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The Wheels on the Bus at Halloween
by Sarah KieleyThe favorite children's song "The Wheels on the Bus" gets a Halloween twist!Let's ride the bus on Halloween! Who will we find inside? Grab a ticket and hop aboard for a trick-or-treat bus ride! Families will love creating a new Halloween tradition as they sing along to this joyful, boisterous version of the classic song "The Wheels on the Bus." With a gaggle of adorable Halloween passengers—including pumpkins, witches, cats, and candy—this bright and festive book is sure to have children eager to read it (and sing it!) again and again. Peek-through "windows" in the front cover give kids a glimpse of the characters they'll find inside.And don't miss its companion book, The Wheels on the Bus at Christmas.
When a Woman Loves a Man
by David LehmanThese poems capture the romance, irony, and pathos of love; they movingly chronicle days in post-9/11 New York and bring a fresh perspective to an array of subjects -- from the Brooklyn Bridge to Gertrude Stein to Buddhism. When a Woman Loves a Man is playful, inventive, and as amusing as it is clever; it is the work of a poet at the height of his lyrical and reflective powers.
When Angels Speak of Love: Poem
by bell hooksThe late feminist icon and author of over twenty books, including her classic New York Times bestseller All About Love, bell hooks reminds us of the good and bad moments we spend in love through her inspiring poetry.Written from the heart, When Angels Speak of Love is a book of 50 love poems by the icon of the feminist movement and most famous among public intellectuals. In beautiful, profoundly poetic terms, hooks challenges our views and experiences with love—tracing the link between seduction and surrender, the intensity of desire, and the anguish of death. Whether towards family, friends, or oneself, hooks's creative genius makes love both magical and beautiful.
When Blackness Rhymes with Blackness
by Rowan Ricardo PhillipsIn When Blackness Rhymes with Blackness, Rowan Ricardo Phillips pushes African American poetry to its limits by unraveling "our desire to think of African American poetry as African American poetry." Phillips reads African American poetry as inherently allegorical and thus "a successful shorthand for the survival of a poetry but unsuccessful shorthand for the sustenance of its poems." Arguing in favor of the "counterintuitive imagination," Phillips demonstrates how these poems tend to refuse their logical insertion into a larger vision and instead dwell indefinitely at the crux between poetry and race, "where, when blackness rhymes with blackness, it is left for us to determine whether this juxtaposition contains a vital difference or is just mere repetition." From When Blackness Rhymes with Blackness: Phillis Wheatley, like the epigraphs that writers fit into the beginning of their texts, is first and foremost a cultural sign, a performance. It is either in the midst of that performance ("at a concert"), or in that performance's retrospection ("in a cafe´"), that a retrievable form emerges from the work of a poet whose biography casts a far longer shadow than her poems ever have. Next to Langston Hughes, of all African American poets Wheatley's visual image carries the most weight, recognizable to a larger audience by her famed frontispiece, her statue in Boston, and the drama behind the publication of her book, Poems on Various Subjects Religious and Moral. All of this will be fruit for discussion in the pages that follow. Yet, I will also be discussing the proleptic nature with which African American literature talks, if you will, Phillis Wheatley.
When Blackness Rhymes with Blackness
by Rowan Ricardo PhillipsIn When Blackness Rhymes with Blackness, Rowan Ricardo Phillips pushes African American poetry to its limits by unraveling "our desire to think of African American poetry as African American poetry." Phillips reads African American poetry as inherently allegorical and thus "a successful shorthand for the survival of a poetry but unsuccessful shorthand for the sustenance of its poems." Arguing in favor of the "counterintuitive imagination," Phillips demonstrates how these poems tend to refuse their logical insertion into a larger vision and instead dwell indefinitely at the crux between poetry and race, "where, when blackness rhymes with blackness, it is left for us to determine whether this juxtaposition contains a vital difference or is just mere repetition." From When Blackness Rhymes with Blackness: Phillis Wheatley, like the epigraphs that writers fit into the beginning of their texts, is first and foremost a cultural sign, a performance. It is either in the midst of that performance ("at a concert"), or in that performance's retrospection ("in a cafe´"), that a retrievable form emerges from the work of a poet whose biography casts a far longer shadow than her poems ever have. Next to Langston Hughes, of all African American poets Wheatley's visual image carries the most weight, recognizable to a larger audience by her famed frontispiece, her statue in Boston, and the drama behind the publication of her book, Poems on Various Subjects Religious and Moral. All of this will be fruit for discussion in the pages that follow. Yet, I will also be discussing the proleptic nature with which African American literature talks, if you will, Phillis Wheatley.
When Charlie McButton Lost Power
by Suzanne Collins Mike LesterAn electifying picture book from the author of The Hunger Games. Charlie McButton likes computer games so much, he never plays with anything else. When a thunderstorm knocks out the electricity, his tech empire comes tumbling down, and his whole world loses power. He needs batteries--FAST. But the only triple A's he can find are in his little sister's talking doll. Will he resort to desperate measures and cause his little sister to have a meltdown of her own? Or will be snap out of his computer craze long enough to realize he can have fun with her, even without batteries? Suzanne Collins, author of the bestselling Hunger Games trilogy, and award-winning illustrator Mike Lester team up for a hilarious and timely tale that will crack up young computer addicts and those who love them.
When Clouds Touch Us
by Thanhhà LaiInspired by the author’s own childhood, this stunning novel in verse, sequel to the award-winning #1 bestseller Inside Out and Back Again, picks up two years after Hà and her family arrive in Alabama as refugees from the Việt Nam War.Hà and her family have worked hard to make a life for themselves in the US, but it hasn’t come easy. Hà has only just started to feel settled when Mother decides that the family will move to Texas for a new job. Hà knows how hard starting over is and doesn’t want to have to do it again. But sometimes even an unwanted change can bring opportunity, new friends, and a place to call home. This lyrical and compelling sequel to the National Book Award Medalist and Newbery Honor winning, #1 New York Times bestselling novel Inside Out and Back Again follows Hà and her family through another year of upheaval, growth, and love.
When Daddy's Truck Picks Me Up (Elementary Core Reading #120)
by Jana Novotny Hunter Carol ThompsonNIMAC-sourced textbook
When Earth Leaps Up
by Anne SzumigalskiEdited by Mark Abley; Preface by Hilary Clark; Afterword by Mark Abley This posthumous collection will be a delightful surprise for readers who thought they had heard the last of Anne Szumigalski's nimble, sideslipping, otherworldly voice. Szumigalski's poetic universe is as beguiling and unpredictable as dreams and myth, and like them, her universe can be enchanting, visually lush, and suddenly dangerous. The poems deal with ultimate questions. What is time? What is memory? Is it invented or real? Is death a kind of dream? Is life? Is God a man, a woman, or a Sacred Reptile? The imaginative leaps in When Earth Leaps Up are as easy as looking up at the prairie sky, as simple as turning your head to the side to catch a glimpse of an idea as it skips past you in the form of an interesting stranger, a passing cloud, the face of a loved one, long dead.
When God Made the World
by Matthew Paul TurnerFrom the author of the bestselling children's book When God Made You comes a rhythmic, whimsical journey through creation--for little readers who love science and wonder and the beginnings of all things.For spiritual parents who are looking for a different kind of creation book, Matthew Paul Turner's When God Made the World focuses on the complex way that God created our vast and scientifically operating universe, including the biodiversity of life on our planet and the intricacies of a vast solar system. Scottish illustrator Gillian Gamble brings the natural world to vibrant life with rich colors and poignant detail certain to stretch young minds and engage imaginations.Planet Earth, God made a blue and green sphere,And designed it to orbit the sun once a year.God made daytime and nighttime, climates and seasons,And all kinds of weather that vary by region.God made continents and oceans, islands and seas,A north and south pole that God put in deep freeze.God carved rivers and brooks, mountains and caves,Made beaches with sand and huge crashing waves.God made tropics and plateaus, glaciers and meadows,marshes and tundras and erupting volcanos.
When I Fall: Poems
by Sabina LauraWhen I fall,you are a soft landing,like raindropson branches,like autumn leavesto the forest floor.But it is so easyto fall for youwithout caringwhere I might land.—Sabina LauraWhen I Fall is a book about love when it’s falling, crash landing, and learning to soar again.
When I Find You Again, It Will Be in Mountains: The Selected Poems of Chia Tao
by Mike O'ConnorChia Tao (779-843), an erstwhile Zen monk who became a poet during China's Tang dynasty, recorded the lives of the sages, masters, immortals, and hermits who helped establish the great spiritual tradition of Zen Buddhism in China. Presented in both the original Chinese and Mike O'Connor's beautifully crafted English translation, When I Find You Again, It Will Be in Mountains brings to life this preeminent poet and his glorious religious tradition, offering the fullest translation of Chia Tao's poems to date.
When I Grow Up
by Al Yankovic Wes Hargis'Cause maybe I'll be a gorilla masseuse Or an artist who sculpts out of chocolate mousse Or a rodeo clown or a movie director Or maybe professional pickle inspector... Billy's classmates may have never considered careers in snail training or sumo wrestling before, but by the time the exuberant eight-year-old is done cataloging his dream jobs, they just might share his belief in unlimited potential! Virtuoso wordplay, irresistible rhythm, and laugh-out-loud humor abound in the first picture book by the one and only "Weird Al" Yankovic. This unbridled celebration of creativity and possibility invites readers of all ages to consider afresh what they want to be when they grow up.
When I Grow Up I Want to Be a List of Further Possibilities (A. Poulin, Jr. New Poets of America)
by Chen ChenIn this ferocious and tender debut, Chen Chen investigates inherited forms of love and family—the strained relationship between a mother and son, the cost of necessary goodbyes—all from Asian American, immigrant, and queer perspectives. Holding all accountable, this collection fully embraces the loss, grief, and abundant joy that come with charting one's own path in identity, life, and love.
When I Waked, I Cried To Dream Again: Poems
by A. Van JordanA dynamic, moving hybrid work that celebrates Black youth, often too fleeting, and examines Black lives lost to police violence. In this astonishing volume of poems and lyric prose, Whiting Award–winner A. Van Jordan draws comparisons to Black characters in Shakespearean plays—Caliban and Sycorax from?The Tempest, Aaron the Moor from?Titus Andronicus, and the eponymous antihero of?Othello—to mourn the deaths of Black people, particularly Black children, at the hands of police officers. What do these characters, and the ways they are defined by the white figures who surround them, have in common with Tamir Rice, Trayvon Martin, and other Black people killed in the twenty-first century? Balancing anger and grief with celebration, Jordan employs an elastic variety of poetic forms, including ekphrastic sestinas inspired by the photography of Malick Sidibé, fictional dialogues, and his signature definition poems that break down the insidious power of words like “fair,” “suspect,” and “juvenile.” He invents a new form of window poems, based on a characterization exercise, to see Shakespeare’s Black characters in three dimensions, and finds contemporary parallels in the way these characters are othered, rendered at once undesirable and hypersexualized, a threat and a joke. At once a stunning inquiry into the roots of racist violence and a moving recognition of the joy of Black youth before the world takes hold, When I Waked, I Cried to Dream Again expresses the preciousness and precarity of life.
When I Walk Through That Door, I Am: An Immigrant Mother's Quest
by Jimmy Santiago BacaPoet-activist Jimmy Baca immerses the reader in an epic narrative poem, imagining the experience of motherhood in the context of immigration, family separation, and ICE raids on the Southern border.Jimmy Santiago Baca sends us on a journey with Sophia, an El Salvadorian mother facing a mountain of obstacles, carrying with her the burden of all that has come before: her husband's murder, a wrenching separation from her young son at the border, then rape and abuse at the hands of ICE, yet persevering: "I keep walking/carrying you in my thoughts," she repeats, as she wills her boy to know she is on a quest to find him.
When i was in class 10th
by RuchikaRuchika, an introvert who finds solace in writing, began expressing her innermost thoughts through poetry at the age of fourteen. Her diary, once her sanctuary, now unfolds its secrets to the world in this captivating collection. A dedicated educator since 2003, Ruchika holds a Master's degree in Child Care and Education from Alagappa University and a Bachelor's in Elementary Education from JMC, Delhi. Her passion for teaching brings joy to her students, and she feels blessed to nurture young minds. With heartfelt gratitude to Shrija Publishers for bringing her youthful musings to life, Ruchika invites readers to explore the intimate realm of her poetic journey.
When Mermaids Sleep
by Ann BonwillIn this beautifully lyrical bedtime picture book, young readers will be whisked to a land where mermaids sleep and pirates snore; where fairies slumber on flower petals and a giant's sleepy sighs make the valleys rumble. Featuring dream-like illustrations by Society of Illustrators Gold Medal recipients Steve Johnson and Lou Fancher, When Mermaids Sleep is an ideal addition to the bedtime canon.
When My Brother Was an Aztec
by Natalie Diaz"I write hungry sentences," Natalie Diaz once explained in an interview, "because they want more and more lyricism and imagery to satisfy them." <P><P>This debut collection is a fast-paced tour of Mojave life and family narrative: A sister fights for or against a brother on meth, and everyone from Antigone, Houdini, Huitzilopochtli, and Jesus is invoked and invited to hash it out. These darkly humorous poems illuminate far corners of the heart, revealing teeth, tails, and more than a few dreams. <P><P>I watched a lion eat a man like a piece of fruit, peel tendons from fascialike pith from rind, then lick the sweet meat from its hard core of bones. <br>The man had earned this feast and his own deliciousness by ringing a stick against the lion's cage, calling out Here, Kitty Kitty, Meow! <br>With one swipe of a paw much like a catcher's mitt with fangs, the lionpulled the man into the cage, rattling his skeleton against the metal bars. <br>The lion didn't want to do it-He didn't want to eat the man like a piece of fruit and he told the crowd this: I only wanted some goddamn sleep . . . <P><P>Natalie Diaz was born and raised on the Fort Mojave Indian Reservation in Needles, California. After playing professional basketball for four years in Europe and Asia, Diaz returned to the states to complete her MFA at Old Dominion University. She lives in Surprise, Arizona, and is working to preserve the Mojave language.
When One Has Lived a Long Time Alone
by Galway KinnellA collection of poems ranging from melancholy meditations of a solitary mind concerning estrangement and the longing for reconnection to the natural world and its creatures closely observed.
When Our Fathers Return to Us as Birds (Made in Michigan Writers Series)
by Peter MarkusOver the course of two decades and six books, Peter Markus has been making fiction out of a lexicon shaped by the words brother and fish and mud. In an essay on Markus’s work, Brian Evenson writes, "If it’s not clear by now, Markus’s use of English is quite unique. It is instead a sort of ritual speech, an almost religious invocation in which words themselves, through repetition, acquire a magic or power that revives the simpler, blunter world of childhood." Now, in his debut book of poems, When Our Fathers Return to Us as Birds, Markus tunes his eye and ear toward a new world, a world where father is the new brother, a world where the father’s slow dying and eventual death leads Markus, the son, to take a walk outside to "meet my shadow in the deepening shade." In this collection, a son is simultaneously caring for his father, losing his father, and finding his dead father in the trees and the water and the sky. He finds solace in the birds and in the river that runs between his house and his parents’ house, with its view of the shut-down steel mill on the river's other side, now in the process of being torn down. The book is steadily punctuated by this recurring sentence that the son wakes up to each day: My father is dying in a house across the river. The rhythmic and recursive nature to these poems places the reader right alongside the son as he navigates his journey of mourning. These are poems written in conversation with the poems of Jack Gilbert, Linda Gregg, Jim Harrison, Jane Kenyon, Raymond Carver, Theodore Roethke too—poets whose poems at times taught Markus how to speak. "In a dark time . . .," we often hear it said, "there are no words." But the truth is, there are always words. Sometimes our words are all we have to hold onto, to help us see through the darkened woods and muddy waters, times when the ear begins to listen, the eye begins to see, and the mouth, the body, and the heart, in chorus, begin to speak. Fans of Markus’s work and all of those who are caring for dying parents or grieving their loss will find comfort, kinship, and appreciation in this honest and beautiful collection.
When Poetry Comes: A Selection of Poems by Contemporary Bengali Women Poets in English Translation
by Marian MaddernA collection of beautiful poems.
When Poets Pray
by Marilyn McEntyreTwo dozen select prayer poems to learn from and live withPoetry and prayer are closely related. We often look to poets to give language to our deepest hopes, fears, losses—and prayers. Poets slow us down. They teach us to stop and go in before we go on. They play at the edges of mystery, holding a tension between line and sentence, between sense and reason, between the transcendent and the deeply, comfortingly familiar. When Poets Pray contains thoughtful meditations by Marilyn McEntyre on choice poems/prayers and poems about prayer. Her beautifully written reflections are contemplative exercises, not scholarly analyses, meant more as invitation than instruc¬tion. Here McEntyre shares gifts that she herself has received from poets who pray, or who reflect on prayer, believing that they have other gifts to offer readers seeking spiritual companionship along our pilgrim way. POETS DISCUSSED IN THIS BOOK Hildegard of Bingen Lucille Clifton Walter Chalmers Smith Robert Frost Wendell Berry Joy Harjo John Donne Gerard Manley Hopkins Said Marilyn McEntyre George Herbert Thomas Merton Denise Levertov Scott Cairns Mary Oliver Marin Sorescu T. S. Eliot Richard Wilbur Francisco X. Alarcon Anna Kamienska Michael Chitwood Psalm 139:1-12
When Poets Pray
by Marilyn McEntyreTwo dozen select prayer poems to learn from and live withPoetry and prayer are closely related. We often look to poets to give language to our deepest hopes, fears, losses—and prayers. Poets slow us down. They teach us to stop and go in before we go on. They play at the edges of mystery, holding a tension between line and sentence, between sense and reason, between the transcendent and the deeply, comfortingly familiar. When Poets Pray contains thoughtful meditations by Marilyn McEntyre on choice poems/prayers and poems about prayer. Her beautifully written reflections are contemplative exercises, not scholarly analyses, meant more as invitation than instruc¬tion. Here McEntyre shares gifts that she herself has received from poets who pray, or who reflect on prayer, believing that they have other gifts to offer readers seeking spiritual companionship along our pilgrim way. POETS DISCUSSED IN THIS BOOK Hildegard of Bingen Lucille Clifton Walter Chalmers Smith Robert Frost Wendell Berry Joy Harjo John Donne Gerard Manley Hopkins Said Marilyn McEntyre George Herbert Thomas Merton Denise Levertov Scott Cairns Mary Oliver Marin Sorescu T. S. Eliot Richard Wilbur Francisco X. Alarcon Anna Kamienska Michael Chitwood Psalm 139:1-12