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Notes from a Bottle Found on the Beach at Carmel: A Poem
by Evan S. ConnellPraise for Notes from a Bottle Found on the Beach at Carmel"A unique tour de force" -The New York Times Book Review"One of the most remarkable books that I have read in a long time." -Kenneth Rexroth"Mr. Connell's NOTES are what one intelligent, sensitive artist has been able to salvage from all experience as testimony to the rather pathetic integrity of the human species in the face of extinction. The book is no manual or tract, however, although its political meaning is unmistakable, but a work of art, even a work of high art." -Hayden Carruth
Notes of an Alchemist
by Loren C. EiseleyPoems on crystals, birds, the outdoors and all aspects of nature.
Notes on Arrival and Departure: Poems
by Rachel RoseRachel Rose follows her award-winning first book with a dazzling, urgent collection of new poems that look unflinchingly at our errors and our longings, in images that range from the disturbing to the spectacular. Anchoring the collection is a rich, unsentimental suite of lyrics on the journey of pregnancy and new motherhood. These poems are humanist, lushly imagined, and compellingly voiced.From the Trade Paperback edition.
Notes on the Assemblage
by Juan Felipe Herrera<p>Juan Felipe Herrera, the first Latino Poet Laureate of the United States and son of Mexican immigrants, grew up in the migrant fields of California. <p>Exuberant and socially engaged, reflective and healing, this collection of new work from the nation's first Latino Poet Laureate is brimming with the wide-open vision and hard-won wisdom of a poet whose life and creative arc have spanned chasms of culture in an endless crossing, dreaming and back again.</p>
Notes to The Complete Poetical Works of Percy Bysshe Shelley
by Mary Wollstonecraft ShelleyMary Shelley (née Mary Wollstonecraft Godwin, often known as Mary Wollstonecraft Shelley) was a British novelist, short story writer, dramatist, essayist, biographer, travel writer, and editor of the works of her husband, Romantic poet and philosopher Percy Bysshe Shelley. She was the daughter of the political philosopher William Godwin and the writer, philosopher, and feminist Mary Wollstonecraft. Mary Shelley was taken seriously as a writer in her own lifetime, though reviewers often missed the political edge to her novels. After her death, however, she was chiefly remembered only as the wife of Percy Bysshe Shelley and as the author of Frankenstein. It was not until 1989, when Emily Sunstein published her prizewinning biography Mary Shelley: Romance and Reality, that a full-length scholarly biography analyzing all of Shelley's letters, journals, and works within their historical context was published. The well-meaning attempts of Mary Shelley's son and daughter-in-law to "Victorianise" her memory through the censoring of letters and biographical material contributed to a perception of Mary Shelley as a more conventional, less reformist figure than her works suggest. Her own timid omissions from Percy Shelley's works and her quiet avoidance of public controversy in the later years of her life added to this impression. The eclipse of Mary Shelley's reputation as a novelist and biographer meant that, until the last thirty years, most of her works remained out of print, obstructing a larger view of her achievement. She was seen as a one-novel author, if that. In recent decades, however, the republication of almost all her writings has stimulated a new recognition of its value. Her voracious reading habits and intensive study, revealed in her journals and letters and reflected in her works, is now better appreciated. Shelley's recognition of herself as an author has also been recognized; after Percy's death, she wrote about her authorial ambitions: "I think that I can maintain myself, and there is something inspiriting in the idea". Scholars now consider Mary Shelley to be a major Romantic figure, significant for her literary achievement and her political voice as a woman and a liberal.
Nothing Beats a Pizza
by Loris LesynskiThe opening refrain of Nothing Beats a Pizza is catchy and fun, just like all 32 poems found in Loris Lesynski's book. Dancing across the pages are illustrations and poems alive with humor, exploring important things in a kid's world: pizza, substitute teachers, homework, moods, food, and pets.
Nothing Burns as Bright as You
by Ashley WoodfolkFrom acclaimed author Ashley Woodfolk, Nothing Burns as Bright as You is an impassioned story about queer love, grief, and the complexity of female friendship that will keep your heart racing, and breaking, until the very last page. <p><p> Two girls. One wild and reckless day. Years of tumultuous history unspooling like a thin, fraying string in the hours after they set a fire. <p><p> They were best friends. Until they became more. Their affections grew. Until the blurry lines became dangerous. <p><p> Over the course of a single day, the depth of their past, the confusion of their present, and the unpredictability of their future is revealed. And the girls will learn that hearts, like flames, aren’t so easily tamed. <p><p> It starts with a fire. How will it end?
Nothing More to Lose
by Najwan Darwish Kareem James Abu-ZeidNothing More to Lose is the first collection of poems by Palestinian poet Najwan Darwish to appear in English. Hailed across the Arab world and beyond, Darwish's poetry walks the razor's edge between despair and resistance, between dark humor and harsh political realities. With incisive imagery and passionate lyricism, Darwish confronts themes of equality and justice while offering a radical, more inclusive, rewriting of what it means to be both Arab and Palestinian living in Jerusalem, his birthplace.igious traditions--has made Darwish one of the very few Palestinian poets to garner a large readership outside his homeland. While so many poets within Palestine are trying to follow in the footsteps of Mahmoud Darwish--whose influence on Palestinian poetry was enormous from the 1960s to his death in 2008--Najwan Darwish is widely respected for his refusal to take on the mantle of his famous namesake (to whom he bears no relation). This refusal is clearest in his own poetic rebuttal to Mahmoud Darwish's best-known poem, "Identity Card"--a radical rewriting that espouses a more inclusive view of what it means to be both Arab and Palestinian.
Nothing Stays Put: The Life and Poetry of Amy Clampitt
by Willard SpiegelmanAn evocative portrait of the beloved and acclaimed poet, whose late-in-life success took the literary world by storm.&“From the bright strands of Amy Clampitt&’s extraordinary life and poems—plus letters, diaries, and extensive interviews—Willard Spiegelman has woven a gorgeous tapestry of a book.&” —Patrick Phillips, author of Song of the Closing DoorsWith the publication of her first book of poems in her sixty-third year, Amy Clampitt rose meteorically to fame, launching herself from obscurity to the upper ranks of American poetry all but overnight, and living a whirlwind eleven years, until her death in 1994. Years later, as renowned poetry scholar Willard Spiegelman wades into her papers and poems, he discovers a woman of dazzling intellect, staunch progressive politics, and an inexhaustible sense of wonder for the world and the words we&’ve invented to describe it.Giving equal weight to the life and the poetry, Spiegelman untangles Clampitt&’s famously allusive lines to reveal the experiences they emerged from, pulling the curtain back on her nearly four decades of artistic anonymity, and in doing so assembling a rich period piece of Manhattan during the days in which Clampitt worked for Oxford University Press and the National Audubon Society—writing cheery, discursive office memos, and two novels that never got published, before hitting her stride in verse.Nothing Stays Put is a gift to poetry fans, an inspiration to artists striving at any age, and an ode to this most unlikely of literary celebrities, who would publish five acclaimed books and win a MacArthur &“Genius Grant&” nearly all in the final decade of her life.
Nothing by Design
by Mary Jo SalterA beautiful collection of verse--both light and dark, elegiac and affirmative--from one of our most admired poets. The title Nothing by Design is taken from Salter's villanelle "Complaint for Absolute Divorce," in which we're asked to entertain the thought of a no-fault universe. The wary search for peace, personal and public, is a constant theme in poems as varied as "Our Friends the Enemy," about the Christmas football match between German and British soldiers in 1914; "The Afterlife," in which Egyptian tomb figurines labor to serve the dead; and "Voice of America," where Salter returns to the Saint Petersburg of her exiled friend, the late Joseph Brodsky. A section of charming light verse serves as counterpoint to another series entitled "Bed of Letters," in which Salter addresses the end of a long marriage. Artfully designed, with a highly intentional music, these poems movingly give form to the often unfathomable, yet very real, presence of nothingness and loss in our lives.
Nothing is Lost: Selected Poems (The Lockert Library of Poetry in Translation #52)
by Edvard KocbekThis is the first comprehensive English-language collection of verse by the most celebrated Slovenian poet of modern times and one of Europe's most notable postwar poets, Edvard Kocbek (1904-1981). The selections introduce the reader to the full spectrum of Kocbek's long and distinguished career, starting with the pantheist and expressionist nature poems of his early period and continuing through the politically engaged poetry written during and after World War II, to the philosophical and metaphysical meditations of his fecund late period. Readers will be struck by the originality and freshness of Kocbek's sinewy and intense vision, rendered into fluid and idiomatic English by two experienced translators. The Slovenian texts appear on the facing pages. The opening stanza of "Moon with a Halo" ? The man beside me was killed.He had a mother who bore himand a father who made him toys,he had a brother and a playful uncleand a little girl with blond braids,he had a wooden cart and a wooden horse,a trunkful of colored dreamsand a brook where he used to fish. ?
Nothingism: Poetry at the End of Print Culture (Poets On Poetry)
by Jason SchneidermanWhat is the internet doing to poetry? Good question! In Nothingism, Jason Schneiderman grapples with the way that digital culture has begun to reshape America’s poetry landscape, examining this profound shift in the way that poetry is written, read, and taught. He dives into the history of the poetic line and how previous media (oral, manuscript, print) have shaped our understanding of exactly what a poem is. In considering the transformations of poetry in the digital age, he finds that the transition from print to digital culture mirrors the earlier transition from manuscript to print culture. In this collection, the essays range from blistering manifesto to deep historical dives to gentle classroom guidance to considerations of the poems of James Merrill and Agha Shahid Ali, moving between the theoretical and the practical. Nothingism is both deeply personal and highly erudite, providing an engaging and scholarly account of reading, writing, and teaching poetry as our world continues its unsupervised lurch toward digital culture.
Nought
by Julie JoostenNought, the new poetry collection by Governor General's Literary Award finalist Julie Joosten, explores the intersections of body, identity, and love in poems that grapple with mysteries of neurology and metaphysics. Here the materiality of the body and experience have transformed into a language, a thought that resides in and between bodies. Throughout, Joosten masterfully engages with form and rhythm, crafting work that is intimage and perceptive, pulsing with life.
Nouns & Verbs: New and Selected Poems
by Campbell McGrathA major new collection from one of our best loved, most celebrated, and most original poetsDeeply personal but also expansive in its imaginative scope, Nouns & Verbs brings together thirty-five years of writing from Campbell McGrath, one of America’s most highly lauded poets. Offering a hint of where he’s headed while charting the territory already explored, McGrath gives us startlingly inventive new poems while surveying his previous work—lyric poems, prose poems, and a searing episodic personal epic, “An Odyssey of Appetite,” exploring America’s limitless material and spiritual hungers.Nothing is too large or small to remain untouched by McGrath’s voracious intellect and deep empathy—everything from Japanese eggplant to a can of Schaefer beer to the smokestacks of Chicago comes in for a close and perceptive look even as McGrath crosses borders and boundaries, investigating the enduring human experiences of love and loss. A book that stands on its own solid foundation, Nouns & Verbs captures the voice and vision of a truly singular poet.
Novel Pictorial Noise
by Noah Eli GordonAn exciting new collection of prose poetry from an emerging talent, Noah Eli Gordon's Novel Pictorial Noise was a winner of the 2006 National Poetry Series Open Competition, selected by esteemed poet John Ashbery. For over twenty years, the National Poetry Series has discovered many new and emerging voices and has been instrumental in launching the careers of poets and writers such as Billy Collins, Mark Doty, Denis Johnson, Cole Swensen, Thylias Moss, Mark Levine, and Dionisio Martinez.
November Boughs (Dover Thrift Editions)
by Walt Whitman"I loved this book. It's an inexpensive collection of Walt Whitman poems, letters, and essays that is well worth your time ... this book is worth purchasing and perusing due to its historical value of ruminations on American life." -- Old Musty BooksCompiled when the great poet was 70 years old, November Boughs offers verse and prose reminiscences of a singular American life. Walt Whitman's reflections begin with the essay "A Backward Glance O'er Travel'd Roads," in which he discusses the genesis of his most famous and controversial book, Leaves of Grass. A selection of poetry titled "Sands at Seventy" is followed by a series of essays and recollections that include "Slang in America," "What Lurks Behind Shakespeare's Historical Plays," "The Old Bowery," and notes on the life of the Quaker abolitionist Elias Hicks, whose body -- it was rumored -- he and a youthful group of friends once attempted to exhume.This affordable, high-quality edition of a rare book of poetry and prose provides a greater context for the interpretation of Whitman's other works. Essential reading for Whitman scholars, this volume is also of interest to historians of the Civil War, abolitionism, and nineteenth-century America.
Novice: Poems (Sewanee Poetry)
by Nida SophasarunHow close can a person come to home when their family has deserted it? Guided by this question, the poems in Nida Sophasarun’s Novice traverse natural, animal, and dream worlds, seeking intimacy in a snake coming in from the rain, a mother’s body imagined as a house, and the moon serving as both the missing piece and the linchpin in a night sky. Organized by tropical seasons and unfolding in Asia and the American South, Novice proposes that home is monumental and ruined, remembered and forgotten, local and diffuse, peopled and haunted.
Now It's Dark: New Poems (Wesleyan Poetry Series)
by Peter GizziThe poems in this brilliant follow-up to the National Book Award finalist Archeophonics, are concerned with grieving, with poetry and death, with beauty and sadness, with light. As Ben Lerner has written, "Gizzi's poetry is an example of how a poet's total tonal attention can disclose new orders of sensation and meaning. His beautiful lines are full of deft archival allusion." With litany, elegy, and prose, Gizzi continues his pursuit toward a lyric of reality. Saturated with luminous detail, these original poems possess, even in their sorrowing moments, a dizzying freedom.
Now That My Father Lies Down Beside Me: New & Selected Poems, 1970-2000
by Stanley PlumlyA selection from the career of one of the important poets of the last half of the 20th Century.
Now We Are Six (The Winnie-the-Pooh Collection)
by A. A. MilneWith a gorgeously redesigned cover and the original black and white interior illustrations by Ernest Shepard, this beautiful edition of the beloved classic poetry collection featuring Winnie-the-Pooh and Christopher Robin Now We Are Six by A. A. Milne is sure to delight new and old fans alike!Originally published after the novel Winnie-the-Pooh and the verse collection When We Were Very Young, A. A. Milne wrote this classic book of children&’s poems about and for his son Christopher Robin when he turned six. With appearances from the beloved Winnie-the-Pooh throughout, these sweet and funny poems tell of playful adventures, the joys and pains of growing up, memorable animal friends, and more.
Now We Are Very Old
by Rupert BaconIf poetry be the food of love, read on’ as some particularly famous playwright bloke once said or maybe he didn’t. It might have been that he said, ‘if music be the food of love, play on’. Frankly, be that as it may, this composer of little rhyming ditties thinks poems are rather fun and many of them are, in any case, about things he loves. Thus, it works either way. This little volume of twenty-four poetic offerings on various themes (plus one totally free extra ditty in the introduction, please note) rather proves the point even if the author most un-humbly does say it himself. Read out loud with rhythm in your voice. Set them to music of your own choosing and sing them if you like. However you prefer to take your poems, please enjoy them for what they are: a bit of simple fun.
Now We're Getting Somewhere: Poems
by Kim AddonizioA dark, no-holds-barred, and often hilarious collection from a prize-winning poet, veering between the poles of self and world. Kim Addonizio’s sharp and irreverent eighth volume, Now We’re Getting Somewhere, is an essential companion to your practice of the Finnish art of kalsarikännit—drinking at home, alone in your underwear, with no intention of going out. Imbued with the poet’s characteristic precision and passion, the collection charts a hazardous course through heartache, climate change, dental work, Outlander, semiotics, and more. Combatting existential gloom with a wicked, seductive energy, Addonizio investigates desire, loss, and the madness of contemporary life. She calls out to Walt Whitman and John Keats, echoes Dorothy Parker, and finds sisterhood with Virginia Woolf. Sometimes confessional, sometimes philosophical, these poems weave from desolation to drollery and clamor with raucous imagery: an insect in high heels, a wolf at an uncomfortable party, a glowing and self-serious guitar. A poet whose “voice lifts from the page, alive and biting” (Sky Sanchez, San Francisco Book Review), Addonizio reminds her reader, "if you think nothing & / no one can / listen I love you joy is coming."
Now You Can Join the Others: Poems
by Taije SilvermanNow You Can Join the Others, the second collection of poetry by Taije Silverman, traces the absurdities of desire, the shifting nature of grief, and the concentric circles of history and myth that ripple around motherhood and marriage. Set in cities around the world and on real and metaphorical islands, narratives slip between centuries and spaces: a Philadelphia bedroom and Berlin’s Jewish Museum, a castle in Naples and a Chuck E. Cheese. Scenes of sexual and racial violence force an interrogation of words through a multiplicity of voices, and the othering of self becomes a shared, even reassuring alienation. From a sixteenth-century philosopher to a lecherous innkeeper in Modena, from the founding of Athens to the hatching of cicadas, this book investigates human, geological, and cyclical forms of time, suggesting that they are as material and evasive as language. Intricate, unexpected, and probing, Now You Can Join the Others is a radically candid, revelatory collection.
Now You Care
by Di BrandtNominated for a Griffin Poetry PrizeIn Now You Care, her fifth collection of poetry, Di Brandt voices a passionate argument against environmental degradation and a plea for psychic transformation in our violent times. Tuned in to the toxic fallout of over-industrialization and war, these poems face the dark side of our postmodern climate with a language that doesn't give in. They tremble and shake, they rage against despair, they speak against death and wrestle with the fateful spirits of Armageddon to loosen their choke-hold on humanity. Perhaps we won't figure it out and the horizon is already on fire, and our best love will never be more than an approximation of regret, but grass still grows between the cement blocks of the sidewalk to 'grin of the wild.'
Now You See Them, Now You Don't: Poems About Creatures that Hide
by David L. HarrisonFind me if you can. . . for if you don&’t, I&’ll be here tomorrow . . . you won&’t. Animals and insects use camouflage to hide from hunters or to ambush prey. Stealth is a very useful technique when it comes to survival. In this fun and informative collection of poems, we meet animals such as the polar bear and the octopus; the ghost crab and the copperhead snake; and many more that use camouflage to hunt or to hide. Giles Laroche&’s intricate cut-paper illustrations are beautiful and life-like. Readers will have to look carefully or run the risk of a hunter sneaking up on them. Back matter offers additional information about each of the nineteen animals.