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Zone
by Guillaume Apollinaire Ron Padgett Peter ReadZone is the fruit of poet-translator Ron Padgett's fifty-year engagement with the work of France's greatest modern poet. This bilingual edition of Apollinaire's poetry represents the full range of his achievement from traditional lyric verse to the pathbreaking visual poems he called calligrams, from often-anthologized classics to hitherto-untranslated gems, from poems of cosmic breadth to a poem about his shoes. Including an introduction by the distinguished scholar Peter Read, helpful endnotes, a preface, and an annotated bibliography by Padgett, this new edition of Apollinaire stands out not only for its compact and judicious selection of the essential poems but also as the work of an important American poet.
Zong!: As Told To The Author By Setaey Adamu Boateng (Wesleyan Poetry Series)
by Setaey Adamu Boateng M. NourbeSe PhilipIn November, 1781, the captain of the slave ship Zong ordered that some 150 Africans be murdered by drowning so that the ship’s owners could collect insurance monies. <P><P>Relying entirely on the words of the legal decision Gregson v. Gilbert—the only extant public document related to the massacre of these African slaves—Zong! tells the story that cannot be told yet must be told. Equal parts song, moan, shout, oath, ululation, curse, and chant, Zong! excavates the legal text. <P><P>Memory, history, and law collide and metamorphose into the poetics of the fragment. Through the innovative use of fugal and counterpointed repetition, Zong! becomes an anti-narrative lament that stretches the boundaries of the poetic form, haunting the spaces of forgetting and mourning the forgotten. <<P><P>Check for the online reader’s companion at http://zong.site.wesleyan.edu. <P><P><i>Advisory: Bookshare has learned that this book offers only partial accessibility. We have kept it in the collection because it is useful for some of our members. Benetech is actively working on projects to improve accessibility issues such as these.</i>
Zoom Rooms: Poems
by Mary Jo SalterThe timeless and timely intersect in poems about our unique historical moment, from the prizewinning poet.In Zoom Rooms, Mary Jo Salter considers the strangeness of our recent existence, together with the enduring constants in our lives. The title poem, a series of sonnet-sized Zoom meetings—a classroom, a memorial service, an encounter with a new baby in the family—finds humor and pathos in our age of social distancing and technology-induced proximity. Salter shows too how imagination collapses time and space: in &“Island Diaries,&” the pragmatist Robinson Crusoe meets on the beach a shipwrecked dreamer from an earlier century, Shakespeare&’s Prospero. Poems that meditate on objects—a silk blouse, a hot water bottle—address the human need to heal and console. Our paradoxically solitary but communal experiences find expression, too, in poems about art, from a Walker Evans photograph to a gilded Giotto altarpiece. In these beautiful new poems, Salter directs us to moments we may otherwise miss, reminding us that alertness is itself a form of gratitude.
Zoom, Rocket, Zoom! (Awesome Engines #5)
by Margaret MayoCome on a fantastic adventure to the moon and deep into space! This exciting book is full of amazing astronauts and super space vehicles. Discover a different vehicle on each page, from rockets and moon buggies, to robot rovers, satellites and more.With bright, bold illustrations and fun, rhyming text, this is perfect for sharing and reading aloud. Little ones will love spotting all the details on each page and joining in with the lively text; as rockets 'zoom' and satellites 'whizz!'From the creators of the bestselling Dig Dig Digging.
Zoomberry: Fixed Format Layout
by Dennis LeeZoomberry, zoomberry, zoomberry pie:Zoomberry, zoomberry, now I can fly.Who hasn’t dreamed of flying? In this enchanting bedtime poem by Canada’s Father Goose, a crotchety wizard shares his secret spell for taking flight. Based on Dennis Lee's “The Wizard,” from his acclaimed collection Melvis and Elvis, and gorgeously illustrated by award-winning illustrator Dusan Petricic, Zoomberry is a magical adventure for the very young that will send readers soaring through nighttime skies."
Zorba's Daughter: poems (Swenson Poetry Award #14)
by Elisabeth MurawskiIn Zorba's Daughter, the 14th volume in the Swenson Poetry Award series, Elisabeth Murawski speaks from a vital and unique sensibility, finding in ordinary images an opening to the passion of human courage in the face of deep existential pain and ambivalence. These poems awaken our joy as well as guilt, our hope as well as grief. They often evoke a sorrowful music, like the voice of mourning, but even in pointing to "the black holes of heaven," Murawski turns our gaze upward. Zorba's Daughter was selected for the Swenson Award by the distinguished poet Grace Schulman. An icon of the literary scene, Schulman is acclaimed for her searching, highly original, lyric poetry, as well as for her teaching and her influential tenure as the poetry editor at The Nation, (1971-2006). Harold Bloom calls her "one of the permanent poets of her generation." Richard Howard says, "she is a torch."
Zygal: A Book of Mysteries and Translations
by Bp NicholOriginally twelve years in the making! Featuring a cast of thousands. It still stars the letter H, and introduces Probable Systems, Negatives, and the Actual Life of Language! Your heart will pound as you see H's turn into I's before your very own eyes. You'll thrill as words fall apart only to create other words. You'll gasp as bpNichol collaborates with the dead. You'll shake your head in disbelief as he walks the line between fact and fiction one step beyond into the twilight zone of 'pataphysics.
a Year & other poems
by Jos CharlesFrom the celebrated author of feeld comes a formally commanding third collection, dexterously recounting the survival of a period suffused with mourning. Jos Charles’s poems communicate with one another as neurons do: sharp, charged, in language that predates language. “A scandal / three cartons red / in a hedge / in / each the thousand eye research of flies.” With acute lyricism, she documents how a person endures seemingly relentless devastation—California wildfires, despotic legislation, housing insecurity—amid illusions of safety. “I wanted to believe,” Charles declares, “a corner a print leaned to / a corner can save / a people.” Still the house falls apart. Death visits and lingers. Belief proves, again and again, that belief alone is not enough. Yet miraculously, one might still manage to seek—propelled by love, or hope, or sometimes only momentum—something better. There is a place where there are no futile longings, no persistent institutional threats to one’s life. Poems might take us there; tenderness, too, as long as we can manage to keep moving. “A current / gives as much as it has,” writes Charles—despite fire, despite loss. Harrowing and gorgeous, a Year & other poems is an astonishing new collection from a poet of “unusual beauty and lyricism” (New Yorker).
a thin line between
by Wanda PraamsmaIn what can be described as a verse-novel for its lyricism and rhythmic structure, Wanda Praamsma crafts a story that transcends geographic boundaries and time periods, by weaving together lives from her own family's past, including her poet-grandfather and sculptor-uncle. Subtle in its life lessons, a thin line between works at 'peeling away the I's' to explore concepts of self and family in flux. What emerges is a poignant, and at times humorous, portrait of a Dutch-Canadian family and a close look into a young woman's exploration of her own being and creative life.
act normal (Hugh MacLennan Poetry Series #80)
by nancy viva davis halifaxi might never be no-one that shiny / the beauty of a sequin’d self / what was stitched into heaven’s dropThe poems in act normal use illegibility and wilful uncertainty to evade the grasp of the normative, as endured by those institutionalized by, and through, the concept of normalcy.act normal starts in an institution where children categorized and constructed as intellectually inferior are placed into custodial care. These poems are inquisitive, articulating the entanglements of lives across categories of difference – particularly the lives of those who as children were considered to be other or less than human. Drawing upon conversations, archival materials, court cases, legislation, transcripts, and case histories, among other sources, nancy davis halifax’s poems destabilize categories of meaning – understanding disability and difference as “undecidability.”act normal is a movement of “feelingthought,” unsettling normative expectations and inviting readers to re-orient from the normative task of assuming the safety of consensual interpretation, while risking, cherishing, and performing non-indifference.
all of it is you.: poetry
by Nico TortorellaA debut poetry collection from actor Nico Tortorella exploring “all of it,” from the smallest cells in our bodies to the outer limits of our universe. Nico Tortorella's debut poetry collection presents a singular voice honed through years as an actor, podcaster, and advocate, one colored with love, wonder, and endless curiosity. But it is also more than just words on a page – it is a sensuous journey into who we are and how we relate to the world around us, showing how the connections we make are vital to understanding why we are here. Provocative, enlightening, and emotionally charged, all of it is you. is a poetry experience like no other.
allegiance
by Francine J. HarrisA sharp, haunting, and lyrical collection that attempts to understand what we owe the spaces we inhabit.
alphabet
by Susanna Nied Inger ChristensenA startling and gorgeous work by Denmark's most admired poet finally available in English translation. Awarded the American-Scandinavian PEN Translation Prize by Michael Hamburger, Susanna Nied's translation of alphabet introduces Inger Christensen's poetry to US readers for the first time. Born in 1935, Inger Christensen is Denmark's best known poet. Her award-winning alphabet is based structurally on Fibonacci's sequence (a mathematical sequence in which each number is the sum of the two previous numbers), in combination with the alphabet. The gorgeous poetry herein reflects a complex philosophical background, yet has a visionary quality, discovering the metaphysical in the simple stuff of everyday life. In alphabet, Christensen creates a framework of psalm-like forms that unfold like expanding universes, while crystallizing both the beauty and the potential for destruction that permeate our times.
antes que isla es volcán / before island is volcano: poemas / poems (Raised Voices #2)
by Roque Raquel Salas RiveraGold Medal Winner of the Juan Felipe Herrera Award for Bilingual PoetryFrom the National Book Award-nominated, Lambda Award-winning poet: a powerful, inventive new collection that looks to the future of Puerto Rico with love, rage, beauty, and hopeRaquel Salas Rivera&’s star has risen swiftly in the poetry world, and this, his 6th book, promises to cement his status as one of the most important poets working today. In sharp, crystalline verses, written in both Spanish and English versions, antes que isla es volcán daringly imagines a decolonial Puerto Rico.Salas Rivera unfurls series after series of poems that build in intensity: one that casts Puerto Rico as the island of Caliban in Shakespeare&’s The Tempest, another that imagines a multiverse of possibilities for Puerto Rico&’s fate, a 3rd in which the poet demands his right to a future and its immediate distribution. The verses are rigorous and sophisticated, engaging with literary and political theory, yet are also hard-hitting, charismatic, and quotable (&“won&’t you be sorry? / won&’t you wish you had a boss? / won&’t you get restless / with all that freedom?&”).These poems tap unflinchingly into the explosive energy of the island, transforming it into protest, into spirit, into art.
antibody: poems
by Rebecca SalazarA powerful follow-up to the Governor General&’s Literary Award shortlisted sulphurtongue.antibody is a protest, a whisper network, a reclamation of agency, and a ritual for building a survivable world.antibody mobilizes body horror as resistance, refusing to sanitize the atrocities of sexual violence or to silence its survivors. Challenging myths of &“perfect&” victimhood, this collection honours the messy, rageful, queer, witchy, disabled, and kinky grief work of enduring trauma and learning to want to live. if we must be unnatural unliving monstrous let us feed.
awâsis – kinky and dishevelled
by Louise Bernice HalfeA gender-fluid trickster character leaps from Cree stories to inhabit this racous and rebellious new work by award-winning poet Louise Bernice Halfe. There are no pronouns in Cree for gender; awâsis (which means illuminated child) reveals herself through shape-shifting, adopting different genders, exploring the English language with merriment, and sharing his journey of mishaps with humor, mystery, and spirituality. Opening with a joyful and intimate Introduction from Elder Maria Campbell, awâsis – kinky and dishevelled is a force of Indigenous resurgence, resistance, and soul-healing laughter. If you’ve read Halfe’s previous books, prepared to be surprised by this one. Raging in the dark, uncovering the painful facts wrought on her and her people’s lives by colonialism, racism, religion, and residential schools, she has walked us through raw realities with unabashed courage and intense, precise lyricism. But for her fifth book, another choice presented itself. Would she carve her way with determined ferocity into the still-powerful destructive forces of colonialism, despite Canada’s official, hollow promises to make things better? After a soul-searching Truth and Reconciliation process, the drinking water still hasn’t improved, and Louise began to wonder whether inspiration had deserted her. Then awâsis showed up—a trickster, teacher, healer, wheeler-dealer, shapeshifter, woman, man, nuisance, inspiration. A Holy Fool with their fly open, speaking Cree, awâsis came to Louise out of the ancient stories of her people, her Elders, from community input (through tears and laughter), from her own full heart and her three-dimensional dreams. Following awâsis’s lead, Louise has flipped her blanket over, revealing a joking, mischievous, unapologetic alter ego—right on time. “Louise Halfe knows, without question, how to make miyo-iskotêw, a beautiful fire with her kindling of words and moss gathered from a sacred place known only to her, to the Old Ones. These poems, sharp and crackling, are among one of the most beautiful fires I’ve ever sat beside.” —Gregory Scofield, author of Witness, I Am “Louise makes awâsis out of irreverent sacred text. The darkness enlightens. She uses humor as a scalpel and sometimes as a butcher knife, to cut away, or hack off, our hurts, our pain, our grief and our traumas. In the end we laugh and laugh and laugh.” —Harold R. Johnson, author of Peace and Good Order: The Case for Indigenous Justice in Canada “This is all about Indigenizing and reconciliation among ourselves. It’s the kind of funny, shake up, poking, smacking and farting we all need while laughing our guts out. It’s beautiful, gentle and loving.” —Maria Campbell, author of Halfbreed (from the Introduction) “There really isn’t any template for telling stories as experienced from within Indigenous minds. In her book awâsis – kinky and dishevelled, Cree poet Louise Bernice Halfe – Skydancer presents a whole new way to experience story poems. It’s kinda like she writes in English but thinks in Cree. Lovely, revealing, funny, stunning. A whole new way to write!” —Buffy Sainte-Marie
boy maybe: poems
by W. J. Lofton51 achingly eloquent poems from a young Cave Canem fellow: W. J. Lofton's verses explore Black queer Southern identity, grief, love, and intimacy while enduring and witnessing unfreedom in AmericaW. J. Lofton writes vivid, accessible poems that channel the energy, urgency, ambitions, joys, and sorrows of a young Black queer artist. They are about love and flirtation, sweet tea and hot sauce, God and family, life and death, police brutality and extrajudicial killings. His verses honor some of the young lives extinguished by these killings—Breonna Taylor, Kendrick Johnson, Ahmaud Arbery. He also pays tribute to some of the towering figures of Black culture who have come before him—Richard Pryor, Assata Shakur. His style is endlessly propulsive, informed by some of the Harlem Renaissance greats—Langston Hughes, Gwendolyn Brooks—but also transforming that rich tradition for the present day.
bpNichol
by Stephen ScobieScobie illuminates bpNichol's relationship to Dadaism, contemporary French literary theory and the writing of Gertrude Stein, and argues strongly for Nichol's importance as a writer of fiction.Other titles in The New Canadian Criticism Series:ABC of Reading the TRGTimothy Findley and the Aesthetics of FascismMichael Ondaatje: Word, Image, ImaginationMargaret Atwood: A Feminist PoeticsGeorge Bowering: Bright Circles of Colour
come from
by janan alexandraFOREWORD BY ROSS GAYHere is a collection that pulses with warmth and vitality, heralding the arrival of a fresh and vibrant voice on the poetry scene. Clear and concise, accessible and profound, janan alexandra’s debut poetry collection COME FROM weaves from English to Arabic, exploring the joint projects of longing and belonging.Part love song for the speaker’s mother and part grief song for ongoing postcolonial loss, this book reaches for, around, and through language—feeling for its limits and possibilities. COME FROM searches for what might be possible if we dislodge our practices of belonging, divest from nation and state, and instead turn deeply toward each other. Drawing on both narrative and lyric impulses, alexandra invites readers into a world bristling with family, memory, home, and inheritance—all in the wake of dislocation and fracture. In one section of the book, we follow the speaker “back home” after years of separation; later, we encounter a series of parables in the form of an Arabic abecedarian, through which the speaker recovers parts of her mother tongue—invoking personal and communal histories marked with the longue durée of empire.COME FROM investigates what is deeply interior while reaching toward the world with tenderness and generous attention.
come see about me, marvin (Made in Michigan Writers Series)
by Brian Gilmorecome see about me, marvin is accessible, honest poetry about and for real people. In the collection, brian g. gilmore seeks to invite the reader into a fantastical dialogue between himself and Marvin Gaye—two black men who were born in the nation’s capital, but who moved to the Midwest for professional ambitions. In trying to acclimate himself to a new job in a new place—a place that seemed so different from the home he had always known—gilmore often looked to Marvin Gaye as an example for how to be. These poems were derived as a means of coping in a strange land. The book is divided into four sections, beginning with section one, "love that will shelter you," and features poems about dealing with life in Michigan as it is in reality. Sections two and three, "nowhere to hide" and "no ordinary pain," include poems about the brutality of the Midwest and some of the historical realities as gilmore came to understand them. The final section, "let your love come shining through," attempts to invoke hope in poetry. come see about me, marvin is gilmore’s answer to life’s perplexing issues, with Marvin Gaye as the perfect vehicle to explore these ideals. Readers of poetry and lovers of Motown will embrace this love letter to a local legend.
day/break
by Gwen Benawayday/break, poet Gwen Benaway's fourth collection of work, explores the everyday poetics of the trans feminine body. Through intimate experiences and conceptualizations of trans life, day/break asks what it means to be a trans woman, both within the text and out in the physical world. Shifting between theory and poetry, Benaway questions how gender, sexuality, and love intersect with the violence and transmisogyny of the nation state and established literary institutions. In beautiful lyric verse, day/break reveals the often-unseen other worlds of trans life, where body, self, and sex are transformed, becoming more than fixed binary locations.
day/break
by Gwen Benawayday/break, poet Gwen Benaway's fourth collection of work, explores the everyday poetics of the trans feminine body. Through intimate experiences and conceptualizations of trans life, day/break asks what it means to be a trans woman, both within the text and out in the physical world. Shifting between theory and poetry, Benaway questions how gender, sexuality, and love intersect with the violence and transmisogyny of the nation state and established literary institutions. In beautiful lyric verse, day/break reveals the often-unseen other worlds of trans life, where body, self, and sex are transformed, becoming more than fixed binary locations.
dueto de lagos
by Maki Starfield Eileen SheehanLa poeta irlandesa Eileen Sheehan y la poeta japonesa Maki Starfield dialogaron sobre "Lake" compartiendo sus poemas. Lago de día, lago de noche, cada poema muestra movimiento y calma, activividad y contemplación.
echolalia echolalia
by Jane ShiRelentlessly inventive poetry that proclaims a diasporic, queer, and disabled self-hood.In Jane Shi's echolalia echolalia, commitment and comedy work together to critique ongoing inequities, dehumanizing ideologies, and the body politic. Here are playful and transformative narratives of friendship and estrangement, survival and self-forgiveness. Writing against inherited violence and scarcity-producing colonial projects, Shi expresses a deep belief in one's chosen family, love and justice."Shi extends her poetics in all directions with silky skill. Language flourishes in the realm of a poet like this." - T. Liem, author of Slows: Twice and Obits.
feeld
by Jos CharlesFINALIST FOR THE PULITZER PRIZEFINALIST FOR THE LOS ANGELES TIMES BOOK PRIZELONGLISTED FOR THE NATIONAL BOOK AWARDA NEW YORKER BEST POETRY BOOK OF 2018A VULTURE BEST POETRY BOOK OF 2018A LIBRARY JOURNAL BEST BOOK OF 2018Selected by Fady Joudah as a winner of the 2017 National Poetry Series, Jos Charles&’s revolutionary second collection of poetry, feeld, is a lyrical unraveling of the circuitry of gender and speech, defiantly making space for bodies that have been historically denied their own vocabulary. &“i care so much abot the whord i cant reed.&” In feeld, Charles stakes her claim on the language available to speak about trans experience, reckoning with the narratives that have come before by reclaiming the language of the past. In Charles&’s electrifying transliteration of English—Chaucerian in affect, but revolutionary in effect—what is old is made new again. &“gendre is not the tran organe / gendre is yes a hemorage.&” &“did u kno not a monthe goes bye / a tran i kno doesnt dye.&” The world of feeld is our own, but off-kilter, distinctly queer—making visible what was formerly and forcefully hidden: trauma, liberation, strength, and joy. Urgent and vital, feeld composes a new narrative of what it means to live inside a marked body.