a "packing slip" of her parts--"brown eyes, brown hair, from hirsute tribes in Poland and Russia." The title poem, in which the speaker and friends stumble through a series of flawed memories about each other, unearths the human vulnerabilities that shape so much of the collection.From The Two Yvonnes:WHEN MY DAUGHTER GOT SICKHer cries impersonated all the world;The fountain's bubbling speech was just a trickBut still I turned and looked, as she implored,Or leaned toward muffled noises through the bricks:Just radio, whose waves might be her wav-ering, whose pitch might be her quavering,I turned toward, where, the sirens might be "SaveMe," "Help me," "Mommy, Mommy"—everythingShe, too, had said, since sloughing off the world.She took to bed, and now her voice stays fusedTo air like outlines of a bygone girl;The streets, the lake, the room—just places bruisedWithout her form, the way your sheets still holdRough echoes of the risen sleeper, cold.
twofold (Hugh MacLennan Poetry Series)
by Edward CarsonThe poet Charles Simic wrote, “Short poems: be brief and tell us everything.”Edward Carson’s extraordinary new work gathers concise diptych – or twofold – poems exploring themes of love, relationships, myth, art, language, math, physics, geometry, and artificial intelligence. Within the two sections of twofold, “dialogues” and “binaries,” the form of the diptych shapes language and meaning as paired poems engage each other across the margins of facing pages. Caroline Bem, author of A Moveable Form, writes: “The diptych, you see, is beautiful. It is symmetry and difference, doubling and mirroring, binarism and seriality. It is the form of paradox, both open and closed, free and contained.”Negotiating surprising twinning combinations, comparisons, and outcomes, the poems in twofold are lively, thought-provoking, and playful interchanges that are also mischievously literate, questioning, and intuitive.
Tyger, Tyger (Penguin Little Black Classics)
by William Blake'How can the bird that is born for joy / Sit in a cage and sing?'A selection of Blake's most haunting verse, including 'The Songs of Innocence and Experience'.One of 46 new books in the bestselling Little Black Classics series, to celebrate the first ever Penguin Classic in 1946. Each book gives readers a taste of the Classics' huge range and diversity, with works from around the world and across the centuries - including fables, decadence, heartbreak, tall tales, satire, ghosts, battles and elephants.
The Type
by Sarah KaySarah Kay's powerful spoken word poetry performances have gone viral, with more than 10 million online views and thousands more in global live audiences. In her second single-poem volume, Kay takes readers along a lyrical road toward empowerment, exploring the promise and complicated reality of being a woman. During her spoken word poetry performances, audiences around the world have responded strongly to Sarah Kay's poem The Type. As Kay wrote in The Huffington Post: "Much media attention has been paid to what it means to 'be a woman,' but often the conversation focuses on what it means to be a woman in relation to others. I believe these relationships are important. I also think it is possible to define ourselves solely as individuals... We have the power to define ourselves: by telling our own stories, in our own words, with our own voices."Never-before-published in book form, The Type is illustrated throughout and perfect for gift-giving.
Typed Words, Loud Voices
by Various"I'd like coffee, please." "No. I don't believe you. How do I know it is really you who wants coffee and not your friend there subliminally transmitting that to you by touching your shoulder?" Imagine a world where you had to prove you knew your own mind even to get a cup of coffee, where it was generally assumed that you could have no thoughts of your own, so if you did express your thoughts, it must be some trick. What would you do? Would you give up, or demand to be heard? Sadly, this world is not imaginary for many of the writers in this book, who have chosen the path of demanding to be heard. Their best (and sometimes only) mode of communication is sometimes called "discredited" because it was "tested" in ways that make no sense. <p><p> Typed Words, Loud Voices is written by a coalition of writers who type to talk and believe it is neither logical nor fair that some people should be expected to prove themselves every time they have something to say. Read our arguments and hear us. Help us change the world.
Typhoon! Typhoon!: An Illustrated Haiku Sequence
by Lucile Maxfield BogueThis collection of haiku poetry by a western poet is a wonderful contribution to the world of Japanese poetry.Alone in a tiny house in the Japanese countryside, Lucile Bogue awoke one night to experience her first typhoon. <P><P>With the house shaking and rattling, the wind howling, and the rain pouring down in torrents, she was afraid for the first time in her life. That same night, by the light of a candle, she wrote these haiku poems. The morning brought calm and a brilliant sun to greet her. Each poem is accompanied by one of the author's delicate sumi-e style illustrations with calligraphy by Keiko Hata.
Tyrannosaurus Rex (Step into Reading)
by StorybotsThe wacky robots from the award-winning apps, videos, and Netflix show, Ask the Storybots, now star in their own early readers. This one is about everyone&’s favorite dinosaur!Fans of the StoryBots will recognize the colorful art from the hugely popular dinosaur video &“Tyrannosaurus Rex&” on YouTube. A gigantic body and super-sharp teeth make the Tyrannosaurus rex the most fearsome of the dinosaurs. Just don&’t make fun of those tiny arms! This rhyming Step 1 Science Reader will entertain while imparting simple facts about the most popular carnivorous dinosaur of all. Step 1 Readers feature big type and easy words for children who know the alphabet and are eager to begin reading. Rhyme and rhythmic text paired with picture clues help children decode the story. Accolades for the StoryBots digital media: Appy Award for Best Book AppTeacher's Choice Award Editor&’s Choice—Children&’s Technology Review Family Choice Award Parents&’ Choice AwardCynopsis Kids !magination Award for best educational mobile app