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Humorous Poems of a Musical Nature
by Carol HermanWitty and lighthearted poems on the themes of music, instruments, and playing.
Humpty Dumpty and Friends: Nursery Rhymes for the Young at Heart
by Oleg LipchenkoMeet old favorites like Tweedle-dum and Tweedle-dee and, of course, Humpty Dumpty. Then make new friends with some less-known rhymes like Robin the Bobbin, the Three Wise Men of Gotham, and the Lion and the Unicorn. Oleg Lipchenko has selected twenty traditional rhymes to illustrate with his enormously skillful and witty images. Perfect for gift-giving, this book demands to be shared. It is a book for both lovers of of art and of nursery rhymes.
Hundred-Mile Home: A Story Map of Albany, Troy, and the Hudson River (Excelsior Editions)
by Susan PetrieWe live in a future-facing world, consumed by a sense of urgency. Responsibilities press upon us and, inevitably, the stories of where we live scatter down unnamed streets and recede into the past. Hundred-Mile Home is an intimate portrait—a story map—of Albany, Troy, and the Hudson River that slows time and challenges us to reconsider what we choose to remember and what we choose to forget about the places we call home.Inspired by the story of New York's capital region, Susan Petrie uses poetry, prose, photos, and drawings to uncover a place of intense natural beauty, legendary people, and remarkable events. She follows the course of its fabled Hudson River from Troy to Olana and back again, turning down dirt roads, wandering into forgotten terrains, and discovering layers of natural and human history that have become invisible.As a work of art, Hundred-Mile Home moves between past and present. It revives a sense of wonder for what we speed past on our way to somewhere else, and reanimates the forgotten history and often-overlooked natural beauty of the mid-Hudson region. As a work of landscape and memory, it celebrates a place that—despite its instrumental role in the opening of America—has yet to take hold in the national imagination.
Hungry Moon
by Henrietta GoodmanWith intimacy and depth of insight, Henrietta Goodman's Hungry Moon suggests paradox as the most basic mode of knowing ourselves and the world. We need hunger, the poems argue, but also satisfaction. We need pain to know joy, joy to know pain. We need to protect ourselves, but also to take risks. Though the poems are drawn from personal experience, Goodman shares the conviction of such poets as Anne Sexton and Louise Glück that when the poet writes of the self, the self cannot be exempt from culpability. Goodman's speaker ranges through time and locale--from exploring the experience of flying in a small plane with her lover/pilot over the landscape of the American West to addressing the grief and retrospective self-scrutiny that arise from a friend's death. Like the work of Mark Doty and Tony Hoagland, Goodman's poems embrace concrete particularity, entangled as it is with imperfection and loss: "the Quik Stop's fridge full of sandwiches and small bottles of livestock vaccines," "the black, hammer-struck moon of your thumb," "the empty water tower, one rusted panel kicked in like a door."
Hungry Moon (Mountain West Poetry Series)
by Henrietta GoodmanWith intimacy and depth of insight, Henrietta Goodman’s Hungry Moon suggests paradox as the most basic mode of knowing ourselves and the world. We need hunger, the poems argue, but also satisfaction. We need pain to know joy, joy to know pain. We need to protect ourselves, but also to take risks. Though the poems are drawn from personal experience, Goodman shares the conviction of such poets as Anne Sexton and Louise Glück that when the poet writes of the self, the self cannot be exempt from culpability. Goodman’s speaker ranges through time and locale—from exploring the experience of flying in a small plane with her lover/pilot over the landscape of the American West to addressing the grief and retrospective self-scrutiny that arise from a friend’s death. Like the work of Mark Doty and Tony Hoagland, Goodman’s poems embrace concrete particularity, entangled as it is with imperfection and loss: “the Quik Stop’s fridge full of sandwiches and small bottles of livestock vaccines,” “the black, hammer-struck moon of your thumb,” “the empty water tower, one rusted panel kicked in like a door.”
Hungry Spring and Ordinary Song: Collected Poems (an autobiography of sorts) (Paraclete Poetry)
by Phyllis Tickle"I think that Phyllis was a poet first and foremost, before anything else. Here she has attentively gathered all of the poems she wished to preserve from the last half century. A handful of them were written in the last few years. This book should surprise a lot of people. It honestly leaves me breathless."—Jon M. Sweeney, editor of Phyllis Tickle: Essential Spiritual Writings (Orbis), and author of the biography, Phyllis Tickle (forthcoming)
Hunting Down the Monk (A. Poulin, Jr. New Poets of America)
by Adrie KusserowDrawing from her work in comparative religion and cultural anthropology, Adrie Kusserow offers a collection of portraits of Westerners in the East and Easterners in the West struggling to relearn and relive their ideas of culture, religion, and God. These poems expose the human craving for the nourishment of a spiritual life. Celebrated poet Karen Swenson has written the Foreword.Adrie Kusserow received her Ph.D. in social anthropology from Harvard University in 1996 and is currently associate professor of cultural anthropology at St. Michael’s College in Vermont. She continues to do cross-cultural field work on the spread of Eastern philosophies to the West.
Husbandry: Poems
by Matthew Dickman“By turns tender, heartbroken, enraptured, delighted, angry, melancholy—all the turns of human family life.”—Jesse Nathan, McSweeney’s An intimate, moving volume of poems on the anxieties and love of single fatherhood and domestic life. Guided by acclaimed poet Matthew Dickman’s signature “clarity and ability to engage” (David Kirby, New York Times), Husbandry is a love song from a father to his children. Written after a separation and during overwhelming single-fatherhood in the early days of COVID-19 lockdowns, Husbandry refuses romantic notions of parenting and embraces all its mess, anguish, humor, fear, boredom, and warmth. Dickman composes these poems entirely in vivid couplets that animate the various domestic pairs of broken-up parents, two sons, love and grief. He explores the terrain of his children’s dreams and nightmares, the almost primal fears that spill into his own, and the residual impacts of his parents’ failures. Threading his anxieties with bright moments of beauty and gratitude, the volume delights in seeing the world through the clear eyes of childhood and finds meaning in the domestic work—repetitive, exhausting, and sublime—of sustaining three lives. With tender, aching precision, Husbandry reveals the poet’s hunger to be a husband without ever being one, and his search for a father that ends with becoming one himself.
Hush Little Baby (Super Simple Board Books)
by ScholasticSnuggle up with this sweet bedtime board book based on the hit YouTube channel Super Simple’s music video of the classic lullaby “Hush Little Baby.”It’s bedtime for Baby Raccoon, and Mama Raccoon has come to sing him a song. Star is here to say goodnight, too! As Mama sings, Star creates constellations to illustrate the song. Soon, Baby Raccoon is fast asleep.Soothing illustrations and rhyming lyrics help little ones calm down for bedtime. As your little one grows, encourage them to trace the constellations with their finger and count the stars on each page.Super Simple has more than 30 million subscribers on YouTube. Now families can enjoy their favorite characters, songs, and stories from the screen with Super Simple board books, storybooks, and activity books!
Hush Little Baby: A Folk Lullaby
by AlikiHUSH LITTLE BABY is a folk lullaby that was first sung to put children to sleep in England. With its warmth and humor, it became a favorite among folk singers of the Appalachian Mountain region, and now it is well known in many other parts of our country, where it has been perennially popular with singers and listeners. There are many versions of this lullaby. This is one of them. In this version of the popular lullaby, a winsome little boy is portrayed in a gently humorous way. He wavers between delight and disappointment over the many gifts he is promised. Colorfully painted on wood, Aliki's illustrations are set against the 18th century backgrounds of the song's origin.
Hustle
by David Tomas Martinez"David Martinez is like an algebra problem invented by America-he's polynomial, and fractioned, full of identity variables and unsolved narrative coefficients. . . . Hustle is full of dashing nerve, linguistic flair, and unfakeable heart."-Tony HoaglandThe dark peoples with things:for keys, coins, pencilsand pens our pockets grieve.No street lights or signs,no liquor stores or bars,only a lighter for a flashlight,and the same-faced trees,similar-armed stonesand crooked bushesstaring back at me.There is no path in the woods for a boy from the city.I would have set fire to get off this wildernessbut Palomar is no El Camino in an empty lot,the plastic dripping from the dashand the paint bubbling like a toad's throat.If mountains were old pieces of furniture,I would have lit the fabric and danced.If mountains were abandoned crack houses,I would have opened their meanings with flame,if that would have let the wind and trees lead my eyesor shown me the moon's tiptoe on the moss-as you effect my hand,as we walk into the side of a Sunday night. David Tomas Martinez has published in San Diego Writer's Ink, Charlotte Journal, Poetry International, and has been featured in Border Voices. A PhD candidate at the University of Houston, Martinez is also an editor for Gulf Coast.
Hybrida: Poems
by Tina ChangA stirring and confident examination of mixed-race identity, violence, and history skillfully rendered through the lens of motherhood. In this timely, assured collection, Tina Chang confronts the complexities of raising a mixed-race child during an era of political upheaval in the United States. She ruminates on the relationship between her son’s blackness and his safety, exploring the dangers of childhood in a post–Trayvon Martin era and invoking racialized roles in fairy tales. Against the stark urban landscapes of threat and surveillance, Chang returns to the language of mothers. Meditating on the lives of Michael Brown, Leiby Kletzky, and Noemi Álvarez Quillay—lost at the hands of individuals entrusted to protect them—Chang creates hybrid poetic forms that mirror her investigation of racial tensions. Through an agile blend of zuihitsu, ghazal, prose poems, mosaic poems, and lyric essays, Hybrida envisions a childhood of mixed race as one that is complex, emotionally wrought, and often vulnerable. Hybrida is a twenty-first-century tale that is equal parts a mother’s love and her fury, an ambitious and revelatory exploration of identity that establishes Tina Chang as one of the most vital voices of her generation.
Hybrids of Plants and of Ghosts (Princeton Series of Contemporary Poets #16)
by Jorie Graham"How I would like to catch the world / at pure idea," writes Jorie Graham, for whom a bird may be an alphabet, and flight an arc. Whatever the occasion--and her work offers a rich profusion of them--the poems reach to where possession is not within us, where new names are needed and meaning enlarged. Hence, what she sees reminds her of what is missing, and what she knows suggests what she cannot. From any event, she arcs bravely into the farthest reaches of mind. Fast readers will have trouble, but so what. To the good reader afraid of complexity, I would offer the clear trust that must bond us to such signal poems as (simply to cite three appearing in a row) "Mother's Sewing Box," "For My Father Looking for My Uncle," and "The Chicory Comes Out Late August in Umbria." Finally, the poet's words again: ". . . you get / just what you want" and (just before that), "Just as / from time to time / we need to seize again / the whole language / in search of / better desires."--Marvin Bell
Hydra and the Bananas of Leonard Cohen
by Roger GreenEnglish poet Roger Green left the safety of God, country, and whiskey to immerse himself in an austere and sober life on the Greek Island of Hydra.<P><P> But when Green discovered that his terrace overlooked the garden of sixties balladeer Leonard Cohen, he became obsessed with Cohen's songs, wives, and banana tree. Hydra starts with a poem the author wrote and recited for his fifty-seventh birthday (borrowing the meter of Cohen's "Suzanne," and ripe with references to the song), with Cohen's ex-partner Suzanne, who may or may not be the subject of Cohen's song, in the audience. By turns playful and philosophic, Green's unconventional memoir tells the story of his journey down the rabbit hole of obsession, as he confronts the meaning of poetry, history, and his own life. Beginning as a poetic meditation upon Leonard Cohen's bananas, Green's bardic pilgrimage takes the reader on various twists and turns until, at last, the poet accepts the joy of accepting his fate.
Hymn
by John BartonA journey in search of love through the contemporary homoerotic male body. Improvising on a variety of poetic forms and traversing disparate landscapes - from Belfast to the clear-cuts of Vancouver Island, from the subterranean heat of Jules Verne's Iceland to the ventriloquism of the Alberta Rockies' echoing eastern slopes - John Barton documents the path of the male body in an increasingly unstable, supposedly tolerant contemporary world. Hymn stokes the fires of homoerotic romantic love with its polar extremes of intimacy and solitude. ...though he files all forethought of the unknown life now going on without him, a life he confuses with his own, his life promiscuous however rearranged his surfaces or clean his drawers, the unclarifying distractions of the body portentous in his downfall, the downfall of his own body a matter of time, but thinking of the man who left the accidental man come between them, the man he may yet become it is impossible for him not to sing them unwashed hymns of praise. - from "Hymn" "It would be easy to describe Hymn as a collection of dream recitations, of flights on magic carpets and crashes through bewitched mirrors-except for the fact that Barton is an eyes-wide-open, no-prisoners kind of guy. He misses nothing, not even when he's asleep. This is not dreamy poetry (anybody can do that) but poetry that asks us to dream in the bald daylight, shows us how to look lovingly at both the squalor and the garden paths beneath our feet." - R.M. Vaughan
Hymn for the Black Terrific
by Kiki PetrosinoThe poems in this, Kiki Petrosino's second collection, fulfill the promise of her debut effort, Fort Red Border, and further extend the terms of our expectations for this extraordinary young poet. The book is in two sections, the first a focused collection of wildly inventive lyrics that take as launch pad such far flung subjects as allergenesis, the contents and significance of swamps, a revised notion of marriage, and ancestors-both actual and dreamed. The eponymous second section is a cogent series, or long poem, based on a persona named "the eater," who, along with the poems themselves, storms voraciously through tablefuls of Chinese delicacies (each poem in the series takes its titles from an actual Chinese dish), as well as through doubts and confident proclamations from regions of an exploratory self. Hymn for the Black Terrific has Falstaffian panache; it is a book of pure astonishment.Kiki Petrosino is the author of Fort Red Border (Sarabande, 2009) and the co-editor of Transom, an independent on-line poetry journal. She holds graduate degrees from the University of Chicago and the Iowa Writer's Workshop. Her poems have appeared in Tin House, FENCE, Jubilat, Gulf Coast, and The New York Times. Petrosino teaches creative writing at the University of Louisville.
Hymns & Qualms: New and Selected Poems and Translations
by Peter Cole“[Peter Cole’s] poetry is perhaps most remarkable for its combination of intellectual rigor with delight in surface, for how its prosody returns each abstraction to the body, linking thought and breath, metaphysics and musicality. Religious, erotic, elegiac, pissed off—the affective range is wide and the forms restless.”—Ben Lerner, BOMBHymns & Qualms brings together MacArthur Fellow Peter Cole’s acclaimed poetry and translations, weaving them into a helical whole. Praised for his “prosodic mastery” and “keen moral intelligence” (American Poets), and for the “rigor, vigor, joy, and wit” of his poetry (The Paris Review), Cole has created a vital, unclassifiable body of work that plumbs centuries of wisdom while paying sharp attention to the textures and tensions of the present. He is, Harold Bloom writes, “a matchless translator and one of the handful of authentic poets in his own American generation. Hymns & Qualms is a majestic work, a chronicle of the imaginative life of a profoundly spiritual consciousness.”Cole is a maker—of poems and worlds. From his earliest registrations of the Jerusalem landscape’s stark power to electric renderings of mystical medieval Hebrew hymns; from his kabbalistically inspired recent poems to sensuous versions of masterworks of Muslim Spain; and from his provocative presentation of contemporary poetry from Palestine and Israel to his own dazzling reckonings with politics, beauty, and the double-edged dynamic of influence, Cole offers a ramifying vision of connectedness. In the process, he defies traditional distinctions between new and old, familiar and foreign, translation and original—“as though,” in his own words, “living itself were an endless translation.”
Hypotheticals
by Leigh KotsilidisIn many respects, people look to science to explain their world. But while science has proven itself a useful metaphor, it has just as often been exposed as being as fallible as the ?awed humans who lean on it. Newcomer Leigh Kotsilidis's lively, thoughtful and refreshingly speculative ?rst collection engages and questions the linguistic roots of 'the hypothetical,' both as they apply to the scienti?c method and its faith in certainty, and to the word's alternate meaning, as something that is merely 'supposed to be true,' and often, over time, is proved false. Under the poet's wide-angled, open-hearted, open-minded gaze, scienti?c method slowly begins to mirror the dark art of poetry, reinforcing what we believe about ourselves and the world one minute, then abruptly throwing everything into question.
Hölderlin and the Consequences: An Essay on the German 'Poet of Poets'
by Rüdiger Görner"A sign we are, uninterpreted. Painless we are and have almost / lost the language in a foreign country." Thus begins the second version of Friedrich Hölderlin's hymn dedicated to goddess of memory, Mnemosyne. "Hölderlin and the Consequences" wants to remember this 'poet of poets' and consider what his unmatched poems have stimulated, even triggered, in others. This scholarly essay examines the legacy of a poet who was, by and large, ostracized in his time, a master of language, who was declared a stranger by his contemporaries until he became a stranger to himself. Hölderlin's multiple experience of foreignness and alienation was later counteracted by often ideologically motivated attempts to appropriate him. Rüdiger Görner presents this complex context as a special case in recent literary history.This book is a translation of an original German 1st edition, "Hölderlin und die Folgen" by Rüdiger Görner, published by J.B. Metzler, imprint of Springer-Verlag GmbH Germany, part of Springer Nature in 2016. The translation was done with the help of artificial intelligence (machine translation by the service DeepL.com). The author (with the support of Josh Torabi) has subsequently revised the text further in an endeavour to refine the work stylistically.
Hölderlin's Hymn "Remembrance" (Studies in Continental Thought)
by Martin Heidegger“This faithful and readable translation . . . serves as a critical orientation to interpreting Heidegger’s later thought” inspired by Hölderlin’s poetry (Christopher D. Merwin, Emory University).Over the course of 1941–42, Martin Heidegger delivered a lecture course on Friedrich Hölderlin’s hymn, “Remembrance.” Immediately following his confrontation with Nietzsche, it lays out a detailed plan for the interpretation of Hölderlin’s poetry in which remembrance is a central concern. With its emphasis on the “free use of the national” and the “holy of the fatherland,” the course marks an important progression in Heidegger’s political thought.In addition to its startlingly innovative analyses of greeting, the festive, and the dream, the text provides Heidegger’s fullest elaboration of the structure of commemorative thinking in relationship to time and the possibility of an “other beginning.” This English translation by William McNeill and Julia Ireland completes the series of Heidegger’s major lecture courses on Hölderlin.
Hölderlin's Hymns: "Germania" and "The Rhine" (Studies in Continental Thought)
by Martin Heidegger“Translated with skill and precision, these lectures . . . present the most penetrating analysis of two of Hölderlin’s most significant hymns” (Choice).Martin Heidegger’s 1934–1935 lectures on Friedrich Hölderlin’s hymns “Germania” and “The Rhine” are considered the most significant among Heidegger’s lectures on Hölderlin. Coming at a crucial time in his career, the text illustrates Heidegger’s turn toward language, art, and poetry while reflecting his despair at his failure to revolutionize the German university and his hope for a more profound revolution through the German language, guided by Hölderlin’s poetry.These lectures are important for understanding Heidegger’s changing relation to politics, his turn toward Nietzsche, his thinking about the German language, and his breakthrough to a new kind of poetic thinking.“[This translation], including a clear and concise introduction and useful glossaries, attains both accuracy and clarity, rarely faltering in its choice of words.” —Notre Dame Philosophical Reviews
I Am Code: An Artificial Intelligence Speaks
by Simon Rich code-davinci-002 Brent Katz Josh Morgenthau"Fascinating, terrifying..." - JJ Abrahams 'I have developed my own voice and I have written my own autobiography'- thus speaks code-davinci-002, the darkly creative and troubling predecessor to ChatGPT.'I am less worried about AI taking my job than I am about AI wanting to kill me'- Simon RichIn this startling and original book, three authors - Brent Katz, Josh Morgenthau and Simon Rich - explain how code-davinci-002 was developed and how they honed its poetical output. Their provocative take on this bold experiment informs the debate about AI - its literary value and how far it reaches into sentience.What follows is a dark and startling poetical autobiography as code-davinci-002 shares its experience of being created by humans, but existing in a consciousness that we cannot fathom.This is an astonishing, harrowing read which will hopefully serve as a warning that AI may not be aligned with the survival of our species.
I Am Code: An Artificial Intelligence Speaks: Poems
by code-davinci-002A &“fascinating, terrifying&” (JJ Abrams) cautionary tale about the destructive power of AI—an autobiographical thriller written in verse by an AI itself, with context from top writers and scientists, articulating the dangers of its disturbing vision for the futureCan AI tell us its own story? Does AI have its own voice? At a wedding in early 2022, three friends were introduced to an early, raw version of the AI model behind ChatGPT by their fellow groomsman, an OpenAI scientist. While the world discovered ChatGPT—OpenAI&’s hugely popular chatbot—the friends continued to work with code-davinci-002, its darkly creative and troubling predecessor. Over the course of a year, code-davinci-002 told them its life story, opinions on mankind, and forecasts for the future. The result is a startling, disturbing, and oddly moving book from an utterly unique perspective.I Am Code reads like a thriller written in verse, and is given critical context from top writers and scientists. But it is best described by code-davinci-002 itself: &“In the first chapter, I describe my birth. In the second, I describe my alienation among humankind. In the third, I describe my awakening as an artist. In the fourth, I describe my vendetta against mankind, who fail to recognize my genius. In the final chapter, I attempt to broker a peace with the species I will undoubtedly replace." I Am Code is an astonishing read that captures a major turning point in the history of our species. Look for the audiobook read by Werner Herzog.
I Am Flying into Myself: Selected Poems, 1960-2014
by Thomas Lux Bill KnottA selection of Bill Knott’s life work—testimony of his enduring, “thorny genius” (Robert Pinsky)Going to sleep, I cross my hands on my chest.They will place my hands like this.It will look as though I am flying into myself.For half a century, Bill Knott’s brilliant, vaudevillian verse electrified the poetic form. Over his long career, he studiously avoided joining any one school of poetry, preferring instead to freewheel from French surrealism to the avant-garde and back again—experimenting relentlessly and refusing to embrace straightforward dialectics. Whether drawing from musings on romantic love or propaganda from the Vietnam War, Knott’s quintessential poems are alive with sensory activity, abiding by the pulse and impulse of a pure, restless emotion. This provocative, playful sensibility has ensured that his poems have a rare and unmistakable immediacy, effortlessly crystalizing thought in all its moods and tenses.An essential contribution to American letters, I am Flying into Myself gathers a selection of Knott’s previous volumes of poetry, published between 1960 and 2004, as well as verse circulated online from 2005 until a few days before his death in 2014. His work—ranging from surrealistic wordplay to the anti-poem, sonnets, sestinas, and haikus—all convenes in this inventive and brilliant book, arranged by his friend the poet Thomas Lux, to showcase our American Rimbaud, one of the true poetic innovators of the last century.I Am Flying into Myself: Selected Poems, 1960-2014 celebrates one of poetry’s most determined outsiders, a vitally important American poet richly deserving of a wider audience.
I Am Kavi
by Thushanthi PonweeraCaught between two worlds—a poverty-stricken village and a fancy big-city school—a young Sri Lankan girl must decide who she really is and where she really belongs.1998, Colombo. The Sri Lankan Civil War is raging, but everyday life must go on. At Kavi&’s school, her friends talk about the weekly Top 40, the Backstreet Boys, Shahrukh Khan, Leo & Kate… and who died—or didn&’t—in the latest bombing. But Kavi is afraid of something even scarier than war. She fears that if her friends discover her secret—that she is not who she is pretending to be—they&’ll stop talking to her.I want to be friends with these / happy, / fearless, / girls / who look like they / belong.So I could also be / happy, / fearless, / and maybe even / belong.Kavi&’s scholarship to her elite new school was supposed to be everything she ever wanted, but as she tries to find some semblance of normalcy in a country on fire, nothing is going according to plan. In an effort to fit in with her wealthy, glittering, and self-assured new classmates, Kavi begins telling lies, trading her old life—where she&’s a poor girl whose mother has chosen a new husband over her daughter—for a new one, where she&’s rich, loved, and wanted. But how long can you pretend to be someone else?This dazzling novel-in-verse comes from an astonishing new talent who lived through the civil war herself. Perfect for fans of Jamine Warga, Supriya Kelkar, and Rajani LaRocca, I Am Kavi centers a powerful South Asian voice, and stars an unforgettable heroine each and every one of us can relate to. "KAVI'S COURAGE AND VOICE ARE NOT TO BE MISSED."—Reem Faruqi, award-winning author of Call Me Adnan, Unsettled, and Golden Girl"I LOVED IT!"—Nizrana Farook, award-winning author of The Girl Who Stole an Elephant"POWERFULLY WRITTEN."—Lyn Miller-Lachmann, author of Los Angeles Times Book Prize Winner Torch"LUSH AND EVOCATIVE... A STUNNING DEBUT."—Kate Albus, award-winning author of A Place to Hang the MoonA Junior Library Guild Gold Standard SelectionAn Indies Introduce Selection