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The Nature of Early Greek Lyric: Three Preliminary Studies
by Robert L. FowlerThree important literary questions in early Greek lyrics are addressed in this study. First, Fowler attempts to determine the extent that Homer and epic poetry generally influenced the lyric poets, with respect to both the style of compositions and their content. Identifying the certain examples of influence – which are far fewer than often thought – he analyses the technique of imitation, tracing a development from simpler to more complex as the archaic period proceeds. Throughout this and the following chapter, he often finds occasion to take issue with the famous and influential view of the early Greek mind championed by Bruno Snell and Hermann Fränkel. In the second chapter Fowler studies the organization of individual poems, identifying compositional principles that may be used to solve literary and textual problems. Some of these principles, like ring-composition, are old familiars; others are not. All are found to be more pervasive than is often realized, and reflect an attitude to composition rather different from the disorderly and associative techniques traditionally ascribed to the lyrics poets. The last chapter explores the nature of genres in the archaic period, starting from the vexed question of the definition of elegy. In all the genres associated with particular occasions, the author finds that the poets' professional skills and self-consciousness became more important than the purely occasional aspects of their composition. Observations of interest are made on, among others, citharodic songs, epigrams and epinician odes; and elegy in the end turns out, paradoxically, not to be a true genre at all.
The Nature of Modernism: Ecocritical Approaches to the Poetry of Edward Thomas, T. S. Eliot, Edith Sitwell and Charlotte Mew (Routledge Studies in Twentieth-Century Literature)
by Elizabeth BlackThis books presents the first extended study of the relationship between British modernist poetry and the environment. Challenging reductive associations of modernism as predominantly anthropocentric in character and urban in focus, the book’s central argument is that within British modernist poetry there is a clear and sustained interest in the natural world which has yet to receive adequate critical attention. Whilst modernist studies continues to emphasize the plurality of the movement and the breadth of voices and concerns within it, the environmental consciousness of modernist literature and its response to changes to human/nature relations following the experience of war and modernity remain largely unexamined. Exploring British modernist poetry from an ecocritical perspective offers a fresh approach to the movement and its context, and produces original readings of both canonical and more marginalized modernist voices. This book opens by discussing the relationship between modernism and ecocriticism and the benefits of creating a dialogue between the two. It then presents new readings of Edward Thomas, T. S. Eliot, Edith Sitwell, and Charlotte Mew that reveal a shared preoccupation with environmental issues and a common desire to find new ways of achieving physical, psychological, and artistic reconnection with nature. Building on the continuing growth of ecocriticism, this book demonstrates how green approaches to modernist studies can produce new insights into both individual poets and the modernist movement as a whole, making it an essential resource for students of modernism, ecocriticism, and early-twentieth-century literature.
The Nature of the Page: Poetry, Papermaking, and the Ecology of Texts in Renaissance England (Material Texts)
by Joshua CalhounIn The Nature of the Page, Joshua Calhoun tells the story of handmade paper in Renaissance England and beyond. For most of the history of printing, paper was made primarily from recycled rags, so this is a story about using old clothes to tell new stories, about plants used to make clothes, and about plants that frustrated papermakers' best attempts to replace scarce natural resources with abundant ones. Because plants, like humans, are susceptible to the ravages of time, it is also a story of corruption and the hope that we can preserve the things we love from decay.Combining environmental and bibliographical research with deft literary analysis, Calhoun reveals how much we have left to discover in familiar texts. He describes the transformation of plant material into a sheet of paper, details how ecological availability or scarcity influenced literary output in the sixteenth and seventeenth centuries, and examines the impact of the various colors and qualities of paper on early modern reading practices. Through a discussion of sizing—the mixture used to coat the surface of paper so that ink would not blot into its fibers—he reveals a surprising textual interaction between animals and readers. He shows how we might read an indistinct stain on the page of an early modern book to better understand the mixed media surfaces on which readers, writers, and printers recorded and revised history. Lastly, Calhoun considers how early modern writers imagined paper decay and how modern scholars grapple with biodeterioration today.Exploring the poetic interplay between human ideas and the plant, animal, and mineral forms through which they are mediated, The Nature of the Page prompts readers to reconsider the role of the natural world in everything from old books to new smartphones.
The Nature of Things
by LucretiusDe rerum natura (On the Nature of Things) is a 1st century BC didactic poem by the Roman poet and philosopher Lucretius with the goal of explaining Epicurean philosophy to a Roman audience. Lucretius presents the principles of atomism; the nature of the mind and soul; explanations of sensation and thought; the development of the world and its phenomena; and explains a variety of celestial and terrestrial phenomena. The universe described in the poem operates according to these physical principles, guided by fortuna, "chance," and not the divine intervention of the traditional Roman deities.
The Nature of Things
by LucretiusLucretius' poem On the Nature of Things combines a scientific and philosophical treatise with some of the greatest poetry ever written. With intense moral fervour he demonstrates to humanity that in death there is nothing to fear since the soul is mortal, and the world and everything in it is governed by the mechanical laws of nature and not by gods; and that by believing this men can live in peace of mind and happiness. He bases this on the atomic theory expounded by the Greek philosopher Epicurus, and continues with an examination of sensation, sex, cosmology, meteorology, and geology, all of these subjects made more attractive by the poetry with which he illustrates them.
The Nature of Things
by Stallings LucretiusLucretius' poem On the Nature of Things combines a scientific and philosophical treatise with some of the greatest poetry ever written. With intense moral fervour he demonstrates to humanity that in death there is nothing to fear since the soul is mortal, and the world and everything in it is governed by the mechanical laws of nature and not by gods; and that by believing this men can live in peace of mind and happiness. He bases this on the atomic theory expounded by the Greek philosopher Epicurus, and continues with an examination of sensation, sex, cosmology, meteorology, and geology, all of these subjects made more attractive by the poetry with which he illustrates them.
Nature Poem
by Tommy Pico<P>Nature Poem follows Teebs--a young, queer, American Indian (or NDN) poet--who can't bring himself to write a nature poem.<P> For the reservation-born, urban-dwelling hipster, the exercise feels stereotypical, reductive, and boring. He hates nature. He prefers city lights to the night sky.<P> He'd slap a tree across the face. <P>He'd rather write a mountain of hashtag punchlines about death and give head in a pizza-parlor bathroom; he'd rather write odes to Aretha Franklin and Hole.<P> While he's adamant--bratty, even--about his distaste for the word "natural," over the course of the book we see him confronting the assimilationist, historical, colonial-white ideas that collude NDN people with nature.<P> The closer his people were identified with the "natural world," he figures, the easier it was to mow them down like the underbrush. <P>But Teebs gradually learns how to interpret constellations through his own lens, along with human nature, sexuality, language, music, and Twitter. <P>Even while he reckons with manifest destiny and genocide and centuries of disenfranchisement, he learns how to have faith in his own voice.
Nature Poem
by Tommy PicoA book-length poem about how an American Indian writer can’t bring himself to write about nature, but is forced to reckon with colonial-white stereotypes, manifest destiny, and his own identity as an young, queer, urban-dwelling poet. A Best Book of the Year at BuzzFeed, Interview, and more. Nature Poem follows Teebs—a young, queer, American Indian (or NDN) poet—who can’t bring himself to write a nature poem. For the reservation-born, urban-dwelling hipster, the exercise feels stereotypical, reductive, and boring. He hates nature. He prefers city lights to the night sky. He’d slap a tree across the face. He’d rather write a mountain of hashtag punchlines about death and give head in a pizza-parlor bathroom; he’d rather write odes to Aretha Franklin and Hole. While he’s adamant—bratty, even—about his distaste for the word “natural,” over the course of the book we see him confronting the assimilationist, historical, colonial-white ideas that collude NDN people with nature. The closer his people were identified with the “natural world,” he figures, the easier it was to mow them down like the underbrush. But Teebs gradually learns how to interpret constellations through his own lens, along with human nature, sexuality, language, music, and Twitter. Even while he reckons with manifest destiny and genocide and centuries of disenfranchisement, he learns how to have faith in his own voice.
Nature Trail: A joyful rhyming celebration of the natural wonders on our doorstep
by Benjamin ZephaniahA joyful celebration of nature and the wonder of the world around us by legendary poet and performer Benjamin Zephaniah, one of The Times' top 50 British post-war writers.At the bottom of my garden, there's a hedgehog and a frog,And a lot of creepy-crawlies living underneath a log . . .All around us, from parks to gardens and flowerpots to pavements, there's a world of wonder just waiting to be discovered. Why not look a little closer and see what you find?This joyful celebration of nature reminds us all to take a closer look at the world around us, and enjoy the wonder of nature wherever we find it. Packed with animals and minibeasts galore, this imaginative rhyming text is perfect for reading aloud.
Nature's Treasures
by Jane Morris UdovicA young girl learns about the wonders of nature in this rhyming poem.
Navigating the Divide: Poetry & Prose (Legacy Series)
by Linda Watanabe McFerrinNavigating the Divide: Selected Poetry and Prose is a career-spanning, multi-genre collection from the award-winning Asian-American writer and indie lit legend Linda Watanabe McFerrin. In poetry and prose that is sometimes profoundly personal, sometimes astoundingly surreal, this world traveler and devoted literary explorer breaks down walls, bridges, cultures, and genres, delighting and instructing the reader. This rich, multi-faceted collection really does "navigate the divide" between spiritual and physical, between thought and desire, between identity and others.
The Navy's Night Before Christmas: Read & Listen Edition
by Christine Ford Trish HollandThis story, written for military families, is about a visit from &“the Santa of Sailors&” to those who can&’t be home for Christmas. &’Twas the night before Christmas, when way out to sea Not a creature was stirring to windward or lee. The sailors were nestled all snug in their racks Like orders of pancakes, so tight were the stacks. One Christmas Eve out at sea, some homesick sailors are paid a visit by Master Chief Claus, the Santa of Sailors. This lively and poignant tale was inspired by Clement C. Moore&’s classic yuletide poem.This Read & Listen edition contains audio narration.
Ndakinna -- Our Land: New and Selected Poems
by Joseph BruchacWritten over a period of twelve years and published in magazines and anthologies, these beautiful poems of place and Abenaki Indian heritage are addressed to the land, to the poet's two sons James and Jesse, to his wife Carol, and to himself.
NDN Coping Mechanisms: Notes from the Field
by Billy-Ray BelcourtIn his follow-up to This Wound is a World, Billy-Ray Belcourt’s Griffin Poetry Prize–winning collection, NDN Coping Mechanisms: Notes from the Field is a provocative, powerful, and genre-bending new work that uses the modes of accusation and interrogation. He aims an anthropological eye at the realities of everyday life to show how they house the violence that continues to reverberate from the long twentieth century. In a genre-bending constellation of poetry, photography, redaction, and poetics, Belcourt ultimately argues that if signifiers of Indigenous suffering are everywhere, so too is evidence of Indigenous peoples’ rogue possibility, their utopian drive.In NDN Coping Mechanisms: Notes from the Field, the poet takes on the political demands of queerness, mainstream portrayals of Indigenous life, love and its discontents, and the limits and uses of poetry as a vehicle for Indigenous liberation. In the process, Belcourt once again demonstrates his extraordinary craft, guile, and audacity, and the sheer dexterity of his imagination.
Near: Psalm 139
by Sally Lloyd-JonesFrom the author of the bestselling The Jesus Storybook Bible, Sally Lloyd-Jones, comes an uplifting new message for children. Inspired by Psalm 139—which begins, &“O Lord, you have searched me and you know me&”—the lyrical text reminds little ones that God is with them anywhere they go in God&’s wide world.God is my Father who made everything.And I am a little explorer of the wide world.He is near meAnd he protects me.He sees meAnd he knows me.He is strongAnd he looks after me. He is with me—always!An inspirational, Bible-based board book, Near:is written by Sally Lloyd-Jones, the bestselling author of The Jesus Storybook Biblepresents lyrical text inspired by Psalm 139delivers a reassuring message that calms kids&’ nerves, soothes their anxieties, and eases their fearsfeatures a soft padded format that is a perfect fit for little handsis a great gift for a new baby, First Communion, Christmas or birthdayThe board book offers a soft, padded format, a perfect fit for little hands.Look for additional inspirational children&’s picture books in the series inspired by The Jesus Storybook Bible:Loved: The Lord&’s PrayerFound: Psalm 23Near is another resource to invite children to experience God&’s Never Stopping, Never Giving Up, Unbreaking, Always and Forever Love.
Near/Miss
by Charles BernsteinPraised in recent years as a “calculating, improvisatory, essential poet” by Daisy Fried in the New York Times, and as “the foremost poet-critic of our time” by Craig Dworkin, Charles Bernstein is a leading voice in American poetry. Near/Miss, Bernstein’s first poetry collection in five years, is the apotheosis of his late style, thick with off-center rhythms, hilarious riffs, and verbal extravagance. This collection’s title highlights poetry’s ability to graze reality without killing it, and at the same time implies that the poems themselves are wounded by the grief of loss. The book opens with a rollicking satire of difficult poetry—proudly declaring itself “a totally inaccessible poem”—and moves on to the stuff of contrarian pop culture and political cynicism—full of malaprops, mondegreens, nonsequiturs, translations of translations, sardonically vandalized signs, and a hilarious yet sinister feed of blog comments. At the same time, political protest also rubs up against epic collage, through poems exploring the unexpected intimacies and continuities of “our united fates.” These poems engage with works by contemporary painters—including Amy Sillman, Rackstraw Downes, and Etel Adnan—and echo translations of poets ranging from Catullus and Virgil to Goethe, Cruz e Souza, and Kandinsky. Grounded in a politics of multiplicity and dissent, and replete with both sharp edges and subtle intimacies, Near/Miss is full of close encounters of every kind.
Near Relations: Poems
by John ReibetanzIn John Reibetanz’s tightly crafted new collection of poems, poetry and narrative are united with astonishing power and beauty. The collection first probes pivotal moments in the lives of his family, leading to a haunting prose memoir of the journey to his dying mother that recalls a “nomadic childhood” in flight from his mother’s withdrawal into illness, his adult secession from an America bent on war, then emigration to a more accommodating country. Following the same creative urge celebrated in his father-in-law’s cooking and the blues of Louis Armstrong, the poems then move into a world of intersecting fictional relations, unfolding an extraordinary range of characters. Their dilemmas are not solved but contained in luminous poems, at once spare and ample, whose clarity is born of precision. In these poem-stories of love, loss, and recovery, darkness often serves to intensify the light. Near Relations is the work of a poet compassionately engaged with the world, and one of our most accomplished lyric voices.
Nearer My Freedom: The Interesting Life of Olaudah Equiano by Himself
by Monica Edinger Lesley YoungeMillions of Africans were enslaved during the transatlantic slave trade, but few recorded their personal experiences. Olaudah Equiano's The Interesting Narrative of the Life of Olaudah Equiano is perhaps the most well known of the autobiographies that exist. Using this narrative as a primary source text, authors Monica Edinger and Lesley Younge share Equiano's life story in "found verse," supplemented with annotations to give readers historical context. This poetic approach provides interesting analysis and synthesis, helping readers to better understand the original text. Follow Equiano from his life in Africa as a child to his enslavement at a young age, his travels across the Atlantic Ocean and Mediterranean Sea, his liberation, and his life as a free man.
Nearing Ninety: And Other Comedies of Late Life (Judith Viorst's Decades)
by Judith ViorstThe newest illustrated poetry collection in beloved author Judith Viorst’s “decade” series (from It’s Hard to Be Hip Over Thirty to Unexpectedly Eighty), exploring, with her signature savvy and humor, what it means to be an impending nonagenarian.In Nearing Ninety, bestselling author Judith Viorst candidly shares the complicated joys and everyday tribulations that await us at the age of ninety, all with a large dose of humor and an understanding that nothing—well, almost nothing—in life should be taken too seriously. While she struggles to make it to midnight on New Year's Eve, while she’s starting to hear more eulogies than symphonies, while she’ll forever be disheartened by what she weighs (and forever unable to stop weighing herself), there is plenty to cherish at ninety: hanging out with the people she loves. Playing a relentless game of Scrabble. And still sleeping tush-to-tush with the same man to whom she’s been married for sixty years. Accompanied by Laura Gibson’s whimsical illustrations, Nearing Ninety’s amusing and touching reflections make this collection relatable to readers of all ages. With the wisdom and spunk of someone who’s seen it all, Viorst gently reminds us that everybody gets old, and that the best medicine at any age is laughter.
Nebraska: Poems
by Kwame DawesKwame Dawes is not a native Nebraskan. Born in Ghana, he later moved to Jamaica, where he spent most of his childhood and early adulthood. In 1992 he relocated to the United States and eventually found himself an American living in Lincoln, Nebraska. In Nebraska, this beautiful and evocative collection of poems, Dawes explores a theme constant in his work—the intersection of memory, home, and artistic invention. The poems, set against the backdrop of Nebraska’s discrete cycle of seasons, are meditative even as they search for a sense of place in a new landscape. While he shovels snow or walks in the bitter cold to his car, he is engulfed with memories of Kingston, yet when he travels, he finds himself longing for the open space of the plains and the first snowfall. With a strong sense of place and haunting memories, Dawes grapples with life in Nebraska as a transplant.
Neck of the World (Swenson Poetry Award #11)
by F. Daniel RzicznekNeck of the World is the eleventh volume in the prestigious May Swenson Poetry Award series. In it, Daniel Rzicznek offers poems that, in quick angular language, capture the natural world and at the same time extend it into a surreal vision, sometimes dream-like, sometimes dark. Alice Quinn, judge for the 2007 Swenson Award, says this of Rzicznek’s work: “Throughout, the language pulsates, always vigorous, by turns knotty and crystalline. . . . In Neck of the World, we have a poet with a striking new vision--challenging, rewarding, and bold."
The Necropastoral: Poetry, Media, Occults
by Joyelle McsweeneyIn The Necropastoral: Poetry, Media, Occults, poet Joyelle McSweeney presents an ecopoetics and a theory of Art that reflect such biological principles as degradation, proliferation, contamination, and decay. In these ambitious, bustling essays, McSweeney resituates poetry as a medium amid media; hosts "strange meetings" of authors, texts, and artworks across the boundaries of genre, period, and nation; and examines such epiphenomena as translation, anachronism, and violence. Through readings of artists as diverse as Wilfred Owen, Andy Warhol, Harryette Mullen, Roberto Bolaño, Aimé Césaire, and Georges Bataille, The Necropastoral shows by what strategies Art persists amid lethal conditions as a spectacular, uncanny force.
Need Machine
by Andrew FaulknerNeed Machine clamours through the brain like an unruly marching band. Both caustic and thoughtful, these poems offer a topography of modern life writ large in twitchy, neon splendor, in a voice as sure as a surgeon and as trustworthy as a rumour. Honest, irreverent and sharply indifferent, this book will hogtie you with awe.
The Need To Hold Still: Poems
by Lisel MuellerWinner of the National Book Award for Poetry in 1981.
The Needle
by Jennifer GrotzFollowing her debut collection, Cusp, chosen by Yusef Komunyakaa to win the Bread Loaf Writers' Conference Bakeless Prize, the composed, observed quality of Jennifer Grotz's The Needle will remind readers of the poetry of Elizabeth Bishop and Ellen Bryant Voigt. Whether she is describing a town square in Kraków, where many of these poems are set, the ponies of Ocracoke Island, a boy playing a violin, or clouds, she finds the lyrical details that release an atmosphere of heightened, transcendent attention in which the things of the world become the World, what Zbigniew Herbert called "royal silence."