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Infrathin: An Experiment in Micropoetics
by Marjorie PerloffEsteemed literary critic Marjorie Perloff reconsiders the nature of the poetic, examining its visual, grammatical, and sound components. The “infrathin” was Marcel Duchamp’s playful name for the most minute shade of difference: that between the report of a gunshot and the appearance of the bullet hole, or between two objects in a series made from the same mold. “Eat” is not the same thing as “ate.” The poetic, Marjorie Perloff suggests, can best be understood as the language of infrathin. For in poetry, whether in verse or prose, words and phrases that are seemingly unrelated in ordinary discourse are realigned by means of sound, visual layout, etymology, grammar, and construction so as to “make it new.” In her revisionist “micropoetics,” Perloff draws primarily on major modernist poets from Stein and Yeats to Beckett, suggesting that the usual emphasis on what this or that poem is “about,” does not do justice to its infrathin possibilities. From Goethe’s eight-line “Wanderer’s Night Song” to Eliot’s Four Quartets, to the minimalist lyric of Rae Armantrout, Infrathin is designed to challenge our current habits of reading and to answer the central question: what is it that makes poetry poetry?
Ingenious Pleasures: An Anthology of Punk, Trash, and Camp in Twentieth-Century Poetry (Recencies Series: Research and Recovery in Twentieth-Century American Poetics)
by Drew GardnerBy tracing the impulses of punk rock, trash film, and camp through poetry, Drew Gardner sheds light on a literary tendency that has been part of poetry&’s DNA all along: uncovering the poetic values hidden in unpoetic things. This unique anthology introduces readers to collage-driven poetry that embodies the sensibilities of punk, trash, and camp in a line of writing that cuts through received taxonomies of movements, influences, and styles. Moving through the twentieth century, the poetry focuses on the unexpected, the anarchic, the demotic, the absurd, the irreverent, the coarse, the rude, and the deliriously playful. It marks an alternative strain of modernism that stretches from one side of the century to the other and includes such diverse voices as Baroness Elsa von Freytag-Loringhoven, Gertrude Stein, William Carlos Williams, Mina Loy, Russell Atkins, Sun Ra, and Bernadette Mayer, along with many other well-known and lesser-known poets. Readers of Ingenious Pleasures will delight in experiencing poetry as they never have before.
Inheritance
by Kerry-Lee Powell"Powerful ... full of dark nostalgia."-Nathan EnglanderThe LifeboatAll night in his lifeboat my father sangto keep the voices of the other menwho cried in the wreckage from reaching him,he sang what he knew of the requiem,of the hit parade and the bits of hymns,he sang until he would never sing again,scalding his raw throat with sea-wateruntil his ribs heaved, until the saltwept from his eyes on dry land,flecked at his lips in his squalling rages,streaked the sheets in his night sweatsas night after night the reassembled shipscattered its parts on the shore of his bed,and the lifeboat eased him out againto drown each night among singing men.Inspired by a shipwreck endured by her father during the Second World War, and by his struggle with post-traumatic stress disorder and eventual suicide, Inheritance is a powerful poetic debut by the winner of the 2013 Boston Review Fiction Contest and The Malahat Review Far Horizons Award.
Inheritance: A Visual Poem
by Elizabeth AcevedoThey tell me to “fix” my hair.And by fix, they mean straighten, they mean whiten;but how do you fix this shipwreckedhistory of hair? In her most famous spoken-word poem, author of the Pura Belpré-winning novel-in-verse The Poet X Elizabeth Acevedo embraces all the complexities of Black hair and Afro-Latinidad—the history, pain, pride, and powerful love of that inheritance. Paired with full-color illustrations by artist Andrea Pippins in a format that will appeal to fans of Mahogany L. Browne’s Black Girl Magic or Jason Reynolds’s For Everyone, this poem can now be read in a vibrant package, making it the ideal gift, treasure, or inspiration for readers of any age.
Inheriting the War: Poetry And Prose By Descendants Of Vietnam Veterans And Refugees
by Yusef Komunyakaa Laren McClungDescendants of Vietnam veterans and refugees confront the aftermath of war and, in verse and prose, deliver another kind of war story. Fifty years after the Vietnam War, this anthology by descendants of Vietnam veterans and refugees—American, Vietnamese, Vietnamese Diaspora, Hmong, Australian, and others—confronts war and its aftermath. What emerges is an affecting portrait of the effects of war and family—an intercultural, generational dialogue on silence, memory, landscape, imagination, Agent Orange, displacement, postwar trauma, and the severe realities that are carried home. Including such acclaimed voices as Viet Thanh Nguyen, Karen Russell, Terrance Hayes, Suzan-Lori Parks, Nick Flynn, and Ocean Vuong, Inheriting the War enriches the discourse of the Vietnam War and provides a collective conversation that attempts to transcend the recursion of history. “Each unique work in Inheriting the War embraces a collective that aims to engage through some daring and passionate truths calibrated by bravery.”—Yusef Komunyakaa
Inheritors Of Fire: Sahitya Akademy Winning Sindhi Poetry Book Baahi Jaa Varisa
by M. Kamal“Inheritors of Fire” is an anthology of Ghazals. This book received coveted Sahitya Akademi Award.
Iniquity
by Zahra NajiThe poem cycle Iniquity tells a tale of unfulfilled love as seen through the eyes of a teenager, taking the reader on a heartfelt journey of hope, trust, desire and dreams which will finally be crushed by the bitter iniquity of life. Written when the author was sixteen years old, Iniquity’s haphazard jumble of emotions are embedded in every line of every poem. Taken as a whole, the book represents an authentic record of each emotional stage of a love story. Readers are sure to recognise the feelings these poems evoke, whether they experienced them in the past or continue to battle against them even now.
Injury Time: A Memoir
by D. J. EnrightThe distinguished poet, essayist and critic D. J. Enright died on the last day of December 2002. He had just put the finishing touches to Injury Time, a memoir and his third commonplace book in which the dying writer muses upon his own condition and that of the world he knows he is leaving. Comparing himself to the Chinese scholar Sima Qian, who chose an 'ignoble punishment' (in Dennis Enright's case, treatment for his cancer; in Qian's, castration) over respectable death in order to finish a book, he contemplates literature, manners, morals, people and, especially, the English language in all its glories and eccentricities - while recording his battle against cancer and his hospital experiences. Moving, and at times deeply poignant, imbued with its author's legendary humanity and wit, Injury Time is, nevertheless, funny, bracing and, above all, positive.
Ink Knows No Borders: Poems of the Immigrant and Refugee Experience
by Patrice Vecchione Alyssa RaymondA poetry collection for young adults brings together some of the most compelling and vibrant voices today reflecting the experiences of teen immigrants and refugees.With authenticity, integrity, and insight, this collection of poems addresses the many issues confronting first- and second- generation young adult immigrants and refugees, such as cultural and language differences, homesickness, social exclusion, human rights, racism, stereotyping, and questions of identity. Poems by Elizabeth Acevedo, Erika L. Sánchez, Samira Ahmed, Chen Chen, Ocean Vuong, Fatimah Asghar, Carlos Andrés Gómez, Bao Phi, Kaveh Akbar, Hala Alyan, and Ada Limón, among others, encourage readers to honor their roots as well as explore new paths, offering empathy and hope for those who are struggling to overcome discrimination. Many of the struggles immigrant and refugee teens face head-on are also experienced by young people everywhere as they contend with isolation, self-doubt, confusion, and emotional dislocation. Ink Knows No Borders is the first book of its kind and features 65 poems and a foreword by poet Javier Zamora, who crossed the border, unaccompanied, at the age of nine, and an afterword by Emtithal Mahmoud, World Poetry Slam Champion and Honorary Goodwill Ambassador for UNHCR, the UN Refugee Agency. Brief biographies of the poets are included, as well. It's a hopeful, beautiful, and meaningful book for any reader.
Ink Monkey
by Diana HartogInk Monkey is Diana Hartog's first book of poetry in more than thirteen years and her patience is the reader's reward. In these spare and elegant poems -- not a word out of place, not an unnecessary syllable -- Hartog turns a perceptive eye toward the stories of seemingly ordinary things, of overlooked moments and long-closed rooms. Whether she is writing about jellyfish, the desert, awkward silences that end a relationship, struggles of creativity, or Japanese prints, her poems are astute and beautiful.
Inkondlo kaZulu
by Benedict Wallet VilakaziInkondlo kaZulu (Zulu Poems), the first volume of poetry by B.W. Vilakazi, was first published in 1935. This was the first book of poems ever published in isiZulu; it also marked the launch of the newly established Bantu (later, African) Treasury Series (published by the University of the Witwatersrand Press), a collection of twenty classic works written between 1935 and 1987 in African indigenous languages. It contains superb nature poems and also reflects Vilakazi’s contact with Western modernity. As both a traditional imbongi (bard) and a forward-looking poet who could fuse Western poetic forms with Zulu izibongo (praise poetry), he used his writings to express his resistance to the realities of capitalist exploitation of African labour and the appalling injustices of the migrant labour system. By committing to writing in poetic form what had traditionally been conveyed orally from one generation to the next, he preserves for future generations deep philosophical and emotional experiences of Zulu society.The republication of Inkondlo kaZulu affords the reader the opportunity to reappraise Vilakazi’s intellectual significance and his renown as the ‘father of Nguni literature’ at a time when the need is acutely felt to unshackle ourselves from ethnic boundaries and break the invisible chains of inherited prejudice.
Inner Landscape: Poems
by May SartonA strong-willed and emotional collection hidden under a well-groomed landscape of words With her debut collection of poems, Encounter in April, May Sarton made an incredible splash in the world of poetry. Her work is impossible to imitate: a mix of stately verse and depth of emotion that lurks beneath every line, creating a tantalizing, magnetically charged distance between reader and poet. With Inner Landscape, Sarton beckons us forth while eluding easy understanding, in a volume that brilliantly walks the line between enticing and satisfying.
Inquire Within
by In-QContemplating universal issues of love, loss, forgiveness, transformation, and belief, Inquire Within shines a light on our lives and provides a wholly unique and dynamic lens through which to think about ourselves and our world. Rhythmic. Original. Authentic. Inspiring. A journey to the center of the soul, Inquire Within is a provocative and entertaining debut from an award-winning poet. You’ll never look at poetry the same way again.
Inquiry-Based Learning Through the Creative Arts for Teachers and Teacher Educators (Creativity, Education and the Arts)
by Amanda Nicole Gulla Molly Hamilton ShermanThis book is a theoretical and practical guide to implementing an inquiry-based approach to teaching which centers creative responses to works of art in curriculum. Guided by Maxine Greene’s philosophy of Aesthetic Education, the authors discuss the social justice implications of marginalized students having access to the arts and opportunities to find their voices through creative expression. They aim to demystify the process of inquiry-based learning through the arts for teachers and teacher educators by offering examples of lessons taught in high school classrooms and graduate level teaching methods courses. Examples of student writing and art work show how creative interactions with the arts can help learners of all ages deepen their skills as readers, writers, and thinkers.
Inquisition (Wesleyan Poetry Series)
by Kazim AliDuring the 1982 air strikes on Beirut, Faiz Ahmed Faiz asked his friend Mahmoud Darwish “Why aren’t the poets writing this war on the walls of the city?” Darwish responded, “Can’t you see the walls falling down?” Queer, Muslim, American, Kazim Ali has always navigated complex intersections and interstices on order to make a life. In this scintillating mixture of lyrics, narrative, fragments, prose poem, and spoken word, he answers longstanding questions about the role of the poet or artist in times of political or social upheaval, although he answers under duress. An inquisition is dangerous, after all, especially to Muslims whose poetry and art and spiritual life has always depended not on the Western ideal of a known God or definitive text but on the concepts of abstraction, geometry, vertigo. “Someone always asks ‘where are you from,’” Ali writes, “and I want to say ‘a body is a body of matter flung/from the far corners of the universe and I am a patriot/of breath of sin of the endless clamor/out the window.’” Ali engages history, politics, and the dangerous regions of the uncharted heart in this visceral new collection.
Insane Devotion: On the Writing of Gerald Stern
by Philip Levine Mihaela MoscaliucGerald Stern has been a significant presence and an impassioned and idiosyncratic voice in twentieth and twenty-first-century American poetry. Insane Devotion is a retrospective of his career and features fourteen writers, critics, and poets examining the themes, stylistic traits, and craft of a poet who has shaped and inspired American verse for generations.The essays and interviews in Insane Devotion paint a broad picture of a man made whole by the influence of the written word. They touch on the contentious and nuanced stance of Judaism in the breadth of Stern's work and explore Stern's capacious memory and his use of personal history to illuminate our common humanity. What is revealed is a poet of complexity and heart, often tender, often outraged. As Philip Levine writes in his lyrical foreword to the volume, Stern is both sweet and spiky, "a born teacher who can teach me to see the universe in an acorn and hear the music of the lost in an empty Pepsi can."
Inscribing the Text: Sermons and Prayers of Walter Brueggemann
by Walter Brueggemann Anna Carter FlorenceSermons and Prayers printed without comment from 2001-2003.
Insectlopedia
by Douglas FlorianFrom swooping butterflies and twirling beetles to marching army ants and feasting mosquitoes, here is one fest infestation you'll welcome into your home.
Inseminating the Elephant
by Lucia Perillo"Inseminating the Elephant [is] a collection of poems, often laced with humor, that examines popular culture, the limits of the human body, and the tragicomic aspects of everyday experience."-Pulitzer Prize finalist citation"These poems are tough and witty."-The New Yorker"Whoever told you poetry isn't for everyone hasn't read Lucia Perillo."-Time Out New YorkA 2009 Pulitzer Prize finalist, Inseminating the Elephant delivers hard-edged yet vulnerable poems that reconcile the comic impulse with the complications and tragedies of living in the eating and breathing body-what Lucia Perillo calls the "meat cage." Perillo dissects human failings and sexuality, as well as collisions between nature and the manufactured world, to create an unforgettable poetic vision.How the zoologists startis by facing the mirror of her flanks,that foreboding luscious place where the gray hidegives way to a zeroing-in of skin as vulnerable as an orchid.Which is the place to enter, provided you are brave,brave enough to insert your laser-guided camerato avoid the two false openings of her "vestibule,"much like the way of entering death, of giving birth to death,calling it forth as described in the Tibetan Book.Lucia Perillo graduated from McGill University in Montreal and worked for the US Fish and Wildlife Service. She completed her MA in English at Syracuse University, and has published five books of poetry. She was a MacArthur Fellow in 2000 and finalist for the Pulitzer Prize in 2009. She lives in Olympia, Washington.
Inside Every Dream, a Raging Sea
by Liz WorthOur lives are full of personal legend. Trivial details can feel fated, weighted with meaning. What happens when we start to see the words we speak as spells? Where do the lines of ritual, magic, and daily life blur? Inspired by Worth’s professional tarot reading, these poems explore the thin veil between them and suggest it barely exists at all.Confessional stories blend with the abstract and the occult, probing uncomfortable truths about age, regret, and shifting identity that emerge with the passing of time. Worth deftly shares the loss that comes from inadvertently discarding parts of ourselves—including our self-perception—or realizing our lives are different than we previously envisioned. We can see the world as a series of places haunted with our own memories.Inside Every Dream, a Raging Sea elevates the everyday, celebrating memory as individual folklore. These poems offer a way into the interconnected elements of our lives and the world around us, embodying the state of possibility and openness we are all searching for.
Inside Paradise Lost: Reading the Designs of Milton's Epic
by David QuintInside "Paradise Lost" opens up new readings and ways of reading Milton's epic poem by mapping out the intricacies of its narrative and symbolic designs and by revealing and exploring the deeply allusive texture of its verse. David Quint’s comprehensive study demonstrates how systematic patterns of allusion and keywords give structure and coherence both to individual books of Paradise Lost and to the overarching relationship among its books and episodes. Looking at poems within the poem, Quint provides new interpretations as he takes readers through the major subjects of Paradise Lost—its relationship to epic tradition and the Bible, its cosmology and politics, and its dramas of human choice.Quint shows how Milton radically revises the epic tradition and the Genesis story itself by arguing that it is better to create than destroy, by telling the reader to make love, not war, and by appearing to ratify Adam’s decision to fall and die with his wife. The Milton of this Paradise Lost is a Christian humanist who believes in the power and freedom of human moral agency. As this indispensable guide and reference takes us inside the poetry of Milton’s masterpiece, Paradise Lost reveals itself in new formal configurations and unsuspected levels of meaning and design.
Inside Spiders
by Leslie ShinnWinner of the 2013 Lexi Rudnitsky First Book Prize, a collection of gemlike poems combining delicacy with unmistakable hardiness. Winner of the 2013 Lexi Rudnitsky First Book Prize, a collection of gemlike poems combining delicacy with unmistakable hardiness. These poems are exquisite, deceptively complex revelations of the domestic and natural worlds: chiseled, unflinching, set beside a "painted paper lake/of gilded folds laid straight,/the gowned hills/on hidden feet/late coming light." Reminiscent of the writing of Robert Creeley, Shinn's debut conveys a life condensed--deeply felt and keenly observed.
Insieme
by Asma ElferkoussPrendersi del tempo per sé e scoprire quello che si ha dentro, dando importanza ai nostri sentimenti, rendendoli reali e permettendo loro di esistere. Questa raccolta di poesie rende possibile un viaggio all’interno del nostro universo più intimo in cui i sentimenti comunicano apertamente, sprigionando tutta la forza dell’Amore ed il vero gusto del piacere.
Insofar as Heretofore
by Aaron Anstett"Culture's cloud chamber and its millions of random vectors drive Aaron Anstett's INSOFAR AS HERETOFORE. 'Whatever scintillants' he calls them in 'One Theory,' an exclamation that's half-prayer and half come-and-get-me bravado. The poems catch our socio-linguistic lightning flashes, at times fusing the erotic and the spiritual. This book is original and beautiful."—Michael Heller