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Green Eggs and Ham

by Seuss

<p>“Do you like green eggs and ham?” asks Sam-I-am in this Beginner Book by Dr. Seuss. In a house or with a mouse? In a boat or with a goat? On a train or in a tree? Sam keeps asking persistently. With unmistakable characters and signature rhymes, Dr. Seuss’s beloved favorite has cemented its place as a children’s classic. In this most famous of cumulative tales, the list of places to enjoy green eggs and ham, and friends to enjoy them with, gets longer and longer. Follow Sam-I-am as he insists that this unusual treat is indeed a delectable snack to be savored everywhere and in every way. <p>[This text is listed as an example that meets Common Core Standards in English language arts for K-1 at http://www.corestandards.org.]</p>

Green Eggs and Ham: For Soprano, Boy Soprano, And Piano (Beginner Books(R))

by Dr. Seuss

Join in the fun with Sam-I-Am in this iconic classic by Dr. Seuss that will have readers of all ages craving Green Eggs and Ham! This is a beloved classic from the bestselling author of Horton Hears a Who!, The Lorax, and Oh, the Places You&’ll Go! I do not like green eggs and ham. I do not like them, Sam-I-am. With unmistakable characters and signature rhymes, Dr. Seuss&’s beloved favorite has cemented its place as a children&’s classic. Kids will love the terrific tongue-twisters as the list of places to enjoy green eggs and ham gets longer and longer...and they might even learn a thing or two about trying new things! And don&’t miss the Netflix series adaptation!Beginner Books are fun, funny, and easy to read. Originally created by Dr. Seuss himself, these unjacketed hardcover early readers encourage children to read all on their own, using simple words and illustrations. Smaller than the classic large format Seuss picture books like How the Grinch Stole Christmas! and Happy Birthday to You!, these portable packages are perfect for practicing readers ages 3-7, and lucky parents too!

Green Migraine

by Michael Dickman

"Reading Michael [Dickman] is like stepping out of an overheated apartment building to be met, unexpectedly, by an exhilaratingly chill gust of wind."-The New Yorker"These are lithe, seemingly effortless poems, poems whose strange affective power remains even after several readings."-The Believer"My master plan is happiness," writes Michael Dickman in his wonderfully strange third book, Green Migraine. Here, imagination and reality swirl in the juxtaposition between beauty and violence in the natural world. Drawing inspiration from the verdant poetry of John Clare, Dickman uses hyper-real, dreamlike images to encapsulate, illustrate, and illuminate how we access internal and external landscapes. The result is nothing short of a fantastic, modern-day fairy tale.From "Where We Live":I used to livein a mother now I livein a sunflowerBlinded by the silverwareBlinded by the refrigeratorI sit on a sidewalkin the sunflower and its yellowdownpour...Michael Dickman is the winner of the 2010 James Laughlin Award from the Academy of American Poets for his second collection, Flies. His poems are regularly published in the New Yorker. He was born and raised in Portland, Oregon, and teaches poetry at Princeton University.

Green Promises: Girls Who Loved the Earth (Girls Who Love Science)

by Jeannine Atkins

Meet three remarkable women who followed their dreams and paved a path for women in science in this gorgeously written biographical novel in verse from acclaimed author Jeannine Atkins.As a girl in the late 1800s, Mary Agnes Chase searched the river&’s edge for wild grasses, wondering how best to capture their likeness with pencil and paper. While her formal education ended in eighth grade, her skill at drawing plants helped land her a position at the Smithsonian Institution. Agnes became a world-renowned expert in grasses she discovered in meadows and mountains. Far away on the bank of another river, Marguerite Thomas Williams waded in to explore the rocks, wondering what secrets they might tell of long ago. Marguerite became a schoolteacher, then a teacher of teachers, but she wanted more. At last, a nearby university opened its doors to Black women, and after years of study, Marguerite became the first Black woman to earn a PhD in geology. Marguerite&’s student Sophie Mack Lutterlough&’s lifelong interest in insects led to her working her way from being an elevator operator at the Smithsonian Institution to becoming one of the first Black women researchers there in the late 1950s. With keen eyes and ambition, each woman followed her love of the natural world to blaze a trail for future female scientists.

Green Thoughts, Green Shades: Essays by Contemporary Poets on the Early Modern Lyric

by Jonathan F. S. Post

The book enlists the analytic and verbal power of some of today's most celebrated poets to illuminate from the inside out a number of the greatest lyric poets writing in English during the sixteenth and seventeenth century. Written by people who spend much of their time thinking in verse and about verse, these original essays herald the return of the early modern lyric as crucial to understanding the present moment of poetry in the United States.

Green Wilma, Frog in Space

by Tedd Arnold

A distracted frog + a rather froggy alien child + a spaceship on auto-pilot = an irresistibly goofy, action-packed, laugh-filled tale of mistaken identity

Green Writing: Romanticism and Ecology

by James McKusick

This book describes the emergence of ecological understanding among the English Romantic poets, arguing that this new holistic paradigm offered a conceptual and ideological basis for American environmentalism. Coleridge, Wordsworth, Blake, John Clare, and Mary Shelley all contributed to the fundamental ideas and core values of the modern environmental movement; their vital influence was openly acknowledged by Emerson, Thoreau, John Muir, and Mary Austin. By revealing hitherto unsuspected links between English and American nature writers, this book elucidates the Romantic origins of American environmentalism.

Green is the Orator

by Sarah Gridley

Green is the Oratorfollows on Sarah Gridley's brilliant first collection,Weather Eye Open, in addressing the challenge of representing nature through language. Gridley's deftly original syntax arises from direct experience of the natural world and from encounters with other texts, including the Egyptian "Book of the Dead" and the writings of Charles Darwin, Peter Mark Roget, William Morris, William James, and Henri Bergson. Gridley's own idiom is compressed, original, and full of unexpected pleasures. This unusual book, at once austere and full of life, reflects a penetrating mind at work--one that is thinking through and re-presenting romantic and modernist traditions of nature.

Greenhouses, Lighthouses

by Tung-Hui Hu

"Perplexity and wonder are integral parts of Tung-Hui Hu's poetry, which is as elegant as it is surprising."-Rain Taxi"This fresh and unexpected poet extends the lyric into the social space without losing any of song's intensity or mystery."-Mark Doty"Tung-Hui Hu works magic on the page."-Linda GregersonWeaving between the personal and cosmic I, Tung-Hui Hu's lyrics seek the "greenhouse"-a place of saturation, growth-as a poetic space to cultivate new modes through which our common language can once again illuminate and guide-"lighthouse." With minimalism and control, Greenhouses, Lighthouses draws subtly from photography, cinematography, and history to create haunting and memorable connections.From "A Gust of Wind":There is so much he wants to ask hisstrange new wife: how many loversshe has had, American or Provolone,and why sometimes, listening to her,he can hear the sound of a radiatorbreathing steam in a cold room.But it feels ridiculous to doubt her,so he finds a patch of grass in the open fieldand speaks to it, bending down andburring his words through the blades . . . Tung-Hui Hu, author of three books of poetry, earned his MFA in creative writing from the University of Michigan and a PhD in film from University of California Berkeley. He teaches at the University of Michigan and lives in Ann Arbor, Michigan.

Greenwich Village 1963: Avant-Garde Performance and the Effervescent Body

by Sally Banes

The year was 1963 and from Birmingham to Washington, D.C., from Vietnam to the Kremlin to the Berlin Wall, the world was in the throes of political upheaval and historic change. But that same year, in New York's Greenwich Village, another kind of history and a different sort of politics were being made. This was a political history that had nothing to do with states or governments or armies--and had everything to do with art. And this is the story that Sally Banes tells, a year in the life of American culture, a year that would change American life and culture forever. It was in 1963, as Banes's book shows us, that the Sixties really began. A leading writer on cultural history, Banes draws a vibrant portrait of the artists and performers who gave the 1963 Village its exhilarating force, the avant-garde whose interweaving of public and private life, work and play, art and ordinary experience, began a wholesale reworking of the social and cultural fabric of America. Among these young artists were many who went on to become acknowledged masters in their fields, including Andy Warhol, John Cage, Yoko Ono, Yvonne Rainer, Lanford Wilson, Sam Shepard, Brian de Palma, Harvey Keitel, Kate Millet, and Claes Oldenburg. In live performance--Off-Off Broadway theater, Happenings, Fluxus, and dance--as well as in Pop Art and underground film, we see this generation of artists laying the groundwork for the explosion of the counterculture in the late 1960s and the emergence of postmodernism in the 1970s. Exploring themes of community, freedom, equality, the body, and the absolute, Banes shows us how the Sixties artists, though shaped by a culture of hope and optimism, helped to galvanize a culture of criticism and change. As 1963 came to define the Sixties, so this vivid account of the year will redefine a crucial generation in recent American history.

Greetings From Angelus: Poems

by Gershom Scholem Richard Sieburth Steven Wasserstrom

A bilingual collection of poetry from pioneering scholar in Kabbalah and Jewish Mysticism, Gershom Scholem.With this volume, Scholem's work reaches beyond the confines of the academy and enters a literary dialogue with writers and philosophers like Walter Benjamin and Hans Jonas. Gershom Scholem's The Fullness of Time contains dark, lucid political poems about Zionism and assimilation, parodies of German and Jewish philosophers, and poems to writers and friends such as Walter Benjamin, Hans Jonas, Ingeborg Bachmann, S. Y. Agnon, among others. The earliest poems in this volume begin in 1915 and extend to 1967, revealing how poetry played a formative role in Scholem's early life and career. This collection is translated by Richard Sieburth, who comments, "Scholem's acts of poetry still speak to us (and against us) to this very day, simultaneously grounded as they are in the impossibly eternal and profoundly occasional." The volume is edited and introduced by Steven M. Wasserstrom, who carefully situates the poems in Scholem's historical, biographical, and theological landscape.

Greetings to Our Friends in Brazil

by Paul Durcan

Paul Durcan has been at the heart of Irish cultural life for 30 years and his poetry has acquired a huge international following. Greetings to Our Friends in Brazil is his most challenging and engaging collection yet, one that addresses itself through Ireland and the Irish diaspora to the whole world beyond.

Grey All Over

by Andrea Actis

“Please stay with me, please stay here, please cause poltergeists in my stupid apartment…” Late in the evening of December 13, 2007, Andrea Actis found her father, Jeff, facedown dead in her East Vancouver apartment. So began her passage through grief, self-reckoning, and graduate school in Providence, Rhode Island, where the poetics she studied (and sometimes repudiated) became integral to her gradual reconstruction of wholeness. An assemblage of “evidence” recovered from emails about paranormal encounters sent and received by Jeff (greyallover@yahoo.com), junk mail from false prophets, an annotated excerpt from Laura (Riding) Jackson’s “The Serious Angels: A True Story,” and transcripts of Actis’ dreams, conversations, and messages to the dead, Grey All Over not only celebrates a rare, close, complicated father-daughter bond, it also boldly expands the empathetic and critical capacities of poetry itself. In pulling us outside the comfort zones of received aesthetics and social norms, Actis asks us to embrace with whole seriousness “the pragmatics of intuition” in all the ways we read, live, and love. “When a loved one dies, there’s all this stuff to deal with, and in the midst of grief we begin to collect, sort, document, store, and discard. Andrea Actis has taken the stuff surrounding her father’s death and created a book that is, like grief, in turns heartbreaking, wise, chaotic, drunk, wry, and always unflinchingly honest. This powerful testament of survival is for anyone who has felt the ‘déjà vu in reverse’ of grief. It is for the living.” —Sachiko Murakami, author of Render “Love letter, experimental poem, meditation, conversation with the dead—Andrea Actis’s compelling debut is unlike any memoir I’ve ever read. In one passage, Actis digs out the biggest piece of bone she can find in the vessel of her father’s ashes and gently bites on it. Reading Grey All Over I had a similar sensation. Ash. Bone. Love.” —Jen Currin, author of Hider/Seeker “This absolutely beautiful work makes plain that seriousness feels like love.” —Aisha Sasha John, author of I have to live.

Grief Land: Poems (Mary Burritt Christiansen Poetry Series)

by Carrie Shipers

In Grief Land Carrie Shipers explores the paradoxical nature of bereavement as both a universal human experience and an intensely personal one. The poems interrogate and dismiss common notions of loss and recovery through a series of letter-poems—to authors who have written about grief, to the speaker&’s dead husband, and to a society that believes it has the right to dictate how a widow should feel and act. The collection explores living with grief without being consumed by it and how to emerge into a new life.

Grief Notes & Animal Dreams

by Jane Munro

Jane Munro's poems are explorations of the mysteries of inner experience. What are the truths of emotion? What can the body know? In Grief Notes & Animal Dreams, Munro's third collection, we enter the condition Gaston Bachelard has called reverie, strange and miraculous beauty glowing in the suspended underwater light of the heart.

Grieving--Hope--Joy: One man's Sojourn from the deepest pits of despair to the pinnacle of pure joy

by Bill Stokes

Grieving is very much a part of the human condition and has to happen before you can emotionally heal. Grieving is like having to cross a glacier and scrabble up the rocky cliff on the other side. Grieving absolutely has to happen or it becomes an emotional prison. Grieving: Hope: Joy documents my journey across so I could seek and find Joy again—and I did exactly that!

Griffin Poetry Prize Anthology 2024: A Selection of the Shortlist (The Griffin Poetry Prize Anthology)

by Nicole Lambe Edited by Albert F. Moritz

The prestigious and highly anticipated annual anthology of the best poetry in English from the shortlist of the 2024 Griffin Poetry Prize. Each year, the best books of poetry published in English are honoured with the Griffin Poetry Prize, one of the world’s most prestigious and richest literary awards. Since 2001, this annual prize has tremendously spurred interest in and recognition of poetry, focusing worldwide attention on the formidable talent of poets writing in English and works in translation. Annually, The Griffin Poetry Prize Anthology features the work of the extraordinary poets shortlisted for the awards and introduces us to some of the finest poems in their collections.

Griffin Poetry Prize Anthology 2025: A Selection of the Shortlist (The Griffin Poetry Prize Anthology)

by Edited by Anne Michaels

The prestigious and highly anticipated annual anthology of the best poetry in English from the shortlist of the 2025 Griffin Poetry Prize. Each year, the best books of poetry published in English are honoured with the Griffin Poetry Prize, one of the world’s most prestigious and richest literary awards. Since 2001, this annual prize has tremendously spurred interest in and recognition of poetry, focusing worldwide attention on the formidable talent of poets writing in English and works in translation. Annually, The Griffin Poetry Prize Anthology features the work of the extraordinary poets shortlisted for the awards and introduces us to some of the finest poems in their collections.

Gringo Viejo

by Carlos Fuentes

During the years of intense revolutionary struggle in Mexico, an old North American writer heads south of the border in search of his destiny.

Gringo viejo

by Carlos Fuentes

Un fulgurante bestseller mexicano en Estados Unidos, Gringo viejo (1985) es una de las novelas más famosas de Carlos Fuentes, figura central de la narrativa y la ensayística mexicana.En Gringo viejo, Fuentes plasma los turbulentos años de la lucha revolucionaria en México, cuando un viejo escritor norteamericano escéptico, insalvablemente amargo, que no se resigna a esperar la muerte por enfermedad o por accidente, decide cruzar la frontera de su país en busca de una muerte digna.En 1913, el escritor norteamericano Ambrose Bierce se despidió de sus amigos con una carta en la que se declaraba viejo y cansado. Quería morir y elegir cómo. La enfermedad y el accidente le parecían indignos; en cambio, ser ajusticiado ante un paredón mexicano...En el mes de noviembre cruzó la frontera hacia México, que estaba en plena revolución, y no se volvió a saber de él. La Enciclopedia Británica aventura que pudo ser asesinado en el sitio de Ojinaga (enero de 1914), pues un documento de la época consigna la muerte en esta batalla de un "gringo viejo".

Grocery Shopping with My Mother

by Kevin Powell

&“Kevin Powell returns with a poetic time capsule written with love in honor of his mother&’s evolution. Powell investigates the nature of our country's oppression through the generational wounds survived and passed on. These poems are a testament to the healing work of Kevin Powell, as they revel in the power of forgiveness, abundance, and lineage.&” —Mahogany L. Browne, Lincoln Center's inaugural poet in residence and author of Vinyl MoonWhen Kevin Powell&’s elderly mother became ill, he returned home every week to take her grocery shopping in Jersey City. Walking behind her during those trips, Powell began to hear her voice, stories, and language in a new way—examining his own healing while praying for hers.Grocery Shopping with My Mother originated as social media posts about these visits and evolved into a breathtaking collection of thirty-two new poems, crafted like an album, plus four bonus tracks celebrating a great love of wordplay. Culturally rooted in the literary traditions of Ntozake Shange and Allen Ginsberg, Powell&’s poems honor the likes of V (formerly Eve Ensler), bell hooks, and Sidney Poitier. Grocery Shopping with My Mother dives into the complexities of relationships and contemporary themes with honesty and vulnerability. Creatively and spiritually inspired by Stevie Wonder&’s Songs in the Key of Life, Powell&’s poems shift in form and style, from praise chants to reverential meditations to, most importantly, innovative hope.

Grotesque Tenderness (Hugh MacLennan Poetry Series #48)

by Daniel Cowper

Afraid to be alone / we met by lamplight, trading stories: // Sin of Man was one, // Age of Science, another. More // prayers than answers. Daniel Cowper's debut poetry collection, Grotesque Tenderness, speaks for an unrooted age, for unrooted people. In these poems, city-dwellers long to ally themselves with some sympathetic culture or the evolutionary logic of nature, but those alliances remain conditional, ambiguous, or dangerous. A tsunami smashes a harbour city into “tide-rows of burning debris”; children chase snakes in summer meadows. The primordial past spins off “rogue by-products and flawed replicas,” while lonely office workers get high on back porches and drink themselves to sleep. The musical and kinetic energy of Grotesque Tenderness is driven by our urge to understand pain and our hunger to reach an imperfect reconciliation with the problems of guilt and suffering. But in the tradition of William Blake, these poems affirm again and again that “the lit / world goes on living” and life justifies itself through its own workings. From elegant lyrics of alienation and heartbreak to long-form mythopoeia and lament, these poems approach beauty, ugliness, even criminality in a spirit of wonder and vulnerability.

Ground, Wind, This Body: Poems (Mary Burritt Christiansen Poetry Series)

by Tina Carlson

This debut collection explores the vestiges of war and the effects those can have on a family. Carlson excavates the personal experience of violence and abuse that follows a traumatized soldier home and also reveals veins of redemption.

Groundwork

by Amanda Jernigan

Amanda Jernigan's Groundwork is epic in ambition and scope, a collection of poetic sequences, both intensely personal and mythopoetic, representing stages in the poet's thinking about language and place. They form a series of parallel meditations on the past, present, and the mythological constructs with which we seek to join them.Amanda Jernigan, American and Canadian, lives and writes in Hamilton, Ontario.

Growing Old Together: And Other Poems

by Robert W. Nero

Naturalist, ornithologist, avocational archaeologist and poet, Winnipegs Dr. Robert W. Nero has authored nine books dealing with his amazing spectrum of interests. Growing Old Together is the newest collection of poetry by this gifted writer, revealing his sensitivity and keen observation of the natural world. In his frequently passionate poetry Nero pays tribute to his wife, Ruth, who has, over many years, encouraged Bob to write and to pursue his outdoor interests – all the while sharing him with "Lady Grayl," the great gray owl he found injured and starving in 1984. From that time on, Lady Grayl toured with Bob Nero to raise funds for numerous environmental projects and to educate thousands of children and adults about conservation. This remarkable association ended in October of 2005 with the passing of Lady Grayl at age 21.5. It is fitting that Manitoba Day 2005 honoured the Great Gray Owl, the official provincial bird – and, yes, Lady Grayl was involved.

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