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Enough Rope (Dover Thrift Editions: Poetry)

by Dorothy Parker

Renowned for her acerbic wit, cynicism, and satirical humor, Dorothy Parker skewered the pretensions of everyday life and clichéd relations between men and women in her debut poetry collection, published in 1926. Originally printed in Vanity Fair, The New Yorker, and Life magazine, her early poems were a runaway success with the young, liberated women of the Jazz Age. Notable for their lighthearted, clever verse and razor-sharp quips, the selections include “A Well-Worn Story,” “Godspeed,” “News Item,” “Résumé,” “The False Friends,” “Verse for a Certain Dog,” and many others. Once known as “the wittiest woman in America,” Parker was a founding member of the Algonquin Round Table and the Screen Writers Guild.

Enough Rope: A Book of Light Verse (Vintage Classics)

by Dorothy Parker

Now available as a stand-alone edition, the famous humorist&’s debut collection—a runaway bestseller in 1926—ranges from lighthearted self-deprecation to acid-tongued satire, all the while gleefully puncturing sentimental clichés about relations between men and women.Known as the wittiest woman in America and a founder of the fabled Algonquin Round Table, Dorothy Parker was also one of the Jazz Age&’s most beloved poets. Her verbal dexterity and cynical humor were on full display in the many poems she published in Vanity Fair, The New Yorker, and Life and collected in her first book in 1926. The poems in Enough Rope range from lighthearted self-deprecation to acid-tongued satire, all the while gleefully puncturing sentimental clichés about the relations between men and women. Unfortunate CoincidenceBy the time you swear you&’re his, Shivering and sighing,And he vows his passion is Infinite, undying—Lady, make a note of this: One of you is lying.

Enough as You Are

by Scott Stabile

In this heart-expanding collection of poetry and short prose, Scott Stabile delivers liberating truths rooted in the premise that each of us is beautiful, whole, and enough — just as we are. With the same wise, humorous, and unembellished voice that has garnered him hundreds of thousands of followers online, Scott assures us that our worth is inherent, our authenticity bridges the path to freedom, and with willingness and commitment, deep self-love is possible for each of us. Enough as You Are, like all his work, reminds us that love is our greatest healer and invites us to consider the positive transformations that can occur when we move through the world with love as our foundation.

Enter Invisible

by Catherine Wing

first collection of poems by this Kentucky poet

Enter the Raccoon

by Beatriz Hausner

Enter the Raccoon documents a love affair between a woman and a raccoon. They are a couple that loves without preconceptions, whose being together eschews all limits until their beliefs in the self are put to the test. Their story unfolds each time one surrenders to the other in a sometimes melancholic and cruel, other times joyful, even ecstatic embrace.

Enter the Water

by Jack Wiltshire

'A dark-light beauty' Ali Smith'Totally compelling, Enter The Water pulls you along like a current. Gentle, deft, spacious yet searingly vivid, it wanders like our narrator and shows us both nature and the city through new eyes . . . This book will sneak up on you and leave its music long ringing in your ears' Cecilia Knapp'Enter the Water is both visceral and perceptive, a discomfort formulated in great tenderness and pain' Bhanu Kapil 'Enter the Water has horizons and wit and allusion and rhyme and disenchanted politics and birds, and lines that hit the reader right in the heart . . . The writing is original and perfectly pitched . . . A significant debut' Ian Pattersoni sat in a chapel the other night in my big gay coat talking to a god whose answer is only sometimes no no that was a lie the house of god was closed the night i needed him i sat outside on the granite steps of a fountain happily pouring itself an eternal supplyENTER THE WATER follows a young man who becomes homeless when he is evicted from his flat in Cambridge during the turbulent early months of 2022. As the wind stirs, our narrator embarks on a journey from his park bench out towards the coast, wrapped in his 'big gay coat', accompanied by his pigeons, a blackbird and Storm Eunice - 'Nature' in colourfully alive and playful forms. Along the way he searches for a beauty inherent to all of us, and then calls us to reclaim it. ENTER THE WATER is a story invested in care - care towards the environment; towards the political realities of recession and the war in Ukraine; towards the dynamic self, the human whose love for swimming becomes synonymous with self-acceptance and survival; and to everyone, managing to manage. Walking along the edges of our troubled current affairs, animated by a spirit of cheerful protest, this book is an offering and an urgent invitation to exit and re-enter our world - and to celebrate our capacity for courage in times of suffering.

Enter: Poems

by Jim Moore

In Enter, poet Jim Moore navigates the public spaces of his neighborhood—parks, boardwalks, piazzas, even parking garages—and encounters people negotiating mortality in the pandemic age just as he is coming to terms with his own long story. In his signature lucid and wry voice, Moore acknowledges suffering while making room for joy and for moments of peace. These poems offer shelter to readers and, in summoning poets like Rilke and Tsvetaeva, remind us that poetry’s tenderness can be repaid in tenderness. “Please show me how to be you,” he writes in deeply intimate lines revealing a poettapped into the networks of human connection vibrating under the surface of all the places humans gather.Enter is a collection of thoughtful meditations on hope at a moment when hope seems far-fetched, when humanity is faced with the inevitability of being “grazed upon by earth.” Yet Moore finds the joy, he writes of shyness and the bells of a church resounding, of counting hours: “I find words. I write of love.” Enter is a collection of thoughtful meditations on hope at a moment when hope seems farfetched, when humanity is faced with the inevitability of being ‘grazed upon by earth.” Yet Jim Moore finds the joy, he writes of shyness and the bells of a church resounding, of counting hours: “I find words. I write of love.”

Entering Another Country

by Toni Ortner

Review by Helen Cooper in Motheroot Journal The title poem, "Entering Another Country", is dedicated to a male friend who has died. There are exuberant, rich landscapes of imagined travel, journeys into the visual worlds of Grandma Moses and Rousseau, and the painful realization that what the poet means by travel is change and growth, the raw experience of self-birthing, a process into a place as unknown as the death place of her friend. Here Ortner connects with her female heritage. It is a courageous poem of breaking out, and the unfamiliar terrain into which this takes her almost robs the poet of speech.

Entering History: Poems

by Mary Stewart Hammond

Lyrical narratives that chronicle a long marriage, rich with wit, dark irony, and poignancy. In her long-awaited second volume, Mary Stewart Hammond chronicles a long marriage with sharp wit, dark irony, and poignancy. As James Merrill says of Hammond’s poems, they “brim with what the whole world knows.” Entering History opens on a middle-aged couple, modern-day travelers in an ancient setting. The collection follows their relationship through time and place, combining the personal and the historical in stories of the family—siblings, a daughter, and the very different marriage of the poet’s parents. The marriage poems share the intimacy, erotic playfulness, irritations, worries, and angers that are part of an enduring love and a long marriage. In “Portrait of My Husband Reading Henry James,” the poet paints her husband using syntax and language that evoke James’s. In “Venasque,” the wintry village, perched on the edge of a cliff, serves as a metaphor for the existential crisis facing the couple. “Lines composed at Beaufort, South Carolina, a few miles above Parris Island,” about the poet’s brother, moves back and forth between the Civil War and the preparations of troops for today’s wars. In “Jacob and Esau with Sister,” two brothers, in a transaction as old as oral history, highlight its consequences in the twenty-first century. “Anniversary” is a heartbreaking elegy for a third brother who kills himself. Hammond reaches into the past and present of the American family, closing Entering History where it began, with the couple in bed, now older, harkening back to the bed they shared when they were newlyweds. These powerful, beautifully crafted, lyrical narratives give depth to an examination of life—its joys, sorrows, laughter, and tragedies.

Entrapment and Other Writings

by Nelson Algren Dan Simon Brooke Horvath

Nelson Algren sought humanity in the urban wilderness of postwar America, where his powerful voice rose from behind the billboards and down tin-can alleys, from among the marginalized and ignored, the outcasts and scapegoats, the punks and junkies, the whores and down-on-their luck gamblers, the punch-drunk boxers and skid-row drunkies and kids who knew they'd never reach the age of twenty-one: all of them admirable in Algren's eyes for their vitality and no-bullshit forthrightness, their insistence on living and their ability to find a laugh and a dream in the unlikeliest places. In Entrapment and Other Writings--containing his unfinished novel and previously unpublished or uncollected stories, poems, and essays--Algren speaks to our time as few of his fellow great American writers of the 1940s and '50s do, in part because he hasn't yet been accepted and assimilated into the American literary canon despite that he is held up as a talismanic figure. "You should not read [Algren] if you can't take a punch," Ernest Hemingway declared. "Mr. Algren can hit with both hands and move around and he will kill you if you are not awfully careful."

Entre La Chair et L'Ame

by Huguette Bertrand

Excerpt<P> d'un passé arrimé<P> aux départs fragiles<P> que viennent agiter<P> les bruits<P> des pas sourds<P> de l'ennui<P> livré au hasard<P> d'un horizon docile<P> muet<P> 15 nov. 97

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by Wendell Berry

In this gathering of work from the past fifteen years, Wendell Berry offers poems of remembrance and regeneration, celebrating life's complexities from the domestic to the eternal.

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by Wendell Berry

In these poems, Wendell Berry combines plainspoken elegance with deeply felt emotion—this is work of both remembrance and regeneration. Whether writing as son of a dying father or as father of a daughter about to be wed, Berry plumbs the complexities of conflict, grief, loss, and love. He celebrates life from the domestic to the eternal, finding in the everyday that which is everlasting.

Envelope Poems

by Emily Dickinson Jen Bervin Marta Werner

Another gorgeous copublication with the Christine Burgin Gallery, Emily Dickinson's Envelope Poems is a compact clothbound gift book, a full-color selection from The Gorgeous Nothings. Although a very prolific poet—and arguably America’s greatest—Emily Dickinson (1830–1886) published fewer than a dozen of her eighteen hundred poems. Instead, she created at home small handmade books. When, in her later years, she stopped producing these, she was still writing a great deal, and at her death she left behind many poems, drafts, and letters. It is among the makeshift and fragile manuscripts of Dickinson’s later writings that we find the envelope poems gathered here. These manuscripts on envelopes (recycled by the poet with marked New England thrift) were written with the full powers of her late, most radical period. Intensely alive, these envelope poems are charged with a special poignancy—addressed to no one and everyone at once. Full-color facsimiles are accompanied by Marta L. Werner and Jen Bervin’s pioneering transcriptions of Dickinson’s handwriting. Their transcriptions allow us to read the texts, while the facsimiles let us see exactly what Dickinson wrote (the variant words, crossings-out, dashes, directional fields, spaces, columns, and overlapping planes). This fixed-layout ebook is an exact replica of the print edition, and requires a color screen to properly display the high-resolution images it contains. For this reason, Envelope Poems is not available on devices with e-ink screens, such as Kindle Paperwhite. We apologize for any inconvenience.

Environmental Humanities and Theologies: Ecoculture, Literature and the Bible (Routledge Environmental Humanities)

by Rod Giblett

Many ways of thinking about and living with ‘the environment’ have their roots in the Bible and the Christian cultural tradition. Environmental Humanities and Theologies shows that some of these ways are problematic. It also provides alternative ways that value both materiality and spirituality. Beginning with an environmentally friendly reading of the biblical story of creation, Environmental Humanities and Theologies goes on to discuss in succeeding chapters the environmental theology of wetlands, dragons and watery monsters (including crocodiles and alligators) in the Bible and literature. It then gives a critical reading of the environmental theology of the biblical book of Psalms. Theological concepts are found in the works of English writers of detective and devotional stories and novels, American nature writers and European Jewish writers (as succeeding chapters show). Environmental Humanities and Theologies concludes with an appreciation for Australian Aboriginal spirituality in the swamp serpent. It argues for the sacrality of marsh monsters and swamp serpents as figures of reverence and respect for living bio- and psycho-symbiotic livelihoods in bioregions of the living earth in the Symbiocene. This is the hoped-for age superseding the Anthropocene. Environmental Humanities and Theologies is aimed at those who have little or no knowledge of how theology underlies much thinking and writing about ‘the environment’ and who are looking for ways of thinking about, being and living with the earth that respect and value both spirituality and materiality. It is a new text nurturing sacrality for the Symbiocene.

Eon: Poems (Southern Messenger Poets)

by Terry Hummer

A poetic study of the eternal, T. R. Hummer’s new collection Eon, as with the other volumes in this trilogy—Ephemeron and Skandalon—offers meditations on the brief arc of our existence, death, and beyond. With vivid, corporeal imagery and metaphysical flourishes, the poet explores how the dead influence the ways we understand ourselves. Anchored with a series of poems that can be read as extended epitaphs, the collection closes with a gesture toward the redemptive power of love. In the tradition of Rainer Maria Rilke, Emily Dickinson, and Philip Levine, Eon shows us the power of being “simple expressions of our earth. It imagined us, / And was imagined by something nameless in return.”

Ephemeron: Poems (Southern Messenger Poets)

by T. R. Hummer

T. R. Hummer's new and characteristically pyrotechnic collection takes its title from the rare (in English) singular form of the common word "ephemera." In a work of startling originality, the poet presents a meditation on ephemerality from the point of view of the ephemeron itself as it passes, be it the individual, the atom, the particle.Hummer's work is existential and atemporal. The scope of the poems gradually broadens from the opening section, also called "Ephemeron," through "Either/Or," which is a fulcrum, on to plural "Ephemera." The vision that emerges is haunting, evoking the aftermath of a physical, psychological, and spiritual apocalypse.Relentless in its stalking of the boundary between being and nonbeing, Ephemeron becomes a tour-de-force that shines a spotlight into dark corners of Being, revealing yet more darkness.

Epic Continent: Adventures in the Great Stories of Europe

by Nicholas Jubber

These are the stories that made Europe.Journeying from Turkey to Iceland, award-winning travel writer Nicholas Jubber takes us on a fascinating adventure through our continent's most enduring epic poems to learn how they were shaped by their times, and how they have since shaped us. The great European epics were all inspired by moments of seismic change: The Odyssey tells of the aftermath of the Trojan War, the primal conflict from which much of European civilisation was spawned. The Song of the Nibelungen tracks the collapse of a Germanic kingdom on the edge of the Roman Empire. Both the French Song of Roland and the Serbian Kosovo Cycle emerged from devastating conflicts between Christian and Muslim powers. Beowulf, the only surviving Old English epic, and the great Icelandic Saga of Burnt Njal, respond to times of great religious struggle - the shift from paganism to Christianity. These stories have stirred passions ever since they were composed, motivating armies and revolutionaries, and they continue to do so today.Reaching back into the ancient and medieval eras in which these defining works were produced, and investigating their continuing influence today, Epic Continent explores how matters of honour, fundamentalism, fate, nationhood, sex, class and politics have preoccupied the people of Europe across the millennia. In these tales soaked in blood and fire, Nicholas Jubber discovers how the world of gods and emperors, dragons and water-maidens, knights and princesses made our own: their deep impact on European identity, and their resonance in our turbulent times.

Epic Continent: Adventures in the Great Stories of Europe

by Nicholas Jubber

Shortlisted for the Stanford Dolman Travel Book of the Year 2020Award-winning travel writer Nicholas Jubber journeys across Europe exploring Europe's epic poems, from the Odyssey to Beowulf, the Song of Roland to the Nibelungenlied, and their impact on European identity in these turbulent times. These are the stories that made Europe.Journeying from Turkey to Iceland, award-winning travel writer Nicholas Jubber takes us on a fascinating adventure through our continent's most enduring epic poems to learn how they were shaped by their times, and how they have since shaped us. The great European epics were all inspired by moments of seismic change: The Odyssey tells of the aftermath of the Trojan War, the primal conflict from which much of European civilisation was spawned. The Song of the Nibelungen tracks the collapse of a Germanic kingdom on the edge of the Roman Empire. Both the French Song of Roland and the Serbian Kosovo Cycle emerged from devastating conflicts between Christian and Muslim powers. Beowulf, the only surviving Old English epic, and the great Icelandic Saga of Burnt Njal, respond to times of great religious struggle - the shift from paganism to Christianity. These stories have stirred passions ever since they were composed, motivating armies and revolutionaries, and they continue to do so today.Reaching back into the ancient and medieval eras in which these defining works were produced, and investigating their continuing influence today, Epic Continent explores how matters of honour, fundamentalism, fate, nationhood, sex, class and politics have preoccupied the people of Europe across the millennia. In these tales soaked in blood and fire, Nicholas Jubber discovers how the world of gods and emperors, dragons and water-maidens, knights and princesses made our own: their deep impact on European identity, and their resonance in our turbulent times.(P)2019 Hodder & Stoughton Limited

Epic Lives and Monasticism in the Middle Ages, 800-1050

by Anna Lisa Taylor

This is the first book to focus on Latin epic verse saints' lives in their medieval historical contexts. Anna Taylor examines how these works promoted bonds of friendship and expressed rivalries among writers, monasteries, saints, earthly patrons, teachers and students in Western Europe in the central Middle Ages. Using philological, codicological and microhistorical approaches, Professor Taylor reveals new insights that will reshape our understanding of monasticism, patronage and education. These texts give historians an unprecedented glimpse inside the early medieval classroom, provide a nuanced view of the complicated synthesis of the Christian and Classical heritages, and show the cultural importance and varied functions of poetic composition in the ninth, tenth and eleventh centuries.

Epic Of Gilgamesh: 2nd Norton Critical Edition

by Benjamin R. Foster

“This scrupulous new translation of The Epic of Gilgamesh manages to convey much of the archaic power and even something of the occasional humor of the ancient Mesopotamian poem. What is especially valuable is that the translators, by collating passages from the different ancient versions of this epic that have survived only in fragments, have made available many vivid narrative episodes that will be new to most English readers of the poem.” ―Robert Alter, University of California, Berkeley This Norton Critical Edition includes: An expanded translation from the Akkadian by Benjamin R. Foster based on new discoveries, adding lines throughout the world’s oldest epic masterpiece. Benjamin R. Foster’s full introduction and expanded explanatory annotations. Eleven illustrations. Analogues from the Sumerian and Hittite narrative traditions along with “The Gilgamesh Letter,” a parody of the epic enjoyed by Mesopotamian schoolchildren during the first millennium BCE. Essays by Thorkild Jacobsen, William L. Moran, Susan Ackerman, and Andrew R. George, and a poem by Hillary Major. A Glossary of Proper Names and a Selected Bibliography.

Epic Visions

by Caroline Vout Helen Lovatt

The epic genre has at its heart fascination and horror at viewing death. Epic heroes have active visual power, yet become objects, turned into monuments, watched by two main audiences: the gods above and the women on the sidelines. This stimulating and ambitious study investigates the theme of vision in Greek and Latin epic from Homer to Nonnus, bringing the edges of epic into dialogue with the most celebrated moments (the visual confrontation of Hector and Achilles, the failure of Turnus' gaze), revealing epic as both massive assertion of authority and fractured representation. It demonstrates the complexity of epic constructions of gender: from Apollonius' Medea toppling Talos with only her eyes to Parthenopaeus as object of desire. On display are the vertical gaze of the gods, mortal responses, prophets as penetrative viewers and rape victims, ecphrasis as objectification, women on the walls gazing sidelong, heroic bodies fragmented and fetishized.

Epic: Britain's Heroic Muse 1790-1910

by Herbert F. Tucker

This book is the first to provide a connected history of epic poetry in Britain between the French Revolution and the First World War. Although epic is widely held to have been shouldered aside by the novel, if not invalidated in advance by modernity, in fact the genre was practiced without interruption across the long nineteenth century by nearly every prominent Romantic and Victorian poet. Poets kept the epic alive by revising its conventions to meet an overlapping series of changing realities: insurgent democracy, Napoleonic war, the rise of class consciousness and repeated reform of the franchise, challenges posed by scientific advance to religious belief and cherished notions of the human, the evolution of a postnationalist and eventually imperialist identity for Britain as the world's superpower. Each of these developments called on nineteenth-century epic to do what the genre had always done: affirm the unity of its sponsoring culture through a large utterance that both acknowledged the distinctive flowering of the modern and affirmed its rootedness in tradition. The best writers answered this call, Herbert Tucker argues, by figuring Britain's self-renewal and the genre's as versions of one another. In passing, he notices scores of mediocre congeners (and worse), so as to show where the challenge of a given decade fell and suggest what lay at stake. The background these lesser works provide throws into relief what the book stresses in extended discussions of several dozen major works: an unbroken history of experi­mentation in which circumspect, inventive, worried epoists engaged because the genre and the age alike demanded it.

Epigrams: With An English Translation (Modern Library Classics)

by Martial

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Epopeya: Antología

by Pablo De Rokha

Rescate de la gran antología prologada que Carlos Droguett hizo de la poesía de Pablo de Rokha. Epopeya es la recuperación de un grandioso hito de la poesía chilena. En 1974, Carlos Droguett publicó en La Habana una amplia selección prologada de la obra de Pablo de Rokha, quien seis años antes se había quitado la vida. Además de la amistad, los unía una afinidad literaria marcada por el ímpetu, el desborde y la acritud. Fue inmejorable el trabajo de Droguett, hecho para la prestigiosa colección Casa de las Américas de Cuba y hoy reeditado íntegramente por Lumen Poesía: una antología sustancial y maciza antecedida de una extensa introducción que realza con inteligencia el valor de la gran poesía rokhiana, esa escritura única, celebratoria y demoledora a la vez.

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