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Kissing Dead Girls
by Daphne GottliebFusing pornography and postfeminist theory, transcript and tell-all, these playful, penetrating poems and stories reach off the page in search of what it is to be known, both to the masses and to the "Other."Gertrude Stein's work is co-opted and re-seen in an attempt to unpack the relationship between love and war; Walt Whitman makes a command performance in dismembered bits of forced formal verse; and The Exorcist and The Devil in Miss Jones are sutured together in an attempt to locate the horror of desire.
Kissing God Goodbye: Poems 1991-1997
by June JordanWith the same pithy but eloquent observations characteristic of Jordan's classic poetry collections,Things that I Do in the Dark and Living Room,and her notable essay collections,Civil WarsandTechnical Difficulties, Kissing God Goodbyewill strike a universal chord as it witnesses the pain, confusion, and passion of what it's like to live in our society at the twilight of the twentieth century. June Jordan's many selves, as poet, essayist, feminist, and activist come together here in a collection of poetry that is alternately lyrical, magical, shockingly spare, pungently political, yet universally resonate. Beautiful love poems are interspersed with poems about Bosnia, Africa, urban America, Clarence Thomas, affirmative action, her mother's suicide, and Jordan's bout with breast cancer. This collection of poetry will be warmly welcomed by June Jordan loyalists and new readers who will thrill to discover a voice that has been described as one of the "most gifted poets of the late twentieth century. "
Kissing the Bread
by Sandra M. Gilbert"[Her] poems startle on every page: at times they bring your heart to your throat."-Peter Dale Scott
Kit
by Megan BarkerMegan and Kit met in their early twenties. Their friendship was intense, wild and true.Years later, when Kit becomes desperately unwell, Megan tries to pull her old friend back from the precipice, navigating the difficulties of revisiting a relationship conceived in the great freedom of youth, whilst attempting to remain fully present in the messy beauty of her family life.Kit is a story of the sumptuous complication - and precariousness - of life and relationships. It describes a call to intimacy in a state of emergency. It is a story of one life disrupted as another moves toward its end.Told in a spare, winding prose-poem, with a voice reminiscent of Max Porter, Elizabeth Smart, Kae Tempest and Rebecca Watson, Kit is a splintered, powerful work of empathy, friendship and unconditional love.
The Kitchen-Dweller's Testimony (African Poetry Book)
by Ladan Osman Kwame DawesWinner of the Sillerman First Book Prize for African Poets, The Kitchen-Dweller’s Testimony asks: Whose testimony is valid? Whose testimony is worth recording? Osman’s speakers, who are almost always women, assert and reassert in an attempt to establish authority, often through persistent questioning. Specters of race, displacement, and colonialism are often present in her work, providing momentum for speakers to reach beyond their primary, apparent dimensions and better communicate. The Kitchen-Dweller’s Testimony is about love and longing, divorce, distilled desire, and all the ways we injure ourselves and one another.
Kitchen Heat: Poems
by Ava Leavell HaymonKitchen Heat records in woman's language the charm and bite of domestic life. Ava Leavell Haymon's poems form a collection of Household Tales, unswerving and unsentimental, serving up the strenuous intimacies, children, meals, pets, roused memories, outrages, and solaces of marriage and family. Some of the poems are comic, such as "Conjugal Love Poem," about a wife who resists giving her husband the pity he seeks when complaining about a cold. Others find myth and fairy tale lived out in contemporary setting, with ironic result. Others rename the cast of characters: husband and wife become rhinoceros and ox; a carpool driver, the ominous figure Denmother.An elderly female is Old Grandmother, who creates time and granddaughters from oyster stew. The humidity of Deep South summers and steam from Louisiana recipes contribute to a simmering language, out of which people and images emerge and into which they dissolve again.Denmother went to college in the 60s,could pin your ears back at a cocktail party.Her laugh had an edge to it,and her yard was always cut.She grew twisted herbs in the flower beds,hid them like weeks among dumpy marigolds.The wolfsbane killed the pansiesbefore they bloomed much.She'd look at you real straight and talkabout nuclear power plants or abortion. At homealone she boiled red potatoes all nightto make the primitive starch that holds up the clouds. -- "Denmother's Conversation"
Kitchen Music
by Lesley HarrisonA cosmology of place written in the songs of whales and birds, folk tales, city streets, and the green glass sea In her first book-length collection of poems to appear in the US, Lesley Harrison looks North to the sea, with the heat of the land at her back, to bring us meditations on whale hunts and lost children, Manhattan sky towers, and the sound of the gamelan in the Gulf of Bothnia. A poetry of spareness in multilayered depths, of textural silence and aural place, Kitchen Music plunges deep through the strata of language where “weather is body” and an Iceland poppy is “as delicate as birch.” In poems and sequences of poems, Harrison spins folktales into threads of family and gender, engages with the work of the artists Roni Horn and Marina Rees, transcribes John Cage and Johannes Kepler into song and litany, pens a hymnal of bees, and turns to storms, glaciers, and the lapwing life in a field of young barley. As the novelist Kirsty Gunn writes in the foreword, Harrison has “taken up the old white whale of the fixed and masculine narratives and made of its seas and weathers her own Moby Dick, a female poetry ‘in praises / repeated, repeating.’”
Kite Kè m Pale
by Jacques PierreIn his latest collection of poetry, Kite Kè m pale (Let My Heart Speak), Jacques speaks lovingly and eloquently about those, including women, who have faced and continue to face difficulties and injustice. His poetry sometimes resorts to uncommon forms of Kreyòl such as jagon and bolit to better expressed that which cannot conveyed commonly, and expose everyone to the linguistic wealth of the country.
Kite Kè m Pale
by Jacques PierreJacques Pierre louvri kè l de batan nan Kite kè m pale pou l envite nou viv kouman entimite ak pwoblèm sosyal pran randevou nan menm kalfou. Powèt la fotografye difikilte ak kouran santiman ki travèse lavi medam yo. Epi, li wete chapo li byen ba pou li salye kouraj Martin Luther King Jr, Malcolm X, ak lòt lidè ki pa te pè batay pou yon minorite ki pran nan cho, e yo mete nan kacho souvan poutèt po yo. Pou fini, li envite nou viv de twa powèm nan langaj jagon ak bolit, epi yon katafal lòt ki fè yonn ak pafen lawouze nou jwenn nan bèl lang nou an.Rekèy powèm sa a se yon envitasyon otè a fè nou tout pou nou dekouvri bèlte lang nou an. Nan chak grenn mo, otè a plonje kè nou nan lanmè Karayib la, kote vag yo fè nanm nou tonbe nan yon ale vini jouk kouran lanmou an rale nou pou nou fè yonn ak powèm yo. -Wedsly Turenne GuerrierLang nou ak kilti nou se rezilta kreyativite nou ki pran nanm nan lavi chak kretyen vivan. Se sa potorik otè Jacques Pierre fè nan rekèy sa a. Pierre marinen lang nou ak kilti nou ansanm pou ofri nou yon konsonmen kreyativite ki se temwayaj richès kiltirèl ak lengwistik Ayiti cheri nou an. -Marky Jean-Pierre
Kites in the Sky
by AtemKites in the Sky distills the wisdom of one lifetime, asking questions, pondering possibilities and embracing simplicity. These humble thought-children, born from love and based on haiku, will give rest to your heart.
KITH
by Divya Victorkith [noun] one's friends, acquaintances, neighbours, or relations.In Kith, award-winning writer Divya Victor engages Indian-American diasporic culture in the twentieth century, via an autobiographical account that explores what 'kith' might mean outside of the national boundaries of those people belonging to the Indian and South East Asian diasporas.Through an engagement with the effects of globalization on identity formation, cultural and linguistic exchange, and demographic difference, Kith explores questions about race and ethnic difference: How do 'brownness' and 'blackness' emerge as traded commodities in the transactions of globalization? What are the symptoms of belonging? How and why does 'kith' diverge from 'kin,' and what are the affects and politics of this divergence? Historically-placed and well-researched, Kith is an unflinching and simultaneous account of both systemic and interpersonal forms of violence and wounding in the world today.
Kittycat Lullaby
by Eileen SpinelliWhen the sun sets, it's time for Kittycat to go to bed. After all, she's had a very busy day of scaring mice and swatting yarn balls. This lyrical poem offers a lullaby to help Kitty (and children) drift into sleep, and a gentle reassurance that bad dreams will stay away.
kiyam
by Naomi McilwraithThrough poems that move between the two languages, McIlwraith explores the beauty of the intersection between nêhiyawêwin, the Plains Cree language, and English, âkayâsîmowin. Written to honour her father’s facility in nêhiyawêwin and her mother’s beauty and generosity as an inheritor of Cree, Ojibwe, Scottish, and English, kiyâm articulates a powerful yearning for family, history, peace, and love.
Klang – Ton – Wort: akustische Dimensionen im Schaffen Marcel Beyers
by Sven Lüder Alice StaškováMarcel Beyer hat mit seinem vielfach ausgezeichneten Schaffen auf einzigartige Weise Grenzbereiche zwischen Literatur, Musik und Kulturtheorie erkundet. Sein Œuvre, das außer Romanen, Gedicht- und Essaybänden auch fünf Libretti umfasst, zeichnet sich durch eine spezifische Aufmerksamkeit für das Akustische aus, wobei Fragen der Darstellung, der Systematisierung und der Performanz stets mitbedacht werden. Auf vielfältige, bislang kaum angemessen ergründete Weise verschränken sich in seinem Schaffen Erfahrungen als Mitwirkender (Sprecher), als Autor von musikbezogenen Essays (v. a. Rezensionen) und als Co-Autor zumal im Musiktheater. Der Band, der auf ein 2019 in Jena veranstaltetes Symposium zurückgeht, enthält Beiträge, die in umfassend interdisziplinärer Weise die Dimensionen des Akustischen in Beyers Werken sowie Ausfaltungen des Dialogs zwischen Musik und Literatur, besonders auch in der Praxis des zeitgenössischen Musiktheaters, untersuchen.
The Knock at Midnight
by Puran Singh Gurbhagat SinghOriginal modern Punjabi Poet Puran Singh (1881-1931) wrote poems in Punjabi and were translated in English by Gurbhagat Singh. Author also goes by the name "Purana Singha".
Knock At A Star: A Child's Introduction To Poetry
by X. J. Kennedy Dorothy M. KennedyThe classic anthology of poetry for children--now revised with new poems to enchant a new generation. Copyright © Libri GmbH. All rights reserved.
The Knot
by Alice JonesThe Knot is an extraordinary combination of lyricism, mythmaking, and an informed use of the language of medicine in poetry.
The Knot of My Tongue: Poems and Prose
by Zehra NaqviFor readers of Fatimah Asghar&’s If They Come for Us, here is a searing, multidimensional debut about the search for language and self, which is life itself.I knew it was time to build what could carry, what could find the high point to name what I knew to be the world and carry it with meAt the heart of The Knot of My Tongue is Zehra Naqvi&’s storying of language itself and the self-re-visioning that follows devastating personal rupture. Employing a variety of poetic forms, these intimate, searching poems address generations, continents, and dominions to examine loss of expression in the aftermath of collisions with powerful forces, ranging from histories to intimacies. Naqvi follows a cast of characters from personal memory, family history, and Quranic traditions, at instances where they have either been rendered silent or found ways to attempt the inexpressible—a father struggling to speak as an immigrant in Canada; a grandmother as she loses her children and her home after the 1947 Partition; the Islamic story of Hajar, abandoned in the desert without water; the myth of Philomela who finds language even after her husband cuts off her tongue. Brilliantly blending the personal and the communal, memory and myth, theology and tradition, the poems in this collection train our attention—slow and immediate, public and private—on our primal ability to communicate, recover, and survive. This example is striking for the power of its speaking through loss and a singular, radiant vision.
Knots
by Edward CarsonThe mind is made / of pleasures and / uncertainty, inviting / as it yearns to be both / puzzle and adversity Full of philosophical digressions, questions, and answers, Knots forms a series of cyclical narrations, a kind of verbal asymmetry or mathematician's knot, continuously mirroring its ideas and subject matter in a play of language and contrasting points of view. "Flight of the Mind & Measure of the Stars" sets an itinerary and series of proposed directions for the book, its poems introducing the mind in action, laying down themes of art and memory, reason and belief, intimacy and desire. The final sections are composed of verses that can also be read as parts of two longer, interconnected poems. "The Occupied Mind" enticingly pulls us deeper into philosophical questions and answers about the needs of the mind and the ambiguities of love. The central conceit of "Minutes" offers sixty meditations that are both a measure of time and testimony, as well as a witnessing and confession of what takes place within a changing relationship. Confronting the riddles and dualities of mind and heart, Knots provokes a layered interplay of reason, paradox, code, and cipher from our daily thinking and feeling. Actively engaging with the spoken strategies of thought, the nature of art, and our always unpredictable, evolving experience of love, we quickly discover the mind and heart are rarely what we expect.
Knots (Hugh MacLennan Poetry Series #37)
by Edward CarsonThe mind is made / of pleasures and / uncertainty, inviting / as it yearns to be both / puzzle and adversity Full of philosophical digressions, questions, and answers, Knots forms a series of cyclical narrations, a kind of verbal asymmetry or mathematician’s knot, continuously mirroring its ideas and subject matter in a play of language and contrasting points of view. "Flight of the Mind & Measure of the Stars" sets an itinerary and series of proposed directions for the book, its poems introducing the mind in action, laying down themes of art and memory, reason and belief, intimacy and desire. The final sections are composed of verses that can also be read as parts of two longer, interconnected poems. "The Occupied Mind" enticingly pulls us deeper into philosophical questions and answers about the needs of the mind and the ambiguities of love. The central conceit of "Minutes" offers sixty meditations that are both a measure of time and testimony, as well as a witnessing and confession of what takes place within a changing relationship. Confronting the riddles and dualities of mind and heart, Knots provokes a layered interplay of reason, paradox, code, and cipher from our daily thinking and feeling. Actively engaging with the spoken strategies of thought, the nature of art, and our always unpredictable, evolving experience of love, we quickly discover the mind and heart are rarely what we expect.
The Knowing Animals
by Emily Skov-NielsenPoems that sing, in various notes of female voice, the human being as an embodied, contemplative, feeling animal. In Skov-Nielsen's thrumming debut, The Knowing Animals, our consciousness is interconnected with the surrounding trees, bugs, rivers, atmospheres, and cosmos. Here, flowers escape Victorian domestication and ally with girls' green powers of attraction. Here, the social politeness of motherly domesticity and the raw dangers of adolescent sexual awakening are shot through with blood pulsing under the skin, with oxygen exchanged in gasps of breath. Here, everything tender and petalling is also raw and mothervisceral. This is a book of entanglements: the poems twist and turn through a plurality of metaphorical associations involving botany, zoology, astronomy, biology, psychology, and mythology to complicate and expand human conceptions of nature. At the same time, they explore themes such as motherhood, pregnancy and birth, sexuality, adolescence, and the rise of technology, all the while shifting through a variety of tones: romantic, mythological, religious, scientific, wistful, and playful.
The Knowing Heart: A Sufi Path of Transformation
by Kabir HelminskiAs human beings we stand on the threshold between two realities: the world of material existence and the world of spiritual Being. The "knowing heart" is the sacred place where these two dimensions meet and are integrated. In Sufi teaching the human heart is not a fanciful metaphor but an objective organ of intuition and perception. It is able to perceive all that is beautiful, lovely, and meaningful in life--and to reflect these spiritual qualities in the world, for the benefit of others. Every human heart has the capacity and the destiny to bring that world of divine reality into this world of appearances. The Sufis, mystics of Islam, have been educators of the heart for some fourteen centuries. Their teachings and methods are designed to help us awaken and purify the heart, to learn to listen to our deepest knowing. In The Knowing Heart, Kabir Helminski presents the Sufi way as a practical spirituality suitable for all cultures and times--and offers insights that are especially valuable for our life in today's world. In cultivating a knowing heart, we learn to experience a new sense of self, transform our relationships, and enhance our creative capacities. Most important, we learn how to meet the spiritual challenge of our time: to realize our sacred humanness.
The Known World (Wesleyan Poetry Series)
by Don BogenTurning bare description into a luxuriance, The Known World looks at the complex relationship of past and present, creating energetic juxtaposition between different historic periods to envision life at the end of our own century. Don Bogen calls the work an archeology, and uses details f life in past eras as a way of penetrating the surfaces of history. In his account, everything known is both encumbered with and defined by the past. Short poems in this collection cohere around the long title poem, which explores the nineteenth century through more than thirty sections in different voices and styles, including lists, mock letters, brief narratives, and lyric passages. The result is lively and illuminating.
Knoxville, Tennessee
by Nikki GiovanniA poem from a young girl's perspective about summer's delights in the south.
Ko-Uta: Little Songs of the Geisha World
by Liza CrihfieldThis book of Japanese poetry and lyrics explores a little-known style of Japanese song called Ko-Uta.A Ko-Uta is translated as "little song" in Japanese. Unfamiliar to most Westerners, ko-uta are particularly in tune with the tradition of Japan's Edo-era merchants. Some ko-uta are aesthetic, many are earthy.Ko-uta are sung to the accompaniment of the shamisen-a traditional, three-stringed Japanese lute. Ko-uta come to life when they are sung, and the best example of where they live is in the geisha world. To help give some idea of the geisha world, this Japanese music book has provided a complete score of one song.Readers with some experience with haiku and other forms of Japanese poetry will find that ko-uta share many things with those forms. Yet, ko-uta retain their own unique interest, making this book a fascinating addition to any collection of Japanese literature or art.