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Renglones cortos: Tiempo
by Angustias de las Cuevas«Un canto a la nostalgia por lo que pudo ser y se quedó en simples sueños, la idealización por lo que puede llegar a ser, el inconformismo ante la pérdida de los sentimientos románticos. Esa postura en la que se encuentran todos los que están situados en la curva de la existencia justo cuando comienza el descenso.» Renglones cortos está compuesto por cincuenta y dos poemas, donde el tiempo marca las directrices en su desarrollo. Estos renglones cortos nacen de una forma espontánea, guiados por los sentimientos más básicos del ser humano, la de vivir no solo existiendo, sino sintiendo en cada entresijo del alma. Y se consiguen a través de un lenguaje descifrable, donde la figura retórica de la perífrasis se hace evidente, como fórmula para estimular el pensamiento y lograr idealizarlo a través de un conjunto de palabras necesarias para designar unos sentimientos. En definitiva se trata de emocionar a través de las palabras, de sentir a través de ellas, de reflexionar ante el factor determinante que es el transcurrir el tiempo. «Siempre en un inmenso placer leerte, termino cada lectura y en mi mente corren manantiales y brisas de tiempos que no volverán, pero esta estrofa me mata y me transforma:¡Déjenme llorar mis sueños! ¡Déjeme consumir mis restos en el viejo hontanar de mis recuerdos! ¡Déjeme descansar a solas! Porque son otros tientos ahora los que rescataran mis cenizas!!!...»Enrique Caldas
Repair (Boston Review / Forum)
by Ed Pavlić Ivelisse RodriguezHow we can recover from terrible ruptures, the pandemic, toxic politics, racist horrors, class warfare, gendered violence, and ecological brinksmanship.Individually and collectively, we bear deep wounds. Some of these are generations old; all have been worsened by a destructive period of pyrrhic politics that left us ill-equipped to respond to a global health catastrophe. As we struggle to recover our footing and grieve our dead, Boston Review believes that the arts must have a voice in the conversation about how we heal. In this new anthology of poetry, fiction, and essays from renowned writers and newcomers, writers explore whether and how we can repair terrible ruptures, life-threatening illnesses and the pandemic, toxic politics, racist horrors, class warfare, gendered violence, and ecological brinksmanship. ContributorsAriella Aisha Azoulay, Kemi Alabi, Donia Elizabeth Allen, Don Mee Choi, Adebe DeRango-Adem, Emma Dries, Farah Jasmine Griffin, Randall Horton, Savonna Johnson, Kim Hyesoon, Maya Marshall, Colleen Murphy, Simone Person, aureleo sans, Bishakh Som, Olúfmi O. Táíwò, Meredith Talusan, Brian Teare, Yiru Zhang
Repair: Poems
by C. K. WilliamsRepair is body work in C. K. Williams's sensual poems, but it is also an imaginative treatment of the consternations that interrupt life's easy narrative. National Book Critics Circle Award-winner Williams keeps the self in repair despite love, death, social disorder, and the secrets that separate and join intimates. These forty poems experiment with form but maintain what Alan Williamson has heralded Williams for having so steadily developed from French influences: "the poetry of the sentence".<P><P> Pulitzer Prize Winner
Repast: Tea, Lunch, and Cocktails
by D. A. PowellD. A. Powell's first three groundbreaking booksPublished together for the first time, D. A. Powell's landmark trilogy of Tea, Lunch, and Cocktails make up a three-course Divine Comedy for our day. With a new introduction by novelist David Leavitt, Repast presents a major achievement in contemporary poetry.
Report to the Department of the Interior: Poems (Mary Burritt Christiansen Poetry Series)
by Diane GlancyConstructed as a series of reports to the Department of the Interior, these poems of grief, anger, defiance, and resistance focus on the oppressive educational system adopted by Indian boarding schools and the struggle Native Americans experienced to retain and honor traditional ways of life and culture.
Representations of Loss in Irish Literature (New Directions in Irish and Irish American Literature)
by Eugene O'Brien Deirdre FlynnThis is the first book on Irish literature to focus on the theme of loss, and how it is represented in Irish writing. It focuses on how literature is ideally suited to expressions and understanding of the nature of loss, given its ability to access and express emotions, sensations, feelings, and the visceral and haptic areas of experience. Dealing with feelings and with sensations, poems, novels and drama can allow for cathartic expressions of these emotions, as well as for a fuller understanding of what is involved in loss across all situations. The main notion of loss being dealt with is that of death, but feelings of loss in the wake of immigration and of the loss of certainties that defined notions of identity are also analysed. This volume will be of interest to scholars, students and researchers in Irish Studies, loss, memory, trauma, death, and cultural studies.
Representative French Poetry (Second Edition)
by Victor E GrahamThe making of a reasonably comprehensive anthology which is intended to do more than reflect the personal literary tastes of the anthologists is not an easy task, but is certainly an exciting and challenging one. It is important, of course, if it is to have coherence and validity, that its audience be reasonably well defined and kept in mind as the selection proceeds. The anthology offered by Professor Graham has been prepared carefully to meet the needs of students reading French poetry while in the early years of their university course. It does not attempt to be a bulky sample of the whole field of French poetry but rather to be a judicious selection of the works of poets who may be described as typical of the best in their age. From each of them have been included some well-known selections which students must always meet and also some less well known which are nevertheless equal in quality and whose relative unfamiliarity may give them a special appeal to instructors. A particularly interesting and valuable feature of the anthology is that the editor has in a good many cases chosen poems on similar themes from different authors, and students will thus be able to compare styles of different centuries and different poets as applied to certain specific subjects. (For example, the selection includes Deschamps' "Balade" on "Renart et le Corbaut" and La Fontaine's "Le Corbeau et le Renard'; Lamartine's and also Leconte de Lisle's "Le Lac.")
Requeening: Poems
by Amanda MooreA collection of poetry from the 2020 winner of the National Poetry Series, selected by Ocean VuongEngaging the matriarchal structure of the beehive, Amanda Moore explores the various roles a woman plays in the family, the home, and the world at large. Beyond the productivity and excess, the sweetness and sting, Requeening brings together poems of motherhood and daughterhood, an evolving relationship of care and tending, responsibility and joy, dependence and deep love.The poems that anchor this collection don’t shy away from the inevitability of a hive’s collapse and consider the succession of “requeening” a hive as “a new heart ready to be fed and broken and fed again.” The collapse is both physical—there are poems of illness and recovery—and emotional, as the mother-daughter relationship shifts, the daughter becoming separate, whole, and poised to displace. The liminal spaces these poems traverse in human relationships is echoed in a range of poetic and hybrid form, offering freedom and stricture as they contemplate the way we hold one another in love and grief.Requeening is a vivid and surprising collection of poems from a winner of the National Poetry Series Open Competition.
Requiem: & Other Poems
by Aharon ShabtaiPart kaddish, part lament, and a powerful call for peace, Requiem and Other Poems cries out for an end to unspeakable violence Part kaddish, part lament, and a powerful call for stocktaking and peace, Requiem cries out for an end to carnage and slaughter: "The horror / the calamity / the disgrace, / the rubble of folly / and religion's stupidities, / the dimness of vision / and violence of despair / won't be repaired by an officer, / a bomb or a plane, / and not by still more blood. / Only wisdom of the heart could mend it... / only the gardeners of peace."Long one of the most outspoken Israeli critics of his government's treatment of the Palestinians, Aharon Shabtai is widely viewed as "the most important Hebrew poet of his generation" (The Boston Globe).
Residence on Earth
by Pablo Neruda Jim Harrison Donald D. WalshNew Directions celebrates the Pablo Neruda Centennial. In celebration of the 100th anniversary of Pablo Neruda's birth, New Directions is pleased to announce the reissue of a classic work in a timeless translation by Donald D. Walsh and fully bilingual. Residence on Earth is perhaps Neruda's greatest work. Upon its publication in 1973, this bilingual publication instantly became "a revolution... a classic by which masterpieces are judged" (Review). "In Residence on Earth," wrote Amado Alonso, "the tornado of fury will no longer pass without lingering, because it will be identified with [Neruda's] heart."
Resident Alien: On Border-crossing And The Undocumented Divine
by Mohammed Kazim AliKazim Ali uses a range of subjects--the politics of checkpoints at international borders; difficulties in translation; collaborations between poets and choreographers; and connections between poetry and landscape, or between biotechnology and the human body--to situate the individual human body into a larger global context, with all of its political and social implications. He finds in the quality of ecstatic utterance his passport to regions where reason and logic fail and the only knowledge is instinctual, in physical existence and breath. This collection includes Ali's essays on topics such as Anne Carson's translations of Euripides; the poetry and politics of Mahmoud Darwish; Josey Foo's poetry/dance collaborations with choreographer Leah Stein; Olga Broumas' collaboration with T. Begley; Jorie Graham's complication of Kenneth Goldsmith's theories; the postmodern spirituality of the 14th century Kashmiri mystic poet Lalla; translations of Homer, Mandelstam, Sappho, and Hafez; as well as the poet Reetika Vazirani's practice of yoga. "Ali has a vibrant and generous personality that lets one hear the inner music that makes us remember what it is to be human. " --Painted Bride Quarterly
Resin: Poems (Walt Whitman Award of the Academy of American Poets)
by Geri DoranIn poems of quiet force, Geri Doran maps the fragility of human connection and the irreducible fact of grief. From the communal ruptures of Chechnya and Rwanda to the personal dislocations that attend great loss, Resin weighs frailty against responsibility, damage against the desires of the heart. For the poet, a factory fire in late-nineteenth-century Portland becomes a tool for precise knowing: "The phases of wood are a means / of dead reckoning: burn what is built / and gauge your passage / by what is lost." Even in so quotidian an act as the planting of potatoes, Doran's sure, meticulous, and carefully calibrated lines reveal the intensity of our yearnings: "What carried us from year to year was yield: / potatoes in, potatoes out, like rowing." Variously plaintive, passionate, intuitive, and serious, the voice in Resin tells how the natural world, in both its wildness and regularity, expresses and mediates human longing.You entered me like migraine, leftlike migraine a private vacancy.The darkness outside is great and wild.Blue plums falling from an old treedemand we believe in wildness,fallingness. What's the matter is memory,shrivel and tart. How in this sweetaftermath of everything the mindshould settle on plums (blue plums!)is one of the mysteries. That Godand my window-blinds should conspireto refract the light to look like plums.Out in the wild nothing. -- from "Blue Plums"
Resistance to Science in Contemporary American Poetry (Routledge Interdisciplinary Perspectives on Literature)
by Bryan WalpertThis book examines types of resistance in contemporary poetry to the authority of scientific knowledge, tracing the source of these resistances to both their literary precedents and the scientific zeitgeists that helped to produce them. Walpert argues that contemporary poetry offers a palimpsest of resistance, using as case studies the poets Alison Hawthorne Deming, Pattiann Rogers, Albert Goldbarth, and Joan Retallack to trace the recapitulation of romantic arguments (inherited from Keats, Shelly, and Coleridge, which in turn were produced in part in response to Newtonian physics), modernist arguments (inherited from Eliot and Pound, arguments influenced in part by relativity and quantum theory), and postmodernist arguments (arguments informed by post-structuralist theory, e.g. Barthes, Derrida, Foucault, with affinities to arguments for the limitations of science in the philosophy, sociology, and rhetoric of science). Some of these poems reveal the discursive ideologies of scientific language—reveal, in other words, the performativity of scientific language. In doing so, these poems themselves can also be read as performative acts and, therefore, as forms of intervention rather than representation. Reading Retallack alongside science studies scholar Karen Barad, the book concludes by proposing that viewing knowledge as a form of intervention, rather than representation, offers a bridge between contemporary poetry and science.
Resistance, Rebellion, Life: 50 Poems Now
by Amit MajmudarPoets on the march: 50 crucial poems written in response to the current political climate, selected and introduced by the Ohio Poet Laureate—and son of immigrants—Amit Majmudar. In a political atmosphere where language and even meaning itself are continually under threat, poetry has a critical role to play. And our poets have been responding—in the streets and at their desks, demanding a full accounting from themselves and from their nation. Majmudar's elegant introduction to these vital poems reminds us that "false stories take a lot of killing because they are made of language. Because they are made of language, though, they can be killed." From Solmaz Sharif and Eileen Myles to Kevin Young and Juan Felipe Herrera, American poets of diverse styles and strategies have contributed their truths: scenes from the front lines of resistance, and from the interior of our collective conscience. A final cento by Majmudar—a poem including at least one line or phrase from each of the poems in the volume—celebrates the robust multiplicity of voices in this book and in America now.
Resistencia: Poems of Protest and Revolution
by Mark Eisner and Tina Escaja“To read these poems is to be reminded again and again of our true allegiance to each other.” —from the introduction by Julia Alvarez With a powerful and poignant introduction from Julia Alvarez, Resistencia: Poems of Protest and Revolution is an extraordinary collection, rooted in a strong tradition of protest poetry and voiced by icons of the movement and some of the most exciting writers today. The poets of Resistencia explore feminist, queer, Indigenous, and ecological themes alongside historically prominent protests against imperialism, dictatorships, and economic inequality. Within this momentous collection, poets representing every Latin American country grapple with identity, place, and belonging, resisting easy definitions to render a nuanced and complex portrait of language in rebellion. Included in English translation alongside their original language, the fifty-four poems in Resistencia are a testament to the art of translation as much as the act of resistance. An all-star team of translators, including former US Poet Laureate Juan Felipe Herrera along with young, emerging talent, have made many of the poems available for the first time to an English-speaking audience. Urgent, timely, and absolutely essential, these poems inspire us all to embrace our most fearless selves and unite against all forms of tyranny and oppression.
Respect the Mic: Celebrating 20 Years of Poetry from a Chicagoland High School
by Tyehimba Jess Franny Choi Hanif Abdurraqib Peter Kahn Dan Sully" SullivanAn expansive, moving poetry anthology, representing 20 years of poetry from students and alumni of Chicago's Oak Park River Forest High School Spoken Word Club."Poets I know sometimes joke that the poetry club at Oak Park River Forest High School is the best MFA program in the Chicagoland area. Like all great jokes, this one is dead serious." -Eve L. Ewing, award-winning poet, playwright, scholar, and sociologist For Chicago's Oak Park and River Forest High School's Spoken Word Club, there is one phrase that reigns supreme: Respect the Mic. It's been the club's call to arms since its inception in 1999. As its founder Peter Kahn says, "It's a call of pride and history and tradition and hope." This vivid new collection of poetry and prose -- curated by award-winning and bestselling poets Hanif Abdurraqib, Franny Choi, Peter Kahn, and Dan "Sully" Sullivan -- illuminates just that, uplifting the incredible legacy this community has cultivated. Among the dozens of current students and alumni, Respect the Mic features work by NBA champion Iman Shumpert, National Youth Poet Laureate Kara Jackson, National Youth Poet Laureate Kara Jackson, National Student Poet Natalie Richardson, comedian Langston Kerman, and more.In its pages, you hear the sprawling echoes of students, siblings, lovers, new parents, athletes, entertainers, scientists, and more --all sharing a deep appreciation for the power of storytelling. A celebration of the past, a balm for the present, and a blueprint for the future, Respect the Mic offers a tender, intimate portrait of American life, and conveys how in a world increasingly defined by separation, poetry has the capacity to bind us together.
Resposta Da Musa: Poemas De Michael La Ronn
by Michael La Ronn Mafalda PintoNesta imaginativa coleção de poemas, Michael La Ronn obedece à sua musa e cria coloridas experiências de admirável delicadeza. São destemidos, nada deixam por explorar e não desperdiçam palavras. Esta diversificada coleção está ao nível das obras em prosa de La Ronn, distinguindo-o como um importante poeta da geração do milénio. CONVOCADOS Que luz é esta, que enche o céu suburbano? O que é este verde cintilante que faz a cintura de Órion brilhar num fogo rápido? Porque desce como neblina etérea, roçando as telhas das casas, transformando as janelas em microcosmos esmeralda? Tu não sabes, mas assim que desça sobre ti, vão soltar-se pequenas bolas, a vizinhança vai dançar, cadeados brilhantes vão abrir-se e surpreender toda a gente que dorme. Não sabes porquê, mas sabe bem enquanto pequenos dedos de luz te levantam do chão, te exaltam em direção a uma espiral lenta, nas estrelas. Transbordas de êxtase e dizes finalmente, vieste à colónia de olhos que se juntou à volta da mesa de operações onde foste colocado.
Resquicios de amores perdidos
by Víctor Enríquez Gago¿Necesitas frases bonitas para tus redes sociales? ¡Aquí puedes encontrarlas! Aunque no seas un gran amante de los libros o de la lectura, esta obra puede interesarte. Este librito va dirigido para todas aquellas personas que en algún momento de su vida han sentido y sufrido por amor. Estas poesías pretenden emocionarte y llamar a tus recuerdos. Sentir sea lo que sea nos mantiene vivos.
Rest on the Flight into Egypt
by A. F. MoritzShortlisted for the 2000 Governor General's Award for Poetry From the outskirts of the fevered empire, and the embers that were its heart, Moritz sings us to our selves -- our failures, our cruelties, our stupidities, and beauty which even now astonishes and leaves us breathless. Genuine political poetry is immensely difficult. Moritz succeeds, not because his list of atrocities is longer or more shocking, but because his vision is underwritten -- not whitewashed – by an ecstatic lyricism that knows evanescence is the only enduring truth.
Restoration and Eighteenth-Century Poetry 1660-1780 (Routledge Revivals)
by Eric RothsteinRestoration and Eighteenth-Century Poetry 1660-1780, originally published in 1981, considers poetry written between 1660 and 1780, a period which, although largely recovered from its nineteenth-century reputation, still attracts widely varying critical responses. Abandoning the old labels such as ‘neoclassicism’, ‘romanticism’ and ‘sensibility’, the author focuses on descriptions of genres and their formal elements and traces the broader patterns of literary and historical change running through the period. Eric Rothstein describes different poetic modes- panegyric, satire, pastoral and topographical poetry, the epistle, and the ode- to suggest their aesthetical possibilities as well as their process of change. He also considers style and the uses of the past, topics which have often caused particular problems for the students of the period. What becomes clear is the extraordinary originality, flexibility and power with which Restoration and eighteenth-century poets handles the stylistic assumptions and the body of poems they inherited and employed in their own works.
Restrict: A Poetic Narrative
by Sol RiveraA powerful work of poetic narrative fiction, Restrict is the raw yet resonant story of a teenage girl's coming of age in a world that cares more about her weight than her mental health.Told from the perspective of a young woman who has abandoned her own name to distance herself from the emotional trauma of growing up, Little Girl&’s story is a modern examination of eating disorders, body image, puberty, and self-worth. And as the pressure to diet starts to become too much, the question faced by Little Girl is this: how can she ever experience self-love in a world focused solely on her appearance?Created by teenage author Sol Rivera, Restrict is her powerful and cathartic tale of a struggle shared amongst teenagers. This poetry collection serves as a light on the journey of self-discovery… something which too many have been denied.
Resurrection Songs: The Poetry of Thomas Lovell Beddoes (Routledge Revivals)
by Michael BradshawThis title was first published in 2001. Thomas Lovell Beddoes (1803-49) was a powerful poet of the English Romantic period, who has been and is still strangely neglected by critics. His macabre blank verse dramatic writings and his delicately balanced lyrics have both won ardent admirers such as Browning, Gosse, Pound and Christopher Ricks. Yet there are formal and generic problems in Beddoes's writings which continue to marginalize him as merely an eccentric, and the canon of Romanticism seems to have found no place for him.
Rethinking Art and Visual Culture: The Poetics of Opacity
by Asbjørn Skarsvåg GrønstadThis is the first book to offer a systematic account of the concept of opacity in the aesthetic field. Engaging with works by Ernie Gehr, John Akomfrah, Matt Saunders, David Lynch, Trevor Paglen, Zach Blas, and Low, the study considers the cultural, epistemological, and ethical values of images and sounds that are fuzzy, indeterminate, distorted, degraded, or otherwise indistinct. Rethinking Art and Visual Culture shows how opaque forms of art address problems of mediation, knowledge, and information. It also intervenes in current debates about new systems of visibility and surveillance by explaining how indefinite art provides a critique of the positivist drive behind these regimes. A timely contribution to media theory, cinema studies, American studies, and aesthetics, the book presents a novel and extensive analysis of the politics of transparency.
Rethinking Gaspara Stampa in the Canon of Renaissance Poetry (Women and Gender in the Early Modern World)
by Unn Falkeid Aileen FengDespite the fact that Gaspara Stampa (1523?-1554) has been recognized as one of the greatest and most creative poets and musicians of the Italian Renaissance, scholarship on her work has been surprisingly scarce and uncoordinated. In recent years, critical attention towards her work has increased, but until now there have been no anthologies dedicated solely to Stampa. Rethinking Gaspara Stampa in the Canon of Renaissance Poetry aims to set a foundation for further Stampa studies by accounting for her contributions to literature, music history, gender studies, the history of ideas, philosophy, and other areas of critical thought. This volume brings together an international group of interdisciplinary scholars who employ varied methodologies to explore multiple aspects of Stampa’s work in dialogue with the most recent scholarship in the field. The chapters emphasize the many ways in which Stampa’s poetry engages with multiple cultural movements of early modern Italy and Europe, including: Ficinian and Renaissance Neoplatonism, male-authored writing about women, Longinus’s theory of the sublime, the formation of writing communities, the rediscovery of Aristotle’s writings, and the reimagined relation between human and natural worlds. Taken as a whole, this volume presents a rich introduction to, and interdisciplinary investigation of, Gaspara Stampa’s impact on Renaissance culture.
Rethinking the North American Long Poem: Form, Matter, Experiment (Recencies Series: Research and Recovery in Twentieth-Century American Poetics)
by Ridvan Askin and Julius GreveFor centuries, critics, poets, poet-scholars, and philosophers have either openly proclaimed or tacitly assumed the long poem as the highest expression of literary ambition and excellence. Rethinking the North American Long Poem focuses on the North American variant of this notorious form—notorious because of its often forbidding and difficult character, particularly with respect to the dialectics of content and form, aesthetics and politics, matter and genre. In nine essays and a contextual introduction, the editors and contributors scrutinize seminal long poems by North American writers, including Walt Whitman’s “Song of Myself,” Ezra Pound’s The Cantos, Muriel Rukeyser’s The Book of the Dead, and Charles Olson’s The Maximus Poems. They also explore recent efforts that have redefined or reopened the case of the long poem, including Rachel Blau DuPlessis’s Drafts, M. NourbeSe Philip’s Zong!, and Claudia Rankine’s Citizen. Taking the categories of form, matter, and experiment as frames of conceptual reference, the book examines the ways in which material and immaterial aspects of literary practice and the philosophically and politically inscribed duality of experience and experiment are negotiated in and by North American long poems from the nineteenth century to the present.