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New Essays on John Clare
by Kövesi, Simon and McEathron, Scott Simon Kövesi Scott MceathronJohn Clare (1793–1864) has long been recognized as one of England's foremost poets of nature, landscape and rural life. Scholars and general readers alike regard his tremendous creative output as a testament to a probing and powerful intellect. Clare was that rare amalgam ‒ a poet who wrote from a working-class, impoverished background, who was steeped in folk and ballad culture, and who yet, against all social expectations and prejudices, read and wrote himself into a grand literary tradition. All the while he maintained a determined sense of his own commitments to the poor, to natural history and to the local. Through the diverse approaches of ten scholars, this collection shows how Clare's many angles of critical vision illuminate current understandings of environmental ethics, aesthetics, Romantic and Victorian literary history, and the nature of work.
New Formalisms and Literary Theory
by Verena Theile Linda TredennickBringing together scholars who have critically followed New Formalism's journey through time, space, and learning environment, this collection of essays both solidifies and consolidates New Formalism as a burgeoning field of literary criticism and explicates its potential as a varied but viable methodology of contemporary critical theory.
New Hampshire: (annotated) (Dover Thrift Editions: Poetry)
by Robert FrostRobert Frost (1874–1963) was the most celebrated poet in America for most of the twentieth century. Although chiefly associated with the life and landscapes of New England, his work embodies penetrating and often dark explorations of universal themes. Frost received more than 40 honorary degrees, and the first of his four Pulitzer Prizes was awarded for this 1923 collection.New Hampshire features Frost's meditations on rural life, love, and death, delivered in the voice of a soft-spoken New Englander. Critics have long marveled at the poet's gift for capturing the speech of the region's natives and his realistic evocations of the area's landscapes. This compilation includes several of his best-known poems: "Stopping by Woods on a Snowy Evening," "Nothing Gold Can Stay," and "Fire and Ice" as well as verse based on such traditional songs as "I Will Sing You One-O." The poems are complemented by the atmospheric illustrations created for the original edition by Frost's friend, woodcut artist J. J. Lankes.
New Hampshire: Poems (Dover Thrift Editions Ser.)
by Robert FrostThis Pulitzer Prize–winning poetry collection from 1923 features some of the most enduring works by one of the finest American poets of the twentieth century. One of the most beloved and influential poets in American letters, Robert Frost won his first of four Pulitzer Prizes for this collection of poems inspired by the cold and wild places of New Hampshire in winter. From vivid depictions of provincial life to wry accounts of city dwellers to striking contemplations of the end of the world, the poems collected here are quintessential Frost. Along with the lengthy title poem, this volume boasts some of Frost&’s most famous and significant works, including &“Fire and Ice,&” &“Nothing Gold Can Stay,&” and &“Stopping by Woods on a Snowy Evening,&” which Frost himself called &“my best bid for remembrance.&”
New Hampshire: Robert Frost Vintage Book
by Robert FrostNew Hampshire is Robert Frost&’s poetic tour de force. It won the Pulitzer Prize for excellence in poetry. While Frost had been a respected poet before New Hampshire&’s release New Hampshire forever cemented Frost&’s standing as the greatest American Poet. If you&’ve never read Frost, this is the book with which to start. It includes some of his most beloved poems such as "Stopping by Woods on a Snowy Evening," "Nothing Gold Can Stay" and "Fire and Ice.&” Powerful and Evocative. Poems included are: 'New Hampshire' 'A Star in a Stone-Boat' 'The Census-Taker' 'The Star-Splitter' 'Maple' 'The Ax-Helve' 'The Grindstone' 'Paul&’s Wife' 'Wild Grapes' 'Place for a Third' 'Two Witches' - 'The Witch of Coos' - 'The Pauper Witch of Grafton' 'An Empty Threat' 'A Fountain, a Bottle, a Donkey&’s Ears, and Some Books' 'I Will Sing You One-O' 'Fragmentary Blue' 'Fire and Ice' 'In a Disused Graveyard' 'Dust of Snow' 'To E.T.' 'Nothing Gold Can Stay' 'The Runaway' 'The Aim Was Song' 'Stopping by Woods on a Snowy Evening' 'For Once, Then, Something' 'Blue-Butterfly Day' 'The Onset' 'To Earthward' 'Good-by and Keep Cold' 'Two Look at Two' 'Not to Keep' 'A Brook in the City' 'The Kitchen Chimney' 'Looking for a Sunset Bird in Winter' 'A Boundless Moment' 'Evening in a Sugar Orchard' 'Gathering Leaves' 'The Valley&’s Singing Day' 'Misgiving' 'A Hillside Thaw' 'Plowmen' 'On a Tree Fallen Across the Road' 'Our Singing Strength' 'The Lockless Door' 'The Need of Being Versed in Country Things'
New Impressions of Africa
by Raymond RousselPoet, novelist, playwright, and chess enthusiast, Raymond Roussel (1877-1933) was one of the French belle #xE9;poque's most compelling literary figures. During his lifetime, Roussel's work was vociferously championed by the surrealists, but never achieved the widespread acclaim for which he yearned. New Impressions of Africais undoubtedly Roussel's most extraordinary work. Since its publication in 1932, this weird and wonderful poem has slowly gained cult status, and its admirers have included Salvador Dal#xEC;--who dubbed it the most "ungraspably poetic" work of the era--Andr#xE9; Breton, Jean Cocteau, Marcel Duchamp, Michel Foucault, Kenneth Koch, and John Ashbery. Roussel began writingNew Impressions of Africain 1915 while serving in the French Army during the First World War and it took him seventeen years to complete. "It is hard to believe the immense amount of time composition of this kind of verse requires," he later commented. Mysterious, unnerving, hilarious, haunting, both rigorously logical and dizzyingly sublime, it is truly one of the hidden masterpieces of twentieth-century modernism. This bilingual edition ofNew Impressions of Africapresents the original French text and the English poet Mark Ford's lucid, idiomatic translation on facing pages. It also includes an introduction outlining the poem's peculiar structure and evolution, notes explaining its literary and historical references, and the fifty-nine illustrations anonymously commissioned by Roussel, via a detective agency, from Henri-A. Zo.
New Impressions of Africa (Facing Pages)
by Raymond RousselA new translation of a masterpiece of modernist poetryPoet, novelist, playwright, and chess enthusiast, Raymond Roussel (1877-1933) was one of the French belle époque's most compelling literary figures. During his lifetime, Roussel's work was vociferously championed by the surrealists, but never achieved the widespread acclaim for which he yearned. New Impressions of Africa is undoubtedly Roussel's most extraordinary work. Since its publication in 1932, this weird and wonderful poem has slowly gained cult status, and its admirers have included Salvador Dalì—who dubbed it the most "ungraspably poetic" work of the era—André Breton, Jean Cocteau, Marcel Duchamp, Michel Foucault, Kenneth Koch, and John Ashbery.Roussel began writing New Impressions of Africa in 1915 while serving in the French Army during the First World War and it took him seventeen years to complete. "It is hard to believe the immense amount of time composition of this kind of verse requires," he later commented. Mysterious, unnerving, hilarious, haunting, both rigorously logical and dizzyingly sublime, it is truly one of the hidden masterpieces of twentieth-century modernism.This bilingual edition of New Impressions of Africa presents the original French text and the English poet Mark Ford's lucid, idiomatic translation on facing pages. It also includes an introduction outlining the poem's peculiar structure and evolution, notes explaining its literary and historical references, and the fifty-nine illustrations anonymously commissioned by Roussel, via a detective agency, from Henri-A. Zo.
New Light for the Old Dark
by Sam WillettsThe poems in this remarkable first collection have been hard won: 'Fruits of much grief they are,' as Donne said, 'emblems of more.' Having lost ten years to heroin addiction and recovery, Sam Willetts emerges now - suddenly, and apparently from nowhere - as a fully-fledged and significant English poet.In a book deeply conscious of history, one series of poems tracks his mother's escape, as a young girl, from the Nazis, in a narrative that moves from a Stuka attack on the Smolensk Road to the Krakow ghetto, the destruction of Warsaw, to Nuremberg and Nagasaki and, finally, his mother's grave. Other poems address Englishness, secular Jewishness, and the childhood pleasures of Oxfordshire - an increasingly deceptive pastoral, stalked and eventually shattered by heroin, which brings a grim new existence among dealers and users. The redemption the poet finds, through detox and rehab, love and writing, is full of regret for the years and lives wasted, but also offers a lyrical rebirth of the senses: 'In a new light, a new moon/ that isn't made of scorched tinfoil/will turn your tide again'.Deft, economical and wonderfully original, this is work that celebrates the peaks and troughs of a lived life, the poems' vivid clarity feeling both fresh and fully earned. It is rare to find an unknown poet of such mature quality, and New Light for the Old Dark represents a brilliant dawning.
New Light on Pope: With Some Additions to His Poetry Hitherto Unknown (Routledge Revivals)
by Norman AultFirst published in 1949, New Light on Pope is a collection of new poems by one of the greatest poets; new facts about his life and work; new judgements on his quarrels; new evidence of his loyalty to his friends; and new solutions of old problems.These discoveries made during twenty years of intermittent research are presented in this volume which has already been declared by a well-known biographer of the poet definitely to establish Pope once for all as the man he was.Other names, beside Pope’s, figure in the present work; and people like Addison, Swift, Gay, and Cibber, to mention only the best known, are seen in actions and attitudes which will be unfamiliar even to eighteenth century specialists.
New Poems Book One
by Charles BukowskiCharles Bukowski was one of America's best-known writers and one of its most influential and imitated poets. Although he published over 45 books of poetry, hundreds of his poems were kept by him and his publisher for posthumous publication, This is the first collection of these unique poems.
New Poems Book Two
by Charles BukowskiCharles Bukowski was one of America's best-known writers abnd one of its most influential and imitated poets. Although he published over 45 books of poetry, hundreds of his poems were kept by him and his publisher for posthumous publication, This is the first collection of these unique poems, which Bukowski considered to be among his best work.
New Poems of Emily Dickinson
by William H. ShurrFor most of her life Emily Dickinson regularly embedded poems, disguised as prose, in her lively and thoughtful letters. Although many critics have commented on the poetic quality of Dickinson's letters, William Shurr is the first to draw fully developed poems from them. In this remarkable volume, he presents nearly 500 new poems that he and his associates excavated from her correspondence, thereby expanding the canon of Dickinson's known poems by almost one-third and making a remarkable addition to the study of American literature. Here are new riddles and epigrams, as well as longer lyrics that have never been seen as poems before. While Shurr has reformatted passages from the letters as poetry, a practice Dickinson herself occasionally followed, no words, punctuation, or spellings have been changed. Shurr points out that these new verses have much in common with Dickinson's well-known poems: they have her typical punctuation (especially the characteristic dashes and capitalizations); they use her preferred hymn or ballad meters; and they continue her search for new and unusual rhymes. Most of all, these poems continue Dickinson's remarkable experiments in extending the boundaries of poetry and human sensibility.
New Poems, 1907
by Rainer Maria RilkeRainer Maria Rilke's move to Paris in 1902 and his close association with Rodin led him to take a new direction in his poetry. Between 1906 and 1908 he produced a torrent of brilliant work that was published in two separate volumes under the title Neue Gedichte, or New Poems. As the celebrated Rilke translator Edward Snow observes, these books "together constitute one of the great instances of the lyric quest for objective experience." Here is the first volume, New Poems, 1907, in a bilingual edition.
New Poems, 1908: The Other Part
by Rainer Maria RilkeIn 1984 Edward Snow won the Harold Morton Landon Translation Award of the Academy of American Poets for the first volume of these translations of Rainer Maria Rilke's watershed work, NEW POEMS, 1907. His work was praised for the resonance of the English and its faithfulness to the density and meaning of the German. Like the poems in the first volume, these are presentations of objects, "thing-poems" (Dinggedichte). In 1902 Rilke left Germany for Paris where he acted as the secretary to the sculptor Auguste Rodin. Rodin's craftsman-like approach, his steady discipline, and his relentless productivity inspired in Rilke a new poetic method: he, too would be a craftsman meticulously appropriating the world about him for his poetic vision. "Somehow," he wrote, "I too must come to make things; not plastic, but written things--realities that emerge from handiwork. Somehow I too must discover the smallest basic element, the cell of my art, the tangible immaterial means of representation for everything."Until this volume, Rilke's voice had come from the interior, expressing feelings and moods. Though always celebrated for his mastery of word-sound, rhythm, meter, and rhyme, Rilke had written poetry often married by sentimentality and insularity. NEW POEMS represented a turning point, an intoxication from the materiality of the world.NEW POEMS, 1908 contains such famous works as "Archaic Torso of Apollo," "Corpse Washing," "Buddha in Glory," and "Late Autumn in Venice." Rilke takes familiar figures--from a sundial to a stained-glass Adam and Eve--and refracts their presence into corporeality and spirituality. Rilke peers behind sculptural surfaces to the implicit desire or pain in the objects of our environment.
New Poems: 1980-88
by John HainesFrom the back cover: "If one views Haines' poetic development as a journey from the specific geography of the Alaskan wilderness to the uncharted places of the spirit, then that journey is now complete." -Dana Cioia from the Introduction. "This is a magnificent book, bearing out what many of us have believed for years: that John Haines is a great poet. Thoughtful, lyrical, passionately serious, these poems represent a man in his wise maturity, giving full weight and measure to every line he utters." -Carolyn Kizer "A fine book. Haines' vision cuts through to essentials - his stern yet exhilarating poems deserve to be widely read." -Frederick Morgan NEW POEMS: 1980-88, winner of the 1990 Western States Book Award for poetry, is the tenth volume of verse by John Haines. A former recipient of an Alaska State council on the Arts Fellowship, an Ingram Merrill Foundation Grant, and a National Endowment for the Arts Fellowship, Haines has homesteaded in Alaska for more than a quarter of a century. For the last two years, he has served as a Guest Writer in Residence at Ohio University.
New Poems: A Revised Bilingual Edition (Studies In German Literature Linguistics And Culture Ser. #164)
by Rainer Maria RilkeThe formative work of the legendary twentieth-century poet who sought to write “not feelings but things I had felt,” featuring his poems in German and English.When Rainer Maria Rilke first arrived in Paris in September 1902, commissioned by a German publisher to write a monograph on Rodin, he was twenty-seven and already the author of nine books of poems. As accomplished as his early work had been, it belonged tonally to the impressionistic, feeling-centered world of a late-nineteenth-century aesthetic.Paris was to change everything. Rilke’s interest in Rodin deepened, and his enthusiasm for the sculptor’s “art of living surfaces” set the course for his own pursuit of an objective ideal. What was “new” about Rilke’s New Poems, published in two independent volumes in 1907 and 1908, was a compression of statement and a movement away from “expression” and toward “making realities.” Poems such as “The Panther” and “Archaic Torso of Apollo” are among the most successful and famous results of Rilke’s impulse.The translations in these selections from the companion volumes have been substantially revised by award-winning translator Edward Snow.“Rilke’s first great work. . . . [Snow’s translation] is clear, accurate, and fluent.” —Stephen Mitchell
New Poets of Native Nations
by Heid E. ErdrichA landmark anthology celebrating twenty-one Native poets first published in the twenty-first centuryNew Poets of Native Nations gathers poets of diverse ages, styles, languages, and tribal affiliations to present the extraordinary range and power of new Native poetry. Heid E. Erdrich has selected twenty-one poets whose first books were published after the year 2000 to highlight the exciting works coming up after Joy Harjo and Sherman Alexie. Collected here are poems of great breadth—long narratives, political outcries, experimental works, and traditional lyrics—and the result is an essential anthology of some of the best poets writing now.Poets included are Tacey M. Atsitty, Trevino L. Brings Plenty, Julian Talamantez Brolaski, Laura Da’, Natalie Diaz, Jennifer Elise Foerster, Eric Gansworth, Gordon Henry, Jr., Sy Hoahwah, LeAnne Howe, Layli Long Soldier, Janet McAdams, Brandy Nalani McDougall, Margaret Noodin, dg okpik, Craig Santos Perez, Tommy Pico, Cedar Sigo, M. L. Smoker, Gwen Westerman, and Karenne Wood.
New Provinces: Poems of Several Authors
by Douglas Lochhead Michael GnarkowskiWhen New Provinces first appeared in 1936, it represented four years of planning, argument, and compromise, and an additional two and a half years of correspondence and editorial preparation. This prolonged effort was brought to a successful end with the publication of a slim collection of verse, the work of six writers, Robert Finch, Leo Kennedy, A.M. Klein, E.J. Pratt, F.R. Scott, and A.J.M. Smith. At the time it was published it received little critical attention and had even less popular appeal; after nearly a year the book had sold only 82 copies, 10 of them to one of the contributors. Only E.K. Brown, writing for University of Toronto Quarterly in 1937, seemed to realize that New Provinces 'marked the emergence ... of a group of poets who may well have a vivifying effect on Canadian poetry.' Since that time this small volume has been recognized as a monument in Canadian literature, a singular event in a literary process which stemmed from the origins of Canadian modernism and its beginnings in Montreal, marking the first collective effort to introduce poets who came to represent the new establishment. Michael Gnarowski's introduction tells the fascinating story of the genesis of the idea for the book and the difficulties that were encountered.
New Selected Poems
by Robert Lowell Katie PetersonIn this condensed edition of Selected Poems, Robert Lowell’s poems are brought together from all of his books of verse. Chosen and introduced by Katie Peterson on the occasion of Robert Lowell’s one hundredth birthday, Brief Selected Poems offers a perfectly chosen and illuminating representation of one of the great careers in twentieth-century poetry.
New Selected Poems
by Les MurrayA fresh selection of the finest poems—some previously uncollected—by one of our finest English-language poetsWhy write poetry? For the weird unemployment.For the painless headaches, that must be tapped to strikedown along your writing arm at the accumulated moment.For the adjustments after, aligning facets in a verbbefore the trance leaves you. For working always beyondyour own intelligence. —from "The Instrument"New Selected Poems contains Les Murray's own gathering from the full range of his poetry—from the 1960s through Taller When Prone (2004) and including previously uncollected work. One of the finest poets writing today, Murray reinvents himself with each new collection. Whether writing about the indignities of childhood or the depths of depression, or evoking the rhythms of the natural world; whether writing in a sharply rendered Australian vernacular or a perfectly pitched King's English, his versatility and vitality are a constant. New Selected Poems is the poet's choice of his essential works: an indispensable collection for readers who already love his poetry, and an ideal introduction for those who are new to it.
New Selected Poems
by Philip LevineAll the poems Levine himself chose for inclusion in his earlier Selected Poems, plus 15 new poems.
New Selected Poems
by Thom GunnA new selection of poems by the celebrated gay poetThom Gunn has been described as “one of the most singular and compelling poets in English during the past half-century” (Times Literary Supplement). Gunn was an Elizabethan poet in modern guise, though there’s nothing archaic, quaint, or sepia-toned about his poetry. His method was dispassionate and rigorous, uniquely well suited for making a poetic record of the tumultuous time in which he lived. Gunn’s dozens of brilliantly realized poems about nature, friendship, literature, sexual love, and death are set against the ever-changing backdrop of San Francisco—the druggy, politically charged sixties and the plague years of AIDS in the eighties. Perhaps no contemporary poet was better equipped—by temperament, circumstance, or poetic gift—to engage the subjects of eros and thanatos than Thom Gunn. This New Selected Poems, compiled by his friend Clive Wilmer and accompanied by insightful notes, is the first edition to represent the full arc of Gunn’s inimitable career.