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Michael Hofmann: An Extended Passport Application
by André Naffis-SahelyFor more than four decades, Michael Hofmann has made significant contributions to the literary cultures of Germany, the United Kingdom, and the United States, ranging from his original poetry to translations of Kafka, Brecht, Hans Fallada, and Joseph Roth, among others. In the first book-length study of this iconic figure, poet and translator André Naffis-Sahely surveys Hofmann’s life and work with an emphasis on his poetry, situating him within the “New Generation” of writers, including Carol Ann Duffy, Simon Armitage, and Don Paterson, who rose to prominence in Britain between the mid-1980s and the early 1990s. Reaffirming Hofmann’s central place in contemporary literature, Naffis-Sahely presents the author’s oeuvre as an “extended passport application,” as the poet’s unusually peripatetic nature emerges as a poetic means of questioning various modes of authority. Naffis-Sahely examines Hofmann’s chief literary influences, revealing that while he was heavily inspired by the example of Robert Lowell’s confessional model, his work was equally shaped by other poetic mentors, including Ian Hamilton and Hugo Williams. In turn, Hofmann’s five published volumes of poetry—from his debut Nights in the Iron Hotel to his latest collection, One Lark, One Horse, published after a silence of two decades—chronicle the poet’s sentimental and intellectual education from adolescence to middle age, as well as the traumatic emotional experiences that arose from his relationship with his father, the German novelist Gert Hofmann, whom the poet portrayed to shocking effect in his breakthrough second collection, Acrimony. Naffis-Sahely concludes his study with an analysis of the influence Hofmann has exerted on other poets, testifying to the value and importance of his work in the contemporary British tradition, followed by an extensive interview reflecting on his career.
Michael Rosen's Book of Nonsense
by Michael RosenA funny collection of poems, rhymes, wordplay and limericks by former Children's Laureate, Michael Rosen. Filled with bright and colourful illustrations. Dive into a laugh-out-loud world of nonsense... Packed with verse that's clever and silly, this collection will inspire children to have fun with words and invent their own poetry. From dogs that live on Mars, to football, dinosaurs and so much more - everyone will find something they love to read out loud! 'The author has a child's ear for word sound and an eye for nutty humour. Clare Mackie's crackling illustrations add verve and vigour to each page' - Junior Education
Microphones
by A. R. KazukFrom Microphones there will be no returning to the standard detective story. This long poem/videotext ticks right along on its narrative marginalia alone, but its substance is an interplay of voices and its essence is high-density song.
Mid-Air
by Alicia D. WilliamsA tender-souled boy reeling from the death of his best friend struggles to fit into a world that wants him to grow up tough and unfeeling in this stunning middle grade novel in verse from the Newbery Honor–winning author of Genesis Begins Again.It&’s the last few months of eighth grade, and Isaiah feels lost. He thought his summer was going to be him and his boys Drew and Darius, hanging out, doing wheelies, watching martial arts movies, and breaking tons of Guiness World Records before high school. But now, more and more, Drew seems to be fading from their friendship, and though he won&’t admit it, Isaiah knows exactly why. Because Darius is…gone. A hit and run killed Darius in the midst of a record-breaking long wheelie when Isaiah should have been keeping watch, ready to warn: &“CAR!&” Now, Drew can barely look at Isaiah. But Isaiah, already quaking with ache and guilt, can&’t lose two friends. So, he comes up with a plan to keep Drew and him together—they can spend the summer breaking records, for Darius. But Drew&’s not the same Drew since Darius was killed, and Isaiah, being Isaiah, isn&’t enough for Drew anymore. Not his taste in clothes, his love for rock music, or his aversion to jumping off rooftops. And one day something unspeakable happens to Isaiah that makes him think Drew&’s right. If only he could be less sensitive, more tough, less weird, more cool, less him, things would be easier. But how much can Isaiah keep inside until he shatters wide open?
Midday at the Super-Kamiokande
by Matthew TierneyThink Kierkegaard in a spacesuit, Kubrik in a Left Bank café.Like the neutrino observatory of its title, Midday at the Super-Kamiokande seeks "glimpses of the obscure" to carve out meaning, alternately a resistance to rationalism and its champion. It aims to tear through abstraction with the concrete, either catastrophic -- road accidents, nuclear explosions, floods, extinction, eviction, suicide -- or quotidian, finding threads of love, empathy, and belief within the fray. These poems delight in aphorism, paradox, puns, and wit, each stanza a closure that moves tangentially to the next, each poem more bricolage than narrative, more shuffle than playlist. These are poems with no middle. These are poems of beginnings, and of ends.
Middle Distance: Poems
by Stanley PlumlyA probing and commanding final volume from a master poet facing his own mortality. After a diagnosis of cancer, acclaimed poet Stanley Plumly found himself in the middle distance—looking back at his childhood and a rich lifetime of family and friends, while gazing into a future shaped by the press of mortality. In Middle Distance, his final collection, he pushes onward into new territory with extended hybrid forms and revelatory prose pieces. The result is the moving culmination of a long career, a work of fearless, transcendent poems that face down the impending eternal voyage. Plumly populates this collection with tender depictions of poets, family, and friends—the relationships that sustained him throughout his life—as well as unflinching self-portraits. In “White Rhino,” for instance, he adopts the voice of the “last of [his] kind,” using the rare creature as a canvas to depict the dying, aging poet himself. In “Night Pastorals,” he writes vividly and movingly about being on his deathbed, with fragmentary impressions of the other side. In profound lyric narratives, Plumly reaches out to a past that feels closer than ever, returning to the Ohio of his childhood and the shadows of a country at war. Blending documentary and memoir with his signature Keatsian lyricism, Middle Distance contemplates at every turn the horizons of Plumly’s life.
Middle Passages
by Kamau Brathwaitedoubt and displacement to affirmation, book, a work of passion and integrity." Kamau Brathwaite's poetry offers stunning collages devoted to the history, mythology, and language of the African diaspora, and has gained him a world reputation. Middle Passages, his most recent collection, is his sixteenth poetry volume, but his first with an American publisher. With notes of protest and lament, the fourteen poems of MiddlePassages address the effects of the Middle Passage of slavery on the New World, and celebrate great musicians (Ellington, Bessie Smith), poets, heroes of the resistance, and Third World leaders Kwame Nkrumah, Walter Rodney, and Nelson Mandela. And as the London Times Literary Supplement noted, it is "a poetry that moves between rage and tenderness, . MiddlePassages is a potent and effective "His dazzling, inventive language, his tragic yet unquenchable vision, make Kamau Brathwaite one of the most compelling of late twentieth century poets." -Adrienne Rich "Kamau Brathwaite is one of the most important poets in the Western Hemisphere. A musicianly sensibility of sharp political reference." -Amiri Baraka "Its menace is real, its compassion touches the deepest springs of sadness, and its mythology is potent and frightening. People die in his world."-P.N. Review From the Book Jacket
Midland Swimmer
by John ReibetanzReading John Reibetanz, one is struck with the way language, closely attended to, kept oiled and sharp, can give experience back its bite. And conversely, how experience can be the whetstone for language, chastening its presumptions and requiring from it fresh exactitudes of music and insight. Whether the subject is a cord of wood, a painting, or the New York Times (deeply and dancingly read) John Reibetanz brings a nearly invisible craft into close attunement with the details of life, hearkening with words. Again and again the glass slipper fits the foot.
Midnight Salvage: Poems 1995-1998
by Adrienne Rich"An impressive new volume. . . . Rich's admirers will recognize the complex symbiosis between the activist and the maker of new language, each propelling, describing, provoking the other's words."--Publishers Weekly "Look: with all my fear I'm here with you, trying what it means, to stand fast; what it means to move." In these astonishing new poems, Adrienne Rich dares to look and to extend her poetic language as witness to the treasures--the midnight salvage--we rescue from fear and fragmentation. Rich's work has long challenged social plausibilities built on violence and demoralizing power. In Midnight Salvage, she continues her explorations at the end of the century, trying, as she has said, "to face the terrible with hope, in language as complex as necessary, as communicative as possible--a poetics which can work as antidote to complacency, self-involvement, and despair. I have wanted to assume a theater of voices rather than the restricted I. To write for both readers I know exist and those I can only imagine, finding their own salvaged beauty as I have found mine." "In her vision of warning and her celebration of life, Adrienne Rich is the Blake of American letters."--Nadine Gordimer
Midpoint and Other Poems
by John UpdikeIn the boldly eclectic title poem of his collection, John Updike employs the meters of Dante, Spenser, Pope, Whitman, and Pound, as well as the pictographic tactics of concrete poetry, to take an inventory of his life at the end of his thirty-fifth year--at midpoint. These cantos form both a joke on the antique genre of the long poem and an attempt to write one: an earnest meditation on the mysteries of the ego, lost time, and the mundane. The remainder of the volume is a six years' harvest of light verse and incidental lyrics--poems dealing with love and death, animals and angels, places and persons, dream artifacts and the naked ape. As a writer of humorous verse Mr. Updike is alone in his generation; to serious poetry he brings the vision and warmth characteristic of his prose.
Midway
by Stephen Bann Ian Hamilton FinlayIan Hamilton Finlay (1925-2006) was one of Scotland's leading twentieth-century public intellectuals, and famously one of its most brilliant and combative correspondents. His letters raise issues of particular and widespread interest both within Scotland and further afield. His correspondence with Stephen Bann, the English poet and academic, have a very special place in this context. These letters present in a clear and commensurable form the development of his ideas about poetry and art, and increasingly about sculpture and gardening, over this critical five-year period of his creative life.The letters begin when Bann was still a student at Cambridge, and Finlay was living in considerable hardship in Edinburgh, though he already had a significant international reputation as a poet. They reveal in fascinating and intimate detail the poet's developing creative process, and also record his often turbulent relationship to the worlds of literature, art, and critical journalism. When he settles in Lanarkshire, he begins to develop the ideas that will result in the creation of the world-famous sculpture garden known as Little Sparta.This book, edited, introduced, and annotated by Bann himself, is a unique and compelling self-portrait of the man who is now recognized not only as a great poet, but also as a major artist and one of the most original garden designers of modern times.Stephen Bann is a poet, historian, and cultural critic. He is an emeritus professor of the history of art at Bristol University, and the author of numerous books and articles.
Midway: Poems
by Kayla CzagaHonest, elegiac, characteristically strange, and frequently funny, Midway is an exploration of grief in all its manifestations. “I feel like the crud / I accidentally touch sometimes, whatever it is / that collects under cushions on my couch,” writes Kayla Czaga in her third collection, Midway, an exploration of grief in all its manifestations. In her search for meaning in the aftermath of her parents’ deaths, Czaga visits the underworld (at least twice), Vietnamese restaurants, the beach, London’s Tate Modern, Las Vegas casinos, and a fish textbook. Honest, elegiac, characteristically strange, and frequently funny, these poems take the reader through bright scenery like carnival rides with fast climbs and sudden drops. The meanings and messages Czaga uncovers on her travels are complicated: hopeful, bleak—both comforting and not. Along with the parents the poet mourns, this collection showcases a varied cast. A suburban father-in-law copes with a troubling diagnosis. Marge Simpson quits The Simpsons. Death is a metalhead who dates girls too young for him. Midway is a welcome and necessary collection from one of the most celebrated and accomplished poets of her generation.
Midwinter Day
by Bernadette MayerPerhaps Bernadette Mayer's greatest work, Midwinter Day was written on December 22, 1978, at 100 Main Street, Lenox, Massachusetts. "Midwinter Day," as Alice Notley noted, "is an epic poem about a daily routine." A poem in six parts, Midwinter Day takes us from awakening and emerging from dreams through the whole day-morning, afternoon, evening, night-to dreams again: ". . . a plain introduction to modes of love and reason/Then to end I guess with love, a method to this winter season/Now I've said this love it's all I can remember/Of Midwinter Day the twenty-second of December//Welcome sun, at last with thy softer light/That takes the bite from winter weather/And weaves the random cloth of life together/And drives away the long black night!"
Mientras tanto vérsame
by Paula YesteResulta fácil leer poesía y recordarte, entre versos. En una realidad llena de máscaras, los ojos más sinceros son aquellos que se atreven a liberar su alma. Si susurrarte al oído no fue suficiente, creo que será mejor que espere. Estaré sentada hasta que se aclaren las estrellas, tú, mientras tanto, vérsame.
Might Kindred (The Raz/Shumaker Prairie Schooner Book Prize in Poetry)
by Mónica GomeryThe poems of Might Kindred wonder aloud: can we belong to one another, and &“can a people belong to a dreaming machine?&” Conjuring mountains and bodies of water, queer and immigrant poetics, beloveds both human and animal, Mónica Gomery explores the intimately personal and the possibility of a collective voice. Here anthems are sung and fall apart midsong. The speaker exchanges letters with her ancestors, is visited by a shadow sister, and interrogates what it means to make a home as a first-generation American. Winner of the Raz/Shumaker Prairie Schooner Book Prize in Poetry, the poems in Might Kindred are rooted in the body and its cousins, seeking the possibility of kinship, &“in case we might kindness, might ardor together.&” Belonging and unbelonging are claimed as part of the same complicated whole, and Gomery&’s intersections reach for something divine at the center.
Mighty, Mighty Construction Site
by Tom Lichtenheld Sherri Duskey RinkerAt last--here from the team behind the beloved international bestseller comes a companion to Goodnight, Goodnight, Construction Site. All of our favorite trucks are back on the construction site--this time with a focus on team-building, friendship, and working together to make a big task seem small! Down in the big construction site, the crew faces their biggest job yet, and will need the help of new construction friends to get it done. Working as a team, there's nothing they can't do! The millions of fans of Goodnight, Goodnight, Construction Site are in for a mighty good time!
Mighty, Mighty Construction Site (Goodnight, Goodnight, Construc)
by Sherri Duskey RinkerAt last—here from the team behind the beloved international bestseller comes a companion to Goodnight, Goodnight, Construction Site. All of our favorite trucks are back on the construction site—this time with a focus on team-building, friendship, and working together to make a big task seem small! Down in the big construction site, the crew faces their biggest job yet, and will need the help of new construction friends to get it done. Working as a team, there's nothing they can't do! The millions of fans of Goodnight, Goodnight, Construction Site are in for a mighty good time!
Migration Letters: Poems (Raised Voices #5)
by M. Nzadi KeitaA poetry collection that reflects on intimate aspects of Black history, culture, and identity, revealing an uncommon gaze on working-class Philadelphia from the 1960s to the present dayIn 55 poems, Migration Letters straddles the personal and public with particular, photorealistic detail to identify what, over time, creating a home creates in ourselves. Drawn from her experiences of being born in Philadelphia into a Black family and a Black culture transported from the American South by the Great Migration, M. Nzadi Keita&’s poetry sparks a profoundly hybrid gaze of the visual and the sensory. Her lyrical fragments and sustained narrative plunge into the unsung aspects of Black culture and explore how Black Americans journey toward joy.Propelled by the conditions that motivated her family&’s migration north, the poems pull heavily from Keita&’s place in her family, communities, and the world at large. They testify to her time and circumstances growing up Black in Philadelphia on the periphery of the civil rights and Black Power movements. Each poem builds upon an inheritance of voices: a panoramic perspective of an Easter Sunday service in a Black church gives way to an account of psychic violence in a newly integrated school; the collective voices of a beauty salon&’s patrons fragment into memories of neighborhoods in North Philadelphia that have faded over time.Migration Letters strives to tell a story about Black people that radiates across generations and testifies to a world that, as Lucille Clifton wrote, &“has tried to kill [us] and has failed.&” They interrogate how one&’s present begins in the past, what we gain from barriers and boundaries, and what notions of progress energize our journey forward. Keita&’s poems intimately reveal how Black culture can be inherited and built upon complex relationships where love and pain are inextricably linked.
Migrationen der Lyrik um 1300 und um 1800: DFG-Symposion 2023 (Germanistische Symposien)
by Susanne ReichlinGedichte wandern häufig vom einzelnen Blatt oder Brief in unterschiedliche Lyriksammlungen oder Romane, in denen sie aufgrund der veränderten Umgebung neue Bedeutung erlangen. Ähnliches geschieht, wenn die Kanzone aus dem altokzitanischen Sprachraum oder das Sonett von Sizilien aus in andere Regionen und Sprachen migrieren oder wenn Melodien von geistlichen Liedern neue weltliche Texte erhalten. Der Band untersucht solche lyrischen Migrationen in mediengeschichtlicher, praxeologischer und literaturwissenschaftlicher Hinsicht. Er fragt nach den Akteuren und Institutionen, die diese lyrischen Migrationen ermöglichen, und versucht zu ergründen, weshalb bestimmte Texte und Formen migrationsaffiner sind als andere. Dies geschieht aus einer historisch-konstellativen Perspektive anhand der Schwellenzeiten um 1300 und um 1800. Gefragt wird so auch nach Modellen, wie sich die Kontinuitäten und Diskontinuitäten lyrischer Formationen literarhistorisch gewinnbringend fassen lassen.
Miguel Hernandez
by Miguel Hernandez Don ShareMiguel Hernández is, along with Antonio Machado, Juan Ramón Jiménez, and Federico García Lorca, one of the greatest Spanish poets of the twentieth century. This volume spans the whole of Hernández's brief writing life, and includes his most celebrated poems, from the early lyrics written in traditional forms, such as the moving elegy Hernández wrote to his friend and mentor Ramon Sijé (one of the most famous elegies ever written in the Spanish language), to the spiritual eroticism of his love poems, and the heart-wrenching, luminous lines written in the trenches of war. Also included in this edition are tributes to Hernández by Federico García Lorca, Pablo Neruda (interviewed by Robert Bly), Rafael Alberti, and Vicente Aleixandre. Pastoral nature, love, and war are recurring themes in Hernández's poetry, his words a dazzling reminder that force can never defeat spirit, that courage is its own reward.
Miguel's Brave Knight: Young Cervantes and His Dream of Don Quixote
by Margarita EngleMiguel de Cervantes Saavedra finds refuge from his difficult childhood by imagining the adventures of a brave but clumsy knight.This fictionalized first-person biography in verse of Miguel de Cervantes Saavedra follows the early years of the child who grows up to pen Don Quixote, the first modern novel. The son of a vagabond barber-surgeon, Miguel looks to his own imagination for an escape from his family's troubles and finds comfort in his colorful daydreams. At a time when access to books is limited and imaginative books are considered evil, Miguel is inspired by storytellers and wandering actors who perform during festivals. He longs to tell stories of his own. When Miguel is nineteen, four of his poems are published, launching the career of one of the greatest writers in the Spanish language.Award-winning author Margarita Engle's distinctive picture book depiction of the childhood of the father of the modern novel, told in a series of free verse poems, is enhanced by Raúl Colón's stunning illustrations. Back matter includes a note from both the author and illustrator as well as additional information on Cervantes and his novel Don Quixote.
Milcah Martha Moore's Book: A Commonplace Book from Revolutionary America
by Catherine La Courreye Blecki Karin A. WulfMilcah Martha Moore lived and flourished in the Philadelphia area during its peak, when it was the center of commerce, politics, social life, and culture in the young republic. A well-educated woman, disowned by her Quaker Meeting for an unauthorized marriage, Moore knew and corresponded with many of the leading lights of her day. From her network of acquaintances, she created a commonplace book, which is published here for the first time. Moore compiled her commonplace book during the American Revolution, carefully selecting works of poetry and prose that she and her friends most enjoyed reading and wanted to remember. <p><p>Contained are 126 works of prose and poetry by at least sixteen different authors, mostly women. Catherine Blecki and Karin Wulf have edited and reproduced the entire collection, adding helpful annotations and interpretive essays that set the collection in historical and literary context. Moore's Book will be a treasure trove for feminist and early American scholars, for it includes two of the most avidly sought-after bodies of writing from British America: sixteen new poems (twenty-four in all) by the Quaker polymath Susanna Wright and a previously lost portion of the journal kept by Elizabeth Graeme Fergusson during her trip to England. There is also a remarkable selection of pieces by Hannah Griffitts, the Quaker moralist and wit who commented on politics, society, and domesticity during the Revolution. Moore also included writings by Benjamin Franklin, Patrick Henry, and Samuel Fothergill. While scholars have speculated about the extent to which elite women exchanged ideas through reading and writing during this period, Moore's Book is the richest surviving body of evidence revealing the nature and substance of women's intellectual community in British America.
Miles of Smiles: A Collection of Laugh-Out-Loud Poems (Giggle Poetry)
by Bruce Lansky Stephen CarpenterYou'll Find a Smile on Every Page of this Book!Thousands of elementary-school students helped Bruce Lansky, "The King of Giggle Poetry," pick the poems by Kenn Nesbitt, Joyce Armor, Joan Horton, Eric Ode, Dave Crawley, Ted Scheu, and other poets included in this book. If these poems don't put a smile on your face, Stephen Carpenter's hilarious illustrations surely will!
Milkweed Smithereens
by Bernadette MayerA career-spanning bouquet of poems by the peerless and inimitable Bernadette Mayer Milkweed Smithereens gathers lively, wickedly smart, intimate, and indelible Bernadette Mayer poems: the volume ranges from brand-new nature poems, pastiches, sequences, epigrams, and excerpts from her Covid Diary and Second World of Nature to early poems and sonnets found in the attic or rooted out in the UC San Diego archive. The world of nature and the pandemic loom large, as in her “The Lobelias of Fear”: …but how will we, still alive, socialize in the winter? wrapped in bear skins we’ll sit around pot-bellied stoves eating the lobelias of fear left over from desperation, last summer’s woodland sunflowers and bee balm remind us of black cherries eaten in a hurry while the yard grows in the moonlight shrinking like a salary …