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The Arkansas Testament
by Derek WalcottDerek Walcott's eighth collection of poems, The Arkansas Testament, is divided into two parts--"Here," verse evoking the poet's native Caribbean, and "Elsewhere." It opens with six poems in quatrains whose memorable, compact lines further Walcott's continuous effort to crystallize images of the Caribbean landscape and people.For several years, Derek Walcott has lived mainly in the United States. "The Arkansas Testament," one of the book's long poems, is a powerful confrontation of changing allegiances. The poem's crisis is the taking on of an extra history, one that challenges unquestioning devotion.
An Arm Fixed to a Wing: Poems
by Olivia Clare FriedmanOlivia Clare Friedman’s An Arm Fixed to a Wing seeks out the spiritual elements that haunt the everyday, the divine wing fastened to an earthly arm. Elegies and poems of nostalgia appear alongside pieces celebrating the speaker’s present moment, with the underlying knowledge that such moments slip past too easily. Several poems explore the theme of motherhood—the excitement and novelty, the routine and translucent sleeplessness. At the book’s center sits a sequence of narrative pieces, titled “Camera Poems,” exploring experiences of isolation, hopefulness, and self-awareness. While the poems in An Arm Fixed to a Wing acknowledge that loss is a constant, their tone is frequently wistful, evoking the desire to recover feelings of attentiveness and wonder toward one’s surroundings, both the mundane and the extraordinary.
Armadillo from Amarillo
by Lynne CherrySasparillo, an armadillo from Texas, leaves his home to find out where on Earth he is, and with the help of a golden eagle, he discovers where he lives--in a city, in a state, in a country, on a continent, on a planet, in the solar system, in the universe. Along the way, Sasparillo learns about geography, history, the environment, and animals native to Texas.
Armonia: Una raccolta
by Maki StarfieldMaki Starfield è una poetessa giapponese. L’energia dei suoi scritti, che vanno dalla poesia ai componimenti haiku, è straordinaria. In tre anni ha pubblicato circa venti libri, diciannove dei quali scritti in collaborazione con poeti di tutto il mondo, come Narlan Matos, Luca Benassi, Helen Cardona, John Fitsgerald, Lidia Chiarelli, Huguette Bertrand, Yesim Agaoglu, Bill Wolak, Dileep Jhaveri, Sarah Thilykou, Willem M. Roggeman, Ylorgos Vajs, Xiao Xiao, Dumu Luofei, Ajei-Ajei-Bhaa, Ikuyo Yoshimura, Michael Augustin, Konstantinos Bouras, Paddy Bushe, Yao Yuan, Yu Xiu, Chuang, Yun-Hui, Stathis Gourgouris e John W. Sexton. Starfield ha allargato il proprio orizzonte poetico giorno per giorno, approfittando di ogni secondo vissuto. Questo volume costituisce la sua prima raccolta di componimenti.
Armor & Ornament (The Alaska Literary Series)
by Christopher Lee MilesArmor & Ornament turns away from the popular trends of contemporary poetry, calling instead upon traditional and Biblical forms. Rather than drawing on recent styles and modern trends, Miles looks to the texts that have inspired artists for millennia. These are Christian poems that have a deep and unapologetic understanding of God’s world, and they explore, with steady faith, all sides of this world. As a military veteran, Miles also centers his poetry amongst war. Through tone and voice, warfare permeates these poems, providing poetry that relies less on the traditional, Christian tension of doubt and shaken faith than on the inherent tension of a broken world. This resonant new collection melds deep-rooted spirituality with contemporary tensions, offering modern psalms for a tumultuous and uncertain age.
Armored Hearts
by David BottomsArmored Hearts, combining new poems and a selection from previous volumes, offers the power of idiomatic narrative at its naked best. "It is refreshing to read a poet who is not obliquely vague, who tells a story cleanly and convincingly, and yet who will not close down mysterious and complicated things about life that simply defy such closure."--Atlanta Journal-Constitution
Around Our Way On Neighbors' Day
by Tameka Fryer Brown Charlotte Riley-WebbNeighbors gather on a hot summer day for a joyful block party: Kids play double Dutch; men debate at the barber shop and play chess; mothers and aunts cook up oxtail stew, collard greens, and other delicious treats; and friends dance and sway as jazz floats through the streets. <P> A rhythmic tale that celebrates the diversity of a close-knit community, Around Our Way on Neighbors' Day will excite readers and prompt them to discover the magic of their own special surroundings.
Art and Faith: Letters between Jacques Maritain and Jean Cocteau
by Jacques Maritain Jean CocteauThe meaning of poetry and the sociological and political significance of art are dealt with in these letters.
Art and Faith: Letters between Jacques Maritain and Jean Cocteau
by Jacques Maritain Jean CocteauThe meaning of poetry and the sociological and political significance of art are dealt with in these letters.
Art and Poetry
by Jacques MaritainOriginally titled Frontières de la Poésie (1935), this book by Jacques Maritain, whose philosophical writings read as interestingly as a novel, will be welcomed by all who are seeking a better understanding of the art of our time. The book delves into Maritain's thoughts on the nature and subjectivity of art and poetry. As a philosopher, Maritain attempts to define the two concepts, describing art and poetry as virtues, and as being primarily concerned with beauty. Rather than focus on aesthetic theory, Maritain examines the concepts at a more tangible level, including a discussion of how they are made. The principles established with such precision and brilliance in his earlier work, Art and Scholasticism, which has had such a deep influence on contemporary artists, are successfully put to the test in illuminating the creative works of such diverse artists as Georges Rouault, Marc Chagall, Gino Sevirini, and Arthur Lourie.
Art and Poetry
by Jacques MaritainThe French philosopher&’s treatise on the nature of art and poetry includes enlightening critiques of major painters and dialogues with notable writers.Originally published in 1935 with the title Frontières de la Poésie, this work by Jacques Maritain explores the nature and subjectivity of art and poetry. As a philosopher, Maritain attempts to define the two concepts, describing them as virtuous, being primarily concerned with beauty. Rather than focusing on aesthetic theory, Maritain examines his ideas at a more tangible level, including a discussion of how art and poetry are produced.Art and Poetry further develops the principles established in Maritain&’s earlier work, Art and Scholasticism, which has deeply influenced contemporary artists. Those concepts are employed here to illuminate the creative works of such diverse artists as Georges Rouault, Marc Chagall, Gino Severini, and Arthur Lourié. Maritain also relates fascinating dialogues with notable authors such as André Gide, Jean Cocteau, and others.
The Art and Thought of the "Beowulf" Poet
by Leonard NeidorfIn The Art and Thought of the Beowulf Poet, Leonard Neidorf explores the relationship between Beowulf and the legendary tradition that existed prior to its composition. The Beowulf poet inherited an amoral heroic tradition, which focused principally on heroes compelled by circumstances to commit horrendous deeds: fathers kill sons, brothers kill brothers, and wives kill husbands. Medieval Germanic poets relished the depiction of a hero's unyielding response to a cruel fate, but the Beowulf poet refused to construct an epic around this traditional plot. Focusing instead on a courteous and pious protagonist's fight against monsters, the poet creates a work that is deeply untraditional in both its plot and its values. In Beowulf, the kin-slayers and oath-breakers of antecedent tradition are confined to the background, while the poet fills the foreground with unconventional characters, who abstain from transgression, display courtly etiquette, and express monotheistic convictions. Comparing Beowulf with its medieval German and Scandinavian analogues, The Art and Thought of the Beowulf Poet argues that the poem's uniqueness reflects one poet's coherent plan for the moral renovation of an amoral heroic tradition. In Beowulf, Neidorf discerns the presence of a singular mind at work in the combination and modification of heroic, folkloric, hagiographical, and historical materials. Rather than perceive Beowulf as an impersonally generated object, Neidorf argues that it should be read as the considered result of one poet's ambition to produce a morally edifying, theologically palatable, and historically plausible epic out of material that could not independently constitute such a poem.
Art Lessons
by Ann IversonArt Lessons explores the connections between visual art and the written word. By incorporating the words and insights from Vincent Van Gogh's intuitive work and life, Ann Iverson's poetry reveals her keen insights into the mysterious interplay between art and poetry, happiness and sadness, God and nature.
The Art of Biblical Poetry
by Robert AlterThree decades ago, renowned literary expert Robert Alter radically expanded the horizons of biblical scholarship by recasting the Bible as not only a human creation but a work of literary art deserving studied criticism. InThe Art of Biblical Poetry, his companion to the seminalThe Art of Biblical Narrative, Alter takes his analysis beyond narrative craft to investigate the use of Hebrew poetry in the Bible. Updated with a new preface, myriad revisions, and passages from Alter’s own critically acclaimed biblical translations,The Art of Biblical Poetryis an indispensable tool for understanding the Bible and its poetry.
The Art of Blessing the Day
by Marge PiercyWinner of the 2000 Paterson Poetry PrizeAbout Marge Piercy's collection of her old and new poems that celebrate the Jewish experience, the poet Lyn Lifshin writes: "The Art of Blessing the Day is an exquisite book. The whole collection is strong, passionate, and poignant, but the mother and daughter poems, fierce and emotional, with their intense ambivalence, pain and joy, themes of separation and reconnecting, are among the very strongest about that difficult relationship."These striking, original, beautifully sensuous poems do just that. Ordinary moments--a sunset, a walk, a private religious ritual--are so alive in poems like 'Shabbat moment' and 'Rosh Hodesh.' In the same way that she celebrates ordinary moments, small things become charged with memories and feelings: paper snowflakes, buttons, one bird, a bottle-cap flower made from a ginger ale top and crystal beads. "She celebrates the body in rollicking, gusto-filled poems like 'Belly good' and 'The chuppah,' where 'our bodies open their portals wide.' So much that is richly sensuous: 'hands that caressed you, . . . untied the knot of pleasure and loosened your flesh till it fluttered,' and lush praise for 'life in our spines, our throats, our knees, our genitals, our brains, our tongues.'"I love the humor in poems like 'Eat fruit,' the nostalgia and joy in 'The rabbi's granddaughter and the Christmas tree,' the fresh, beautiful images of nature--'In winter . . .the sun hangs its wizened rosehip in the oaks.'"I admire Piercy's sense of the past alive in the present, in personal and social history. The poems are memorials, like the yahrtzeit candle in a glass. 'We lose and we go on losing,' but the poems are never far from harsh joy, the joy that is 'the wine of life.'"Growing up haunted by Holocaust ghosts is an echo throughout the book, and some of the strongest poems are about the Holocaust, poems that become the voices of those who had no voice: 'What you carry in your blood is us, the books we did not write, music we could not make, a world gone from gristle to smoke, only as real now as words can make it.'"Marge Piercy's words make such a moving variety of experiences beautifully and forcefully real."
The Art of Daring: Risk, Restlessness, Imagination (Art of...)
by Carl PhillipsThe award-winning poet Carl Phillips's invaluable essays on poetry, the tenth volume in the celebrated Art of series of books on the craft of writingIn seven insightful essays, Carl Phillips meditates on the craft of poetry, its capacity for making a space for possibility and inquiry. What does it mean to give shapelessness a form? How can a poem explore both the natural world and the inner world? Phillips demonstrates the restless qualities of the imagination by reading and examining poems by Ashbery, Bogan, Frost, Niedecker, Shakespeare, and others, and by considering other art forms, such as photography and the blues. The Art of Daring is a lyrical, persuasive argument for the many ways that writing and living are acts of risk. "I think it's largely the conundrum of being human that makes us keep making," Phillips writes. "I think it has something to do with revision—how, not only is the world in constant revision, but each of us is, as well."
The Art of Description: World into Word (Art of...)
by Mark Doty"It sounds like a simple thing, to say what you see," Mark Doty begins. "But try to find words for the shades of a mottled sassafras leaf, or the reflectivity of a bay on an August morning, or the very beginnings of desire stirring in the gaze of someone looking right into your eyes . . ." Doty finds refuge in the sensory experience found in poems by Blake, Whitman, Bishop, and others. The Art of Description is an invaluable book by one of America's most revered writers and teachers.
The Art of Discrimination: Thomson's The Seasons and the Language of Criticism (Routledge Revivals)
by Ralph CohenFirst published in 1964, The Art of Discrimination is a study in the relation between critical theory and practice, taking as its test-case James Thomson’s The Seasons, the poem which was, according to Johnson, of "a new kind". Professor Cohen explores the different applications of criticism from 1750 to 1950, analysing specific interpretations of the poem that altered, contradicted or supported poetic theory. In doing so, he introduces new techniques to supplement traditional critical commentary: illustrations are treated as interpretations and critical language is related to non-literary as well as literary information. In treating the history of critical interpretation, the reprinting of editions and past interpretations are considered along with contemporary statements as necessary to define a literary period. The book offers alternatives to theories of organicism and to those of the arbitrariness of literary history by defining the kinds of continuities that exist in criticism. As analysis of criticism, it studies how men think about literature, the extent to which such thinking resists systematization and those elements in it which can be controlled and organized and transmitted. The book will appeal to students of literature and critical theory.
The Art of Dying (Hugh MacLennan Poetry Series #41)
by Sarah TolmieHate to tell you, but you’re going to die. / Quite soon. Me, too. / Shuck off the wisdom while it’s warm. / Death does no harm / To wisdom. Sarah Tolmie’s second collection of poems is a traditional ars moriendi, a how-to book on the practices of dying. Confronting the fear of death head-on, and describing the rituals that mitigate it, the poems in The Art of Dying take a satirical look at the ways we explain, enshrine, and, above all, evade death in contemporary culture. Some poems are personal – a parent tries to explain to a child why a grandfather is in hospital, or stages a funeral for a child’s imaginary friend – while others comment on how death figures in the news, on TV, and in social media. Some poems ask if there is any place left for poets in our rituals of memory and commemoration. A few examine the apocalyptic language of climate change. Others poke fun at the death-defying claims of posthumanism. A thoughtful and irreverent collection about serious concerns, The Art of Dying begins and ends with the fact of death, and strips away our euphemisms about it.
The Art of Gravity: Poems
by Jay RogoffGeorge Balanchine, one of the twentieth century's foremost choreographers, strove to make music visible through dance. In The Art of Gravity, Jay Rogoff extends this alchemy into poetry, discovering in dancing -- from visionary ballets to Lindy-hopping at a drunken party -- the secret rhythms of our imaginations and the patterns of our lives.The poems unfold in a rich variety of forms, both traditional and experimental. Some focus on how Edgar Degas's paintings expose the artifice and artistic self-consciousness of ballet while, paradoxically, illuminating how it creates rapture. Others investigate dance's translation of physical gesture into allegorical mystery, especially in Balanchine's matchless works. Rogoff pays tribute to superb dancers who grant audiences seductive glimpses of the sublime and to all of us who find in dance a redemptive image of ourselves.The poet reveals dance as an "art of gravity" in the illusory weightlessness of a "dance that ends in mid-air," in the clumsiness of a Latin dance class's members "trip- / ping over each other in the high school / gym," and in the exploration of ultimate Gravity -- a sonnet sequence titled "Danses Macabres." Ultimately, Rogoff confronts with unflinching precision the dark consummation of all our dancing.
The Art of Haiku: Its History through Poems and Paintings by Japanese Masters
by Stephen AddissIn the past hundred years, haiku has gone far beyond its Japanese origins to become a worldwide phenomenon--with the classic poetic form growing and evolving as it has adapted to the needs of the whole range of languages and cultures that have embraced it. This proliferation of the joy of haiku is cause for celebration--but it can also compel us to go back to the beginning: to look at haiku's development during the centuries before it was known outside Japan. This in-depth study of haiku history begins with the great early masters of the form--like Basho, Buson, and Issa--and goes all the way to twentieth-century greats, like Santoka. It also focuses on an important aspect of traditional haiku that is less known in the West: haiku art. All the great haiku masters created paintings (called haiga) or calligraphy in connection with their poems, and the words and images were intended to be enjoyed together, enhancing each other, and each adding its own dimension to the reader's and viewer's understanding. Here one of the leading haiku scholars of the West takes us on a tour of haiku poetry's evolution, providing along the way a wealth of examples of the poetry and the art inspired by it.
The Art Of Life
by Paul DurcanIn The Art of Life Paul Durcan takes us around County Mayo in his "filthy, two-door, bottle-green Opel Astra", stopping off at Westport and Achill Island, where he declares himself to be "globally sad", but "locally glad". Next he travels east to Dublin to hold in his arms his newborn granddaughter and thence to Tuscany, Poland and Japan. Along the way he reflects upon parental pride, the aches and pains of old age, the trim bottoms of snooker players, the wisdom of ex-wives and dogs on Sandymount Strand, while introducing us to a host of colourful characters, including a bishop, a roofer, a milkman, a priest and an unmarried mother. Is there an art of living or is life a work of art? This magnificent collection - originally published on Paul Durcan's sixtieth birthday - reveals one of Ireland's most successful and popular poets at the height of his powers and continuing to challenge, amuse and delight.
The Art of Marvell's Poetry (Routledge Revivals)
by J. B. LeishmanFirst Published in 1966, The Art of Marvell's Poetry presents J.B. Leishman’s appreciation of Andrew Marvell’s poems by demonstrating a sensitive understanding of attitudes peculiar to the seventeenth century and to Marvell. Leishman calls Marvell an "inveterate imitator and experimenter". His success depended on originality of combination rather than originality of invention. But while such phrases as "Musick, the Mosaique of the Air,’’ "Desarts of vast Eternity,"- and "a green Thought in a green shade" were certainly inspired by others, they are distinctively and unquestionably Marvell’s own. Marvell’s poetry is shown to be the work of a man living at a certain moment in history; it is poetry which could not have been written at any other time, and its affinities to the work of contemporary poets are clearly demonstrated. The Art of Marvell's Poetry is a must read for scholars and researchers of English poetry, English literature, and European literature.