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The Orchard: Song And The Orchard (American Poets Continuum #82.00)
by Brigit Pegeen KellyRichly allusive, the poems in Brigit Pegeen Kelly&’s The Orchard evoke elements of myth in distinctive aural and rhythmic patterns. Her poetic strength lies in her ability to cast poems as modern myths and allegories. Propelled by patterned repetitions and lush cadences, the poems move the reader through a landscape where waking and dream consciousness fuse.Brigit Pegeen Kelly teaches creative writing at the University of Illinois at Urbana-Champaign. Her poetry collections are Song (BOA Editions), the 1994 Lamont Poetry Selection of The Academy of American Poets and a finalist for the 1995 Los Angeles Times Book Award, and To the Place of Trumpets, selected by James Merrill for the 1987 Yale Series of Younger Poets Prize.
The Orchard
by Brigit Pegeen KellyRichly allusive, the poems in Brigit Pegeen Kelly's The Orchard evoke elements of myth in distinctive aural and rhythmic patterns. Her poetic strength lies in her ability to cast poems as modern myths and allegories. Propelled by patterned repetitions and lush cadences, the poems move the reader through a landscape where waking and dream consciousness fuse.Brigit Pegeen Kelly teaches creative writing at the University of Illinois at Urbana-Champaign. Her poetry collections are Song (BOA Editions), the 1994 Lamont Poetry Selection of The Academy of American Poets and a finalist for the 1995 Los Angeles Times Book Award, and To the Place of Trumpets, selected by James Merrill for the 1987 Yale Series of Younger Poets Prize.
Orchard Stories, Rhymes and Fun for the Very Young
by Margaret MayoEnjoy story time together with this colourful collection of favourite rhymes, lively short stories and original poems.Bursting with rhythm, sound, colour and fun, there's something new to discover on each page, from lively short stories to bouncy rhymes and poems. Created by Margaret Mayo, a much-loved storyteller for the very young, it contains family favourites, such as Five Little Ducks and Speckledy Hen Bakes a Cake; as well as her own fun twists on traditional stories and rhymes, including This Little Piggy and The Enormous Turnip. With bright bold artwork from over twenty leading children's illustrators - including the best-selling Lydia Monks, Lauren Child and Tony Ross - this fun-packed nursery collection is a book for every family, to be loved, shared and treasured.
The Orchestra of Wind Chimes (Made in Michigan Writers Series)
by Geoffrey JacquesThis powerful collection of poems draws on American and African- American experimental lyric traditions, pushing language and form to their limits. Geoffrey Jacques’s poetry inspires deep thought, taking up themes of music, psychology, and literature. This work embodies the potential of poetry to forge new connections between aesthetic expression and the often onerous facts of human existence. Poems such as "Still Life" and "Detour Ahead" produce a juxtaposition of inspired poetic form and rich, complex realities of life, addressing topics of joy and love, race, class, politics, and the aesthetics of the everyday. With a contemporary and sophisticated tenor, Jacques lends his uniquely moving and provocative perspective to advancing discourse in these critical topics. For all of the social themes they address, these poems equally serve to investigate modes of producing poetry in general. "Ars Poetica," "The Problem of Speech Genres," "The Subject of the Poem," and many others directly challenge traditional notions of form through intentional and intricate reflexive commentary. Through these poems, Jacques has achieved a balance between form and function, allowing readers to embark on a rhythmic journey of expression, language, and human existence.
The Ordering of Love: The New and Collected Poems of Madeleine L'Engle
by Madeleine L'EnglePraise for The Ordering of LoveBy Madeleine L'Engle"In a brilliant marriage of myth and manner, histories sacred and profane, prayers of petition and of praise, these poems both articulate and illumine the trouble in the gap in which we live-the gap between human affections and Divine Love. L'Engle is unfailing in her willingness to see through-not around-human suffering, and in so doing announces no final severing of spirit and flesh but an enduring vision of resurrection in that crux, in the cross, in the One in Whom all things meet, continuing." -Scott Cairns, author of Slow Pilgrim and Philokalia: New and Selected Poems"I love L'Engle's poetry for the way it incarnates not only the great Truths of the faith, but all the little truths of our ordinary existence-our working and playing and loving and fighting and dreaming and idling and all the rest of it-and for the way it shows us that those big and little truths should not, cannot, be separated."-Carolyn Arends, recording artist and author"Why is L'Engle one of the defining poets of our time? Because when life hurts, she does not shrink from the wounds. She clarifies the murk with hope as we feel the lift of grace."-Calvin Miller, Beeson Divinity SchoolBirmingham, Alabama"We are, all of us, the richer for this carefully crafted and prayerfully rendered collection."-Phyllis Tickle, Author, The Divine Hours"Poetry, at least the kind I write, is written out of immediate need; it is written out of pain, joy, and experience too great to be borne until it is ordered into words. And then it is written to be shared."-Madeleine L'EngleMadeleine L'Engle's writing has always translated the invisible and intricate qualities of love into the patterns and rhythms of visible life. Now, with compelling language and open-hearted vulnerability, The Ordering of Love brings together the exhaustive collection of L'Engle's poetry for the first time. This volume collects nearly 200 of L'Engle's original poems, including eighteen that have never before been published. Reflecting on themes of love, loss, faith, and beauty, The Ordering of Love gives vivid and compelling insight into the language of the heart.From the Hardcover edition.
The Ordering of Love: The New and Collected Poems of Madeleine L'Engle
by Madeleine L'Engle"In a brilliant marriage of myth and manner, histories sacred and profane, prayers of petition and of praise, these poems both articulate and illumine the trouble in the gap in which we live--the gap between human affections and Divine Love. L'Engle is unfailing in her willingness to see through--not around--human suffering, and in so doing announces no final severing of spirit and flesh but an enduring vision of resurrection in that crux, in the cross, in the One in Whom all things meet, continuing." -Scott Cairns, author of Slow Pilgrim and Philokalia: New and Selected Poems. "I love L'Engle's poetry for the way it incarnates not only the great Truths of the faith, but all the little truths of our ordinary existence--our working and playing and loving and fighting and dreaming and idling and all the rest of it--and for the way it shows us that those big and little truths should not, cannot, be separated." -Carolyn Arends, recording artist and author. "Why is L'Engle one of the defining poets of our time? Because when life hurts, she does not shrink from the wounds. She clarifies the murk with hope as we feel the lift of grace." -Calvin Miller, Beeson Divinity School Birmingham, Alabama. "We are, all of us, the richer for this carefully crafted and prayerfully rendered collection." -Phyllis Tickle, Author, The Divine Hours. "Poetry, at least the kind I write, is written out of immediate need; it is written out of pain, joy, and experience too great to be borne until it is ordered into words. And then it is written to be shared." -Madeleine L'Engle. Madeleine L'Engle's writing has always translated the invisible and intricate qualities of love into the patterns and rhythms of visible life. Now, with compelling language and open-hearted vulnerability, The Ordering of Love brings together the exhaustive collection of L'Engle's poetry for the first time. This volume collects nearly 200 of L'Engle's original poems, including eighteen that have never before been published. Reflecting on themes of love, loss, faith, and beauty, The Ordering of Love gives vivid and compelling insight into the language of the heart.
Ordering the Storm: How to Put Together a Book of Poems
by Susan Grimm Robert Miltner Liz Rosenberg Amy Bracken Sparks Carolyne Wright Maggie Anderson Philip Brady Wanda Coleman Beckian Fritz Goldberg Jeff Gundy Bonnie Jacobson Karen KovacikExperienced writers and beginners alike will find inspiration and encouragement in the words of exceptional poets such as Maggie Anderson, Wanda Coleman, and Beckian Fritz Goldberg. This book should be required reading for all graduate student poets, even those who are still in the process of writing their first collection, because it includes essential information on poetic sequencing and useful strategies for examining a manuscript's possibilities. One of the most exciting aspects of the book is the sense of community that readers feel upon exploring each essay. ORDERING THE STORM transforms the task of arranging poems from a solitary undertaking to a collaborative adventure.
Ordinary Beast
by Nicole Sealey<P><b>ONE OF PUBLISHERS WEEKLY'S TOP 10 POETRY BOOKS OF FALL 2017</b> <br><b>NPR'S MOST ANTICIPATED POETRY BOOKS OF 2017</b> <P>A striking, full-length debut collection from Virgin Islands-born poet Nicole SealeyThe existential magnitude, deep intellect, and playful subversion of St. Thomas-born, Florida-raised poet Nicole Sealey’s work is restless in its empathic, succinct examination and lucid awareness of what it means to be human. <P>The ranging scope of inquiry undertaken in Ordinary Beast—at times philosophical, emotional, and experiential—is evident in each thrilling twist of image by the poet. In brilliant, often ironic lines that move from meditation to matter of fact in a single beat, Sealey’s voice is always awake to the natural world, to the pain and punishment of existence, to the origins and demises of humanity. Exploring notions of race, sexuality, gender, myth, history, and embodiment with profound understanding, Sealey’s is a poetry that refuses to turn a blind eye or deny. It is a poetry of daunting knowledge.
Ordinary Hazards: A Memoir
by Nikki GrimesNikki Grimes discovered the power of writing at the tender age of six, when, alone in her room, she poured her fears, anger, and tears onto a piece of paper--and felt sweet relief. Words and faith were her most enduring companions as life flung her headlong from one harrowing experience to the next through her childhood and teenage years. Words, spilled into notebook after notebook, kept her moving forward. Words turned what might have been into what could be. In the course of this remarkable memoir in verse, Nikki Grimes shows how grace, wisdom, and the power of words can help a brave soul conquer the hazards--ordinary and extraordinary--of life. NIKKI GRIMES received the 2017 Children's Literature Legacy Award for substantial and lasting contributions to literature for children. Her books include the Coretta Scott King Author Honor Award-winning Words with Wings; the Boston Globe-Horn Book Honor Book One Last Word; the groundbreaking best seller Bronx Masquerade; and Garvey's Choice. She lives in Corona, California.
Ordinary Hazards: A Memoir
by Nikki GrimmesA Michael L. Printz Honor BookA Robert F. Sibert Informational Honor BookArnold Adoff Poetry Award for TeensSix Starred Reviews -- ★Booklist ★BCCB ★The Horn Book ★Publishers Weekly ★School Library Connection ★Shelf AwarenessA Booklist Best Book for Youth * A BCCB Blue Ribbon * A Horn Book Fanfare Book * A Shelf Awareness Best Children's Book * Recommended on NPR's "Morning Edition" by Kwame Alexander"This powerful story, told with the music of poetry and the blade of truth, will help your heart grow."--Laurie Halse Anderson, author of Speak and Shout"[A] testimony and a triumph."--Jason Reynolds, author of Long Way DownIn her own voice, acclaimed author and poet Nikki Grimes explores the truth of a harrowing childhood in a compelling and moving memoir in verse.Growing up with a mother suffering from paranoid schizophrenia and a mostly absent father, Nikki Grimes found herself terrorized by babysitters, shunted from foster family to foster family, and preyed upon by those she trusted. At the age of six, she poured her pain onto a piece of paper late one night - and discovered the magic and impact of writing. For many years, Nikki's notebooks were her most enduing companions. In this accessible and inspiring memoir that will resonate with young readers and adults alike, Nikki shows how the power of those words helped her conquer the hazards - ordinary and extraordinary - of her life.
Ordinary Hours
by Karen EnnsIn Ordinary Hours, the follow-up to Karen Enns' Gerald Lampert Award-nominated first collection, That Other Beauty, we revisit Enns' rural Mennonite childhood, replete with the sensuousness of "diesel fuel" and "hot peaches." Enns also explores the Mennonite exodus from Russia, tracking its faint but unmistakable reverberations in the daily lives of its survivors and revealing the redemptive character of that dailiness. Reading an Enns poem feels effortless: her rhythms and phrasing are so minutely calibrated that the poem unfolds as if of its own accord.
An Ordinary Life: Poems
by B. H. FairchildA poet whose work is “a cause of celebration” (John Freeman, Boston Globe) reveals the extraordinary within the ordinary. In this stirring volume, award-winning poet B. H. Fairchild seeks the ironic, haunting presence imbuing each ordinary life with beauty, power, and meaning. By turns polyphonic and deeply personal, these poems range from Kansas highways and sunbaked baseball fields to secondhand memories of a World War II foxhole. They zoom in on a welder’s truck, a Walmart on Black Friday, and a record store, where a chance encounter offers radiant kindness in the face of grief. In a suite of prose poems written in the returning persona of the machinist and philosopher Roy Eldridge Garcia, “a watcher of things,” Fairchild finds sacred meaning in domestic scenes and expansive imagined narratives. Throughout, the poet evokes the brutal beauty of the American heartland, a morning’s “sheet-metal sky” and a grandfather’s farm, with its “dusty creek, damp / only when the winter wheat was bogged / in snow.” Elevating blue-collar work and scenes from small towns in clear-eyed, reverent poetry, Fairchild proves himself once again “the American voice at its best: confident and conflicted, celebratory and melancholic” (New York Times).
Ordinary Psalms (Barataria Poetry)
by Julia B. LevineStruggling to accept her impending blindness, the speaker in Julia B. Levine’s fifth collection of poetry, Ordinary Psalms, asks everyday life to help her learn how to see beyond appearances into fundamental truths. As she contemplates the loss of one friend to cancer and another to suicide, along with her own visual impairment, Levine holds the world “close as I needed / to see.” Imagistic, lyrical, and at times imploring divine intervention from a god she does not know or trust, these poems curse and praise the extraordinary place we live in and are in danger of losing. Lamenting that “this world is a mortal affliction / with wounds in the beautiful,” Ordinary Psalms provides a seductive and lyric rumination on radiance, loss, and grief.
Organs of Little Importance (Penguin Poets)
by Adrienne Chung&“Organs of Little Importance is a riotous feat...Ferocious. Funny. Deeply intelligent. Adrienne Chung leaves a charred wake.&” —Solmaz Sharif, author of Customs and LookFrom National Poetry Series winner Adrienne Chung, a debut poetry collection about psychology, love, and memoryTaking its title from Darwin&’s On the Origin of Species, Adrienne Chung&’s debut collection asks why we cling so dearly to the vestigial parts of our psychologies—residues of first impressions, thought spirals to nowhere, memories that persist despite outliving their usefulness. The speaker in these poems tries to wear more color, indulges in Y2K nostalgia and falls in and out of love; a Jungian psychoanalyst has a field day with her dreams. While Darwin was perplexed and ultimately dismissive of these seemingly useless body parts, Organs of Little Importance reframes and repositions the apparent uselessness of our compulsions, superstitions, errant thoughts, and other selves. In diptychs and ghazals, sonnets and lullabies, Chung collects and preserves pieces of psychological debris as one would care for precious heirlooms, revealing their surprising potential to become sites of meaning and connection.
Orient
by Gillian Wigmoreorient is the third collection from one of Western Canada's most accomplished poets. Composed mainly of three long poems—an extended meditation on the connection between man and fish, the lament of a big-souled cowboy poet looking up from rock bottom, and a historical envisioning of an intimate relationship between a pioneer and a powerful crone—orient leaps, sings, burrows down, and orients the reader within its rich ecosystem. The appeal of these poems lies partly in their blend of humility (the open-minded approach), in their force (the taut style, the original vision) and in an astonishing boldness. Wigmore is a "poet of place"; in the best sense: "about the big picture."
The Orient and the Young Romantics
by Andrew WarrenThrough close readings of major poems, this book examines why the second-generation Romantic poets - Byron, Shelley, and Keats - stage so much of their poetry in Eastern or Orientalized settings. It argues that they do so not only to interrogate their own imaginations, but also as a way of criticizing Europe's growing imperialism. For them the Orient is a projection of Europe's own fears and desires. It is therefore a charged setting in which to explore and contest the limits of the age's aesthetics, politics and culture. Being nearly always self-conscious and ironic, the poets' treatment of the Orient becomes itself a twinned criticism of 'Romantic' egotism and the Orientalism practised by earlier generations. The book goes further to claim that poems like Shelley's Revolt of Islam, Byron's 'Eastern' Tales, or even Keats's Lamia anticipate key issues at stake in postcolonial studies more generally.
The Orient of Style: Modernist Allegories of Conversion
by Beryl SchlossmanIn this study of modernist aesthetics, Beryl Schlossman reveals how for such writers as Marcel Proust, Gustave Flaubert, and Charles Baudelaire, the Orient came to symbolize the highest aspirations of literary representation. She demonstrates that through allegory, modernism became a style itself, a style that married the ancient and the modern and that emerged as both a cause and an effect, both an ideal construct and an textual materiality, all symbolized by the Orient--land of style, place of plurality, and site of the coexistence of holy lands. Toward the end of Remembrance of Things Past, the narrator describes the act of creating a work of art as a conversion of sensation into a spiritual equivalent. By means of such allegories of "conversion," Schlossman shows, the modernist artist disappeared within the work of art and left behind the trace of his sublime vocation, a vocation in which he was transformed, in Schlossman's words, "into a kind of priest kneeling at the altar of beauty before the masked divinity of representation. " The author shows how allegory--the representation of the symbolic as something real--was adapted by modernist writers to reflect subjectivity while masking an authorial origin. She reveals how modernist allegory arose, as Walter Benjamin suggests, at the crossroads of history, sociology, economics, urban architecture, and art--providing a kind of map of capitalism--and was produced through the eyes of a melancholic gazing at a "monument of absence. "
Orient Point: Poems
by Julie Sheehan"Tender, sassy, quietly observant, deeply cutting ... a collection bursting with verbal and existential exuberance."--Billy Collins Julie Sheehan draws from nature guides and self-help books, weaves legal argot and street slang, and fills her work with "muscle, size, shadows, and nuance" (Linda Gregg).
Orientalism and Modernism: The Legacy of China in Pound and Williams
by Zhaoming QianChinese culture held a well-known fascination for modernist poets like Ezra Pound and William Carlos Williams. What is less known but is made fully clear by Zhaoming Qian is the degree to which oriental culture made these poets the modernists they became. This ambitious and illuminating study shows that Orientalism, no less than French symbolism and Italian culture, is a constitutive element of Modernism.Consulting rare and unpublished materials, Qian traces Pound's and Williams's remarkable dialogues with the great Chinese poets--Qu Yuan, Li Bo, Wang Wei, and Bo Juyi--between 1913 and 1923. His investigation reveals that these exchanges contributed more than topical and thematic ideas to the Americans' work and suggests that their progressively modernist style is directly linked to a steadily growing contact and affinity for similar Chinese styles. He demonstrates, for example, how such influences as the ethics of pictorial representation, the style of ellipsis, allusion, and juxtaposition, and the Taoist/Zen-Buddhist notion of nonbeing/being made their way into Pound's pre-Fenollosan Chinese adaptations, Cathay, Lustra, and the Early Cantos, as well as Williams's Sour Grapes and Spring and All. Developing a new interpretation of important work by Pound and Williams, Orientalism and Modernism fills a significant gap in accounts of American Modernism, which can be seen here for the first time in its truly multicultural character.
Origami Bridges: Poems of Psychoanalysis and Fire
by Diane AckermanIn a prefatory note to this collection of poems, Diane Ackerman tells us that her goal in this book was "to corral the unruly emotions that arose during intense psychotherapy."
An Origin Like Water: Collected Poems 1957-1987
by Eavan Boland"Readers of this work will recognize and relish the way this collection charts a life's course."--Publishers Weekly Here, from one of our major poets, is the collected early work that has been long unavailable in this country. Included in this volume is the work from Eavan Boland's five early volumes of poetry: New Territory, The War Horse, In Her Own Image, Night Feed, and The Journey. The poems from Boland's first book, New Territory, show her to be, at twenty-two, a master of formal verse reflecting Irish history and myth. This collection charts the ways in which Boland's work breaks from poetic tradition, honors it, and reinvents it. Poems like "Anorexic," "Mastectomy," and "Witching" have an intensity reminiscent of Sylvia Plath and Anne Sexton. In later poems, her subjects become more personal, sequencing Boland's life as a woman, poet, and mother. Boland writes, "I grew to understand the Irish poetic tradition only when I went into exile with it," becoming, in effect, "a displaced person / in a pastoral chaos." This collection demonstrates how Boland's mature voice developed from the poetics of inner exile into a subtle, flexible idiom uniquely her own.
The Origin of Sin
by Prudentius Martha A. MalamudAurelius Prudentius Clemens (348–ca. 406) is one of the great Christian Latin writers of late antiquity. Born in northeastern Spain during an era of momentous change for both the Empire and the Christian religion, he was well educated, well connected, and a successful member of the late Roman elite, a man fully engaged with the politics and culture of his times. Prudentius wrote poetry that was deeply influenced by classical writers and in the process he revived the ethical, historical, and political functions of poetry. This aspect of his work was especially valued in the Middle Ages by Christian writers who found themselves similarly drawn to the Classical tradition. Prudentius's Hamartigenia, consisting of a 63-line preface followed by 1,290 lines of dactylic hexameter verse, considers the origin of sin in the universe and its consequences, culminating with a vision of judgment day: the damned are condemned to torture, worms, and flames, while the saved return to a heaven filled with delights, one of which is the pleasure of watching the torments of the damned. As Martha A. Malamud shows in the interpretive essay that accompanies her lapidary translation, the first new English translation in more than forty years, Hamartigenia is critical for understanding late antique ideas about sin, justice, gender, violence, and the afterlife. Its radical exploration of and experimentation with language have inspired generations of thinkers and poets since-most notably John Milton, whose Paradise Lost owes much of its conception of language and its strikingly visual imagery to Prudentius's poem.
The Original 1939 Notebook of a Return to the Native Land: Bilingual Edition (Wesleyan Poetry Series)
by James Arnold Clayton Eshleman Aime CesaireAime Cesaire's masterpiece, Notebook of a Return to the Native Land, is a work of immense cultural significance and beauty. This long poem was the beginning of Cesaire's quest for negritude, and it became an anthem of Blacks around the world. Commentary on Cesaire's work has often focused on its Cold War and anti-colonialist rhetoric material that Cesaire only added in 1956. The original 1939 version of the poem, given here in French, and in its first English translation, reveals a work that is both spiritual and cultural in structure, tone, and thrust. This Wesleyan edition includes the original illustrations by Wifredo Lam, and an introduction, notes, and chronology by A. James Arnold.
Original Fire: Selected and New Poems
by Louise ErdrichIn this important new collection, her first in fourteen years, award-winning author Louise Erdrich has selected poems from her two previous books of poetry, Jacklight and Baptism of Desire, and has added nineteen new poems to compose Original Fire.
The Origins of Criticism: Literary Culture and Poetic Theory in Classical Greece
by Andrew FordBy "literary criticism" we usually mean a self-conscious act involving the technical and aesthetic appraisal, by individuals, of autonomous works of art. Aristotle and Plato come to mind. The word "social" does not. Yet, as this book shows, it should--if, that is, we wish to understand where literary criticism as we think of it today came from. Andrew Ford offers a new understanding of the development of criticism, demonstrating that its roots stretch back long before the sophists to public commentary on the performance of songs and poems in the preliterary era of ancient Greece. He pinpoints when and how, later in the Greek tradition than is usually assumed, poetry was studied as a discipline with its own principles and methods. The Origins of Criticism complements the usual, history-of-ideas approach to the topic precisely by treating criticism as a social as well as a theoretical activity. With unprecedented and penetrating detail, Ford considers varying scholarly interpretations of the key texts discussed. Examining Greek discussions of poetry from the late sixth century B.C. through the rise of poetics in the late fourth, he asks when we first can recognize anything like the modern notions of literature as imaginative writing and of literary criticism as a special knowledge of such writing. Serving as a monumental preface to Aristotle's Poetics, this book allows readers to discern the emergence, within the manifold activities that might be called criticism, of the historically specific discourse on poetry that has shaped subsequent Western approaches to literature.