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With My Back to the World
by Victoria Chang'Chang has liberated the Ekphrastic form to new lyric heights and depths. Inventive, meditative, audacious, strange and soulful. A marvel of a collection that engages the eye and mind as much as the ear and heart' Raymond AntrobusYesterday I slung my depression on my back and went to the museum. I only asked four attendants where the Agnes painting was and the fifth one knew. I walked into the room and saw it right away. From afar, it was a large white square.WITH MY BACK TO THE WORLD engages with the paintings and writings of Agnes Martin, the celebrated abstract modern artist, in ways that open up new modes of expression, expanding the scope of what art, poetry, and the human mind can do. Filled with surprise and insight, wit and profundity, the book explores the nature of the self, of existence, life and death, grief and depression, time and space. Strikingly original, fluidly strange, Victoria Chang's new collection is a book that speaks to how we see and are seen.
With My Back to the World: Poems
by Victoria ChangA new collection of poetry inspired by the work of Agnes Martin, exploring topics of feminism, art, depression, and grief, by the author of the prizewinning collection Obit. Yesterday I slung my depression on my back and went to the museum. I only asked four attendants where the Agnes painting was and the fifth one knew. I walked into the room and saw it right away. From afar, it was a large white square.With My Back to the World engages with the paintings and writings of Agnes Martin, the celebrated abstract artist, in ways that open up new modes of expression, expanding the scope of what art, poetry, and the human mind can do. Filled with surprise and insight, wit and profundity, the book explores the nature of the self, of existence, life and death, grief and depression, time and space. Strikingly original, fluidly strange, Victoria Chang’s new collection is a book that speaks to how we see and are seen.
With My Five Senses I've Fallen
by Antonio Jofre“With All My Five Sense I’ve Fallen” is a book where Angentine Antonio Jofré immerses us in an oasis of feelings through his poetry, in which the inspiration that love gives him overturns in each one. Through poetry that explores love in all its facets, the author takes us to a world where being in love is the only way of living.
With My Hands: Poems About Making Things
by Amy Ludwig VanDerwater&“From birdhouses to shadow puppets, the variety of projects included are delightful . . . An effective medley of concept, poetry, and artwork.&”—School Library Journal For young makers and artists, brief, lively poems illustrated by a New York Times bestselling duo celebrate the pleasures of working with your hands. Building, baking, folding, drawing, shaping . . . making something with your own hands is a special, personal experience. Taking an idea from your imagination and turning it into something real is satisfying and makes the maker proud. With My Hands is an inspiring invitation to tap into creativity and enjoy the hands-on energy that comes from making things. &“Poetry sparks an irresistible, primal urge to twist, cut, paint, draw, glue, carve, whittle, daub, tie, hammer, to simply make.&”—Kirkus Reviews &“A cheery reminder of the pride of creating something and the many forms art can take.&”—Publishers Weekly &“Whether invoking cooking, sewing, tying knots, or other undertakings, this provides an enjoyable springboard for aspiring makers.&”—Booklist
With My Shadow: The Poems of Hilde Domin, A Bilingual Selection
by Hilde Domin“These translations and poems are full of the refugee’s loss and longing, made infinitely richer by Kafatou’s love for the poet and poems. This is a deeply loving, compassionate collection of poems, remaining anchored, ultimately, in the exile’s intertwined desire and nostalgia for home.” —The Massachusetts Review Not to tire / but to hold out your hand / gently / as to a bird / to the miracle This bilingual edition of the poems of Hilde Domin, an outstanding lyric poet of exile and return, brings her work to English-speaking readers for the first time. Hilde Domin fled Nazi Germany when, as a Jew, she was no longer safe there. For many years she lived in Italy and the Dominican Republic, where she encountered modernist currents in Italian and Spanish poetry. Returning permanently to Germany in the mid-1950s, she quickly found recognition as a poet of memory and reconciliation. For the rest of her long life she wrote and spoke in a tone poised between vulnerability and trust, on behalf of moral and civic values worth living for. <p><p>As Sarah Kafatou writes in her Introduction, Domin “is always frugal: she reworks and transforms her repertoire of metaphors, images, themes, and ideas again and again, extending and refining, never explaining too much. Her lyric sensibility is concise, her syntax and vocabulary are simple and apt, her short lines break on the phrase, and she has an uncanny ability to hit the right note at exactly the right moment, according to the rhythm of the breath.” Domin writes of “people like us we among them,” providing a voice for victims of persecution everywhere. Today, with refugee populations on the move throughout the world and with rising intolerance and polarization, these poems of conscience, and courage discovered in desperation, will speak directly to every reader.
with their eyes: September 11th
by Annie ThomsA deeply moving play remembering September 11, 2001, written by high school students who witnessed the tragedy unfold.A New York Public Library Book for the Teen Age“Profound.” —Booklist“Moving.” —Publishers Weekly“Rings with authenticity and resonates with power.” —School Library JournalTuesday, September 11, started off like any other day at Stuyvesant High School, located only a few blocks away from the World Trade Center.The semester was just beginning, and the students, faculty, and staff were ready to start a new year. But within a few hours on that Tuesday morning, they would share an experience that would transform their lives—and the lives of all Americans.This powerful play by the students of Stuyvesant High School remember those who were lost and those who were forced to witness this tragedy. Here, in their own words, are the firsthand stories of a day we will never forget. This collection helped shape the HBO documentary In the Shadow of the Towers: Stuyvesant High on 9/11.For dramatic rights, please visit http://permissions.harpercollins.com/.
Without: Poems
by Donald HallYou might expect the fact of dying--the dying of a beloved wife and fellow poet--to make for a bleak and lonely tale. But Donald Hall's poignant and courageous poetry, facing that dread fact, involves us all: the magnificent, humorous, and gifted woman, Jane Kenyon, who suffered and died; the doctors and nurses who tried but failed to save her; the neighbors, friends, and relatives who grieved for her; the husband who sat by her while she lived and afterward sat in their house alone with his pain, self-pity, and fury; and those of us who till now had nothing to do with it. As Donald Hall writes, "Remembered happiness is agony; so is remembered agony." Without will touch every feeling reader, for everyone has suffered loss and requires the fellowship of elegy. In the earth's oldest poem, when Gilgamesh howls of the death of Enkidu, a grieving reader of our own time may feel a kinship, across the abyss of four thousand years, with a Sumerian king. In Without Donald Hall speaks to us all of grief, as a poet lamenting the death of a poet, as a husband mourning the loss of a wife. Without is Hall's greatest and most honorable achievement -- his give and testimony, his lament and his celebration of loss and of love.
Without: Poems
by Donald Hall"It is a remarkably beautiful and generous book, beautiful in all its terrible specifics of the daily ordeal of death, and generous to the memory of the force of life his wife possessed. These poems by Donald Hall are written to and for his wife, Jane Kenyon, who died in 1995. The first half sketches her illness and death; the second half addresses her in the ensuing year. Unlike Thomas Hardy's elegies to his wife, Emma, "they celebrate a marriage of deep intimacy and great happiness" (John Bayley). Hall speaks to us all of grief- as a husband and as a poet lamenting the death of a poet. Without is his greatest achievement.
Without Ceremony
by Angela CarrThe poems in Without Ceremony celebrate the fleeting everyday encounters of city life as well as the layers of history that are revealed when we attempt to hold on to those encounters. Embracing the present before it vanishes into history, Carr's new collection is a clarifying elixer for our time.
Without Ceremony
by Angela CarrCentred on the everyday, and crafted without preamble or pretension, the poems in Without Ceremony are a literary pastiche—a thematic mosaic not unlike tracks on an album. Amidst a timeless cast of characters from Lucretius and Eva Hesse, to Joan Mitchell and St. Augustine, Carr illuminates what it means to truly know something and questions how certain knowledge becomes valued over others. Without Ceremony spotlights the gendered division of ideas and the inherent strength of language to harm and oppress, as well as elevate. Within these pages, passing encounters become rare spectacles, and the ordinary, without ambitions of grandeur or ceremony, is celebrated, making Carr's new collection a clarifying elixir for our time.Praise for Angela Carr:“Angela Carr’s words in Without Ceremony point their arrows toward a ledge where communication knows “both failure and perfection at once.” Her poetry isn’t invested in naming things (perhaps this is what is unceremonious) because things, even thingness, and their energies change so rapidly. Carr creates a field of verb-rich arriving where confessional exasperations are tried and transformed in pleasurable abstraction. She summons other women poets and artists (Hesse, Dickinson, Mitchell) not to revere them but to create a queer chorus of those who can bring us to see that what seems holy is simply ordinary.” —Stacy Szymaszek, author of A Year From Today“Angela Carr’s poems spark a startling immediacy directly to the heart of everyday encounters and how poems form “under the moment of language.” Her work gives us the rare and complex gift of how to move out of the house of regret amidst the instability of the contemporary. Here in Without Ceremony are interior conversations with the likes of Lucretius, Dickinson, Moorman, that show how readers become writers and how words feel when put on us by others, which ones we choose to wear, which to strip off. Let Without Ceremony become one of those books “that are familiar as friends,” always present to puncture through the space of the day to the intimacy we need to construct joy, a holding area for the moving moment.” —Lee Ann Brown, author of Other Archer
Without A Claim: Poems
by Grace Schulman“Without a Claim is a modern Book of Psalms. Indeed, the glory in these radiant sacred songs meld an art of high music with a nuanced love of the world unlike any we’ve heard before. No matter your mood upon entering this world you’ll soon be grateful, and enchanted. In any such house of praise, God herself must be grateful.” — Philip Schultz, Pulitzer Prize–winning author of Failure and The God of LonelinessGrace Schulman, who has been called “a vital and permanent poet” (Harold Bloom), makes new the life she finds in other cultures and in the distant past. In Without a Claim, she masterfully encompasses music, faith, art, and history. The title poem alludes to the Montauk sachem who sold land without any concept of rights to property, and meditates on our own notion of ownership: “No more than geese in flight, shadowing the lawn, / cries piercing wind, do we possess these fields, / given the title, never the dominion.” She traces the illusion of rights, from land to objects, from our loves to our very selves. Alternatively, she finds permanence in art, whether in galleries or on cave walls, and in music, whether in the concert hall, on the streets of New York, or in the waves at sea.
Without End: New and Selected Poems
by Adam ZagajewskiThis book draws from each of Adam Zagajewski's English-language collections, both in and out of print--Tremor, Canvas, and Mysticism for Beginners-- and features new work that is among his most refreshing and rewarding. These poems, lucidly translated, share the vocation that allows us, in Zagajewski's words, "to experience astonishment and to stop still in that astonishment for a long moment or two."
Witness, I Am
by Gregory ScofieldWitness, I Am is divided into three gripping sections of new poetry from one of Canada's most recognized poets. The first part of the book, "Dangerous Sound," contains contemporary themed poems about identity and belonging, undone and rendered into modern sound poetry. "Muskrat Woman," the middle part of the book, is a breathtaking epic poem that considers the issue of missing and murdered indigenous women through the reimagining and retelling of a sacred Cree creation story. The final section of the book, "Ghost Dance," raids the autobiographical so often found in Scofield's poetry, weaving the personal and universal into a tapestry of sharp poetic luminosity. From "Killer," Scofield eerily slices the dreadful in with the exquisite: "I could, this day of proficient blooms, / take your fingers, / tie them down one by one. This one for the runaway, / this one for the joker, / this one for the sass-talker, / this one for the judge, / this one for the jury. / Oh, I could kill you."
The Witness Of Poetry (The Charles Eliot Norton Lectures #38)
by Czeslaw MiloszCzeslaw Milosz, winner of the 1980 Nobel Prize for Literature, reflects upon poetry's testimony to the events of our tumultuous time. From the special perspectives of "my corner of Europe," a classical and Catholic education, a serious encounter with Marxism, and a life marked by journeys and exiles, Milosz has developed a sensibility at once warm and detached, flooded with specific memory yet never hermetic or provincial. Milosz addresses many of the major problems of contemporary poetry, beginning with the pessimism and negativism prompted by reductionist interpretations of man's animal origins. He examines the tendency of poets since Mallarmé to isolate themselves from society, and stresses the need for the poet to make himself part of the great human family. One chapter is devoted to the tension between classicism and realism; Milosz believes poetry should be "a passionate pursuit of the real." In "Ruins and Poetry" he looks at poems constructed from the wreckage of a civilization, specifically that of Poland after the horrors of World War II. Finally, he expresses optimism for the world, based on a hoped-for better understanding of the lessons of modern science, on the emerging recognition of humanity's oneness, and on mankind's growing awareness of its own history.
Wittgenstein and the Creativity of Language
by Sebastian Sunday Grève Jakub MáchaThis volume is the first to focus on a particular complex of questions that have troubled Wittgenstein scholarship since its very beginnings. The authors re-examine Wittgenstein’s fundamental insights into the workings of human linguistic behaviour, its creative extensions and its philosophical capabilities, as well as his creative use of language. It offers insight into a variety of topics including painting, politics, literature, poetry, literary theory, mathematics, philosophy of language, aesthetics and philosophical methodology.
Wittgenstein's Artillery: Philosophy as Poetry
by James C. KlaggeHow Wittgenstein sought a more effective way of reaching his audience by a poetic style of doing philosophy. Ludwig Wittgenstein once said, "Really one should write philosophy only as one writes poetry." In Wittgenstein's Artillery, James Klagge shows how, in search of ways to reach his audience, Wittgenstein tried a more poetic style of doing philosophy. Klagge argues that, deploying this new philosophical "artillery"--Klagge's term for Wittgenstein's methods of influencing his readers and students--Wittgenstein moved from an esoteric mode to an evangelical mode, aiming for an effect on his audience that was noncognitive, appealing to the temperament in addition to the intellect. Wittgenstein was an artillery spotter--directing artillery fire to targets--in the Austrian army during World War I, and Klagge argues that, years later, he became a philosophical spotter, struggling to find the right artillery to accomplish his philosophical purpose. Klagge shows how Wittgenstein's work with his students influenced his style of writing philosophy and motivated him to care about the effect of his ideas on his audience. To illustrate Wittgenstein's evolving approach, Klagge draws on not only Wittgenstein's best-known works but also such lesser-known material as notebooks, dictations, lectures, and recollections of students. Klagge then goes beyond Wittgenstein to present a range of literature--biblical parables and children's stories, Dostoevsky and Tolstoy, Kierkegaard and Nietzsche--as other examples of the poetic approach. He concludes by offering his own attempts at a poetic approach to addressing philosophical issues.
Wittgenstein's Ladder: Poetic Language and the Strangeness of the Ordinary
by Marjorie PerloffMarjorie Perloff, among our foremost critics of twentieth-century poetry, argues that Ludwig Wittgenstein provided writers with a radical new aesthetic, a key to recognizing the inescapable strangeness of ordinary language. Taking seriously Wittgenstein's remark that "philosophy ought really to be written only as a form of poetry," Perloff begins by discussing Wittgenstein the "poet." What we learn is that the poetics of everyday life is anything but banal. "This book has the lucidity and the intelligence we have come to expect from Marjorie Perloff.—Linda Munk, American Literature "[Perloff] has brilliantly adapted Wittgenstein's conception of meaning and use to an analysis of contemporary language poetry."—Linda Voris, Boston Review "Wittgenstein's Ladder offers significant insights into the current state of poetry, literature, and literary study. Perloff emphasizes the vitality of reading and thinking about poetry, and the absolute necessity of pushing against the boundaries that define and limit our worlds."—David Clippinger, Chicago Review "Majorie Perloff has done more to illuminate our understanding of twentieth century poetic language than perhaps any other critic. . . . Entertaining, witty, and above all highly original."—Willard Bohn, Sub-Stance
Wobble (Wesleyan Poetry Series)
by Rae ArmantroutPulitzer Prize–winning poet Rae Armantrout is at once a most intimate and coolly calculating poet. If anyone could produce a hybrid of Charlie Chaplin’s playful “Little Tramp” and Charlize Theron’s fierce “Imperator Furiosa,” it would be Armantrout. Her language is unexpected yet exact, playing off the collective sense that the shifting ground of daily reality may be a warning of imminent systemic collapse. While there are glimmers here of what remains of “the natural world,” the poet confesses the human failings, personal and societal, that have led to its devastation. No one’s senses are more acutely attuned than Armantrout’s, which makes her an exceptional observer and reporter of our faults. She leaves us wondering if the American Dream may be a nightmare from which we can’t awaken. Sometimes funny, sometimes alarming, the poems in Wobble play peek-a-boo with doom.
Woes of the Womb-Begotten
by Kishore Kalpanakant Madan Mohan MathurSahitya Akademi award winning Rajasthani poetry collection
Woke Baby
by Mahogany L. BrowneFor all the littlest progressives, waking up to seize a new day of justice and activism.Woke babies are up early. Woke babies raise their fists in the air. Woke babies cry out for justice. Woke babies grow up to change the world. This lyrical and empowering book is both a celebration of what it means to be a baby and what it means to be woke. With bright playful art, Woke Baby is an anthem of hope in a world where the only limit to a skyscrapper is more blue.
woke up no light: poems
by Leila MottleyA poignant, rousing debut book of poetry, full of life, from the former Youth Poet Laureate of Oakland, Californiawoke up no light is a Black girl&’s saunter turned to a woman&’s defiant strut. These are the hymns of a new generation of poetry. Young, alive, yearning. A mouth swung open and ready to devour. A quest for home in a world that knows only wasteland and wanting.Moving in sections from &“girlhood&” to &“neighborhood&” to &“falsehood&” to, finally, &“womanhood,&” these poems reckon with themes of reparations, restitution, and desire. The collection is sharp and raw, wise and rhythmic, a combination that lights up each page. From unearthing histories to searching for ways to dream of a future in a world constantly on the brink of disaster, this young poet sets forth personal and political revelation with piercing detail.woke up no light confirms Leila Mottley&’s arrival and demonstrates the enduring power of her voice—brave and distinctive and thoroughly her own.
Wolf Centos
by Simone MuenchWhat is important is to avoidthe time allotted for disavowelsas the livid woundleaves a trace leaves an abscesstakes its contraction for those cloudsthat dip thunder & vanishlike rose leaves in closed jars.Age approaches, slowly. But it cannotcrystal bone into thin air.The small hours open their wounds for me.This is a woman's confession:I keep this wolf because the wilderness gave it to me.Simone Muench is the author of Orange Crush, Lampblack & Ash, The Air Lost in Breathing, and Disappearing Address. She teaches at Lewis University in Chicago, Illinois.
Wolf Doctors
by Russ WoodsIn Wolf Doctors, Russ Woods' first full-length collection of poetry, we find cities that have transformed into girls, but who perhaps would like to transform back once again into cities. We find lovers in a forehead-shaped grove, next to a forehead-shaped lake, touching their foreheads together, endlessly. We find rampaging herds of bulls that desperately love that which they trample to death.Russ Woods lives in Chicago. He is the author of nine chapbooks, most recently Warm Morning (The New Megaphone, 2014). His poetry and collaborations have been published in magazines like Diagram, The Denver Quarterly, Gulf Coast, Guernica, Pank, Barrelhouse, Dusie, Sixth Finch, and Columbia Poetry Review.
The Wolf is at the Door: Tales of Courage
by The Editors at Scott ForesmanThis book is a interesting collection of poetry, essays, fiction and non-fiction work from various authors on courage and intends to encourage reading among young readers.