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Formal Matters in Contemporary Latino Poetry
by Frederick Luis AldamaToday's Latino poetry scene is incredibly vibrant. With original interviews, this is the first meditation on the thematic features of such poetry. Looking at how Julia Alvarez, Rhina Espaillat, Rafael Campo, and C. Dale Young use structures such as meter, rhyme, and line break, this study identifies a poetics of formalist Latino poetry.
Forms of Poetic Attention
by Lucy AlfordA poem is often read as a set of formal, technical, and conventional devices that generate meaning or affect. However, Lucy Alford suggests that poetic language might be better understood as an instrument for tuning and refining the attention. Identifying a crucial link between poetic form and the forming of attention, Alford offers a new terminology for how poetic attention works and how attention becomes a subject and object of poetry.Forms of Poetic Attention combines close readings of a wide variety of poems with research in the philosophy, aesthetics, and psychology of attention. Drawing on the work of a wide variety of poets such as T. S. Eliot, Wallace Stevens, Frank O’Hara, Anne Carson, Theresa Hak Kyung Cha, Harryette Mullen, Al-Khansā’, Rainer Maria Rilke, Arthur Rimbaud, and Claudia Rankine, Alford defines and locates the particular forms of attention poems both require and produce. She theorizes the process of attention-making—its objects, its coordinates, its variables—while introducing a broad set of interpretive tools into the field of literary studies. Forms of Poetic Attention makes the original claim that attention is poetry’s primary medium, and that the forms of attention demanded by a poem can train, hone, and refine our capacities for perception and judgment, on and off the page.
Fortune's Bones: The Manumission Requiem
by Marilyn NelsonThere is a skeleton in the Mattatuck Museum in Connecticut. It has been in the town for over 200 years. In 1996, community members decided to find out what they could about it. Historians discovered that the bones were those of a slave name Fortune, who was owned by a local doctor. After Fortune's death, the doctor rendered the bones. Further research revealed that Fortune had married, had fathered four children, and had been baptized later in life. His bones suggest that after a life of arduous labor, he died in 1798 at about the age of 60. <P><P> Merilyn Nelson wrote The Manumission Requiem to commemorate Fortune's life. Detailed notes and archival photographs enhance the reader's appreciation of the poem.
Forty-Five
by Frieda HughesBreaking forty-five years of near-silence on the subject of her life, Frieda Hughes finally opens up through the medium she knows best -- poetry. In this extraordinary collection of personal poems, she takes the reader step-by-step through the difficult and inspirational events that defined each year of her life, and which she encapsulates here. We share her pain through her mother's suicide, her fight against bulimia, three marriages, losing her father to cancer, and her stepmother's rejection. In the face of so much grief, she also shares her successes, her loves, and her ultimate triumphs as an accomplished poet and painter. As she grows older, her narrative unfolds to show a complex life beautifully rendered in her poetry. Hughes is a master of powerful, moving, and vivid language, as seen with the critical success of her past collections, Wooroloo and Waxworks, and never more so than now, as she takes on the topics of life, love, loss, and family. For any lover of poetry or for anyone who wants to know what happened in the life of Frieda Hughes after she so tragically lost her mother, this book is the answer.
Forty-Two Poems
by James Elroy FleckerBook Description James Elroy Flecker (1884-1915) was an English poet, novelist and playwright. As a poet he was most influenced by the Parnassian poets.
Found Alphabet
by Ramon ShindlerThe ordinary becomes the extraordinary within the pages of Found Alphabet, a fantastic collaboration of Polish artists. The four creators of Found Alphabet reside in Kraków, Poland. This is their first book published in the United States.
Found Life: Poems, Stories, Comics, a Play, and an Interview (Russian Library)
by Linor GoralikOne of the first Russian writers to make a name for herself on the Internet, Linor Goralik writes conversational short works that conjure the absurd in all its forms, reflecting post-Soviet life and daily universals. Her mastery of the minimal, including a wide range of experiments in different forms of micro-prose, is on full display in this collection of poems, stories, comics, a play, and an interview, here translated for the first time. In Found Life, speech, condensed to the extreme, captures a vivid picture of fleeting interactions in a quickly moving world. Goralik's works evoke an unconventional palette of moods and atmospheres—slight doubt, subtle sadness, vague unease—through accumulation of unexpected details and command over colloquial language. While calling up a range of voices, her works are marked by a distinct voice, simultaneously slightly naïve and deeply ironic. She is a keen observer of the female condition, recounting gendered tribulations with awareness and amusement. From spiritual rabbits and biblical zoos to poems about loss and comics about poetry, Goralik's colorful language and pervasive dark comedy capture the heights of ridiculousness and the depths of grief.
Found at Sea
by Andrew GreigThe acclaimed Scottish writer reflects on a small boat excursion through the Orkney Islands in this poetry collection of &“touching lyrical sensitivity&” (The Times Literary Supplement, UK). Andrew Greig has won much acclaim and numerous awards for his novels, poetry, and nonfiction evoking the natural beauty of rural Scotland or chronicling his far-flung adventures. In this volume, his love for his home and his passion for travel come together. One summer evening, Greig embarked upon a micro-odyssey from his home in Stromness to the island of Cava, and Found at Sea recounts in poetic sequence the tale of his open dinghy voyage. Written in six weeks, this is a &“very wee epic&” about sailing, male friendship, and a voyage. In sailing small boats in scary open waters, Andrew Greig has found a new activity and a new metaphor for life.
Found: Poems
by Souvankham ThammavongsaA beautiful re-issued edition of poetry from the Scotiabank Giller Prize–winning author of How To Pronounce Knife FEATURING A NEW INTRODUCTION BY THE AUTHOR&“In 1978, my parents lived in building #48. Nong Khai, Thailand, a Lao refugee camp. My father kept a scrapbook filled with doodles, addresses, postage stamps, maps, measurements. He threw it out and when he did, I took it and found this.&”Built out of doodles, diagrams, and drawings, this is a work characterized by the elegance and power of its bareness. These poems use blank spaces and small print. Their language is exquisitely precise in detail, and every letter, gesture, break, line, and shape becomes a place of real meaning. Here, the intention is to let us see, as well as to hold back much of what we see.First published in 2007, Souvankham Thammavongsa's remarkable second collection was acclaimed for its originality and cemented her reputation as a poet with a rare, astonishing gift.
Four Arthurian Romances: Cliges
by Chretien DetroysIt tells the story of the knight Cligès and his love for his uncle's wife, Fenice. Because of the story's de-romanticized depiction of adultery, it has been called a criticism or parody of the Tristan and Isolde romances. Cligès scholar Lucie Polak not only verifies the Tristan and Isolde reworking found in the text, but also suggests that Cligès may be modeled after Ovid's character Narcissus.
Four Arthurian Romances: Complete
by Chretien DetroysChrétien's works include five major poems in rhyming eight-syllable couplets. Four of these are complete; Erec and Enide (c. 1170); Cligès (c. 1176), and Yvain, the Knight of the Lion and Lancelot, the Knight of the Cart, both written simultaneously between 1177 and 1181. Chrétien's final romance was Perceval, the Story of the Grail, written between 1181 and 1190, but left unfinished, though some scholars have disputed this.
Four Arthurian Romances: Eric Et Enide
by Chretien DetroysErec et Enide features many of the common elements of Arthurian romance, such as Arthurian characters, the knightly quest, and women or love as a catalyst to action. While it is not the first story to use conventions of the Arthurian characters and setting, Chrétien de Troyes is credited with the invention of the Arthurian romance genre by establishing expectation with his contemporary audience based on its prior knowledge of the subjects.
Four Arthurian Romances: Lancelot
by Chretien DetroysThe action centers on Lancelot's rescue of the queen after she has been abducted by Meleagant, the son of Bademagu. The Abduction of Guinevere is one of the oldest motifs in Arthurian legend, appearing also in Caradoc of Llancarfan's Life of Gildas and carved on the archivolt in Modena Cathedral.
Four Arthurian Romances: Yvain
by Chretien DetroysIn the poem, Yvain seeks to avenge his cousin Calogrenant who had been defeated by an otherworldly knight Esclados beside a magical storm-making stone in the forest of Brocéliande. Yvain defeats Esclados and falls in love with his widow Laudine.
Four Birds of Noah's Ark: A Prayer Book from the Time of Shakespeare
by Thomas DekkerA timeless, little-known literary classic to engage a new generation of readers As the Black Death ravaged London in 1608, in the midst of societal chaos and tragedy, playwright Thomas Dekker wrote Four Birds of Noah&’s Ark, a book containing fifty-six prayers for the people of London and all of England. The prayers in this book bear witness to Dekker&’s deep faith with a power and poignancy that few written prayers in English literature achieve. Bringing Dekker&’s devotional classic back into print for the first time since 1924, editor Robert Hudson has annotated the prayers and modernized their language without sacrificing their enchanting beauty and simplicity. Hudson&’s substantive and illuminating introduction is a gem in itself.
Four Birds of Noah's Ark: A Prayer Book from the Time of Shakespeare
by Thomas DekkerA timeless, little-known literary classic to engage a new generation of readers As the Black Death ravaged London in 1608, in the midst of societal chaos and tragedy, playwright Thomas Dekker wrote Four Birds of Noah&’s Ark, a book containing fifty-six prayers for the people of London and all of England. The prayers in this book bear witness to Dekker&’s deep faith with a power and poignancy that few written prayers in English literature achieve. Bringing Dekker&’s devotional classic back into print for the first time since 1924, editor Robert Hudson has annotated the prayers and modernized their language without sacrificing their enchanting beauty and simplicity. Hudson&’s substantive and illuminating introduction is a gem in itself.
Four Letter Words
by Tran TruongPoetry. Asian American Studies. "The word 'in' appears in this book 186 times. Around this word, as if on its own defiant, self-defining margin, exists a kindred lexicon: intention, indignation, innocence, intact, incomplete, inclusion, invite, incite. Truong Tran, a poet of probing inventiveness, plumbs the possibilities of confessional poetry as no one else can. In this book, he shows identity's 'cruel complexity melting on my tongue.' In his own, inimitable tongue he speaks his grief, outrage, and faithfulness. Troung takes the reader on a journey to the interior: in response, in exile, in the word"--Elizabeth Robinson. Truong Tran is the author of WITHIN THE MARGIN, DUST & CONSCIENCE, and PLACING THE ACCENTS.
Four Middle English Romances: Sir Isumbras, Octavian, Sir Eglamour Of Artois, Sir Tryamour (Teams Middle English Texts Series)
by Harriet HudsonSir Isumbras, Octavian, Sir Eglamour of Artois, and Sir Tryamour are important works in a major literary development of the fourteenth century: the flourishing of Middle English popular romance. <P><P> These four narratives were among the most popular; all survive in multiple manuscripts and continued to circulate in prints through the sixteenth century. All were composed in the northeast Midlands in the fifty years between 1325 and 1375, and they appear together in several manuscripts. <P><P>The tale the romances tell-of exiled queens, orphaned children, and penitent fathers-was one of the most prevalent medieval stories. Sometimes called the Constance/Eustace legend (after two well-known pious versions), its influence can be seen in numerous romances.
Four Quartets: A Poem
by T. S. EliotThe last major verse written by Nobel laureate T. S. Eliot, considered by Eliot himself to be his finest work Four Quartets is a rich composition that expands the spiritual vision introduced in "The Waste Land." Here, in four linked poems ("Burnt Norton," "East Coker," "The Dry Salvages," and "Little Gidding"), spiritual, philosophical, and personal themes emerge through symbolic allusions and literary and religious references from both Eastern and Western thought. It is the culminating achievement by a man considered the greatest poet of the twentieth century and one of the seminal figures in the evolution of modernism.
Four Reincarnations
by Max RitvoReverent and profane, entertaining and bruising, Four Reincarnations is a debut collection of poems that introduces an exciting new voice in American letters.When Max Ritvo was diagnosed with cancer at age sixteen, he became the chief war correspondent for his body. The poems of Four Reincarnations are dispatches from chemotherapy beds and hospitals and the loneliest spaces in the home. They are relentlessly embodied, communicating pain, violence, and loss. And yet they are also erotically, electrically attuned to possibility and desire, to &“everything living / that won&’t come with me / into this sunny afternoon.&” Ritvo explores the prospect of death with singular sensitivity, but he is also a poet of life and of love—a cool-eyed assessor of mortality and a fervent champion for his body and its pleasures.Ritvo writes to his wife, ex-lovers, therapists, fathers, and one mother. He finds something to love and something to lose in everything: Listerine PocketPak breath strips, Indian mythology, wool hats. But in these poems—from the humans that animate him to the inanimate hospital machines that remind him of death—it&’s Ritvo&’s vulnerable, aching pitch of intimacy that establishes him as one of our finest young poets.
Four in Hand (American Poets Continuum Series #198)
by Alicia MountainComprised of four heroic crowns of sonnets, Alicia Mountain’s Four in Hand is both formal and experimental, ranging from lyric romantic and familial narratives to blank verses of reconfigured found text pulled from financial newsletter emails. Language and white space equally captivate with their sparsity and abundance as Mountain pursues the implications of national political identity with intersectional awareness. These poems interrogate our collective complicity in late-stage capitalism, drone warfare, the election of Donald Trump, environmental degradation, mental health crises, and the dawn of Covid-19 through the lens of gay poetic lineage, regionalism, and familial kinships structures.As in all lived experiences, treacheries and triumphs fade in and out of focus and intimacy, heartbreak, travel, eroticism, joy, and quotidian happenings offer character and momentum across non-linear narrative arcs. Through enthralling images, gripping storytelling, and world-building, Four in Hand carves out necessary space for lesbian gaze, speakership, and personhood. From the back corner of a vast, sprawling, yet gorgeous landscape of thought, Mountain's poems beckon us inside.
Four-Legged Girl: Poems
by Diane Seuss"Diane Seuss writes with the intensity of a soothsayer." —Laura KasischkeFor, having imagined your body one way I found it to be another way, it was yielding, but only as the Destroying Angel mushroom yields, its softness allied with its poison, and your legs were not petals or tendrils as I'd believed, but brazen, the deviant tentacles beneath the underskirt of a secret queen —from "Oh four-legged girl, it's either you or the ossuary"In Diane Seuss's Four-Legged Girl, her audacious, hothouse language swerves into pain and rapture, as she recounts a life lived at the edges of containment. Ghostly, sexy, and plaintive, these poems skip to the tune of a jump rope, fill a wishing well with desire and other trinkets, and they remember past lush lives in New York City, in rural Michigan, and in love. In the final poem, she sings of the four-legged girl, the body made strange to itself and to others. This collection establishes Seuss's poetic voice, as rich and emotional as any in contemporary poetry.
Fourteen On Form: Conversations With Poets
by Martha H. Swain William BaerFourteen on Form: Conversations with Poets by William Baer. Interviews with Willis Barnstone, Robert Conquest, Wendy Cope, Douglas Dunn, Anthony Hecht, John Hollander, Donald Justice, X. J. Kennedy, Maxine Kumin, Frederick Morgan, John Frederick Nims, W. D. Snodgrass, Derek Walcott, and Richard Wilbur. When free verse and its many movements seemed to dominate poetry, other writers worked steadfastly, insistently, and majestically in traditional forms of rhyme and meter. Such poets as Anthony Hecht, Donald Justice, Derek Walcott, and Richard Wilbur utilized sonnets, villanelles, blank verse, and many other forms to create dazzling, lasting work. Their writing posed a counterpoint to free verse, sustained a tradition in English language verse, and eventually inspired the movement called New Formalism. Fourteen on Form: Conversations with Poets collects interviews with some of the most influential poets of the last fifty years. William Baer, editor of The Formalist, asks incisive questions that allow writers to discuss in detail a wide range of topics related to their work, methods of composition, and the contemporary poetry scene. Maxine Kumin reflects on being a woman poet during a period in which women were not encouraged to submit to journals. With clarity and passion, Walcott remembers the impetus of his famous "Eulogy to W. H. Auden." British poet Wendy Cope talks about the differences between how her barbed poems are received in England and abroad. The conversations return continually to the serious matter of poetic craft, especially the potential power of form in poetry. These well-paced conversations showcase poets discussing their creative lives with insight and candor. The sum total of their forthright opinions in Fourteen on Form not only elucidates the current situation of the art form, but it also serves as a primer for understanding the fundamental craft of poetics. William Baer is a professor of English at the University of Evansville and the editor of The Formalist. He edited Elia Kazan: Interviews and Conversations with Derek Walcott, both published by University Press of Mississippi.
Fourth of July Fun! (Little Golden Book)
by Deb AdamsonAdd storytime to your July 4th celebration and enjoy this rhyming Little Golden Book about a family having fun doing lots of Independence Day activities.Dress up in red, white, and blue and read this fun rhyming story about a young family celebrating the Fourth of July. They watch a parade, bake a pie, play backyard games, spend time with friends and neighbors, watch fireworks, and more! Preschoolers will want to read this Little Golden Book again and again, no matter what day it is!