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Leaves of Grass: 1st Edition 1855 (Enriched Classics)
by Walt Whitman Cynthia Brantley Johnson Charles BrowerENDURING LITERATURE ILLUMINATED BY PRACTICAL SCHOLARSHIP <P> A collection of quintessentially American poems, the seminal work of one of the most influential writers of the nineteenth century. <P> THIS ENRICHED CLASSIC EDITION INCLUDES:<P> * A concise introduction that gives readers important background information<P> * A chronology of the author's life and work<P> * A timeline of significant events that provides the book's historical context<P> * An outline of key themes and plot points to help readers form their own interpretations<P> * Detailed explanatory notes<P> * Critical analysis, including contemporary and modern perspectives on the work<P> * Discussion questions to promote lively classroom and book group interaction<P> * A list of recommended related books and films to broaden the reader's experience<P> Enriched Classics offer readers affordable editions of great works of literature enhanced by helpful notes and insightful commentary. The scholarship provided in Enriched Classics enables readers to appreciate, understand, and enjoy the world s finest books to their full potential.
Leaves of Grass: The Original 1855 Edition (Leather-bound Classics #Vol. No. 9)
by Walt Whitman Kenneth C. MondscheinA timeless collection of hundreds of poems that resonate to the American spirit. Leaves of Grass is a timeless collection of poems and essays penned by influential nineteenth-century writer Walt Whitman. This profound compilation explores topics such as nature, mysticism, mortality, transcendentalism, and democracy. Inspired by personal experiences and observations, Whitman spent almost four decades piecing together the complete work, sharing societal ideals and epiphanies about life that still resonate with readers today. This edition of the complete Leaves of Grass also includes Whitman’s preface to the original 1855 edition, in which he expounds on his personal philosophy of writing poetry, and an introduction by scholar Kenneth C. Mondschein.
Leaves Of Grass, A Textual Variorum Of The Printed Poems, 1855-1856
by Walt WhitmanIn 1855, the first edition of Leaves of Grass appeared, consisting of twelve untitled poems and a preface outlining the author's poetics. An initial commercial failure, this volume was the first stage of a massive, lifelong enterprise. Six editions and some thirty-seven years later, Leaves of Grass would become one of the central works m the history of world poetry. This Vintage Books/The Library of America edition includes both the 1855 first edition in its exact, original form and the magnificent final edition of 1891-1892.
Leaving Yuba City
by Chitra Banerjee DivakaruniLike Divakaruni's much-loved and bestselling short story collection Arranged Marriage, this collection of poetry deals with India and the Indian experience in America, from the adventures of going to a convent school in India run by Irish nuns (Growing up in Darjeeling) to the history of the earliest Indian immigrants in the U.S. (Yuba City Poems).Groups of interlinked poems divided into six sections are peopled by many of the same characters and explore varying themes. Here, Divakaruni is particularly interested in how different art forms can influence and inspire each other. One section, entitled Indian Miniatures, is based on and named after a series of paintings by Francesco Clemente. Another, called Moving Pictures, is based on Indian films, including Mira Nair's "Salaam Bombay" and Satyajit Ray's "Ghare Baire." Photographs by Raghubir Singh inspired the section entitled Rajasthani. The trials and tribulations of growing up and immigration are also considered here and, as with all of Divakaruni's writing, these poems deal with the experience of women and their struggle to find identities for themselves.This collection is touched with the same magic and universal appeal that excited readers of Arranged Marriage. In Leaving Yuba City, Chitra Banerjee Divakaruni proves once again her remarkable literary talents.From the Trade Paperback edition.
Leavings: Poems
by Wendell Berry“Berry has become ever more prophetic . . . In the Sabbaths of 2005–08 published here, Berry angrily mourns the degradation of the nation wrought by destruction of the land and the pursuit of wealth and power. He says that we must prepare to live without hope for a while, though in the very first of the Sabbaths, he prays not to lose love along with hope: ‘Help me, please, to carry / this candle against the wind.’ Despite anger and bitterness, he often recalls and teaches the beauty and propriety of creation, too. If he is a Jeremiah, he is also a David the psalmist.” —BooklistNo one writes like Wendell Berry. Whether essay, novel, story, or poem, his inimitable voice rings true, as natural as the land he has farmed in Kentucky for over 40 years.Following the widely praised Given, this new collection offers a masterful blend of epigrams, elegies, lyrics, and letters, with the occasional short love poem. Alternately amused, outraged, and resigned, Berry's welcome voice is the constant in this varied mix. The book concludes with a new sequence of Sabbath poems, works that have spawned from Berry's Sunday morning walks of meditation and observation.Berry's themes are reflections of his life: friends, family, the farm, the nature around us as well as within. He speaks strongly for himself and sometimes for the lost heart of the country. As he has borne witness to the world for eight decades, what he offers us now in this collection of poems is of incomparable value.
The Ledge
by Michael CollierMichael Collier's much acclaimed fourth collection of poetry poises experience on the ledge between the everyday and the unknown. In THE LEDGE, the poems are narrative and colloquial, musical and crystalline, at once intimate and sharp-edged. The world is rendered beautifully mysterious as the poems slide into unexpected emotional territory. The artistry and directness of THE LEDGE confirm Collier's place among the most significant poets of his generation.
Ledger: Poems
by Jane HirshfieldA pivotal book of personal, ecological, and political reckoning from the internationally renowned poet named "among the modern masters" (The Washington Post).Ledger's pages hold the most important and masterly work yet by Jane Hirshfield, one of our most celebrated contemporary poets. From the already much-quoted opening lines of despair and defiance ("Let them not say: we did not see it. / We saw"), Hirshfield's poems inscribe a registry, both personal and communal, of our present-day predicaments. They call us to deepened dimensions of thought, feeling, and action. They summon our responsibility to sustain one another and the earth while pondering, acutely and tenderly, the crises of refugees, justice, and climate. They consider "the minimum mass for a whale, for a language, an ice cap," recognize the intimacies of connection, and meditate upon doubt and contentment, a library book with previously dog-eared corners, the hunger for surprise, and the debt we owe this world's continuing beauty. Hirshfield's signature alloy of fact and imagination, clarity and mystery, inquiry, observation, and embodied emotion has created a book of indispensable poems, tuned toward issues of consequence to all who share this world's current and future fate.
Ledger of Crossroads: Poems
by James BrasfieldIn James Brasfield’s Ledger of Crossroads, layered by light and shadow, the crossroads emerge from distinct yet inseparable geographies. Grounded in the sensual world, the poems fuse American and Eastern European landscapes: “the char of silence and beauty, / brick foundations of what was here, dirt roads / cut through pines, rivers and the dust of the dead.” Here are experiences from the American South, of those who believed Jim Crow “the way things . . . had to be,” and from the fallen imperiums of those “who have always / returned to fewer trees and a wall,” whose intimate perceptions provide moments of reprieves: “beyond the faint scent / of almond in the air and heavy clouds / funneling from the earth into snowfall, / the current calmed within that distant / bend of the Vistula.” Here we become the identities of others, their time and place, from the strata of their histories. They enter our lives.
Ledi
by Kim TrainorLedi, the second book by Vancouver poet Kim Trainor, describes the excavation of an Iron Age Pazyryk woman from her ice-bound grave in the steppes of Siberia. Along with the woman's carefully preserved body, with its blue tattoos of leopards and griffins, grave goods were also discovered—rosehips and wild garlic, translucent vessels carved from horn, snow-white felt stockings and coriander seeds for burning at death. The archaeologist who discovered her, Natalya Polosmak, called her 'Ledi'—'the Lady'—and it was speculated that she may have held a ceremonial position such as story teller or shaman within her tribe.Trainor uses this burial site to undertake the emotional excavation of the death of a former lover by suicide. This book-length poem presents a compelling story in the form of an archaeologist's notebook, a collage of journal entries, spare lyric poems, inventories, and images. As the poem relates the discovery of Ledi's gravesite, the narrator attempts simultaneously to reconstruct her own past relationship and the body of her lover.
Leer poesía
by Gabriel ZaidLeer por gusto es el método que propone este libro que habla de poesía como los amigos que salen platicando de ver una película. Puede servir como una introducción al arte de leer poesía, especialmente mexicana, pero no es un tratado, sino una conversación de lector a lector. Octavio Paz, Ramón Xirau, Carlos Fuentes y Salvador Elizondo dieron el Premio Villaurrutia a Leer poesía en 1972. Esta nueva versión incluye artículos publicados de 1966 a 2009. A la curiosidad con que se acerca a los temas junta la franqueza en las opiniones. Alí Chumacero Todas las páginas de Leer poesía muestran ingenio, perspicacia, lucidez. Jaime García Terrés Juicios rápidos y casi siempre certeros: Zaid duda de Reyes poeta pero no lo niega; se entusiasma con razón por la poesía de los judíos españoles; nos llega a convencer de que El brindis del bohemio es mejor (menos malo) que el Nocturno a Rosario; escribe la nota más inteligente que se haya escrito sobre la poesía de Isabel Fraire. Tomás Segovia
Left-Handed
by Jonathan GalassiAn emotionally riveting collection that tells a powerful story of passion, loss, and transformation. Left-handed unfolds in the manner of an intense, searching novella. At its center is a one-way dialogue with an elusive character who beguiles and torments but also inspires the unnamed narrator, who at midlife is telling the tale. These poems--decisive, wrenching, exquisite--show an overpowering force, at once disruptive and creative, invading a settled existence. They take us from the streets of New York City to a house in the country, from the island of Naxos to the Roman Forum. They reach back to the sonnets of Shakespeare but find inspiration, too, in contemporary life. Naked and raw, lyrical yet formally inventive, rich with the melancholy wisdom of age, this is a work of resonant and shimmering beauty.
Left-Handed Wolf: Poems
by Adam DayAdam Day’s Left-Handed Wolf offers short lyrical meditations and narratives that wrestle with contemporary issues of the environment, spirituality, and the social. These compact, imagistic poems welcome space and silence as a way of addressing both the commonality and complexity of people and experience. Day’s poems—influenced by meditation practice, as well as by classical Japanese and Chinese verse—are serious and bawdy, reverential and impertinent, accessible and eclectic, yet unified in their tone, atmosphere, and sensibility.
Left of Poetry: Depression America and the Formation of Modern Poetics
by Sarah EhlersIn this incisive study, Sarah Ehlers returns to the Depression-era United States in order to unsettle longstanding ideas about poetry and emerging approaches to poetics. By bringing to light a range of archival materials and theories about poetry that emerged on the 1930s left, Ehlers reimagines the historical formation of modern poetics. Offering new and challenging readings of prominent figures such as Langston Hughes, Muriel Rukeyser, and Jacques Roumain, and uncovering the contributions of lesser-known writers such as Genevieve Taggard and Martha Millet, Ehlers illuminates an aesthetically and geographically diverse matrix of schools and movements. Resisting the dismissal of thirties left writing as mere propaganda, the book reveals how communist-affiliated poets experimented with poetic modes—such as lyric and documentary—and genres, including songs, ballads, and nursery rhymes, in ways that challenged existing frameworks for understanding the relationships among poetic form, political commitment, and historical transformation. As Ehlers shows, Depression left movements and their international connections are crucial for understanding both the history of modern poetry and the role of poetic thought in conceptualizing historical change.
Legacy: Women Poets of the Harlem Renaissance
by Nikki GrimesFrom Children's Literature Legacy Award-winning author Nikki Grimes comes a feminist-forward new collection of poetry celebrating the little-known women poets of the Harlem Renaissance--paired with full-color, original art from today's most talented female African-American illustrators.
A Legacy of Lyrics
by Florence Hester EdgarAfter Florence Hester Edgar passed away in 1944, there was found among her effects a quantity of compositions in prose and verse almost ready for publication. From this literary bequest has been selected the poetry that follows. Some poems were published in the daily press of Ottawa, and others in a small brochure. But most of the poems are now offered to the reading public for the first time, and the editor bespeaks for them a cordial reception.
El legado de Homero
by Alberto ManguelAlberto Manguel, Premio Formentor de las Letras 2017, disecciona la Ilíada y la Odisea de Homero para demostrarnos cuán importantes han sido en la construcción de la cultura occidental. A pesar de contar con varias biografías y que unas cuantas ciudades se disputen su nacimiento, no hay vestigios que puedan acreditar con seguridad la existencia de un hombre llamado Homero. Y sin embargo, no hay duda de que las obras reunidas bajo su autoría constituyen la piedra angular sobre la que descansa la literatura occidental. La Ilíada y la Odisea, con sus dioses fieramente humanos, constituyen la narración de las dos grandes metáforas que nos definen a través de los siglos: la vida como lucha y la vida como viaje. Sin importar si estos textos son alegóricos o si pretenden ser testimonio histórico de una época extinta, el rapto de Helena, el caballo de Troya, la cólera de Aquiles, el cíclope, Ulises y Penélope... han alimentado nuestra imaginación durante más de dos mil quinientos años, sirviendo de inspiración a autores posteriores de todas las épocas y geografías: Platón, Virgilio, al-Farabi, San Agustín, Avicena, Dante o Joyce, entre muchos otros. Con erudición prodigiosa, Manguel persigue el legado de Homero a través de las cimas literarias de todos los tiempos, ofreciéndonos este maravilloso libro con el que nos muestra que las pasiones que laten en ambos poemas son sentimientos comunes a toda la humanidad.
The Legend of Death: Two Poetic Sequences
by John MilbankThe eight poetic diagonals are culture, the preternatural, religion, synesthesia, onomatopoeia, the imagination, spatio-temporal synthesis, and justice.
Legends and Lyrics. Part 1
by Adelaide Anne ProcterCollection of legends and lyric poems. Contributor: Charles Dickens.
Legends and Lyrics. Part 2
by Adelaide Anne ProcterCollection of legends and lyric poems. Contributor: Charles Dickens. This popular classic work by Adelaide Anne Procter is in the English language, and may not include graphics or images from the original edition. If you enjoy the works of Adelaide Anne Procter then we highly recommend this publication for your book collection.
Legends from Camp
by Lawson Fusao InadaInada talks about life in Japanese internment camps, jazz, and living in Fresno, CA. Inada's poems are playful, engaging and directed towards a wide audience.
Legibility: An Antifascist Poetics (Modern and Contemporary Poetry and Poetics)
by John KinsellaThis Pivot book provides a wide-ranging and diverse commentary on issues of legibility (and illegibility) around poetry, antifascist pacifist activism, environmentalism and the language of protest. A timely meditation from poet John Kinsella, the book focuses on participation in protest, demonstration and intervention on behalf of human rights activism, and writing and acting peacefully but persistently against tyranny. The book also examines how we make records and what we do with them, how we might use poetry to act or enact and/or to discuss such necessities and events. A book about community, human and animal rights and the way poetry can be used as a peaceful and decisive means of intervention in moment of public social and environmental crisis. Ultimately, it is a poetics against fascism with a focus on the well-being of the biosphere and all it contains.
Legitimate Dangers: American Poets of the New Century
by Cate Marvin Michael DumanisThis groundbreaking anthology offers a broad and representative introduction to some of the most exciting, fresh voices on the contemporary poetry landscape by gathering together generous selections from the work of 85 younger American poets.The poets selected were born after 1960, published their first book within the last 10 years, and have no more than three books published. Some are the recipients of numerous awards, while others, who are making their first appearance, are quickly making significant contributions to twenty-first-century poetry.The poets include Rick Barot, Joshua Beckman, David Berman, Nick Flynn, Matthea Harvey, Terrance Hayes, Major Jackson, James Kimbrell, D.A. Powell, Spencer Reece, Matthew Rohrer, Rebecca Wolff, Kevin Young, Matthew Zapruder, Andrew Zawacki, and many others.
Lemon Hound
by Sina QueyrasAs meditative practices focus on the axis of breath, these poems focus on the moment of action, of thought, on the flux of speech.This is a poetry not of snapshots or collages but of long-exposed captures of the not-so-still lives of women. One sequence imagines Virginia Woolf's childhood; another unmakes her novel The Waves by attempting to untangle its six overlapping narratives. Yet another, 'On the Scent,' makes us flâneurs through the lives of a series of contemporary women, while 'The River Is All Thumbs' uses a palette of vibrant repetition to 'paint' a landscape.Queyras's language - astute, insistent, languorous - repeats and echoes until it becomes hypnotic, chimerical, almost halluncinatory in its reflexivity. How lyrical can prose poetry be? How closely can it mimic painting? Sculpture? Film? How do we make a moment firm? These 'postmodern,' 'postfeminist' poems pulse between prose and poetry: the line, the line, they seem to ask, must it ever end?
Lemonade: And Other Poems Squeezed from a Single Word
by Bob Raczka Nancy Doniger<p>Play with your words! A brand-new poetic form that turns word puzzles into poetry. <p>Part anagram, part rebus, part riddle—the poems in Lemonade: and Other Poems Squeezed from a Single Word capture a scene from a child's daily life and present a puzzle to solve. Sometimes sweet and sometimes funny but always clever, these poems are fun to read and even more fun for kids to write. Bob Raczka is a fresh, new voice in children's poetry who knows that fun and games can turn a poetry lesson into lemonade!</p>