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How to Eat a Poem: A Smorgasbord of Tasty and Delicious Poems for Young Readers (Dover Children's Classics)
by Ted Kooser American Poetry & Literacy Project Academy of American PoetsFocusing on popular verse from the nineteenth century through today, this anthology invites young readers to sample a taste of irresistible poems that will nourish their minds and spirits. Selected for both popularity and literary quality, seventy charming poems cover a wide range of subjects: poetry, books, words, and imagination; the beauty of the natural world; travel, adventure, sports, and play; love, friendship, sadness, hope, and other emotions. Included are:"Prickled Pickles Don't Smile," Nikki Giovanni"W. D., Don't Fear that Animal," W. D. Snodgrass"A Jelly-Fish," Marianne Moore"The Porcupine," Ogden Nash"Annabel Lee," Edgar Allan Poe"The Falling Star," Sara Teasdale"Sick," Shel Silverstein"Casey at the Bat," Ernest Lawrence Thayer"With Kitty, Age Seven, At the Beach," William Stafford"Hope is the Thing with Feathers," Emily Dickinson. . . . and sixty other notable works.Chosen by the American Poetry & Literacy Project and the Academy of American Poets, two of the nation's most respected nonprofit poetry organizations, these much-loved and highly readable poems promise young readers and poetry lovers of all ages hours of reading pleasure. Includes 2 selections from the Common Core State Standards Initiative: "Casey at the Bat" and "Oranges."
How to Enjoy Poetry
by Frank Skinner'Someone recently said to me, in reference to my poetry podcast, that you'd think poetry would be more popular than ever, in the twenty-first century, because people don't have a lot of time and 'novels are often quite big while poems are often quite small'. I referred them to Doctor Who's Tardis.'Frank Skinner wants you to read more poetry. Wait, wait - don't stop reading. Whether you're a frequent poetry reader or haven't read any since sixth form, Frank's infectious passion for language, rhythm and metre will win you over and provide you with the basic tools you need to tackle any poem.In this short, easy-to-digest and delightful book, Frank guides us through the twists and turns of 'Pad, pad' by Stevie Smith, a short, seemingly simple poem that contains multitudes of meaning and a deceptive depth of emotion. Revel in the mastery of Stevie Smith's choice of words, consider the eternal mystery of the speaker of the poem and be moved by rhyming couplets like you never have before.Give it a go. You never know, you might even enjoy it.
How to Enjoy Poetry (Little Ways to Live a Big Life #12)
by Frank Skinner'Someone recently said to me, in reference to my poetry podcast, that you'd think poetry would be more popular than ever, in the twenty-first century, because people don't have a lot of time and 'novels are often quite big while poems are often quite small'. I referred them to Doctor Who's Tardis.'Frank Skinner wants you to read more poetry. Wait, wait - don't stop reading. Whether you're a frequent poetry reader or haven't read any since sixth form, Frank's infectious passion for language, rhythm and metre will win you over and provide you with the basic tools you need to tackle any poem.In this short, easy-to-digest and delightful book, Frank guides us through the twists and turns of 'Pad, pad' by Stevie Smith, a short, seemingly simple poem that contains multitudes of meaning and a deceptive depth of emotion. Revel in the mastery of Stevie Smith's choice of words, consider the eternal mystery of the speaker of the poem and be moved by rhyming couplets like you never have before.Give it a go. You never know, you might even enjoy it.
How to Fly (In Ten Thousand Easy Lessons): Poetry
by Barbara KingsolverIn this intimate collection, the beloved author of The Poisonwood Bible and more than a dozen other New York Times bestsellers, winner or finalist for the Pulitzer and countless other prizes, now trains her eye on the everyday and the metaphysical in poems that are smartly crafted, emotionally rich, and luminous. In her second poetry collection, Barbara Kingsolver offers reflections on the practical, the spiritual, and the wild. She begins with “how to” poems addressing everyday matters such as being hopeful, married, divorced; shearing a sheep; praying to unreliable gods; doing nothing at all; and of course, flying. Next come rafts of poems about making peace (or not) with the complicated bonds of friendship and family, and making peace (or not) with death, in the many ways it finds us. Some poems reflect on the redemptive powers of art and poetry itself; others consider where everything begins.Closing the book are poems that celebrate natural wonders—birdsong and ghost-flowers, ruthless ants, clever shellfish, coral reefs, deadly deserts, and thousand-year-old beech trees—all speaking to the daring project of belonging to an untamed world beyond ourselves.Altogether, these are poems about transcendence: finding breath and lightness in life and the everyday acts of living. It’s all terribly easy and, as the title suggests, not entirely possible. Or at least, it is never quite finished.
How to Love a Country: Poems
by Richard BlancoA new collection from the renowned inaugural poet exploring immigration, gun violence, racism, LGBTQ issues, and more, in accessible and emotive versesAs presidential inaugural poet, memoirist, public speaker, educator, and advocate, Richard Blanco has crisscrossed the nation inviting communities to connect to the heart of human experience and our shared identity as a country. In this new collection of poems, his first in over seven years, Blanco continues to invite a conversation with all Americans. Through an oracular yet intimate and accessible voice, he addresses the complexities and contradictions of our nationhood and the unresolved sociopolitical matters that affect us all.The poems form a mosaic of seemingly varied topics: the Pulse Nightclub massacre; an unexpected encounter on a visit to Cuba; the forced exile of 8,500 Navajos in 1868; a lynching in Alabama; the arrival of a young Chinese woman at Angel Island in 1938; the incarceration of a gifted writer; and the poet’s abiding love for his partner, who he is finally allowed to wed as a gay man. But despite each poem’s unique concern or occasion, all are fundamentally struggling with the overwhelming question of how to love this country.Seeking answers, Blanco digs deep into the very marrow of our nation through poems that interrogate our past and present, grieve our injustices, and note our flaws, but also remember to celebrate our ideals and cling to our hopes. In the landmark poem “American Wandersong,” which forms the center of the book, the poet reveals himself to readers in a disarming and kinetic sequence of stanzas, striving to find his place amid the physical and emotional landscapes of our country.Through this groundbreaking volume, Blanco unravels the very fabric of the American narrative and pursues a resolution to the inherent contradiction of our nation’s psyche and mandate: e pluribus unum (out of many, one). Charged with the utopian idea that no single narrative is more important than another, this book asserts that America could and ought someday to be a country where all narratives converge into one, a country we can all be proud to love and where we can all truly thrive.
How to Love the World: Poems of Gratitude and Hope
by James CrewsWhat the world needs now – featuring poems from inaugural poet Amanda Gorman, Ross Gay, Tracy K. Smith and more. More and more people are turning to poetry as an antidote to divisiveness, negativity, anxiety, and the frenetic pace of life. How to Love the World: Poems of Gratitude and Hope offers readers uplifting, deeply felt, and relatable poems by well-known poets from all walks of life and all parts of the US, including inaugural poet Amanda Gorman, Joy Harjo, Naomi Shihab Nye, Ross Gay, Tracy K. Smith, and others. The work of these poets captures the beauty, pleasure, and connection readers hunger for. How to Love the World, which contains new works by Ted Kooser, Mark Nepo, and Jane Hirshfield, invites readers to use poetry as part of their daily gratitude practice to uncover the simple gifts of abundance and joy to be found everywhere. With pauses for stillness and invitations for writing and reflection throughout, as well as reading group questions and topics for discussion in the back, this book can be used to facilitate discussion in a classroom or in any group setting. This publication conforms to the EPUB Accessibility specification at WCAG 2.0 Level AA.
How to Paint the Portrait of a Bird
by Mordicai Gerstein Jacques PrévertHow do you paint a portrait of a bird? First you paint a cage with an open door, then you wait for the bird to come. If it comes, you erase the cage and paint in a beautiful tree, and wait to see if the bird will sing.
How to Read Chinese Poetry in Context: Poetic Culture from Antiquity Through the Tang (How to Read Chinese Literature)
by Edited by Zong-Qi CaiHow to Read Chinese Poetry in Context is an introduction to the golden age of Chinese poetry, spanning the earliest times through the Tang dynasty (618–907). It aims to break down barriers—between language and culture, poetry and history—that have stood in the way of teaching and learning Chinese poetry. Not only a primer in early Chinese poetry, the volume demonstrates the unique and central role of poetry in the making of Chinese culture. Each chapter focuses on a specific theme to show the interplay between poetry and the world. Readers discover the key role that poetry played in Chinese diplomacy, court politics, empire building, and institutionalized learning; as well as how poems shed light on gender and women’s status, war and knight-errantry, Daoist and Buddhist traditions, and more. The chapters also show how people of different social classes used poetry as a means of gaining entry into officialdom, creating self-identity, fostering friendship, and airing grievances. The volume includes historical vignettes and anecdotes that contextualize individual poems, investigating how some featured texts subvert and challenge the grand narratives of Chinese history. Presenting poems in Chinese along with English translations and commentary, How to Read Chinese Poetry in Context unites teaching poetry with the social circumstances surrounding its creation, making it a pioneering and versatile text for the study of Chinese language, literature, history, and culture.
How to Read Chinese Poetry: A Guided Anthology (How to Read Chinese Literature)
by Zong-Qi CaiIn this "guided" anthology, experts lead students through the major genres and eras of Chinese poetry from antiquity to the modern time. The volume is divided into 6 chronological sections and features more than 140 examples of the best shi, sao, fu, ci, and qu poems. A comprehensive introduction and extensive thematic table of contents highlight the thematic, formal, and prosodic features of Chinese poetry, and each chapter is written by a scholar who specializes in a particular period or genre. Poems are presented in Chinese and English and are accompanied by a tone-marked romanized version, an explanation of Chinese linguistic and poetic conventions, and recommended reading strategies. Sound recordings of the poems are available online free of charge. These unique features facilitate an intense engagement with Chinese poetical texts and help the reader derive aesthetic pleasure and insight from these works as one could from the original. The companion volume How to Read Chinese Poetry Workbook presents 100 famous poems (56 are new selections) in Chinese, English, and romanization, accompanied by prose translation, textual notes, commentaries, and recordings.Contributors: Robert Ashmore (Univ. of California, Berkeley); Zong-qi Cai; Charles Egan (San Francisco State); Ronald Egan (Univ. of California, Santa Barbara); Grace Fong (McGill); David R. Knechtges (Univ. of Washington); Xinda Lian (Denison); Shuen-fu Lin (Univ. of Michigan); William H. Nienhauser Jr. (Univ. of Wisconsin); Maija Bell Samei; Jui-lung Su (National Univ. of Singapore); Wendy Swartz (Columbia); Xiaofei Tian (Harvard); Paula Varsano (Univ. of California, Berkeley); Fusheng Wu (Univ. of Utah)
How to Read Poetry Like a Professor: A Quippy and Sonorous Guide to Verse
by Thomas C FosterFrom the bestselling author of How to Read Literature Like a Professor comes this essential primer to reading poetry like a professor that unlocks the keys to enjoying works from Lord Byron to the Beatles.No literary form is as admired and feared as poetry. Admired for its lengthy pedigree—a line of poets extending back to a time before recorded history—and a ubiquitous presence in virtually all cultures, poetry is also revered for its great beauty and the powerful emotions it evokes. But the form has also instilled trepidation in its many admirers mainly because of a lack of familiarity and knowledge. Poetry demands more from readers—intellectually, emotionally, and spiritually—than other literary forms. Most of us started out loving poetry because it filled our beloved children's books from Dr. Seuss to Robert Louis Stevenson. Eventually, our reading shifted to prose and later when we encountered poetry again, we had no recent experience to make it feel familiar. But reading poetry doesn’t need to be so overwhelming. In an entertaining and engaging voice, Thomas C. Foster shows readers how to overcome their fear of poetry and learn to enjoy it once more. From classic poets such as Shakespeare, Samuel Taylor Coleridge, and Edna St. Vincent Millay to later poets such as E.E. Cummings, Billy Collins, and Seamus Heaney, How to Read Poetry Like a Professor examines a wide array of poems and teaches readers:How to read a poem to understand its primary meaning.The different technical elements of poetry such as meter, diction, rhyme, line structures, length, order, regularity, and how to learn to see these elements as allies rather than adversaries.How to listen for a poem’s secondary meaning by paying attention to the echoes that the language of poetry summons up.How to hear the music in poems—and the poetry in songs!With How to Read Poetry Like a Professor, readers can rediscover poetry and reap its many rewards.
How to Read a Japanese Poem
by Steven D. CarterHow to Read a Japanese Poem offers a comprehensive approach to making sense of traditional Japanese poetry of all genres and periods. Steven D. Carter explains to Anglophone students the methods of composition and literary interpretation used by Japanese poets, scholars, and critics from ancient times to the present, and adds commentary that will assist the modern reader.How to Read a Japanese Poem presents readings of poems by major figures such as Saigyō and Bashō as well as lesser known poets, with nearly two hundred examples that encompass all genres of Japanese poetry. The book gives attention to well-known forms such as haikai or haiku, as well as ancient songs, comic poems, and linked verse. Each chapter provides examples of a genre in chronological order, followed by notes about authorship and other contextual details, including the time of composition, physical setting, and social occasion. The commentaries focus on a central feature of Japanese poetic discourse: that poems are often occasional, written in specific situations, and are best read in light of their milieu. Carter elucidates key concepts useful in examining Japanese poetics as well as the technical vocabulary of Japanese poetic discourse, familiarizing students with critical terms and concepts. An appendix offers succinct definitions of technical terms and essays on aesthetic ideals and devices.
How to Read a Poem
by Terry EagletonThis book is designed as an introduction to poetry for students and general readers. In this book, Terry Eagleton argues that the art of reading poetry is as much in danger of becoming extinct as thatching or clog dancing.
How to Read a Poem
by Terry EagletonLucid, entertaining and full of insight, How To Read A Poem is designed to banish the intimidation that too often attends the subject of poetry, and in doing so to bring it into the personal possession of the students and the general reader. Offers a detailed examination of poetic form and its relation to content. Takes a wide range of poems from the Renaissance to the present day and submits them to brilliantly illuminating closes analysis. Discusses the work of major poets, including John Milton, Alexander Pope, John Keats, Christina Rossetti, Emily Dickinson, W.B. Yeats, Robert Frost, W.H.Auden, Seamus Heaney, Derek Mahon, and many more. Includes a helpful glossary of poetic terms.
How to Read a Poem: Seven Steps
by Thomas H. FordHow to Read a Poem is an introduction to creative reading, the art of coming up with something to say about a text. It presents a new method for learning and teaching the skills of poetic interpretation, providing its readers with practical steps they can use to construct perceptive, inventive readings of any poem they might read. The Introduction sets out the aims of the book and provides some basic operating principles for applying the seven steps. In each subsequent chapter, the step is introduced and explained, relevant points of interpretative theory and methodology are discussed and illustrated with multiple examples, and the step is put into practice in a final section. Through these final sections, step by step, the book develops an extended reading of a single poem, Letitia Landon’s "Lines Written under a Picture of a Girl Burning a Love-Letter" from 1822. That reading is sustained across the whole arc of the book, providing a detailed worked example of how to read a poem. This accessible and enjoyable guide is the ideal introduction to anyone approaching the detailed study of poetry for the first time and offers valuable theoretical insights for those more experienced in the area.
How to Start Writing (and When to Stop): Advice for Writers
by Wislawa SzymborskaAt once kind and hilarious, this compilation of the Nobel Prize-winning poet’s advice to writers is illustrated with her own marvelous collages In this witty “how-to” guide, Wislawa Szymborska has nothing but sympathy for the labors of would-be writers generally: “I myself started out with rotten poetry and stories,” she confesses in this collection of pieces culled from the advice she gave—anonymously—for many years in the well-known Polish journal Literary Life. She returns time and again to the mundane business of writing poetry properly, that is to say, painstakingly and sparingly. “I sigh to be a poet,” Miss A. P. from Bialogard exclaims. “I groan to be an editor,” Szymborska responds. Szymborska stubbornly insists on poetry’s “prosaic side”: “Let’s take the wings off and try writing on foot, shall we?” This delightful compilation, translated by the peerless Clare Cavanagh, will delight readers and writers alike. Perhaps you could learn to love in prose.
How to Stay Bitter Through the Happiest Times of Your Life
by Anita Liberty"I had a lot of bad dates. But I wrote a lot of good poems."So maintains Anita Liberty, the caustically funny New York City performance artist who was going along happily healing her hurt by hating and humiliating her detestable ex-boyfriend on stage and in print until the unthinkable happened: she had a good date. And one good date deserves another. And another. And another. And, all of the sudden, Anita Liberty finds herself in a predicament. Getting dumped launched Anita's career-Will falling in love finish it? Who's more important: her devoted audience or her newly devoted boyfriend? And on top of everything, Hollywood won't stop calling and Anita can't figure out if It wants a serious commitment or just a little bit of no-strings-attached fun. From digging mercilessly into the minutiae of her new relationship to dramatically torching every professional bridge she crosses in L.A., Anita refuses to let a big load of bliss get dumped right in the middle of her career path."He said that my work was amazing and hilarious and smart and that he can't wait to see me perform.So I had sex with him.""My boyfriend asked me to change my look.To something other than contemptuous."{BARGAIN} Whatever Hollywood ends up paying me for the rights to the story of my life."It's easier to go back to fantasizing about perfection . . .than to accept that perfection is just a fantasy.""Boyfriend thinks I'd rather be right than happy.Boyfriend's right.But I'm not telling him that."Through blog entries, film scenes, poems, and to-do lists, Anita Liberty documents the perils and pitfalls of dating, sex, relationships, artistic success, and the kind of true love that sucks the creative life out of you to the point where you just end up staring at a blank computer screen and thinking gooey thoughts about your new boyfriend even though you should be writing.From the Trade Paperback edition.
How to Survive the Loss of a Love: 58 Things to do When There is Nothing to be Done
by Harold Bloomfield Melba Colgrove Peter McWilliams"This remarkable book deals in a warm, informative and directly helpful way with one of the most common (and certainly most painful) of human experiences--loss. Written by a psychologist, a psychiatrist and a poet, this kindly, witty and companionable book is a unique guide to overcoming grief and unhappiness--a practical manual for emotional survival. Divided into fifty-eight sections, HOW TO SURVIVE THE LOSS OF A LOVE offers a gathering of things the reader can do, things that comfort and help in a real and natural way."
How to Trick a Christmas Elf (Magical Creatures and Crafts #3)
by Sue FliessTo find out whether Santa thinks you&’re naughty or nice, you&’ll need to trick an elf into letting you see the list! Legend has it that the only way to find out if you&’re on Santa&’s naughty or nice list is to trick an elf into letting you sneak a peek! But be careful: elves are tricky themselves! To get a look at the list, you&’ll need to be clever in crafting a distracting craft to catch the elf&’s attention. So, grab some Christmas supplies like ribbons, twinkle lights, bows, and candy canes, and get prepared for your sly holiday visitor! On the nights leading up to Christmas, one of Santa&’s elves will show up to keep watch on kids and to report on their naughty or nice behavior! However, if you&’re careful and clever and quick, you can set up a beautiful little sleigh that will distract your elf, and then you&’ll be sure to get a glimpse at Santa&’s list! Sue Fliess&’s poetic read-aloud text and Simona Sanfilippo&’s vibrant, whimsical illustrations will provide much fun for young readers eager to trick their own Christmas elf and find which list they&’re on! Also included are guides for teachers and parents about how to engage children in building an elf sleigh themselves and how to interest them in the history of the holiday and the many cultures that celebrate Santa&’s tiny helpers.
How to Write Poetry
by Paul B. JaneczkoFrom getting started to the finished product, How to Write Poetry is an essential book for every young poet to own. Paul B. Janeczko, an award-winning poet and compiler of best-selling poetry anthologies for young people, shares his very thorough tips on the art of writing poetry. Where do you get ideas? What are simple poems to write? How do you find just the right word? What pitfalls should you watch out for? These and many other questions are answered by the author, in example poems, and through quotes from other famous poets.
How to Write a Poem
by Kwame Alexander Deanna NikaidoIn this evocative and playful companion to their New York Times bestselling picture book How to Read a Book, Newbery Medalist Kwame Alexander teams up with poet Deanna Nikaido and Caldecott Honoree Melissa Sweet to celebrate the magic of discovering your very own poetry in the world around you. <P><P> Begin <P> with a question <P> like an acorn <P> waiting for spring. <P><P> From this first stanza, readers are invited to pay attention—and to see that paying attention itself is poetry. Kwame Alexander and Deanna Nikaido’s playful text and Melissa Sweet’s dynamic, inventive artwork are paired together to encourage readers to listen, feel, and discover the words that dance in the world around them—poems just waiting to be written down. <P><P><i>Advisory: Bookshare has learned that this book offers only partial accessibility. We have kept it in the collection because it is useful for some of our members. Benetech is actively working on projects to improve accessibility issues such as these.</i>
How to Write a Poem: Based on the Billy Collins Poem "Introduction to Poetry"
by Tania RunyanIs it possible to teach someone how to write a poem? Or does poetry simply "come from the heart" or from a special talent only some can ever hope to have? Of course there's no formula for writing an amazing poem. If poems came with instructions like IKEA(R) coffee tables, we'd all be missing the point. But this book will give you some strategies-some tools, if you will-to assemble your personal, imaginative raw materials into poems that will surprise and intrigue. These strategies are focused primarily on free verse, yet many of the concepts can also be applied to form poetry, at both the inception and revision stages.
How to be Happy: Not A Self-help Book. Seriously
by Iain S. ThomasCentral Avenue Publishing is proud to publish another book by the widely acclaimed poet Iain S. Thomas. As many have noted on various social media platforms, there have been some issues that have led to the delayed release of this book. For this, we apologise and hopefully the content of the book will clarify the circumstances surrounding this delay. We feel we should also point out that this is not technically a self-help book, but it does contain some poignant prose, poetry and stories which may or may not lead you to happiness.Mostly, it is the rather unfortunate chronicle of a man's attempt to write the book he&’s promised his publisher, no matter the cost to his sanity.
Howdie-Skelp: Poems
by Paul MuldoonThe Pulitzer Prize–winning poet delivers a sharp wake-up call with his fourteenth collection.A “howdie-skelp” is the slap in the face a midwife gives a newborn. It’s a wake-up call. A call to action. The poems in Howdie-Skelp, Paul Muldoon’s new collection, include a nightmarish remake of The Waste Land, an elegy for his fellow Northern Irish poet Ciaran Carson, a heroic crown of sonnets that responds to the early days of the COVID-19 pandemic, a translation from the ninth-century Irish, and a Yeatsian sequence of ekphrastic poems that call into question the very idea of an “affront” to good taste. Muldoon is a poet who continues not only to capture but to command our attention.
Howl and Other Poems
by Allen Ginsberg William Crarlos WilliamsPoems by the voice of the Beat Generation. Introduction by William Carlos Williams.
Hsin
by Nanci LeeNanci Lee’s debut explores 4th Century Su Hui’s palindrome of longing. Hsin arises from an ancient Chinese ethical philosophy, less a set of moral standards than an appeal to tune. Heart-mind and nothingness are fair English translations of Hsin, but their tidiness risks losing some of the sharper, wider sides of absence and appetite. As a historical process, according to Hang Thaddeus T’ui-Chieh, Hsin frustrates, “the psychological fragmentation and compartmentalization of the West.” Born to a Syrian father and a Chinese mother, who gave her up for adoption, Lee explores her origins in a compendium of poem fragments where form embraces the process of its unfolding. These are Koan-like poems, resonant with tones at turns ageless and contemporary; Hsin holds silence in ways that both claim and keep at bay.