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Only Eternity Is Forever
by Richard ChamberlayneThere are many ways when sitting quietly whereby our emotions may be stirred. By pictures, static or moving, by sound, recorded or natural, by smell and even touch. However, the medium by which our minds have most latitude to wander is the written word. This can be in many forms but the one which arguably makes the lasting impression is poetry.Circumstances may change but the memories live on.
Only God Can Make a Kitten
by Rhonda Gowler GreeneOnly God Can Make A Kitten, written by award-winning author Rhonda Gowler Greene and illustrated by bestselling artist Laura J. Bryant, follows a conversation between a mother and child as the child repeatedly asks "Mama, who made . . . ?" In the end, children learn that God is responsible for everything in creation—including kittens!
Only a Witch Can Fly
by Alison McgheeOnly a witch can fly. But one little girl wants to fly--more than anything. So, on a special night, with the moon shining bright and her cat by her side, she gathers herself up, she grips her broom tight, and she tries. And she fails. And she's brave. And she tries again. Until ... Utterly enchanting, New York Times-bestselling author Alison McGhee's lyrical language creates a bewitching tale about finding one's own path that will send your spirit soaring.
Only on the Weekends
by Dean AttaMack. Karim. Finlay. Mack never thought he'd find love, let alone with two people. Will he make the right choice? And can love last for ever? A must-read queer love story for fans of Sex Education, written in verse by Dean Atta. Fifteen-year-old Mack is a hopeless romantic - he blames the films he's grown up watching. He has liked Karim for as long as he can remember, and is ecstatic when Karim becomes his boyfriend - it feels like love. But when Mack's dad gets a job on a film in Scotland, Mack has to move, and soon hediscovers how painful love can be. It's horrible being so far away from Karim, but the worst part is that Karim doesn't make the effort to visit. Love shouldn't be only on the weekends.Then, when Mack meets actor Finlay on a film set, he experiences something powerful, a feeling like love at first sight. How long until he tells Karim - and when will his old life and new life collide?
Only on the Weekends
by Dean AttaMack never thought he'd find love, but now two boys want to be with him. Will he choose Karim or Finlay? And can true love last for ever? A must-listen queer love story for fans of Sarah Crossan and Sex Education, written in verse by Dean Atta. <p><p>Fifteen-year-old Mack is a hopeless romantic—he blames the films he's grown up watching. He has liked Karim for as long as he can remember, and is ecstatic when Karim becomes his boyfriend—it feels like love. But when Mack's dad gets a job on a film in Scotland, Mack has to move, and soon he discovers how painful love can be. It's horrible being so far away from Karim, but the worst part is that Karim doesn't make the effort to visit. Love shouldn't be only on the weekends. <p><p>Then, when Mack meets actor Finlay on a film set, he experiences something powerful, a feeling like love at first sight. How long until he tells Karim—and when will his old life and new life collide? <p>(P) 2022 Hodder & Stoughton Limited
Only the Road / Solo el Camino: Eight Decades of Cuban Poetry
by Margaret RandallFeaturing the work of more than fifty poets writing across the last eight decades, Only the Road / Solo el Camino is the most complete bilingual anthology of Cuban poetry available to an English readership. It is distinguished by its stylistic breadth and the diversity of its contributors, who come from throughout Cuba and its diaspora and include luminaries, lesser-known voices, and several Afro-Cuban and LGBTQ poets. Nearly half of the poets in the collection are women. Only the Road paints a full and dynamic picture of modern Cuban life and poetry, highlighting their unique features and idiosyncrasies, the changes across generations, and the ebbs and flows between repression and freedom following the Revolution. Poet Margaret Randall, who translated each poem, contributes extensive biographical notes for each poet and a historical introduction to twentieth-century Cuban poetry.
Ooga-Booga
by Frederick SeidelFrom the winner of the PEN/Voelker Award, poems of love, terror, rage, and desire.Here I am, not a practical man,But clear-eyed in my contact lenses,Following no doubt a slightly different line than the others,Seeking sexual pleasure above all else,Despairing of art and of life,Seeking protection from death by seeking itOn a racebike, finding release and belief on two wheels . . .--from "The Death of the Shah"The poems in Ooga-Booga are about a youthful slave owner and his aging slave, and both are the same man. This is the tenderest, most savage collection yet from Frederick Seidel, "the most frightening American poet ever" (Calvin Bedient, Boston Review).
Opal Sunset
by Clive JamesA collection of poems where James recalls not only personal memories, like the titular sunset (a phrase that, in an extravagantly clever poem, drifts down the stanzas like the poet moving towards home), but also cultural memories.
Opal Sunset: Selected Poems, 1958-2008
by Clive James"A generous helping of [James's] very best, guaranteed to lift the spirit and raise the eyebrow."--Billy Collins Opal Sunset marks the exuberant introduction of Clive James's poetry to an American audience. Praised after the publication of Cultural Amnesia as one of the finest prose stylists of his generation, Clive James is now, with the publication of this collection, being granted recognition as the poet he has always been. For much of his long career it was hard to realize that James's gift for poetry underlay his achievements in other fields. First as a television critic on Fleet Street, and later as a television personality in his own right, he achieved such fame for writing the way he spoke that his poetry was regarded as an idiosyncratic sideline, as if no celebrity could write worthy verse. A conundrum presented itself: how could a serious poet also be a television star? But for James, a duty to the discipline of verse was always fundamental, and his accumulated poetic output became impossible to ignore. As early as the 1970s, James's long, mock epic "Peregrine Prykke's Pilgrimage through the London Literary World" received almost unprecedented attention in his adopted England, while later, his satirical short poem "The Book of My Enemy Has Been Remaindered" became not only a standard verse quoted at fancy dinner parties but entered the culture as lines to be memorized by unpublished writers everywhere. James was suddenly in the odd position of having written famous poems well before he became a famous poet. Finally, the publication of a volume of his collected verse, The Book of My Enemy, earned him in 2003 the reputation as a serious poet that he has long deserved. Less inhibited by fixed categories, a new generation of critics has confirmed what James's public has instinctively known, that he brings his poems to life with all the resources to be found in his prose: wit, imagination, social observation, and a dazzling play of language. In addition, his poems have an unmistakably characteristic rhythm that makes it compulsory to read them aloud. Switching between strict stanzas and free forms as the occasion suits, James brings a compulsively readable coherence to either mode; and always, over and above the binding force of his metrical assurance, there is a lyricism that brings even the plainest statement to extra life, and which often enters deeply into realms of human emotion. His later poems about the tragedy that struck his mother and father, for example, show an intensity of regret that mark his maturity as a poet and bring out his unashamed nostalgia for his homeland, Australia. Opal Sunset is a treasure chamber of epigrammatic jewels to which the reader will return again and again.
Open Air Bindery
by David HickeyDavid Hickey's second collection builds upon the myriad strengths of his first. In a specimen book of songs, stories, and covenants, Hickey's subjects range from art and astronomy to snowflakes and suburbia. These poems "take their time / Covering the roadside trees in forms of their careful willing . . . gesturing down to earth, unveiling new shapes / for all that they find."David Hickey is a past recipient of the Milton Acorn Prize, the Ralph Gustafson Prize for Poetry, and was shortlisted for the Gerald Lampert Award for best first book of poetry in Canada. His work has appeared in magazines and journals across Canada and the United States.
Open All Night
by Charles BukowskiThese 189 posthumously published new poems take us deeper into the raw, wild vein of Bukowski's that extends from the early 1980s up to the time of his death in 1994.
Open Closed Open: Poems
by Yehuda AmichaiIn poems marked by tenderness and mischief, humanity and humor, Yehuda Amichai breaks open the grand diction of revered Jewish verses and casts the light of his own experience upon them. Here he tells of history, a nation, the self, love, and resurrection. Amichai’s last volume is one of meditation and hope, and stands as a testament to one of Israel’s greatest poets. Open closed open. Before we are born, everything is openin the universe without us. For as long as we live, everything is closedwithin us. And when we die, everything is open again.Open closed open. That’s all we are.—from “I WASN’T ONE OF THE SIX MILLION: AND WHAT IS MY LIFE SPAN? OPEN CLOSED OPEN”
Open Letter to Quiet Light
by Francesca Lia Block"[Francesca Lia Block] is the sorceress of iridescent language."--Kirkus ReviewsOpen Letter to Quiet Light will make readers feel as if they are peering at secret writings meant for the eyes of a lover alone, but these carefully crafted lines somehow transcend the personal to touch everyone who has experienced this kind of consuming, wrenching love.In these fiercely passionate, devastatingly revealing, sometimes spiritual, and often painful poems, Francesca Lia Block describes in fiery detail the rise and demise of a year-long love affair. Her rich use of language infused with the power of sex and spirit finally paint a transcendent, almost mythic portrait of the way two wounded people--both searching for connection--find each other, collide, and eventually separate. The words seem to bleed onto the page and even the most graphic moments have a devotional quality filled with nuanced expression and unbridled intimacy.Francesca Lia Block is renowned for her groundbreaking literary works, including the best-selling Weetzie Bat. Her writing transports readers through the harsh landscapes of contemporary life to realms of the senses where love is a saving grace. She lives in Los Angeles.
Open Me Carefully: Emily Dickinson's Intimate Letters to Susan Huntington Dickinson
by Emily Dickinson Martha Nell Smith Ellen Louise HartFor the first time, selections from Emily Dickinson's thirty-six year correspondence to her neighbor and sister-in-law, Susan Huntington Dickinson, are compiled in a single volume. Open Me Carefully invites a dramatic new understanding of Emily Dickinson's life and work, overcoming a century of censorship and misinterpretation. This remarkable correspondence brings to light Susan Huntington Dickinson as the central source of the poet's passion and inspiration, and as her primary reader and literary companion. Gone is Emily as the precious recluse spinster of Amherst. Here is Dickinson in her own words—humorous, playful, passionate, and fully alive.
Open Shutters
by Mary Jo SalterMary Jo Salter's sparkling new collection, Open Shutters, leads us into a world where things are often not what they seem. In the first poem, "Trompe l'Oeil," the shadow-casting shutters on Genoese houses are made of paint only, an "open lie." And yet "Who needs to be correct / more often than once a day? / Who needs real shadow more than play?"Open Shutters also calls to mind the lens of a camera--in the villanelle "School Pictures" or in the stirring sequence "In the Guesthouse," which, inspired by photographs of a family across three generations, offers at once a social history of America and a love story.Darkness and light interact throughout the book--in poems about September 11; about a dog named Shadow; about a blind centenarian who still pretends to read the paper; about a woman shaken by the death of her therapist. A section of light verse highlights the wit and grace that have long distinguished Salter's most serious work.Fittingly, the volume fools the eye once more by closing with "An Open Book," in which a Muslim family praying at a funeral seek consolation in the pages formed by their upturned palms.Open Shutters is the achievement of a remarkable poet, whose concerns and stylistic range continue to grow, encompassing ever larger themes, becoming ever more open.From the Hardcover edition.
Open the Dark: Poems
by Marie Tozier“Tozier’s first book of poems clearly is emplaced in family, community, geography, history, and the seasonality of animals and plants in Western Alaska.” —Elizabeth Bradfield, author ofToward AntarcticaOpen the Dark is an exquisite collection of poems depicting a generational tapestry woven with the shared ebb and flow of land and sea and time. Loving hands, dyed sweet with raspberries and lingonberries, pass ancestral knowledge—of the hunt for seal and crab to pressing ironless, ruler-straight seams—from grandmother to mother, mother to daughter. This is a collection that beckons, like a mother’s warm embrace, into the vibrant scent and taste of Iñupiaq Alaska.“A lyrical guide to the life in Northwest Alaska experienced by the Iñupiaq poet and her family . . . Like most books of good poems, it is also a gallery of images for revisiting time after time.” —49 Writers“These deceptively simple poems enlarge with repeated readings; they unfold greater meaning each time and leave a reader with much to contemplate about identity, cultures, generational wisdom, and values. Marie Tozier’s fresh voice is a very welcome addition to Alaskan, Indigenous and American literature.” —Anchorage Daily News
Open-Hearted Horizon: An Albuquerque Poetry Anthology (Albuquerque Poet Laureate Series)
by Valerie Martínez and Shelle VanEtten de SánchezOpen-Hearted Horizon: An Albuquerque Poetry Anthology invites you into a poetic conversation. The anthology includes a wide range of Albuquerque-based poets and poems that are inspired—directly, associatively, obliquely—by Albuquerque, New Mexico, as a place and as a community. Anthologies commonly celebrate a multitude of voices. Because this one is place-based, it aims to draw you into a circle that deepens your sense of place and people, of contexts and cultures, whether you know Albuquerque or not. Because the Albuquerque poetry community is characterized by its support for individual writers and by a strong impulse toward creative collaboration, Open-Hearted Horizon features poems in multiple voices. In addition to poems by individual poets, this collection also features collaborative works, including those by the EKCO collective and one that features a line from every poem in the anthology. Overall, the collection invites you to experience Albuquerque in all its richness, diversity, and depth.
Opened Ground: Selected Poems, 1966-1996
by Seamus HeaneyAs selected by the author,Opened Ground includes the essential work from Heaney's twelve previous books of poetry, as well as new sequences drawn from two of his landmark translations, The Cure at Troy and Sweeney Astray, and several previously uncollected poems. Heaney's voice is like no other--"by turns mythological and journalistic, rural and sophisticated, reminiscent and impatient, stern and yielding, curt and expansive" (Helen Vendler,The New Yorker)--and this is a one-volume testament to the musicality and precision of that voice. The book closes with Heaney's Nobel Lecture: "Crediting Poetry."
Opposites, More Opposites, and a Few Differences
by Richard WilburThis collection includes the full text and drawings from Opposites and More Opposites, plus seven additional poems and drawings about differences. Readers of all ages will delight in this volume of witty wordplay and clever illustrations from two-time Pulitzer Prize recipient and National Book Award winner Richard Wilbur.
Optic Nerve
by Matthew HollettPoems using fervent whimsy and wordplay to examine photography and seeing. Peering inside eyeballs, pondering the paradox of absent stars, and meditating on street scenes by André Kertész, these poems squint sidelong at our ways of seeing the world. Through playful poems about photography and visual perception, Hollett dissects auroras and quarks, atmospheric phenomena, potatoes, bomb craters and peat bog cadavers. This darkly comic collection is shadowed by entoptic paparazzi, haunted by peripheral visions. Born of attentive walking and looking, of footsteps and snapshots, it bears witness to art history and alluvial light, portable keyholes, the pandemic, climate change, and the sheer strangeness of seeing everyday things with ecstatic eyes.
Opus Posthumous
by Wallace StevensWhen Opus Posthumous first appeared in 1957, it was an appropriate capstone to the career of one of the most important writers of the twentieth century. It included many poems missing from Stevens's Collected Poems, along with Stevens's characteristically inventive prose and pieces for the theater. Now Milton J. Bates, the author of the acclaimed Wallace Stevens: A Mythology of Self, has edited and revised Opus Posthumous to correct the previous edition's errors and to incorporate material that has come to light since original publication. A third of the poems and essays in this edition are new to the volume. The resulting book is an invaluable literary document whose language and insights are fresh, startling, and eloquent.From the Trade Paperback edition.
Opus Posthumous and Other Poems
by David R. SlavittAs he enters his sixth decade of publishing poetry, David R. Slavitt remains a determined wildcatter who ranges as far as he thinks necessary to drill for meaning, wherever and however he can get it. In his new collection, Slavitt traverses Africa, India, Israel, and the America in which he finds himself, complete with visits to zoos, casinos, baseball fields, and cemeteries, as he searches for clues from which he might learn at least a little. He translates verse from Yiddish and Provençal and offers commentaries on received wisdom, everyday events, and the vagaries of existence.With Opus Posthumous and Other Poems—the title is a joke, as he remains very much alive—Slavitt presents an august work possessed of a richness toward which he has worked throughout his long life. By turns wry, erudite, and dyspeptic, this new volume offers ample rewards of his maturity.
Or What We'll Call Desire: Poems
by Alexandra TeagueThis heartrending and darkly playful new collection by Alexandra Teague tries to understand the edges of self in a patriarchal culture and in relation to a family history of mental illness and loss. In poems that mix high art and popular culture (from classical Greek statues to giant plaster artichokes, Cubism to Freudian Disney dolls), Teague interweaves self-reflection with the stories and lives of mythic and historic female figures, such as the dangerous-wise witch Baba Yaga and early-20th-century sculptors’ model Audrey Munson--calling across time and place to explore desire, grief, and the representation and misrepresentation of the female form.
Or to Begin Again
by Ann LauterbachAnn Lauterbach's ninth work of poetry, Or to Begin Again, takes its name from a sixteen-poem elegy that resists its own end, as it meditates on the nearness of specific attachment and loss against the mute background of historical forces in times of war. In the center of the book is a twelve-part narrative, "Alice in the Wasteland,"inspired by Lewis Carroll's great character and T. S. Eliot's 1922 modernist poem. Alice is accosted by an invisible Voice as she wanders and wonders about the nature of language in relation to perception. In this volume, Lauterbach again shows the range of her formal inventiveness, demonstrating the visual dynamics of the page in tandem with the powerful musical cadences and imagery of a contemporary master. .
Or to Begin Again
by Ann LauterbachAnn Lauterbach's ninth work of poetry, Or to Begin Again, takes its name from a sixteen-poem elegy that resists its own end, as it meditates on the nearness of specific attachment and loss against the mute background of historical forces in times of war. In the center of the book is a twelve-part narrative, "Alice in the Wasteland,"inspired by Lewis Carroll's great character and T.S. Eliot's 1922 modernist poem. Alice is accosted by an invisible Voice as she wanders and wonders about the nature of language in relation to perception. In this volume, Lauterbach again shows the range of her formal inventiveness, demonstrating the visual dynamics of the page in tandem with the powerful musical cadences and imagery of a contemporary master.