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Wolf Moon
by Jean Pedrick"...the kind of union of passion and wit that we have been looking for ever since the metaphysicals turned to John Dryden... The best lines are white-hot and there is a priceless honesty."--John Updike"...a beautiful book in all ways--the conduct of it, and the salty, learned voice..."--Barry Spacks"Sometimes she lets the wild take over--and win."--Great Speckled Bird
Wolf Moon Blood Moon: Poems
by Ed FalcoIn Wolf Moon Blood Moon, Ed Falco considers love and the loss of love, what we have today and what we remember of yesterday, the promise of youth and the disappointments and pleasures of aging. By turns whimsical, meditative, and poignant, these poems examine the joys and sorrows of living.The first section offers a meditation on loss, as the author explores bereavements both personal and remote. From an elderly mother and her stroke-impaired son struggling to have a simple conversation, to a man coping with the breakup of his marriage, to strangers caught in the public tragedies of a flood or an act of mass violence, these are poems acknowledging that loss is inevitable, infused with grief, and borne with courage. The second section explores the turbulence, sensuality, and mysteries within a particular life. Speakers in these poems contemplate aging while on their way to see a Broadway play, recall a father’s violence and a mother’s selflessness, and explore the complexity of a world that seems impossible to comprehend. Together, the two sections suggest a poet looking back in contemplation.
Wolf's Coming!
by Joe KulkaA shadowy figure climbs the hill, getting close and closer still. Wolf's coming! A distant howl echoes through the forest, and news quickly spreads that Wolf is coming! As the wolf gets closer and closer, animals run away as fast as they can. Soon the wolf's glowing eyes are peeking through the window, and then slowly, the front door creaks open... But things are not as they seem in this suspenseful, clever story. It just might be the reader who's in for the biggest surprise of all!
The Woman Downstairs
by Julie BruckWinner of the 1994 A.M. Klein Prize for Poetry (QSPELL, now the Quebec Writers' Federation) In The Woman Downstairs, eloquence joins intimately with an attentive and hungry eye. Julie Bruck explores the accidents and acquaintances of life, its small coincidences and occurrences, its unexpected meetings. With a passionate distance, Bruck blends the outside observer's cool embrace with a desire to know intensely life’s eccentric smallnesses, to gentle the beautiful out of the mundane. By turns witty and thoughtful, Bruck's writing is always graceful, always a delight.
Woman Drinking Absinthe
by Katherine E. YoungFrom the naïve girl who willfully ignores evidence of Bluebeard's crimes, to Manet's dispirited barmaid at the Folies-Bergère, to the narrator of the book's opening sequence, who sacrifices domestic security for a passionate lover who will eventually abuse her, the women of these poems brush abandon convention at their peril, even though convention also imperils their bodies, their spirits, and their art. In this second collection, Young—whose earlier Day of the Border Guards explored Russian history and literature—continues to employ what she's learned from the great Russian writers she often translates. Like Marina Tsvetaeva, who makes a cameo appearance here, Young finds literary touchstones among sources as varied as German folk tales, Greek drama, and the Old Testament. Whether tracing the elements of Euclidean geometry or the terrain of a Civil War battlefield in Tennessee, these poems ask the hard questions: Why does love fail? How can art come from pain? What heals the soul?
Woman, Eat Me Whole
by Ama Asantewa DiakaA bold, mesmerizing debut collection exploring womanhood, the body, mental illness, and what it means to move between cultures Renowned for her storytelling and spoken-word artistry, Ama Asantewa Diaka is also an exultant, fierce, and visceral poet whose work leaves a lasting impact.Touching on themes from perceptions of beauty to the betrayals of the body, from what it means to give consent to how we grapple with demons internal and external, Woman, Eat Me Whole is an entirely fresh and powerful look at womanhood and personhood in a shifting world. Moving between Ghana and the United States, Diaka probes those countries’ ever-changing cultural expectations and norms while investigating the dislocation and fragmentation of a body—and a mind—so often restless or ill at ease.Vivid and bodily while also deeply cerebral, Woman, Eat Me Whole is a searing debut collection from a poet with an inimitable voice and vision.
The Woman I Kept to Myself
by Julia AlvarezThe works of this award-winning poet and novelist are rich with the language and influences of two cultures: those of the Dominican Republic of her childhood and the America of her youth and adulthood. They have shaped her writing just as they have shaped her life. In these seventy-five autobiographical poems, Alvarez’s clear voice sings out in every line. Here, in the middle of her life, she looks back as a way of understanding and celebrating the woman she has become.
The Woman I Kept to Myself
by Julia Alvarez75 poems weave together the narrative of a woman's inner life, Julia Alvarez's own clear voice that sings out in every line.
The Woman in the Moon
by Marjorie SaiserThe poems in this collection move into the past with her mother and father and also explore the present both with family and culture. The poems range in quick flourishes of conventional subjects rendered in exquisite imagery and observations to everyday occurrences that are suddenly spiked with clear focus and complex movements.
The Woman in the Moon
by Marjorie SaiserThe poems in this collection move into the past with her mother and father and also explore the present both with family and culture. The poems range in quick flourishes of conventional subjects rendered in exquisite imagery and observations to everyday occurrences that are suddenly spiked with clear focus and complex movements. Saiser’s poems are intricate and graceful in their treatments of numerous subjects, including landscape and evening, grocery stores and roadways, death and birth, love and loss, where sudden realizations seem at once deep and clear and natural. The voice in these poems is fluid and sure.
A Woman of Property
by Robyn SchiffA new book from a poet whose work is "wild with imagination, unafraid, ambitious, inventive" (Jorie Graham)Located in a menacing, gothic landscape, the poems that comprise A Woman of Property draw formal and imaginative boundaries against boundless mortal threat, but as all borders are vulnerable, this ominous collection ultimately stages an urgent and deeply imperiled boundary dispute where haunting, illusion, the presence of the past, and disembodied voices only further unsettle questions of material and spiritual possession. This is a theatrical book of dilapidated houses and overgrown gardens, of passageways and thresholds, edges, prosceniums, unearthings, and root systems. The unstable property lines here rove from heaven to hell, troubling proportion and upsetting propriety in the name of unfathomable propagation. Are all the gates in this book folly? Are the walls too easily scaled to hold anything back or impose self-confinement? What won't a poem do to get to the other side?From the Trade Paperback edition.
Woman Police Officer in Elevator: Poems
by James Lasdun"American readers who want to see rejuvenated form in untroubled action, giving brisk shape to contemporary and classical events, will find it in Lasdun." --Helen Vendler With this, his second collection of poetry, James Lasdun consolidates his reputation as a writer of rich, emotionally charged poems of utter virtuosity. The poems in this book concern themselves with transformations, dislocations, and metamorphoses. Vividly rendered landscapes from Tuscany to New Jersey evolve into meditations on love, myth, and sexual and social politics. Woman Police Officer in Elevator is a rigorous and compelling mix of the classical and the cosmopolitan.
Woman Prime: Poems (Permafrost Prize Series)
by Gail C. DiMaggioA woman is a series of shifting possibilities. The frame that contained her in the morning can transform into something completely different by afternoon. The roles she’s called on to play mutate over the years and throughout a lifetime. And her very place in the world is called into constant negotiation. In this swirl of contradictions, finding her own self—her core—can be a bewildering journey. Woman Prime is about the fundamental human wish to settle into an authentic self, a “prime” identity. It follows one woman through her roles—child, adult, wife, mother—and shows how she must remake herself through each new stage. Like many women, the speaker believed that leaving her parent’s home, falling in love, and raising children would reveal the essential core of herself. Instead, she learns that those she loves can fail her and that she must embrace a world full of flickering and conflicting expectations for women. Woman Prime is about every woman and no woman—a mutable voice that will still resonate with anyone trying to reconcile their flawed and complicated selves.
Woman Reading to the Sea: Poems
by Lisa WilliamsA new volume from the winner of the 2007 Barnard Women Poets Prize. "Poems of arresting intelligence, precision, and beauty. In wonderfully crafted language, with the startling subtlety of certain of Emily Dickinson's poems, Lisa Williams takes us into eerily imagined worlds--the interior of a jellyfish, and the interior of a glacier; she beguiles us with the most seductive of poetic possibilities....This slender volume constitutes a journey of sorts, a pilgrimage 'out' that returns the questing poet, imagined as a companion 'you,' to her own life."--Joyce Carol Oates, prize citation
A Woman Under the Surface: Poems and Prose Poems (Princeton Series of Contemporary Poets #162)
by Alicia OstrikerFrom A Woman Under the Surface:MOON AND EARTH Alicia Ostriker ? Of one substance, of oneMatter, they have cruellyBroken apart. They never will touch Each other again. The shiningLovelier and youngerTurns away, a pitiful girl. She is completely nakedAnd it hurts. The largerMotherly one, breathlessly luminous Emerald, and blue, and whiteTraveling mists, suffersBirth and death, birth and death, and the shockOf internal heat killed by external cold.They are dancing through that blackness. They press as ifTo come closer.
The Woman Who Fell from the Sky
by Joy HarjoJoy Harjo, one of this country's foremost Native American voices, combines elements of storytelling, prayer, and song, informed by her interest in jazz and by her North American tribal background, in this, her fourth volume of poetry. She draws from the Native American tradition of praising the land and the spirit, the realities of American culture, and the concept of feminine individuality.
A Woman Without a Country: Poems
by Eavan BolandA powerful work that examines how--even without country or settled identity--a legacy of love can endure. Eavan Boland is considered "one of the finest and boldest poets of the last half century" by Poetry Review. This stunning new collection, A Woman Without a Country, looks at how we construct one another and how nationhood and history can weave through, reflect, and define the life of an individual. Themes of mother, daughter, and generation echo throughout these extraordinary poems, as they examine how--even without country or settled identity--a legacy of love can endure. From "Talking to my Daughter Late at Night" We have a tray, a pot of tea, a scone. This is the hour When one thing pours itself into another: The gable of our house stored in shadow. A spring planet bending ice Into an absolute of light. Your childhood ended years ago. There is No path back to it.
Woman Without Shame: Poems
by Sandra CisnerosA brave new collection of poems from Sandra Cisneros, the best-selling author of The House on Mango Street.It has been twenty-eight years since Sandra Cisneros published a book of poetry. With dozens of never-before-seen poems, Woman Without Shame is a moving collection of songs, elegies, and declarations that chronicle her pilgrimage toward rebirth and the recognition of her prerogative as a woman artist. These bluntly honest and often humorous meditations on memory, desire, and the essential nature of love blaze a path toward self-awareness. For Cisneros, Woman Without Shame is the culmination of her search for home—in the Mexico of her ancestors and in her own heart.
Women, Epic, and Transition in British Romanticism
by Elisa Beshero-BondarWomen, Epic, and Transition in British Romanticism argues that early nineteenth-century women poets contributed some of the most daring work in modernizing the epic genre. The book examines several long poems to provide perspective on women poets working with and against men in related efforts, contributing together to a Romantic movement of large-scale genre revision. Women poets challenged longstanding categorical approaches to gender and nation in the epic tradition, and they raised politically charged questions about women’s importance in moments of historical crisis. While Romantic epics did not all engage in radical questioning or undermining of authority, this study calls attention to some of the more provocative poems in their approach to gender, culture, and history. This study prioritizes long poems written by and about women during the Romantic era, and does so in context with influential epics by male contemporaries. The book takes its cue from a dramatic increase in the publication of epics in the early nineteenth-century. At their most innovative, Romantic epics provoked questions about the construction of ideological meaning and historical memory, and they centralized women’s experiences in entirely new ways to reflect on defeat, loss, and inevitable transition. For the first time the epic became an attractive genre for ambitious women poets. The book offers a timely response to recent groundbreaking scholarship on nineteenth-century epic by Herbert Tucker and Simon Dentith, and should be of interest to Romanticists and scholars of 18th- and 19th-century literature and history, gender and genre, and women’s studies. Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
Women In Love: Heroines In Verse (Everyman Poetry Ser. #No. 73)
by David HopkinsThis unique anthology presents depictions of female figures in a wide range of English verse - narrative, dramatic and lyric, original and translated - from the Middle Ages to the late nineteenth century. The emphasis is on the variety of women's reactions to the passion of love - whether joyful, idealizing, horrified, deceitful, resigned, noble, curious, or reflective. The collection juxtaposes familiar material with less well-known items, and encompasses a wide variety of tones and moods, from heroic pathos to bawdy comedy. The passages all present moments in which a woman's thoughts are rendered, or her presence imagined, with particular dramatic vividness. The women depicted range from nobly born heroines of myth and legend to more ordinary and everyday figures. The result is a comprehensive presentation - moving, sobering and amusing by turns - of the joys, fears, hopes and disappointments of women in love.
Women In Love: Heroines In Verse: Everyman Poetry
by David HopkinsThis unique anthology presents depictions of female figures in a wide range of English verse - narrative, dramatic and lyric, original and translated - from the Middle Ages to the late nineteenth century. The emphasis is on the variety of women's reactions to the passion of love - whether joyful, idealizing, horrified, deceitful, resigned, noble, curious, or reflective. The collection juxtaposes familiar material with less well-known items, and encompasses a wide variety of tones and moods, from heroic pathos to bawdy comedy. The passages all present moments in which a woman's thoughts are rendered, or her presence imagined, with particular dramatic vividness. The women depicted range from nobly born heroines of myth and legend to more ordinary and everyday figures. The result is a comprehensive presentation - moving, sobering and amusing by turns - of the joys, fears, hopes and disappointments of women in love.
Women In Praise Of The Sacred: 43 Centuries Of Spiritual Poetry By Women
by Jane Hirshfield Hirshfield"Hirshfield's current collection brings together . . . an astonishing array of women writers from the 22nd century BC poet Enheduanna to Nelly Sachs and Anna Akhmatova. "--Library Journal
Women, Modernism and British Poetry, 1910–1939: Resisting Femininity
by Jane DowsonPrimarily a literary history, Women, Modernism and British Poetry, 1910-1939 provides a timely discussion of individual women poets who have become, or are becoming, well-known as their works are reprinted but about whom little has yet been written. This volume recognizes the contributions, overlooked previously, of such British poets as Anna Wickham, Nancy Cunard, Edith Sitwell, Mina Loy, Charlotte Mew, May Sinclair, Vita Sackville-West and Sylvia Townsend Warner; and the impact of such American poets as H.D., Amy Lowell, Edna St. Vincent Millay, Marianne Moore and Laura Riding on literary practice in Britain. This book primarily maps the poetry scene in Britain but identifies the significance of the network of writers between London, New York and Paris. It assesses women's participation in the diversity of modernist developments which include avant-garde experiments, quiet, but subtly challenging, formalism and assertive 'new woman' voices. It not only chronicles women's poetry but also their publications and involvement in running presses, bookshops and writing criticism. Although historically situated, it is written from the perspective of contemporary debates concerning the interface of gender and modernism. The author argues that a cohering aesthetic of the poetry is a denial of femininity through various evasions of gendered identity such as masking, male and female impersonations and the rupturing of realist modes.
Women Poets in the Victorian Era: Cultural Practices and Nature Poetry
by Fabienne MoineExamining the place of nature in Victorian women's poetry, Fabienne Moine explores the work of canonical and long-neglected women poets to show the myriad connections between women and nature during the period. At the same time, she challenges essentialist discourses that assume innate affinities between women and the natural world. Rather, Moine shows, Victorian women poets mobilised these alliances to defend common interests and express their engagement with social issues. While well-known poets such as Elizabeth Barrett Browning and Christina Rossetti are well-represented in Moine's study, she pays particular attention to lesser known writers such as Mary Howitt or Eliza Cook who were popular during their lifetimes or Edith Nesbit, whose verse has received scant critical attention so far. She also brings to the fore the poetry of many non-professional poets. Looking to their immediate cultural environments for inspiration, these women reconstructed the natural world in poems that raise questions about the validity and the scope of representations of nature, ultimately questioning or undermining social practices that mould and often fossilise cultural identities.