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Walking Gentry Home: A Memoir of My Foremothers in Verse
by Alora YoungAn &“extraordinary&” (Laurie Halse Anderson) young poet traces the lives of her foremothers in West Tennessee, from those enslaved centuries ago to her grandmother, her mother, and finally herself, in this stunning debut celebrating Black girlhood and womanhood throughout American history.&“A masterpiece that beautifully captures the heartbreak that accompanies coming of age for Black girls becoming Black women.&”—Evette Dionne, author of Lifting as We Climb, longlisted for the National Book AwardWalking Gentry Home tells the story of Alora Young&’s ancestors, from the unnamed women forgotten by the historical record but brought to life through Young&’s imagination; to Amy, the first of Young&’s foremothers to arrive in Tennessee, buried in an unmarked grave, unlike the white man who enslaved her and fathered her child; through Young&’s great-grandmother Gentry, unhappily married at fourteen; to her own mother, the teenage beauty queen rejected by her white neighbors; down to Young in the present day as she leaves childhood behind and becomes a young woman. The lives of these girls and women come together to form a unique American epic in verse, one that speaks of generational curses, coming of age, homes and small towns, fleeting loves and lasting consequences, and the brutal and ever-present legacy of slavery in our nation&’s psyche. Each poem is a story in verse, and together they form a heart-wrenching and inspiring family saga of girls and women connected through blood and history.Informed by archival research, the last will and testament of an enslaver, formal interviews, family lore, and even a DNA test, Walking Gentry Home gives voice to those too often muted in America: Black girls and women.
Walking Light: Memoirs and Essays on Poetry (American Readers Series)
by Stephen DunnCommitted to exploring the role of poetry and poets in our culture, Stephen Dunn provides new, expanded versions of the essays originally published by W. W. Norton in 1993, now out of print. In Walking Light, Dunn discusses the relationship between art and sport, the role of imagination in writing poetry, and the necessity for surprise and discovery when writing a poem. Humorous, intelligent and accessible, Walking Light is a book that will appeal to writers, readers, and teachers of poetry.Stephen Dunn is the author of eleven collection of poetry. He teaches writing and literature at the Richard Stockton College in Pomona, New Jersey, and lives in Port Republic, New Jersey.
Walking On The Boundaries Of Change: Poems Of Transition
by Sara HolbrookA collection of poems for young adults about new experiences and difficult choices.
Walking Uphill at Noon: Poems (Mary Burritt Christiansen Poetry Series)
by Jon Kelly YenserWalking Uphill at Noon showcases Yenser&’s mastery of prosody and love of play. Including free verse as well as established and newly invented forms, Yenser&’s collection is organized into four parts that each explore the author&’s life and interests: part 1 focuses on neighborhood observations; part 2 delves into travel at home and abroad; part 3 consists of a &“walking log&” that muses on current events; and part 4 explores magic, mysteries, and sleights of hand. Ultimately, Yenser urges readers to consider that everyday situations can be made extraordinary if they keep their love of play and wonder close to their hearts.
Walking and Stealing
by Stephen CainIn this triptych of serial poems steeped in baseball and Toronto, Stephen Cain considers urban affairs and culture through playful, revelatory devices.“Walking & Stealing” was composed between innings of his son’s little league baseball games. The sport becomes a site for explorations of duration, association, and subjectivity. The ninety-nine poems of “Intentional Walks” follow mapped routes throughout the city to study the relationship between thinking and walking. The nine cantos in “Tag & Run” are constructed using baseball’s magic number nine, creating a literary puzzle in which the author “tags” a series of moments in time.Together, these works skewer traditional, masculinist, and often-solipsistic perspectives on where we live and inhabit, instead offering a new way to consider the relationship between culture and space. Walking and Stealing is where memes meet psychogeography in a collection from a brilliant poet at the top of their game.
Walking on Ice: Thoughts on Life's Perilous Journey
by P A SurchLife is a journey, often perilous. We take risks, not because we want to die, but because we want to feel alive. This book explores the feelings of joy and triumph, loss and regret that we all experience along the way. Set in airports, train stations and bus stops, it captures the moments in transit and transition where we pause to reflect on our own journey, gather our thoughts and rebuild ourselves stronger and wiser to carry on.
Walking the Black Cat
by Charles SimicHamlet's ghost wandering the halls of a Vegas motel, a street corner ventriloquist using passersby as dummies, and Jesus panhandling in a weed-infested Eden are just a few of the startling conceits Simic unleashes in this collection. "Few contemporary poets have been as influential-or inimitable-as Charles Simic" (New York Times Book Review).
Walking the Dog's Shadow
by Tony Hoagland Deborah BrownWalking the Dog's Shadow rose to the top of nearly eight hundred submissions to win the ninth annual A. Poulin, Jr. Poetry Prize. Tony Hoagland, who served as final judge for the contest, writes, "Deborah Brown's poems remind me a little of the great Polish poet, Wistawa Szymborska. They both make thinking look easy. . . . Brown's poems aren't just about a eureka moment; they taste of the whole journey. Walking the Dog's Shadow is a beautiful book, wise and sure of itself, fresh with wit and gravity, serious and true."Deborah Brown teaches literature and writing at the University of New Hampshire-Manchester.
Walking the Dog's Shadow (A. Poulin, Jr. New Poets of America)
by Deborah BrownWalking the Dog's Shadow rose to the top of nearly eight hundred submissions to win the ninth annual A. Poulin, Jr. Poetry Prize. Tony Hoagland, who served as final judge for the contest, writes, "Deborah Brown's poems remind me a little of the great Polish poet, Wistawa Szymborska. They both make thinking look easy. . . . Brown's poems aren't just about a eureka moment; they taste of the whole journey. Walking the Dog's Shadow is a beautiful book, wise and sure of itself, fresh with wit and gravity, serious and true."Deborah Brown teaches literature and writing at the University of New Hampshire-Manchester.
Walking the Rez Road
by Jim NorthrupWinner of a Minnesota Book Award and a Northeast Minnesota Book Award.Celebrating two decades in publication, this twentieth-anniversary edition of a timeless classic comprises forty stories and poems that feature Luke Warmwater, a Vietnam veteran who survived the war but has trouble surviving the peace.Returning to the reservation after the war, Warmwater finds poverty, unemployment, and the work of the tribal government may prove greater foes than those he faced in the Vietnam jungle-yet he finds salvation through community and humor.Northrup's 1990s newspaper columns, his play, "Shinnob Jep," and Ojibwe translated poems, are included as additional materials to this new edition and provide historical context for Warmwater's story.
Walking to Martha's Vineyard
by Franz WrightIn this radiant new collection, Franz Wright shares his regard for life in all its forms and his belief in the promise of blessing and renewal. As he watches the “Resurrection of the little apple tree outside / my window,” he shakes off his fear of mortality, concluding “what death . . . There is only / mine / or yours,– / but the world / will be filled with the living. ” In prayerlike poems he invokes the one “who spoke the world / into being” and celebrates a dazzling universe–snowflakes descending at nightfall, the intense yellow petals of the September sunflower, the planet adrift in a blizzard of stars, the simple mystery of loving other people. As Wright overcomes a natural tendency toward loneliness and isolation, he gives voice to his hope for “the only animal that commits suicide,” and, to our deep pleasure, he arrives at a place of gratitude that is grounded in the earth and its moods.
Walking toward the Sun
by Edward Ronald WeismillerIn 1936, twenty-year-old Edward Weismiller became the youngest poet to win the prestigious Yale Series of Younger Poets prize. Today, more than sixty years later, he retains that distinction. Yale University Press here reintroduces Edward Weismiller -- now the oldest living Younger Poet -- with the publication of his latest book of poetry. Weismiller's is "a talent that has kept faith with itself and its sources, " says W. S. Merwin, current judge of the Younger Poets Series. In Walking Toward the Sun, youthful lyricism has given way to plainness of speech -- even spareness. These poems are honest and unflinching, always striking in their prosody. They will remind some readers of Yeats, for they convey nobility in the face of old age, infirmity, and disappointment. Weismiller sings powerfully about a world of loss, but he is never grim or despairing. The poet in old age remains hopeful, open to possibility, and always aware of beauty in the smallest places.
Walkman (Penguin Poets)
by Michael RobbinsA new collection from an audacious, humorous poet celebrated for his "sky-blue originality of utterance" (Dwight Garner, The New York Times)Michael Robbins's first two books of poetry were raucous protests lodged from the frontage roads and big-box stores of off-ramp America. With Walkman, he turns a corner. These new poems confront self-pity and nostalgia in witty-miserable defiance of our political and ecological moment. It's the end of the world, and Robbins has listened to all the tapes in his backpack. So he's making music from whatever junk he finds lying around.
Wallace Stevens and Martin Heidegger: Poetry as Appropriative Proximity (American Literature Readings in the 21st Century)
by Ian TanThis book is a unique contribution to scholarship of the poetics of Wallace Stevens, offering an analysis of the entire oeuvre of Stevens’s poetry using the philosophical framework of Martin Heidegger. Marking the first book-length engagement with a philosophical reading of Stevens, it uses Heidegger’s theories as a framework through which Stevens’s poetry can be read and shows how philosophy and literature can enter into a productive dialogue. It also makes a case for a Heideggerian reading of poetry, exploring his later philosophy with respect to his writing on art, language, and poetry. Taking Stevens’s repeated emphasis on the terms “being”, “consciousness”, “reality” and “truth” as its starting point, the book provides a new reading of Stevens with a philosopher who aligns poetic insight with a reconceptualization of the metaphysical significance of these concepts. It pursues the link between philosophy, American poetry as reflected through Stevens, and modernist poetics, looking from Stevens’s modernist techniques to broader European philosophical movements of the twentieth century.
Wallace Stevens and Poetic Theory: Conceiving the Supreme Fiction
by B J LeggettLeggett traces the effect of several important theoretical works on the poetry and prose of Stevens during a period in which he was formulating an aesthetic between 1942 and 1954. The author offers new readings of a number of poems and passages and clarifies certain controversial conceptions developed by Stevens, such as the supreme fiction, the relation of the new poet to tradition, and the psychologies of creativity.Originally published in 1987.A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
Wallace Stevens and Pre-Socratic Philosophy: Metaphysics and the Play of Violence (Routledge Interdisciplinary Perspectives on Literature)
by Daniel TompsettThis book studies Wallace Stevens and pre-Socratic philosophy, showing how concepts that animate Stevens’ poetry parallel concepts and techniques found in the poetic works of Parmenides, Empedocles, and Xenophanes, and in the fragments of Heraclitus. Tompsett traces the transition of pre-Socratic ideas into poetry and philosophy of the post-Kantian period, assessing the impact that the mythologies associated with pre-Socratism have had on structures of metaphysical thought that are still found in poetry and philosophy today. This transition is treated as becoming increasingly important as poetic and philosophic forms have progressively taken on the existential burden of our post-theological age. Tompsett argues that Stevens’ poetry attempts to ‘play’ its audience into an ontological ground in an effort to show that his ‘reduction of metaphysics’ is not dry philosophical imposition, but is enacted by our encounter with the poems themselves. Through an analysis of the language and form of Stevens’ poems, Tompsett uncovers the mythology his poetry shares with certain pre-Socratics and with Greek tragedy. This shows how such mythic rhythms are apparent within the work of Friedrich Nietzsche, Martin Heidegger and Hans-Georg Gadamer, and how these rhythms release a poetic understanding of the violence of a ‘reduction of metaphysics.’
Wallace Stevens and the Aesthetics of Abstraction
by Edward RaggEdward Ragg's study is the first to examine the role of abstraction throughout the work of Wallace Stevens. By tracing the poet's interest in abstraction from Harmonium through to his later works, Ragg argues that Stevens only fully appreciated and refined this interest within his later career. Ragg's detailed close-readings highlight the poet's absorption of late nineteenth century and early twentieth century painting, as well as the examples of philosophers and other poets' work. Wallace Stevens and the Aesthetics of Abstraction will appeal to those studying Stevens as well as anyone interested in the relations between poetry and painting. This valuable study embraces revealing philosophical and artistic perspectives, analyzing Stevens' place within and resistance to Modernist debates concerning literature, painting, representation and 'the imagination'.
Wallace Stevens and the Contemporary Irish Novel: Order, Form, and Creative Un-Doing (Routledge Studies in Irish Literature)
by Ian TanWallace Stevens and the Contemporary Irish Novel is a major contribution to the study of the literary influence of the American modernist poet Wallace Stevens. Stevens’s lifelong poetic quest for order and the championing of the creative affordances of the imagination finds compelling articulation in the positioning of the Irish novel as a response to larger legacies of Anglo-American modernism, and how aesthetic re-imagining can be possible in the aftermath of the destruction of certainties and literary tradition heralded by postmodern practice and metatextual consciousness. It is this book’s argument that intertextual influences flowing from Stevens’s poetry towards the vitality of the novelistic imagination enact robust dialectical exchanges between existential chaos and artistic order, contemporary form and poetic precursors. Through readings of novels by important contemporary Irish novelists John Banville, Colum McCann, Ed O’Loughlin, Iris Murdoch, and Emma Donoghue, this book contemporizes Stevens’s literary influence with refence to novelistic style, themes, and thematic preoccupations that stake the claim for the international status of the contemporary Irish novel as it shapes a new understanding of “world literature” as exchange between national languages, cultures, and alternative formulations of aesthetic modernity as continuing project.
Wallace Stevens and the Realities of Poetic Language (Studies in Major Literary Authors)
by Stefan HolanderThis study examines Wallace Stevens' ideas and practice of poetic language with a focus on the 1930s, an era in which Stevens persistently thematized a keenly felt pressure for the possible social involvement and political utility of poetic language. The argument suggests how mutually implicated elements of his poetry such as diction, prosody and metaphor are relied on to signify or enact aesthetic closure; both in the negative terms of expressive impotence and unethical isolation and the positive ones of imaginative and linguistic change. In this respect, the study deals closely with the epistemologically and ethically fraught issue of the ambiguous and volatile role of non-semantic elements and linguistic difficulty in Stevens' language. Assuming that these facets are not exclusive to this period but receive a very clear, and therefore instructive, formulation in it, the discussion outlines some of Stevens' most central tropes for poetic creativity at this stage of his career, suggesting ways in which they came to form part of his later discourse on poetic functionality, when polemical concepts for the imagination, such as "evasion" and "escapism," became central. Stevens' prosody is discussed from within an eclectic analytical framework in which cumulative rhythmics is complemented by traditional metrics as a way of doing justice to his rich, varied and cognitively volatile use of verse language. The expressive potency of prosodic patterning is understood both as an effect of its resistance to semantic interpretation and by assuming a formal drive to interpret them in relation to the semantic and metaphoric staging of individual poems. A poem, in turn, is understood both as a strategic, stylistically deviant response to the challenges of a particular historical moment, and as an attempt to communicate through creating a sense of linguistic resistance and otherness.
Wallace Stevens, New York, and Modernism: Wallace Stevens, New York, And Modernism (Routledge Studies in Twentieth-Century Literature #24)
by Bart Eeckhout Lisa GoldfarbThis unique essay collection considers the impact of New York on the life and works of Wallace Stevens. Stevens lived in New York from 1900 to 1916, working briefly as a journalist, going to law school, laboriously starting up a career as a lawyer, getting engaged and married, gradually mixing with local avant-garde circles, and eventually emerging as one of the most exciting and surprising voices in modern poetry. Although he then left the city for a job in Hartford, Stevens never saw himself as a Hartford poet and kept gravitating toward New York for nearly all things that mattered to him privately and poetically: visits to galleries and museums, theatrical and musical performances, intellectual and artistic gatherings, shopping sprees and gastronomical indulgences. Recent criticism of the poet has sought to understand how Stevens interacted with the literary, artistic, and cultural forces of his time to forge his inimitable aesthetic, with its peculiar mix of post-romantic responses to nature and a metropolitan cosmopolitanism. This volume deepens our understanding of the multiple ways in which New York and its various aesthetic attractions figured in Stevens’ life, both at a biographical and poetic level.
Wallace Stevens: Collected Poetry and Prose
by Frank Kermode Joan RichardsonThis volume presents over a hundred poems uncollected by Stevens, including early versions of often discussed works like "The Comedian as the Letter C" and "Owl's Clover". Also here is the most comprehensive selection available of Stevens' prose writings.
Wallace Stevens: The Making of the Poem
by Frank DoggettOriginally published in 1980. Wallace Stevens: The Making of the Poem emphasizes the ideas that Wallace Stevens embeds in his poetry, providing the first study to provide an intellectual biography of Stevens. It examines Stevens' naturalism, his ideas of the self, and the imagination, among other topics. The concepts that emerge from long reading of the poetry of Stevens are slight and basic, but these concepts do accord, even if they never emerge into a coherent philosophy. The accordance is probably a result of Stevens' preference for naturalistic thought.
Wallace Stevens: The Poems of Our Climate
by Harold BloomThis dazzling book is at once an indispensable guide to Stevens's poetic canon and a significant addition to the literature on the American Romantic movement. It gives authoritative readings of the major long poems and sequences of Stevens and deals at length with the important shorter works as well, showing their complex relations both to one another and to the work of Stevens's precursors, Wordsworth, Shelley, Keats, Emerson, and Whitman. No other book on Stevens is as ambitious or comprehensive as this one: everyone who writes on Stevens will have to take it into account. The product of twenty years of meditating, thinking, and writing about Stevens, this truly remarkable book is a brilliant extension of Bloom's theories of literary interpretation.
Wallace Stevens: Words Chosen Out of Desire
by Helen H. VendlerThe chapters in this book, except for the first, were originally delivered in 1982 as the Hodges Lectures at the University of Tennessee at Knoxville.
Walt Whitman and British Socialism: ‘The Love of Comrades’ (Routledge Studies in Nineteenth Century Literature)
by Kirsten HarrisThis is the first sustained examination of Walt Whitman’s influence on British socialism. Harris combines a contextual historical study of Whitman’s reception with focused close readings of a variety of poems, books, articles, letters and speeches. She calls attention to Whitman’s own demand for the reader to ‘himself or herself construct indeed the poem, argument, history, metaphysical essay’, linking Whitman’s general comments about active reading to specific cases of his fin de siècle British socialist readership. These include the editorial aims behind the Whitman selections published by William Michael Rossetti, Ernest Rhys, and W. T. Stead and the ways that Whitman was interpreted and appropriated in a wide range of grassroots texts produced by individuals or groups who responded to Whitman and his poetry publicly in socialist circles. Harris makes full use of material from the C. F. Sixsmith and J. W. Wallace and the Bolton Whitman Fellowship collections at John Rylands, the Edward Carpenter collection in the Sheffield Archives, and the Archives of Swan Sonnenschein & Co. at the University of Reading. Much of this archive material – little of which is currently available in digital form – is discussed here in full for the first time. Accordingly, this study will appeal to those with interest in the archival history of nineteenth-century literary culture, as well as the connections to be made between literary and political culture of this era more generally.