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Fourth of July Mice!
by Bethany RobertsFrom the book jacket: There's so much for four little mice to see and do: a costume parade, a mouse-size picnic, and even a refreshing dip in the pond. And no Independence Day would be complete without a fireworks show! So grab your flag, put on your finest red, white, and blue, and join in the celebration of a very special holiday-our country's birthday. From the publisher: It's the most patriotic of all holidays-Independence Day! The Holiday Mice take part in all the activities that make the Fourth of July fun: a parade, a picnic, a baseball game and sack race, and a refreshing dip in the stream. Even Mr. Mouse, the littlest mouse's special toy, joins in the festivities. The best part of all comes at the end of the day: a spectacular fireworks show! Packed with plenty of red, white, and blue and featuring the four Holiday Mice at their most adorable, this story about our nation's birthday will delight readers young and old alike.
Fox: Poems 1998-2000
by Adrienne Rich"A challenging collection that should more than satisfy [Rich's] large and loyal following."--Washington Post Book World In this volume, Adrienne Rich pursues her signature themes and takes them further: the discourse between poetry and history, interlocutions within and across gender, dialogues between poets and visual artists, human damages and dignity, and the persistence of utopian visions. Here Rich continues taking the temperature of mind and body in her time in an intimate and yet commanding voice that resonates long after an initial reading. Fox is formidable and moving, fierce and passionate, and one of Rich's most powerful works to date. "Justly celebrated....Rich has long wanted to set her readers' minds blazing...she succeeds."--Publishers Weekly starred review "Intimate, explorative, these are poems with a millennial feel, at once retrospective and forward-looking."--Washington Post Book World
Foxglovewise: Poems
by Ange MlinkoAnge Mlinko, whose poetry is “irresistible” (Los Angeles Review of Books), opens our perception of other lives, or lives unlived.Foxglovewise is, at its core, a response to the singular experience of the loss of one’s parents. It begins at an Eastern Orthodox Epiphany ritual in Florida and ends in a cemetery in Los Angeles. Yet, as with Ange Mlinko’s other books of poetry, the collection uses geography as a trope for the ways in which we try to map out our lives and make them legible, even as poetry, music, and paintings suggest that much of what happens, or matters, to us is “not on the maps” (not to mention “the apps”). Whether it’s Europa borne over the waves, or gravestones bearing aliases rather than birth names, or books bequeathed to us by relatives in languages we can’t read, we live “up in the air” or “on the wing” and not in fixed coordinates.Mlinko's poetry is suffused with wit, erudition, beauty, and boundless energy. As Declan Ryan wrote of her work in The Times Literary Supplement, “A reader could be merely dazzled by all this surface stylishness . . . but then they would miss the heart beneath it all.” Foxglovewise is a direct line to the author’s heart.
Foxlogic, Fireweed (The Backwaters Prize in Poetry)
by Jennifer K. SweeneyWinner of the Backwaters Prize in Poetry, Jennifer K. Sweeney&’s Foxlogic, Fireweed follows a lyrical sequence of five physical and emotional terrains—floodplain, coast, desert, suburbia, and mesa—braiding themes of nature, domesticity, isolation, and human relationships. These are poems of the earth&’s wild heart, its searing mysteries, its hollows, and its species, poems of the complex domestic space, of before and after motherhood, gun terror, the election, of dislocation and home, and of how we circle toward and away from our centers. Sweeney is not afraid to take up the domestic and inner lives of women, a nuanced relationship with the natural world that feels female or even maternal, or a duty to keeping alive poetry&’s big questions of transcendence, revelation, awe, and deep presence in the ordinary.
Fragen zum Lyrischen in Friederike Mayröckers Poesie (Abhandlungen zur Literaturwissenschaft)
by Inge Arteel Eleonore De FelipFriederike Mayröcker zählt zu den herausragenden lyrischen Stimmen der Gegenwart. Der vorliegende Band bietet Annäherungen an ihr lyrisches Werk. Entstanden im Laufe von mehr als 70 Schaffensjahren, spiegelt es die Entwicklung einer Einzelgängerin von ihren Anfängen in den letzten Kriegsjahren durch die Zeit der formalen Experimente in den 1960er und 1970er Jahren bis hin zu ihrem sogenannten Spätwerk. Mayröckers Poetik zeichnet sich durch ein komplexes System an intertextuellen und -medialen Bezügen, an Fremd- und Selbstzitaten, an motivischen Fortführungen und Variationen aus. Zugleich entziehen sich ihre Gedichte der interpretativen Entschlüsselung und Fixierung. - Durch innovative Perspektivierungen und neue Erkenntnisse kommen die hier versammelten Analysen der sprachlichen Kraft, formalen Kühnheit und emotionalen Tiefe von Mayröckers Gedichten auf die Spur. Die Beiträge widmen sich insbesondere Mayröckers jüngsten Bänden, ihrem Dialog mit Hölderlin sowie auch grundsätzlichen lyrikologischen Fragestellungen.
Fragments
by James Hillman Brooks Haxton HeraclitusIn the sixth century b.c.-twenty-five hundred years before Einstein-Heraclitus of Ephesus declared that energy is the essence of matter, that everything becomes energy in flux, in relativity. His great book, On Nature, the world's first coherent philosophical treatise and touchstone for Plato, Aristotle, and Marcus Aurelius, has long been lost to history-but its surviving fragments have for thousands of years tantalized our greatest thinkers, from Montaigne to Nietzsche, Heidegger to Jung. Now, acclaimed poet Brooks Haxton presents a powerful free-verse translation of all 130 surviving fragments of the teachings of Heraclitus, with the ancient Greek originals beautifully reproduced en face.
Fragments from the Fire: The Triangle Shirtwaist Company Fire of March 25, 1911
by Chris Llewellyn Michelle GaffeyThe Triangle Shirtwaist Company manufactured blouses for women and was located on the eighth, ninth, and tenth floors of the Asch Building, at the corner of Washington Place and Greene Street, in New York City's Washington Square.The company employed up to 900 workers at a time, but on March 25, 1911, only about 500 were present. These were immigrants, most of whom could not speak the English language. Nearly all were female, primarily Russian or Italian, although twelve nationalities were known to be ''on the books.'' At about 4:45 p.m., just after pay envelopes had been distributed, a fire broke out. Not everyone was able to reach the elevators and stairways. On the ninth floor, because the bosses had kept the doors locked to keep out union organizers, workers were forced to jump from windows. One hundred forty-six people, some as young as fourteen, perished. In 1987, Chris Llewellyn chronicled the Triangle Fire and its aftermath in her award-winning, polyvocal book of poems, Fragments from the Fire. Now, 105 years after the Fire, Fragments is in print once again. With poetic and documentary impulses, Fragments speaks to the deplorable working conditions that characterize the garment industry in this new millennium as it continues to commemorate the Triangle Fire of March 25, 1911. Winner of the Walt Whitman Award for 1986, this is a revised 30th anniversary edition of that book which was originally published by Viking Press in 1987 and again in "Steam Dummy & Fragments from the Fire" by Bottom Dog Press in 1993.
Fragments of My Mind
by Ben ThorntonFragments of My Mind features a unique collection of 20 beautifully simple poems, exploring the horizons of a story in poetic form. This debut collection captures the mysteries of everyday life and the power of the imagination, forming an accurate depiction of the world around us and the extent to which our imaginations can wander. The collection allows you to immerse yourself within the fantasies of the mind and enables you the ability to lose yourself within the written word--with genres ranging from thriller, to supernatural, and even to the nostalgic events of a childhood summer.
Frame Structures: Early Poems 1974-1979
by Susan HoweIn Frame Structures, Susan Howe brings together those of her early poems she wishes to remain in print, and in the forms in which she cares to have them last. Gathered here are versions of Hinge Picture (1974), Chanting at the Crystal Sea 91975), Cabbage Gardens (1979), and Secret History of the Dividing Line (1978) that differ in some respects from their original small-press editions. In a long preface, "Frame Structures," written especially for this volume, Howe suggests the autobiographical, familial, literary, and historical motifs that suffuse these early works. Taken together, the preface and poems reflect her rediscovered sense of her own beginnings as a poet, her movement from the visual arts into the iconography of the written word.
Frame, Glass, Verse: The Technology of Poetic Invention in the English Renaissance
by Rayna KalasIn a book that draws attention to some of our most familiar and unquestioned habits of thought—from "framing" to "perspective" to "reflection"—Rayna Kalas suggests that metaphors of the poetic imagination were once distinctly material and technical in character. Kalas explores the visual culture of the English Renaissance by way of the poetic image, showing that English writers avoided charges of idolatry and fancy through conceits that were visual, but not pictorial. Frames, mirrors, and windows have been pervasive and enduring metaphors for texts from classical antiquity to modernity; as a result, those metaphors seem universally to emphasize the mimetic function of language, dividing reality from the text that represents it. This book dissociates those metaphors from their earlier and later formulations in order to demonstrate that figurative language was material in translating signs and images out of a sacred and iconic context and into an aesthetic and representational one. Reading specific poetic images—in works by Spenser, Shakespeare, Gascoigne, Bacon, and Nashe—together with material innovations in frames and glass, Kalas reveals both the immanence and the agency of figurative language in the early modern period.Frame, Glass, Verse shows, finally, how this earlier understanding of poetic language has been obscured by a modern idea of framing that has structured our apprehension of works of art, concepts, and even historical periods. Kalas presents archival research in the history of frames, mirrors, windows, lenses, and reliquaries that will be of interest to art historians, cultural theorists, historians of science, and literary critics alike. Throughout Frame, Glass, Verse, she challenges readers to rethink the relationship of poetry to technology.
France in Mind: An Anthology
by Alice Leccese PowersIn her third literary Baedeker, Alice Leccese Powers-editor of Italy in Mind and Ireland in Mind-explores France through the senses and sensibilities of thirty-three British and American authors.The food and the people, the culture and viniculture, the architecture and the expatriates, the pleasures (and frustrations) of France are described by intrepid travelers who also happen to be brilliant essayists, poets, and novelists. From Gertrude Stein's Paris to Ezra Pound's Pyrenees; from Tobias Smollett, who grumbled, to Peter Mayle, who settled in; and from Edith Wharton on falling in love to David Sedaris on falling over French grammar-here is France in all its splendor in the words of some of the best and most entertaining writers in the English language. Henry Adams * James Baldwin * Elizabeth Bishop * Mary Blume * James Fenimore Cooper * Charles Dickens * Lawrence Durrell * Lawrence Ferlinghetti * M. F. K. Fisher * F. Scott Fitzgerald * Janet Flanner * Adam Gopnik * Joanne Harris * Ernest Hemingway * Washington Irving * Henry James * Thomas Jefferson * Stanley Karnow * Peter Mayle * Mary McCarthy * Jan Morris * Ezra Pound * David Sedaris * Tobias Smollett * Gertrude Stein * Robert Louis Stevenson * Paul Theroux * Gillian Tindall * Calvin Trillin * Mark Twain * Edith Wharton * Richard Wilbur * William Carlos WilliamsFrom the Trade Paperback edition.
Francis Bacon and the Seventeenth-Century Intellectual Discourse
by Anthony J. FunariThis book explores the resistance of three English poets to Francis Bacon's project to restore humanity to Adamic mastery over nature, moving beyond a discussion of the tension between Bacon and these poetic voices to suggest theywere also debating the narrative of humanity's intellectual path.
Francis Of Assisi And His "canticle Of Brother Sun" Reassessed
by Brian MoloneyBringing the skills of a literary historian to the subject, Brian Moloney considers the genesis of Saint Francis of Assisi's Canticle of Brother Sun to show how it works as a carefully composed work of art. The study examines the saint's life and times, the structure of the poem, the features of its style, and the range of its possible meanings.
Frank Was a Monster Who Wanted to Dance
by Keith GravesFrank was a monster who wanted to dance. So he put on his hat, and his shoes made in France... and opened a jar and put ants in his pants! So begins this monstrously funny, deliciously disgusting, horrifyingly hilarious story of a monster who follows his dream. Keith Graves' wacky illustrations and laugh-out-loud text will tickle the funny bone and leave readers clamoring for an encore.
Frankenstein Makes a Sandwich
by Adam RexBeing a monster isn't all frightening villagers and sucking blood. Monsters have their trials, too. Poor Frankenstein's cupboard is bare, Wolfman is in need of some household help, and it's best not to get started on Dracula’s hygiene issues. What could be scarier? Nineteen hilarious poems delve into the secret lives of the Creature from the Black Lagoon, Bigfoot, Godzilla, and others. In a range of styles that pay homage to everyone from Charles Schulz to John James Audubon, the monstrously talented Adam Rex uncovers horrific--and clever--truths you won't want to miss.
Frankenstein Moved In on the Fourth Floor
by Elizabeth A. LevyRobert and Sam think their new weird neighbor might be Frankenstein.
Frankenstein Takes the Cake
by Adam RexNo one ever said it was easy being a monster. Take Frankenstein, for instance: He just wants to marry his undead bride in peace, but his best man, Dracula, is freaking out about the garlic bread. Then there’s the Headless Horseman, who wishes everyone would stop drooling over his delicious pumpkin head. And can someone please tell Edgar Allan Poe to get the door already before the raven completely loses it? Sheesh. In a wickedly funny follow-up to the bestselling Frankenstein Makes a Sandwich, Adam Rex once again proves that monsters are just like you and me. (Well, sort of.)
Franz Baermann Steiner: A Stranger in the World (Methodology & History in Anthropology #42)
by Jeremy Adler Richard FardonFranz Baermann Steiner (1909-52) provided the vital link between the intellectual culture of central Europe and the Oxford Institute of Anthropology in its post-Second World War years. This book demonstrates his quiet influence within anthropology, which has extended from Mary Douglas to David Graeber, and how his remarkable poetry reflected profoundly on the slavery and murder of the Shoah, an event which he escaped from. Steiner’s concerns including inter-disciplinarity, genre, refugees and exile, colonialism and violence, and the sources of European anthropology speak to contemporary concerns more directly now than at any time since his early death.
Frauenliebe und Leben: Chamisso's Poems And Schumann's Songs (Music In Context Ser.)
by Rufus HallmarkRufus Hallmark's book explores Robert Schumann's beloved yet controversial song cycle Frauenliebe und Leben and the poems of Adelbert von Chamisso on which it is based, setting them in the context of the challenges and social expectations faced by women in early nineteenth-century Germany. Hallmark provides the most extensive English-language study of Chamisso, a poet little known today outside Germany, including a biographical sketch and excerpts from his other poetry. He examines a range of poems about women, by Chamisso and others, and discusses the reception of the poetic and musical cycles, including illustrated editions, contemporary reviews, and other musical settings. Based on new studies of Schumann's manuscript sources and on comparative analyses of his songs and settings by Carl Loewe, Heinrich Marschner, Franz Lachner and others, Hallmark provides fresh musical and interpretive insights into each song.
Frayed Light (Wesleyan Poetry Series)
by Yonatan BergThis poetic collection is an honest and deeply reflective look at life overshadowed by disputed settlements and political upheaval in the Israeli-Palestinian conflict. Yonatan Berg is a poet from Israel and the youngest person ever awarded the Yehuda Amichai Poetry Prize. This collection brings together the best poems from his three published collections in Hebrew, deftly translated by Joanna Chen. His poetry recounts his upbringing on an Israeli settlement in the West Bank, and service in a combat unit of the Israeli military, which left him with post-traumatic stress disorder. He grapples with questions of religion and tradition, nationalism, war, and familial relationships. The book also explores his conceptual relationship with Biblical, historical, and literary characters from the history of civilization, set against a backdrop of the Mediterranean landscape. Berg shares an insider's perspective on life in Israel today.[Sample Text]UnityWe travel the silk road of evening, tobacco and desire flickeringbetween our hands. We are warm travelers, our eyes unfurled, traveling in psalms, in Rumi, in the sayings of the man from the Galilee.We break bread under the pistachio tree,under the Banyan tree, under the dark of the Samaritan fig tree. Songs of offering rise up in our throats, wandering along the wall of night. We travelin the openness of warm eternity. Heavenly voices announce a coupling as the quiet horse gallops heavenward. We travel with the rest of the world, with its atrocities, its piles of ruins, scars of barbed wire, traveling with ardor in our loins, with the cry of birth. We sit crossed-legged within the rockingof flesh, the quiet of the Brahmin, the bells of Mass, the tumult of Torah. We travel through eagles of death, dilution of earth in rivers,in eulogies, through marble, we travel through the silkof evening, our hearts like bonfires in the dark.
Frayed Opus for Strings & Wind Instruments
by Ulrikka S. GernesFrayed Opus for Strings & Wind Instruments is a collection of poems that zooms in and out of places and states of mind, from a lit bicycle shed in the back yard to a root canal in November, from a typhoon in Hong Kong to instincts astray in various Copenhagen neigborhoods. Elegantly translated by Canadian collaborators Per Brask and Patrick Friesen, these dreamlike poems attempt, with honesty and humour, to fathom what it is to inhabit a specifically unspecific point in life -- not to mention in the Universe.
Frederick Seidel Selected Poems
by Frederick SeidelAn overview of Frederick Seidel's best and most famous poetry from the past five decades, showing the evolution of a master poet’s craftFrederick Seidel has been hailed as "the poet of a new contemporary form" (Dan Chiasson, The New York Review of Books) and "the most frightening American poet ever" (Calvin Bedient, Boston Review). The poems in Frederick Seidel Selected Poems span more than five decades and provide readers with some of Seidel's post powerful work.Frederick Seidel is, in the words of the critic Adam Kirsch, "the best American poet writing today."
Fredy Neptune: A Novel In Verse
by Les MurrayA riveting, beautiful novel in verse by Australia's greatest contemporary poet, winner of the 1996 T. S. Eliot Prize. I never learned the old top ropes, I was always in steam. Less capstan, less climbing, more re-stowing cargo. Which could be hard and slow as farming- but to say Why this is Valparaiso! Or: I'm in Singapore and know my way about takes a long time to get stale. -from Book I, "The Middle Sea" When German-Australian sailor Friedrich "Fredy" Boettcher is shanghaied aboard a German Navy battleship at the outbreak of World War I, the sight of frenzied mobs burning Armenian women to death in Turkey causes him, through moral shock, to lose his sense of touch. This mysterious disability, which he knows he must hide, is both protection and curse, as he orbits the high horror and low humor of a catastrophic age. Told in a blue-collar English that regains freshness by eschewing the mind-set of literary language, Fredy's picaresque life - as, perhaps, the only Nordic Superman ever - is deep-dyed in layers of irony and attains a mind-inverting resolution.
Free Verse
by Sarah Dooley<P>A moving, bittersweet tale reminiscent of Sharon Creech's Walk Two Moons set in a West Virginia coal-mining town <P>When her brother dies in a fire, Sasha Harless has no one left, and nowhere to turn. After her father died in the mines and her mother ran off, he was her last caretaker. <P>They'd always dreamed of leaving Caboose, West Virginia together someday, but instead she's in foster care, feeling more stuck and broken than ever. <P>But then Sasha discovers family she didn't know she had, and she finally has something to hold onto, especially sweet little Mikey, who's just as broken as she is. <P>Sasha even makes her first friend at school, and is slowly learning to cope with her brother's death through writing poetry, finding a new way to express herself when spoken words just won't do. <P>But when tragedy strikes the mine her cousin works in, Sasha fears the worst and takes Mikey and runs, with no plans to return. <P> In this sensitive and poignant portrayal, Sarah Dooley shows us that life, like poetry, doesn't always take the form you intend.
Free to Be You and Me
by Marlo ThomasComics, songs and the stories that give messages to young children why they are in this world.