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Poukahangatus: Poems
by Tayi TibbleThe American debut of an acclaimed young poet as she explores her identity as a twenty-first-century Indigenous woman. Poem by poem, Tibble carves out a bold new way of engaging history, of straddling modernity and ancestry, desire and exploitation.Intimate, moving, virtuosic, and hilarious, Tayi Tibble is one of the most exciting new voices in poetry today. In Poūkahangatus (pronounced &“Pocahontas&”), her debut volume, Tibble challenges a dazzling array of mythologies—Greek, Māori, feminist, kiwi—peeling them apart, respinning them in modern terms. Her poems move from rhythmic discussions of the Kardashians, sugar daddies, and Twilight to exquisite renderings of the natural world and precise emotions (&“The lump in her throat swelled like a sea that threatened to take him from her, and she had to swallow hard&”). Tibble is also a master narrator of teenage womanhood, its exhilarating highs and devastating lows; her high-camp aesthetics correlate to the overflowing beauty, irony, and ruination of her surroundings. These are warm, provocative, and profoundly original poems, written by a woman for whom diving into the wreck means taking on new assumptions—namely, that it is not radical to write from a world in which the effects of colonization, land, work, and gender are obviously connected. Along the way, Tibble scrutinizes perception and how she as a Māori woman fits into trends, stereotypes, and popular culture. With language that is at once colorful, passionate, and laugh-out-loud funny, Poūkahangatus is the work of one of our most daring new poets.
Pound and Pasolini: Poetics of Crisis (Palgrave Studies in Modern European Literature)
by Sean MarkIn October 1967, Pier Paolo Pasolini travelled to Venice to interview Ezra Pound for broadcast on national television. One a lifelong Marxist, the other a former propagandist for the Fascist regime, their encounter was billed as a clash of opposites. But what do these poets share? And what can they tell us about the poetics and politics of the twentieth century? This book reads one by way of the other, aligning their engagement with different temporalities and traditions, polities and geographies, languages and forms, evoked as utopian alternatives to the cultural and political crises of capitalist modernity. Part literary history, part comparative study, it offers a new and provocative perspective on these poets and the critical debates around them – in particular, on Pound’s Italian years and Pasolini’s use of Pound in his work. Their connection helps to understand the implications and legacies of their work today.
Pound's Cantos Declassified
by Philip FuriaBy using his Cantos for storing, "making new," and transmitting historical documents, Pound was returning the epic to its ancient function as a tribal archive for the "luminous details" of history that define a culture's past and shape its future. So argues this book, which does not overlook the poem's brilliant lyrical passages but for the first time focuses on those vast stretches of Pound's epic composed not of literary touchstones but of that most unpoetic of literary forms, historical documents.Pound's task as epic poet was complicated by the fact that the documents he wished to renew and transmit to his culture were largely unknown, often because in his mind they had been suppressed by a widespread conspiracy throughout the ages which he termed the "historical black-out." His Cantos therefore, he believed, must be a counter-conspiracy to rescue vital documents from that black-out, renew them, and then recirculate them to combat the economic and political forces behind the black-out.Drawing on recent research by numerous scholars, Furia traces the arcane documents Pound unearthed from libraries around the world and shows how he transmuted this documentary mass into poetry, first by framing passages of prose to highlight their poetic texture and then by weaving these shards and fragments into a collage of intricate structure. Among the documents Furia "declassifies" are Chinese edicts, Italian bank charters, British factory commission reports, Byzantine guild regulations, American Presidential papers, municipal records, judicial writs, parliamentary statutes, legislative codes, contracts, deeds, mandates, treaties, diary entries, and correspondence by such diverse figures as Lorenzo de' Medici, Martin Van Buren, Napoleon, Eleanor of Aquitaine, Mustapha Kemal, and Kubla Khan.Pound's Cantos Declassified traces the poet's struggle to shape the content of the epic poem that absorbed most of his creative life.
Pound, Frost, Moore, and Poetic Precision: Science in Modernist American Poetry
by Barry AhearnPound, Frost, Moore and Poetic Precision: Science in American Modernist Poetry examines three major poets in light of the demand that poetry aspire to scientific precision. The critical insistence that poetry be precise affected every one of these poets, and looking at how they responded to this insistence offers a new perspective on their achievements and, by extension, twentieth-century poetry in general. Ezra Pound sought to associate poetry with the precision of modern science, technology and mathematics as a way to eliminate or reduce error. Robert Frost, however, welcomed imprecision as a fundamental aspect of existence that the poet could use. Marianne Moore appreciated the value of both precision and imprecision, especially with respect to her religious perspective on human and natural phenomena. By analyzing these particular poets’ reaction to the value placed on precision, Barry Ahearn explores how that emphasis influenced the broader culture, literary culture and twentieth-century Modernist American poetry.
Power Politics: Poems (A List)
by Margaret AtwoodA groundbreaking meditation on sexual politics, love, and human tenacity from the world-renowned pioneer of feminist writing and prophetic author of The Handmaid’s Tale, Margaret Atwood.When it first appeared in 1971, Margaret Atwood’s Power Politics startled readers with its vital dance of woman and man. It still startles today, and is just as iconoclastic as ever. These poems occupy all at once the intimate, the political, and the mythic. Here Atwood makes us realize that we may think our own personal dichotomies are unique, but really they are multiple, universal. Clear, direct, wry, and unrelenting — Atwood’s poetic powers are honed to perfection in this seminal work from her early career.
Power on Display: The Politics of Shakespeare's Genres
by Leonard TennenhouseFirst published in 1986. 'Impressively open to the complexity of cultural discourses, to the ways in which one discursive form may function as a screen for another above all to the political entailment of genre.' Stephen Greenblatt.What is the relation between literary and political power? How do the symbolic dimensions of social practice and the social dimensions of artistic practice relate to one another? Power on Display considers Shakespeare's progression from romantic comedies and history plays to tragedy and romance in the light of the general process of cultural change in the period.
Power, Plain English and the Rise of Modern Poetry
by David RosenDavid Rosen offers a radically new account of modern poetry and revises our understanding of its relation to Romanticism. British poets from Wordsworth to Auden attempted to present themselves simultaneously as persons of power and as moral voices in their communities. The modern lyric derives its characteristic complexities--psychological, ethical, formal--from the extraordinary difficulty of this effort. The low register of our language--a register of short, concrete, native words arranged in simple syntax--is deeply implicated in this story. Rosen shows how the peculiar reputation of "plain English" for truthfulness is employed by Modern poets to conceal the rift between their (probably irreconcilable) ambitions for themselves. With a deep appreciation for poetic accomplishment and a wonderful iconoclasm, Rosen sheds new light on the innovative as well as the self-deceptive aspects of Modern poetry. This book alters our understanding of the history of poetry in the English language.
Poésie Vivante
by Chloe Gilholy50 poèmes dédiés aux divers thèmes de la vie. Une collection de poèmes écrit au fil des années.
Poésie de Confinement
by Chloe GilholyLa pandémie nous a changé la vie à tous. Elle nous a rendus pour la plupart plus forts, mais ça a aussi été fatiguant. Ce sentiment d'inquiétude à l'annonce de nouveaux variants et de nouveaux confinements reste persistant. Des nouveaux hobbies nous sont venus et nous avons essayé au mieux de nous occuper durant les périodes d'isolation.
Poésie de Voyage
by Chloe GilholyPoèmes inspirés par les routes longues et sinueuses des aventures et des vacances. Plus de trente poèmes inspirés par les joies et les délices du voyage. Que ce soit dans le monde entier ou dans le confort de votre foyer.
Prachi: A Literary Digest of East Indian Languages 1987
by Surendra Jha SumanOn the life and works of Amaru, a Sanskrit poet, including his depiction of love in his poetry.
Practical Gods
by Carl DennisWinner of the 2001 Pulitzer Prize for Poetry. Practical Gods is the eighth collection by Carl Dennis, a critically acclaimed poet and recent winner of one of the most prestigious poetry awards, the Ruth Lilly Prize. Carl Dennis has won acclaim for "wise, original, and often deeply moving" poems that "ease the reader out of accustomed modes of seeing and perceiving" (The New York Times). Many of the poems in this new book involve an attempt to enter into dialogue with pagan and biblical perspectives, to throw light on ordinary experience through metaphor borrowed from religious myth and to translate religious myth into secular terms. While making no claims to put us in touch with some ultimate reality, these clear, precise, sensitive poems help us to pay homage to the everyday household gods that are easy to ignore, the gods that sustain life and make it rewarding. .
Practical Water (Wesleyan Poetry Series)
by Brenda HillmanWinner of the Los Angeles Times Book Award for Poetry (2009)Runner-up for the Northern California Book Award for Poetry (2009)Practical Water is, like Brenda Hillman's previous two books, Cascadia and Pieces of Air in the Epic, both an elemental meditation and an ecopoetics; this time her subject is water: Taoist water, baptismal water, water from the muses' fountains, the practical waters of hydrology from which we draw our being—and the stilled water in a glass in a Senate chamber. Not since Allen Ginsberg tried to levitate the Pentagon has American poetry seen the likes of the hallucinatory wit and moral clarity that Hillman brings to Washington in her poems about Congressional Hearings on the Iraq War. Here also—because it is about many kinds of power—is a sequence of twinned lyrics for the moon, governess of tides and night vision, for visible and invisible faces. Violence and the common world, fact and dream, science and magic, intuition and perception are reconfigured as the poet explores matters of spirit in political life and earthly fate. If it is time to weep by the waters of Babylon, it is also time to touch water's living currents. No one is reimagining the possibilities of lyric poetry with more inventiveness; this is masterful work by one of our finest poets.
Practice, Restraint
by Laura SimsLaura Sims's debut is the work of an organic synthesizer, one practiced in the restrained art of listening. Her poems exhibit an attenuation that is akin to devotion: By means of maxim and miniaturization, she sorts and stacks the products of humanness. Memes and phonemes of a haiku-like fineness are thereby invited to break the surface of the page.
Practicing to Walk Like a Heron: Poems (Made In Michigan Writers Ser.)
by Jack RidlIn Practicing to Walk Like a Heron multiple-award-winning Michigan poet Jack Ridl shares lines of well-earned wisdom in the face of a constantly changing world. The familiar comforts of life-a warm fire in winter, a lush garden in summer-become the settings for transcendent and universal truths in these poems, as moments of grief, sadness, and melancholy trigger a deeper appreciation for small but important joys. The simple clarity of Ridl's lines and diction make the poems accessible to all readers, but especially rewarding for those who appreciate carefully honed, masterful verse. Many of the poems take solace in nature-quiet deer outside in the woods, deep snow, a thrush's empty nest in the eaves-as well as man-made things in the world-a steamer trunk, glass jars, tea cups, and books piled high near an easy chair. Yet Ridl avoids becoming nostalgic or romantic in his surroundings, and shows that there is nothing easy in his celebration of topics like "The Letters," "But He Loved His Dog," "A Christmas List for Santa," and "The Enormous Mystery of Couples." An interlude of full-color pages divides Ridl's more personal poems d experiential in life. This relatable and emotionally powerful volume will appeal to all poetry readers.
Practising Angels
by Michael MayoThis is an anthology of San Francisco Bay Area poems and is a part of 20th century American literature.
Praga
by Manuel Vázquez MontalbánLlega a Poesía Portátil la faceta más personal de Manuel Vázquez Montalbán con Praga, uno de los poemarios más destacados de un escritor inabarcable. Manuel Vázquez Montalbán fue un hombre definitivamente polifónico en su escritura, pues su obra alberga desde la novela policiaca, con un inolvidable Pepe Carvalho, hasta ensayos sobre fútbol, libros sobre gastronomía y artículos periodísticos. Vázquez Montalbán, además, escribía versos y se sentía muy orgulloso de esta faceta, aunque sea probablemente la menos conocida de su carrera. En Praga encontramos algunos de sus versos más representativos, breves estrofas, de estilo costumbrista, que son el resultado de su compromiso con su época y el reflejo de su vida cotidiana. «o acaso no sea Praga una ciudad una sinfonía ni la Historia ni una vida ni este libro acaso sea simplemente una metáfora.»
Pragmatism and Poetic Agency: The Persistence of Humanism (Routledge Research in American Literature and Culture)
by Ulf SchulenbergPragmatism is a humanist philosophy. In spite of the much-debated renaissance of pragmatism, however, a detailed discussion of the relationship between pragmatism and humanism is still a desideratum. It is difficult to understand the complexity of pragmatism without considering the significance of humanism. At least since the 1970s, humanism, mostly in its liberal version, has been vehemently attacked and criticized. In pragmatism, however, a particular understanding of humanism has persisted. Bringing literary studies, philosophy, and intellectual history together and establishing a transatlantic theoretical dialogue, Pragmatism and Poetic Agency endeavors to elucidate this persistence of humanism. Schulenberg continues the thought-provoking argument he developed in his previous two monographs by advancing the idea that one can only grasp the unique contemporary significance of pragmatism when one realizes how pragmatism, humanism, anti-authoritarianism, and postmetaphysics are interlinked. If one appreciates the implications and consequences of this link, then one is in a position to see pragmatism’s antifoundationalist and antirepresentationalist story of progress and emancipation as continuing the project of the Enlightenment.
Praha
by E. D. Blodgett Marzia Paton Robert KessnerPrompted by renowned poet E.D. Blodgett's deep love for and intimate experience of Prague, Praha is a poetic homage to the legendary city's vital spirit. As they build on one another, the poems in the collection lift the reader over the threshold of purely mythic understanding and into the heart of one of Europe's loveliest and most venerable cities. Each poem is accompanied by a translation into Czech, encouraging even those who do not know the language to immerse themselves in its sound. Superbly complemented by the mysteriously eloquent paintings of Czech artist Robert Kessner, Praha offers the moods of Prague in its many seasons and in all its magic.
Praise in Which I Live and Move and Have my Being
by Paul DurcanPaul Durcan's twenty-second collection finds Monsieur le Poète on the road in Paris, New York City, Chicago, Brisbane, and Achill Island, meditating upon the sanctuary of home and what it means to feel truly at home. Regarded by many as the great poet of contemporary Ireland, Durcan is on top form here as he contemplates the fall of the Celtic Tiger, while railing against bankers and 'bonus boys'. There are poems of love lost and won, and poems in memory of friends and relatives who have passed on, but there is also joy to be found in the birth of a grandson, and there is praise, too, for the modest heroism of truckers, air traffic controllers and nurses, those 'slim, sturdy, buxom nourishers' of fallen mankind. If for Sartre 'hell is other people', for Durcan 'heaven is other people, especially women'.
Praises & Offenses: Three Women Poets from the Dominican Republic (Lannan Translations Selection Series)
by Aída Cartagena Portalatin Angela Hernández Núñez Ylonka Nacidit-PerdomoAs tropical as it is topical, this landmark anthology gives voice to three powerful women poets from the Dominican Republic. Together they present a wide array of linguistic and stylistic elements, and they address shared political and cultural issues that illuminate what it means to be a woman in the modern-day Dominican Republic. Translator Judith Kerman, who began the anthology as a Senior Fulbright Scholar, notes that "contemporary women poets from the Dominican Republic are the most underserved group when it comes to English-language translations." This anthology remedies that omission with poetry that is smart, edgy, and groundbreaking.
Praising the Paradox: Poems
by Tina SchumannA collection of poetry with &“resilience throughout and an awareness of the common world that both comforts and devastates&” (Dorianne Laux, award-winning author of Only As the Day Is Long). From Tina Schumann, recipient of the American Poet Prize from The American Poetry Journal and a Pushcart Prize nominee, comes a full collection of fifty-six poems reflecting on the concept of self, loss, fragility, and the constructs we must create in order to face the transient nature of life. Praising the Paradox was named a finalist in the National Poetry Series, The New Issues Poetry Prize, The Four Way Books Intro Prize, and others. It was also listed as a &“remarkable work&” in the Tupelo Press open submission period. &“A rich guidebook for a life—a grand companion. These deeply satisfying poems, with their lush images and fluid sound movements, unfold in elegance, settling the spirit. In every stanza, Schumann&’s honest voice feels compelling and humble . . . Nothing forced, nothing labored. What a treat.&” —Naomi Shihab Nye, author of The Tiny Journalist &“Tina Schumann&’s stunning new collection is extraordinary in its intelligence. She has organized her poems by locating the innumerable paradoxes in our lives, in our minds, in the world. Her book is brilliantly unique and, I dare say, unrepeatable; she owns this territory. And what is so important about a paradox? The answer is that paradox is what the world is made of. The other (necessary) ingredient here is feeling. Praising the Paradox will make you feel, think, and reflect. Schumann&’s lines will resonate in your heart. They will resonate in mine forever.&” —Kelly Cherry, author of Observing the Invisible
Pre-Faces
by Jerome RothenbergPre-Faces is a statement of aesthetic theory by Jerome Rothenberg, a literary critic. Rothenberg discusses the goals of oral poetry and applies his theories to a selection of pieces.
Pre-Raphaelite Poetry: An Anthology (Dover Thrift Editions: Poetry)
by Dover Thrift EditionsThis outstanding anthology presents the most inspired verse of the the Pre-Raphaelite movement — a treasury of poems that resounds with a lush musicality of language. The poetry of Dante Gabriel Rossetti crowns this collection: highlights include "The Blessed Damozel," "My Sister's Sleep," and selections from The House of Life. Christina Rossetti is amply represented by "Remember," "Cousin Kate," "Song," "The Convent Threshold," and other memorable poems. Algernon Charles Swinburne's "The Garden of Proserpine" and William Morris' "The Haystack in the Floods" appear here, along with George Meredith's "Lucifer by Starlight" and selections from Modern Love.