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Risking Everything: 110 Poems of Love and Revelation

by Roger Housden

This luminous anthology of poetry includes voices from across the centuries and around the world who have sung the inner song of the human spirit. Their words reach past the outer divisions of time and culture to the universal currents that move and inspire.

Risking Everything: 110 Poems of Love and Revelation

by Roger Housden

“Listen, are you breathing just a little, and calling it a life?” —Mary OliverThis luminous anthology brings together great poets from around the world whose work transcends culture and time. Their words reach past the outer divisions to the universal currents of love and revelation that move and inspire us all. These poems urge us to wake up and love. They also call on us to relinquish our grip on ideas and opinions that confine us and, instead, to risk moving forward into the life that is truly ours.In his selection, Roger Housden has placed strong emphasis on contemporary voices such as the American poet laureate Billy Collins and the Nobel Prize–winners Czeslaw Milosz and Seamus Heaney, but the collection also includes some timeless echoes of the past in the form of work by masters such as Goethe, Wordsworth, and Emily Dickinson.The tens of thousands of readers of Roger Housden’s “Ten Poems” series will welcome this beautiful harvest of poems that both open the mind and heal the heart.From the Hardcover edition.

Risking Everything: 110 Poems of Love and Revelation

by Roger Housden

“Listen, are you breathing just a little, and calling it a life?” —Mary OliverThis luminous anthology brings together great poets from around the world whose work transcends culture and time. Their words reach past the outer divisions to the universal currents of love and revelation that move and inspire us all. These poems urge us to wake up and love. They also call on us to relinquish our grip on ideas and opinions that confine us and, instead, to risk moving forward into the life that is truly ours.In his selection, Roger Housden has placed strong emphasis on contemporary voices such as the American poet laureate Billy Collins and the Nobel Prize–winners Czeslaw Milosz and Seamus Heaney, but the collection also includes some timeless echoes of the past in the form of work by masters such as Goethe, Wordsworth, and Emily Dickinson.The tens of thousands of readers of Roger Housden’s “Ten Poems” series will welcome this beautiful harvest of poems that both open the mind and heal the heart.From the Hardcover edition.

Ritual Irony: Poetry and Sacrifice in Euripides

by Helene P. Foley

Ritual Irony is a critical study of four problematic later plays of Euripides: the Iphigenia in Aulis, the Phoenissae, the Heracles, and the Bacchae.Examining Euripides' representation of sacrificial ritual against the background of late fifth-century Athens, Helene P. Foley shows that each of these plays confronts directly the difficulty of making an archaic poetic tradition relevant to a democratic society. She explores the important mediating role played by choral poetry and ritual in the plays, asserting that Euripides' sacrificial metaphors and ritual performances link an anachronistic mythic ideal with a world dominated by "chance" or an incomprehensible divinity.Foley utilizes the ideas and methodology of contemporary literary theory and symbolic anthropology, addressing issues central to the emerging dialogue between the two fields. Her conclusions have important implications for the study of Greek tragedy as a whole and for our understanding of Euripides' tragic irony, his conception of religion, and the role of his choral odes.Assuming no specialized knowledge, Ritual Irony is aimed at all readers of Euripidean tragedy. It will prove particularly valuable to students and scholars of classics, comparative literature, and symbolic anthropology.

Ritual and Bit

by Robert Ostrom

Winner of the 2015 Saturnalia Books Poetry Prize, selected by Mary Ruefle! The landscape of Ritual and Bit is littered with the speaker's past: empty 40s, old posters, family lies, and fragmented missives. Internal struggles play out in the detritus of long-ago. Yet even as the speaker attempts to cautiously map his movements, effect a survival, and navigate beyond his past, he faces emotional fissures wrought by the present. Throughout the book, he restlessly searches for ways to regain control of his life, partly through ceremonies, prayers, and devotions, and partly through lyrical force. The danger is palpable among wolves and claws, boxcutter and jackknife. There's both caution here and a willingness to abandon caution if anything or anyone could be reached. The poems ask, what makes a home? What should we expect when we are so determined to live in a world where everything is disappearing? "Trust me, says what you are about to read to your beautiful ear." And I do, I trust these quiet poems of deep loss as they spiral their way in and hold my attention, as they meander the strange stream of their own making, and arrive at that wonderful old unnameable place, poetry's heart. --Mary Ruefle, judge

Ritual de amor: Antología coral de poesía joven

by Cecilia Pavón

Catorce poetas de la nueva generación componen esta antología curada por la escritora, artista y traductora Cecilia Pavón. Abril Ramos Xoticheotzin, Camila Coppola, Catalina Guebel, Fausto Castoldi, Julia Bozzalla, Lucía Massolo, Marcela Astudillo, María Muchut, Mia Superstar, Natalia Gómez, Nina Suárez, Perla Zuñiga, Rita Chiabo y Valentín Etchegaray son los nombres de los catorce poetas que forman parte de Ritual de amor, una antología de poemas que son como manchas sobre la página, gritos desaforados, tajos en la lengua. Como dice su compiladora, la reconocida escritora y traductora Cecilia Pavón, cofundadora de la emblemática galería Belleza y felicidad, y por cuyos talleres de escritura circularon y circulan muchas de las nuevas voces de la poesía: "Si todo poema es un mundo aparte, si la poesía se trata antes que nada de inventar una lengua dentro de la lengua, podemos leer esta antología como un conglomerado de mundos singulares, cada uno con su textura y su color propios. Desde distintos puntos del planeta, lxs poetas de esta selección dialogan entre sí en un español dislocado, recordándonos que la poesía es siempre una interminable conversación que tiene lugar dentro y fuera del territorio y que todo poeta modula a su manera la música incomprensible de una utopía".

Ritualites, The

by Michael Nardone

The Ritualites is Michael Nardone's book-length poem–the first in a series of planned works–on the sonic topography of North America.Composed at sites all across the continent—from Far Rockaway to the Olympic Peninsula, Great Bear Lake to the Gulf of California—the book documents the poet’s listening amid our public exchanges, mediated ambiances, and itinerant intimacies. The Ritualites is a series of linguistic rituals that shift, page to page, through a range of forms and genres—a rhapsodic text for occasional singing and a best-selling thriller, a self-help guide and sabotage manual, a score for solo performance and a cacophony of voices.

Rival Gardens: New and Selected Poems (Ted Kooser Contemporary Poetry)

by Ted Kooser Connie Wanek

For decades a restorer of old homes, Connie Wanek shows us that poetry is everywhere, encountered as easily in the waterways, landscapes, and winters of Minnesota, as in the old roofs and darkened drawers of a home long uninhabited. Rival Gardens includes more than thirty unpublished poems, along with poems selected from three previous books—all in Wanek’s unmistakable voice: plainspoken and elegant, unassuming and wise, observant and original. Many of her new poems focus on the garden, beginning with the Garden of Eden. A deep feeling for family and for the losses and gains of growing into maturity mark the tone of Rival Gardens, with Wanek always attending to the telling detail and the natural world.

Rival Wisdoms: Reading Proverbs in the Canterbury Tales

by Nancy Mason Bradbury

In this elegantly written study, Nancy Mason Bradbury situates Chaucer’s last and most ambitious work in the context of a zeal for proverbs that was still rising in his day. Rival Wisdoms demonstrates that for Chaucer’s contemporaries, these tiny embedded microgenres could be potent, disruptive, and sometimes even incendiary.In order to understand Chaucer’s use of proverbs and their reception by premodern readers, we must set aside post-Romantic prejudices against such sayings as prosaic and unoriginal. The premodern focus on proverbs conditioned the literary culture that produced the Canterbury Tales and helped shape its audience’s reading practices. Aided by Thomas Speght’s notations in his 1602 edition, Bradbury shows that Chaucer acknowledges the power of the proverb, reflecting on its capacity for harm as well as for good and on its potential to expand and deepen—but also to regulate and constrict—the meanings of stories. Far from banishing proverbs as incompatible with the highest reaches of poetry, Chaucer places them at the center of the liberating interpretive possibilities the Canterbury Tales extends to its readers.Revelatory and persuasive, this book will appeal to scholars and students of medieval and early modern English literature as well as those interested in proverbs and the Canterbury Tales.

River Flow: New and Selected Poems

by David Whyte

David Whyte's body of work reflects the depth and breadth of a maturing artist, taking its readers on a passage through time and place, allowing us to bear witness to the constellation of difficulties, triumphs, adventures, losses, hopes and revelations that have shaped one particular human life. Whether writing of his Yorkshire childhood, trekking in the Himalayas, youthful partings in the mountains of South America, fireside talks on a Welsh farm or the Ireland of his mother's heart. David Whyte's poems have their feet planted firmly in the natural world, simultaneously inviting us to join him on the path and admonishing us to get down on our hands and knees in the thicket and find our own way. River Flow contains over one hundred poems selected from five previously published works, together with 23 new poems. Within its cover are poems to be read and reread, poems that are sure to become companions on our own passage through the turbulent waters of a well-lived, well-loved life.

River House: Poems

by Sally Keith

“This heartbreaking and robust poetry collection . . . explores the complexity of the mind in the midst of grief” (Publishers Weekly, starred review).These are poems of absence. Written in the wake of the loss of her mother, River House follows Sally Keith as she makes her way through the depths of grief, navigating a world newly transfigured.Incorporating her travels abroad, her experience studying the neutral mask technique developed by Jacques Lecoq, and her return to the river house she and her mother often visited, the poet assembles a guide to survival in the face of seemingly insurmountable pain. Even in the dark, Keith finds the ways we can be “filled with this unexpected feeling of living.”

River Inside the River: Poems

by Gregory Orr

"A striking meditation on art's free-standing place in the natural world."--Cortland Review From the acclaimed American poet whose work the San Francisco Review called "mystical, carnal, reflective, wry" come three gorgeous poetic sequences. In the first, "Eden and After," Gregory Orr retells the story of Adam and Eve. The second sequence, "The City of Poetry," evokes and explores a visionary metropolis where "every poem is a house, and every house a poem." The final sequence, "River Inside the River," focuses on redemption through the mysterious power of language to resurrect the beloved and recover what is lost. River Inside the River combines Orr's characteristic spirituality and meditative lyricism with storytelling and myth-making. These are poems that will sustain, console, and give hope, from a poet at the height of his powers.

River of Stars: Selected Poems of Yosano Akiko

by Sam Hamill

Yosano Akiko (1878-1942) is one of the most famous Japanese writers of the twentieth century. She is the author of more than seventy-five books, including twenty volumes of original poetry and the definitive translation into modern Japanese of the Tale of the Genji. Although probably best known for her exquisite erotic poetry, Akiko's work also championed the causes of feminism, pacifism, and social reform. Akiko's poetry is profoundly direct, often passionate, exposing the complexity of everyday emotions in poetic language stripped of artifice and presenting the full breadth of her poetic vision. Included are ninety-one of Akiko's tanka (a traditional five-line form of verse) and a dozen of her longer poems written in the modern style.

River of Words: Young Poets and Artists on the Nature of Things

by Robert Hass Pamela Michael

The California-based River of Words (ROW) has gained fame as an important nonprofit that trains teachers, park naturalists, grassroots groups, and others to incorporate observation-based nature exploration and the arts into young people's lives. One of the group's most important annual projects is to take the youth pulse from the United States and 22 other countries, by asking for writing on water and nature. This anthology collects the best of that writing, with accompanying artwork. Divided into nine geographical areas (California, Pacific Northwest, Inland West, Midwest, Southwest, Northwest, Mid Atlantic, South, and International), the book presents writers from ages six to 18. In poems such as "I Love My Dog," "Seasons in Our Watershed," "History of a Cornfield," and "Swamp Shack,"River of Words exhibits diverse voices, as well as some bilingual poems. A remarkable confluence of K-12 curriculum, children's literature, environmentalism, and poetry, this thoughtful book, in the words of Pulitzer Prize-winning poet Gary Snyder, gives us "pleasure and hope. "

Rivers and Mountains: Poems

by John Ashbery

From one of our most important modern poets comes an essential early collection, including the famous long poems &“The Skaters&” and &“Clepsydra&”When Rivers and Mountains was published in 1966, American poetry was in a state of radical redefinition, with John Ashbery recognized as one of the leading voices in the New York School of poets. Ashbery himself had just returned to America from ten years abroad working as an art critic in France, and Rivers and Mountains, his third published collection of poems, is now considered by many critics to represent a pivotal transition point in his artistic career. The poet who would gain widespread acclaim with his multiple-award-winning Self-Portrait in a Convex Mirror (1975) is, in this collection, still very much engaged in the intimate, personal project of taking his poetry apart and putting it back together again, interrogating not just the act of writing but poetry itself—its purpose, its composition, its fundamental parts. Nominated for a National Book Award by a panel of judges that included W. H. Auden and James Dickey, Rivers and Mountains includes two of Ashbery&’s most studied and admired works. &“Clepsydra,&” which takes its name from an ancient device for measuring the passage of time, echoes both the physical form and the philosophical weight of a water clock in its contemplation of the experience of time as it passes. &“The Skaters,&” the long poem that closes the collection, was immediately praised as a masterpiece of modern American poetry, and is the work that perhaps most clearly introduces the voice for which Ashbery is now well known and loved: generous, restless, wide-ranging, and human.

Rivers to the Sea

by Sara Teasdale

Sara Teasdale (1884-1933) was an American lyrical poet. In 1913 Teasdale fell in love with poet Vachel Lindsay. Although she married someone else Sara and Vachel remained friends throughout their lives. Some of the poems in Rivers to the Sea include To a Castilian song, Broadway, A winter bluejay, In a restaurant, Joy, In a railroad station, In the train, To one away, Song, Deep in the night, The India wharf, I shall not care, Desert pools, and Longing.

Road Film

by Ernest Loesser

Framed as a cinematic odyssey, Road Film owes its debt to the famous road movies from the 1960s-80s. Every reader rides shotgun on a trajectory into an American imagination full of joy and angst. Loesser's mix of prose and verse displays the best of the tradition of the New Sentence-and his work as a journalist in New York as a young man, post 9/11. The result reassembles all the broken episodes collected along the lost highways of America: discarded and violent news reports, local and violent rumors, and the unverifiable stories passed from one traveler to the next.Much like his previous work, Touched by Lightning, Loesser uses a reportorial instinct to transfigure the recurrent patterns he finds as a poet in the isolated corners of our homeland. Throughout Road Film, the driver races between two coasts; he jumps from the city into the wilderness-always skirting the moribund American suburbs, and though there be familiar faces, the author's route never leads toward that simple place called home.

Roaming Charges

by Antony Di Nardo

A turbulent, celebratory flight from an accomplished witness and journeyman. Antony Di Nardo's third collection of poems occupies the air between Canada and Lebanon, viewer and painting, victim and triggerman, reader and page. Blending a bohemian ebullience with a reporter's obligation to witness, the poems in Roaming Charges are a heady and celebratory bouquet of jet fuel, camaraderie and muezzin music. They look long and hard at their subjects, but also speak of the trails those subjects leave across the skies.

Robert Bloomfield, Romanticism and the Poetry of Community (The Nineteenth Century Series)

by Simon J. White

Robert Bloomfield, whom John Clare described as 'the most original poet of the age,' was a widely read and critically acclaimed poet throughout the first decade of the nineteenth century, and remained popular until the beginning of the twentieth century. Yet until now, no modern critic has undertaken a full-length study of his poetry and its contexts. Simon J. White considers the relationship between Bloomfield's poetry and that of other Romantic poets. For example, her argues that Wordsworth's poetics of rural life was in some respects a response to Bloomfield's The Farmer's Boy. White considers Bloomfield's emphasis on the importance of local tradition and community in the lives of labouring people. In challenging the idea that the formal and rhetorical innovation of Wordsworth and Coleridge was principally responsible for the emergence of a new kind of poetry at the turn of the eighteenth century, he also shows that it is impossible to understand how the lyric and the literary ballad evolved during the Romantic period without considering Bloomfield's poetry. White's authoritative study demonstrates that, on the contrary, Bloomfield's poetry was pivotal in the development of Romanticism.

Robert Browning's Language

by Donald S. Hair

What are the influences that shaped the language used by one of the nineteenth century's greatest writers? How did his religious beliefs, the books he owned, the paintings and music he loved, affect almost sixty years' output of poems, plays, essays, and letters? This book attempts to define Browning's understanding of the nature and use of words and syntax by considering not only a full range of texts from the 1833 Pauline to the 1889 Asolando, but also the ideas important to Browning, the historical context in which he lived, and the other artistic passions that played a part in his life. In this companion volume to Tennyson's Language, Donald Hair establishes Browning's place at the crossroads between empirical and idealist traditions and explains his "double view" of language, arguing that both Locke and the Congregationalists found language to be at the same time empty and a God-given essential. The Victorian age's anti-theatrical bias, which Browning came to share, and his reading of predecessors, principally Quarles, Bunyan, Donne, and Smart, also shaped his understanding of the diction of poetry. Hair conceives of Browning's language as a theoretical whole, encompassing words, genres, rhyme, syntax, and phonetics. He also links Browning's interest in music with his rhyming, the most essential and characteristic feature of his prosody, and relates his interest in painting to the interpretation of the visual image in the emblem and in typology.

Robert Burns - Nature Poems

by Robert Burns

This enchanting collection of more than 80 poems captures the essence of the natural world, as seen through the eyes of Scotland's beloved bard. Each chapter explores a different aspect of nature - from wild, mossy mountains and glens to murmuring streams, the sorrowful song of the woodlark, and the ever-changing seasons. Burns's profound appreciation for the landscape of Scotland and its creatures shines through every verse, and this collection is a heartfelt love letter to his homeland. Whether you're a long-time admirer of Burns or discovering his work for the first time, Nature Poems will transport you to the heart of Scotland's natural splendour.Illustrated by local artist, The Ink Bothy, and compiled by Scottish resident and poet Robert Tuesley Anderson, this is a collection to treasure.

Robert Burns - Nature Poems

by Robert Burns

This enchanting collection of more than 80 poems captures the essence of the natural world, as seen through the eyes of Scotland's beloved bard. Each chapter explores a different aspect of nature - from wild, mossy mountains and glens to murmuring streams, the sorrowful song of the woodlark, and the ever-changing seasons. Burns's profound appreciation for the landscape of Scotland and its creatures shines through every verse, and this collection is a heartfelt love letter to his homeland. Whether you're a long-time admirer of Burns or discovering his work for the first time, Nature Poems will transport you to the heart of Scotland's natural splendour.Illustrated by local artist, The Ink Bothy, and compiled by Scottish resident and poet Robert Tuesley Anderson, this is a collection to treasure.

Robert Burns and the United States of America: Poetry, Print, and Memory 1786–1866

by Arun Sood

This book provides a critical study of the relationship between Robert Burns and the United States of America, c.1786-1866. Though Burns is commonly referred to as Scotland’s “National Poet”, his works were frequently reprinted in New York and Philadelphia; his verse mimicked by an emerging canon of American poets; and his songs appropriated by both abolitionists and Confederate soldiers during the Civil War era. Adopting a transnational, Atlantic Studies perspective that shifts emphasis from Burns as national poet to transnational icon, this book charts the reception, dissemination and cultural memory of Burns and his works in the United States up to 1866.

Robert Burns: A superb collection from Scotland’s finest lyrical poet (The Great Poets)

by Robert Burns

'Oh would some power the gift give us, to see ourselves as others see us!' Robert BurnsRobert Burns, poet and lyricist, also known as Rabbie Burns, is widely regarded as the National Poet of Scotland - and much of his work has become part of everyday modern language:'The best laid schemes o' mice and men...''To see her is to love her...'Often credited with writing the lyrics for Auld Lang Syne, he almost single-handedly inspired the movement that preserved Scottish music and lyrics which had been handed down the generations vocally for centuries, thereby maintaining Scots culture and language.A cultural icon and pioneer of the Romantic movement, Burns was chosen as the greatest Scot in a 2009 poll. This collection includes some of his best-loved, most beautiful work.'Now's the day, now's the hour' Robert Burns

Robert Burns: A superb collection from Scotland’s finest lyrical poet (The Great Poets)

by Robert Burns

'Oh would some power the gift give us, to see ourselves as others see us!' Robert BurnsRobert Burns, poet and lyricist, also known as Rabbie Burns, is widely regarded as the National Poet of Scotland - and much of his work has become part of everyday modern language:'The best laid schemes o' mice and men...''To see her is to love her...'Often credited with writing the lyrics for Auld Lang Syne, he almost single-handedly inspired the movement that preserved Scottish music and lyrics which had been handed down the generations vocally for centuries, thereby maintaining Scots culture and language.A cultural icon and pioneer of the Romantic movement, Burns was chosen as the greatest Scot in a 2009 poll. This collection includes some of his best-loved, most beautiful work.'Now's the day, now's the hour' Robert Burns

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