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Romantic Paradox: An Essay on the Poetry of Wordsworth (RLE: Wordsworth and Coleridge #2)
by C.C. ClarkeFirst published in 1962, this book reveals unexpected complexity or equivocation in Wordsworth’s use of certain key words, particularly ‘image’, ‘form’ and ‘shape’. The author endeavours to show that this complexity is related to the poet’s awareness of the ambiguity of the perceptual process. Numerous passages from The Prelude and other poems are analysed to illustrate the argument and to show that, because of this doubt or hidden perplexity, Wordsworth’s poetry has a far richer texture, is more concentrated, intricately organised and loaded with ambivalent meanings than it would otherwise have been. New light is also shed on Wordsworth’s debt to Akenside.
Romantic Things: A Tree, A Rock, A Cloud
by Mary JacobusOur thoughts are shaped as much by what things make of us as by what we make of them. Lyric poetry is especially concerned with things and their relationship to thought, sense, and understanding. In Romantic Things, Mary Jacobus explores the world of objects and phenomena in nature as expressed in Romantic poetry alongside the theme of sentience and sensory deprivation in literature and art. Jacobus discusses objects and attributes that test our perceptions and preoccupy both Romantic poetry and modern philosophy. John Clare, John Constable, Rainer Maria Rilke, W. G. Sebald, and Gerhard Richter make appearances around the central figure of William Wordsworth as Jacobus explores trees, rocks, clouds, breath, sleep, deafness, and blindness in their work. While she thinks through these things, she is assisted by the writings of Maurice Merleau-Ponty, Jacques Derrida, and Jean-Luc Nancy. Helping us think more deeply about things that are at once visible and invisible, seen and unseen, felt and unfeeling, Romantic Things opens our eyes to what has been previously overlooked in lyric and Romantic poetry.
Romantic Things: a tree, a rock, a cloud
by Mary JacobusOur thoughts are shaped as much by what things make of us as by what we make of them. Lyric poetry is especially concerned with things and their relationship to thought, sense, and understanding. In Romantic Things, Mary Jacobus explores the world of objects and phenomena in nature as expressed in Romantic poetry alongside the theme of sentience and sensory deprivation in literature and art. Jacobus discusses objects and attributes that test our perceptions and preoccupy both Romantic poetry and modern philosophy. John Clare, John Constable, Rainer Maria Rilke, W. G. Sebald, and Gerhard Richter make appearances around the central figure of William Wordsworth as Jacobus explores trees, rocks, clouds, breath, sleep, deafness, and blindness in their work. While she thinks through these things, she is assisted by the writings of Maurice Merleau-Ponty, Jacques Derrida, and Jean-Luc Nancy. Helping us think more deeply about things that are at once visible and invisible, seen and unseen, felt and unfeeling, Romantic Things opens our eyes to what has been previously overlooked in lyric and Romantic poetry.
Romantic Tragedies
by Reeve ParkerTroubled politically and personally, Wordsworth and Coleridge turned in 1797 to the London stage. Their tragedies, The Borderers and Osorio, were set in medieval Britain and early modern Spain to avoid the Lord Chamberlain's censorship. Drury Lane rejected both, but fifteen years later, Coleridge's revision, Remorse, had spectacular success there, inspiring Shelley's 1819 Roman tragedy, The Cenci, aimed for Covent Garden. Reeve Parker makes a striking case for the power of these intertwined works, written against British hostility to French republican liberties and Regency repression of home-grown agitation. Covertly, Remorse and The Cenci also turn against Wordsworth. Stressing the significance of subtly repeated imagery and resonances with Virgil, Shakespeare, Racine, Jean-François Ducis and Schiller, Parker's close readings, which are boldly imaginative and decidedly untoward, argue that at the heart of these tragedies lie powerful dramatic uncertainties driven by unstable passions - what he calls, adapting Coleridge's phrase for sorcery, 'dark employments'.
Romantically Disturbed: Love Poems to Rip Your Heart Out
by Ben H. Winters Adam F. WatkinsLove Poems to Rip Your Heart OutFind a love to die for with Edgar Award winner Ben H. Winters's 30 haunting love poems. Accompanied by Adam F. Watkins's beautifully horrifying illustrations, these eerie poems reveal that love is not always what it seems to be . . .
Romanticism and Ideology: Studies in English Writing 1765-1830 (Routledge Library Editions: Romanticism)
by David Punter Jonathan Cook David AersFirst published in 1981.The primary purpose of this book is to serve as an introduction to writing in the late eighteenth and early nineteenth centuries. In addition to major Romantic poets – Blake, Wordsworth, Coleridge and Shelly – the authors discuss writers such as Austen, Hazlitt and Burke, who are usually studied in a different context, and genres such as fiction and political writing, which are often cut off from the central body of poetry. An original and highly stimulated study, this book will appeal to all those who are dissatisfied with the conventional categories into which writers and literary movements are usually placed. .
Romanticism and Methodism: The problem of religious enthusiasm
by Helen BoylesExploring the intense relationship between Romantic literature and Methodism, Helen Boyles argues that writers from both movements display an ambivalent attitude towards the expression of deep emotional and spiritual experience. Boyles takes up the disparaging characterization of William Wordsworth and other Romantic poets as 'Methodistical,' showing how this criticism was rooted in a suspicion of the 'enthusiasm' with which the Methodist movement was negatively identified. Historically, enthusiasm has generated hostility and embarrassment, a legacy that Boyles suggests provoked concerted efforts by Romantic poets such as Wordsworth and the Methodist leaders John and Charles Wesley to cleanse it of its derogatory associations. While they distanced themselves from enthusiasm's dangerous and hysterical manifestations, writers and religious leaders also identified with the precepts and inspiration of a language and religion of the heart. Boyles's analysis encompasses a range of literary genres from the Methodist sermon and hymn, to literary biography, critical review, lyric and epic poem. Balancing analysis of creative content with a consideration of its critical reception, she offers readers a detailed analysis of Wordsworth's relationship to popular evangelism within a analytical framework that incorporates Samuel Taylor Coleridge, Robert Southey, and William Hazlitt.
Romanticism and Pragmatism: Richard Rorty and the Idea of a Poeticized Culture
by U. SchulenbergThis interdisciplinary project is situated at the boundary between literary studies and philosophy. Its chief focus is on American Romanticism and it examines work by a number of prominent writers and philosophers, from Whitman and Thoreau to Barthes and Rorty.
Romanticism and the Forms of Ruin: Wordsworth, Coleridge, and the Modalities of Fragmentation
by Thomas McfarlandDespite their hopeful aspirations to wholeness in life and spirit, Thomas McFarland contends, the Romantics were ruins amidst ruins," fragments of human existence in a disintegrating world. Focusing on Wordsworth and Coleridge, Professor McFarland shows how this was true not only for each of these Romantics in particular but also for Romanticism in general. Originally published in 1981.
Romanticism and the Rule of Law: Coleridge, Blake, and the Autonomous Reader
by Mark L. BarrThis book frames British Romanticism as the artistic counterpart to a revolution in subjectivity occasioned by the rise of "The Rule of Law" and as a traumatic response to the challenges mounted against that ideal after the French Revolution. The bulk of this study focuses on Romantic literary replies to these events (primarily in the work of Samuel Taylor Coleridge and William Blake), but its latter stages also explore how Romantic poetry's construction of the autonomous reading subject continues to influence legal and literary critical reactions to two modern crises in the rule of law: European Fascism and the continuing instability of legal interpretive strategy.
Romanticism, Philosophy, and Literature
by Michael N. Forster Lina SteinerThis book offers a broad re-evaluation of the key ideas developed by the German Romantics concerning philosophy and literature. It focuses not only on their own work, but also on that of their fellow travelers (such as Hölderlin) and their contemporary opponents (such as Hegel), as well as on various reactions to and transpositions of their ideas in later authors, including Coleridge, Byron, Kierkegaard, Nietzsche, and Dostoevsky.
Romanticism: Poems
by April Bernard"In Romanticism, the untrammeled Romantic in us struggles for expression in Art. The winner-no question-is the reader."--New Haven Review Romanticism explores and challenges the central ideas of high Romanticism: the tragedy and gallantry of the individual's life journey, the appeal of revolution and violence, the beckoning forces of Nature, and the estrangement from but constant longing for God. Here is a powerful argument for the primacy of strong emotion. "Ungeliebt" So I offered a bargain: All of it, the books, the papers, and whatever is still brewing in my teapot head-- All of this, I said, I will surrender if only I may have the home that I have seen in his face. The answer came at once: No. What lies you tell, and call them love. To view text with line endings as poet intended, please set font size to the smallest size on your device.
Rome's Patron: The Lives and Afterlives of Maecenas
by Emily GowersThe story of Maecenas and his role in the evolution and continuing legacy of ancient Roman poetry and cultureAn unelected statesman with exceptional powers, a patron of the arts and a luxury-loving friend of the emperor Augustus: Maecenas was one of the most prominent and distinctive personalities of ancient Rome. Yet the traces he left behind are unreliable and tantalizingly scarce. Rather than attempting a conventional biography, Emily Gowers shows in Rome’s Patron that it is possible to tell a different story, one about Maecenas’s influence, his changing identities and the many narratives attached to him across two millennia.Rome’s Patron explores Maecenas’s appearances in the central works of Augustan poetry written in his name—Virgil’s Georgics, Horace’s Odes and Propertius’s elegies—and in later works of Latin literature that reassess his influence. For the Roman poets he supported, Maecenas was a mascot of cultural flexibility and innovation, a pioneer of gender fluidity and a bearer of imperial demands who could be exposed as a secret sympathizer with their own values. For those excluded from his circle, he represented either favouritism and indulgence or the lost ideal of a patron in perfect collaboration with the authors he championed.As Gowers shows, Maecenas had and continues to have a unique cachet—in the fantasies that still surround the gardens, buildings and objects so tenuously associated with him; in literature, from Ariosto and Ben Johnson to Phillis Wheatley and W. B. Yeats; and in philanthropy, where his name has been surprisingly adaptable to more democratic forms of patronage.
Romeo & Juliet
by William ShakespeareThis tale of star-crossed lovers and the families determined to keep them apart of one of Shakespeare's most well-known and beloved plays. One part romance, one part tragedy, it features some of Shakespeare's most inventive language and delightful characters. Romeo + Juliet has proven one of the most enduring and important romances ever written, influencing plays, films, and novels all the way up to present-day favourites like Twilight and The Fault in Our Stars. This premium ebook is perfect for both fans looking for a digital copy and new readers looking to fall in love with this classic. Penguin Random House Canada is proud to bring you classic works of literature in e-book form, with the highest quality production values. Find more today and rediscover books you never knew you loved.
Romeo and Juliet
by William ShakespeareWritten in the mid-1590s, the play is regarded as one of the Bard’s earliest masterpieces. To make Romeo and Juliet more accessible for the modern reader, our Prestwick House Literary Touchstone Edition includes a glossary of the more difficult words, as well as convenient sidebar notes to enlighten the reader on aspects that may be confusing or overlooked. In doing this, it is our intention that the reader may more fully enjoy the beauty of the verse, the wisdom of the insights, and the impact of the drama.
Romey's Order
by Atsuro RileyRomey's Order is an indelible sequence of poems voiced by an invented (and inventive) boy-speaker called Romey, set alongside a river in the South Carolina low country. As the word-furious eye and voice of these poems, Romey urgently records--and tries to order--the objects, inscape, injuries, and idiom of his "blood-home" and childhood world. Sounding out the nerves and nodes of language to transform "every burn-mark and blemish," to "bind our river-wrack and leavings," Romey seeks to forge finally (if even for a moment) a chord in which he might live. Intently visceral, aural, oral, Atsuro Riley's poems bristle with musical and imaginative pleasures, with story-telling and picture-making of a new and wholly unexpected kind.
Ronald Johnson’s Modernist Collage Poetry
by Ross HairUsing a critical examination of the collage poetics of Ronald Johnson, this book sets out to understand Johnson's poetry in the context of the "New American" collage tradition, stretching from Ezra Pound to Louis Zukofsky and beyond. Additionally, the book assesses Johnson's work in relation to wider questions concerning literary chronologies, especially the discontinuities commonly seen to exist between nineteenth-century Romantic and twentieth-century modernist literary forms.
Room Swept Home (Wesleyan Poetry Series)
by Remica Bingham-RisherRoom Swept Home serves as a gloriously rendered magnifying glass into all that is held in the line between the private and public, the investigative and generative, the self and those who came before us. In a strange twist of kismet, two of Bingham-Risher's ancestors intersect in Petersburg, Virginia, forty years before she herself is born: her paternal great-great-great grandmother, Minnie Lee Fowlkes, is interviewed for the Works Progress Administration Slave Narratives in Petersburg in 1937, and her maternal grandmother, Mary Knight, is sent to Petersburg in 1941, diagnosed with "water on the brain"—postpartum depression being an ongoing mystery—nine days after birthing her first child. Marrying meticulous archival research with Womanist scholarship and her hallmark lyrical precision, Bingham-Risher's latest collection treads the murky waters of race, lineage, faith, mental health, women's rights, and the violent reckoning that inhabits the discrepancy between lived versus textbook history, asking: What do we inherit when trauma is at the core of our fractured living?
Room Swept Home (Wesleyan Poetry Series)
by Remica Bingham-RisherRoom Swept Home serves as a gloriously rendered magnifying glass into all that is held in the line between the private and public, the investigative and generative, the self and those who came before us. In a strange twist of kismet, two of Bingham-Risher's ancestors intersect in Petersburg, Virginia, forty years before she herself is born: her paternal great-great-great grandmother, Minnie Lee Fowlkes, is interviewed for the Works Progress Administration Slave Narratives in Petersburg in 1937, and her maternal grandmother, Mary Knight, is sent to Petersburg in 1941, diagnosed with "water on the brain"—postpartum depression being an ongoing mystery—nine days after birthing her first child. Marrying meticulous archival research with Womanist scholarship and her hallmark lyrical precision, Bingham-Risher's latest collection treads the murky waters of race, lineage, faith, mental health, women's rights, and the violent reckoning that inhabits the discrepancy between lived versus textbook history, asking: What do we inherit when trauma is at the core of our fractured living?[sample poem]XI. the more ground covered, the more liberated you becameI am scared my mind will turn on me. I am scared I will be naked in a burning house. I am scared my children won't outpace me.I am scared my children (who aren't made by me) believe I am a sad imitation of the others.I am scared I will gather in a roomwhere everyone will ask me to rememberand when I don't lie they'll say I'd hate to be you. I've lived long enough to be scared my kidneys will give out on me. I've lived long enough to know just when they should. I have never shared my fears with anyone; I am scared they will map the land and take liberties. Will the women be ashamed? I'm scared to ask. What will live again? What will die with me?
Room on the Broom
by Julia DonaldsonThe witch and her cat couldn't be happier, flying through the sky on their broomstick-until the witch drops her hat, then her bow, then her wand! Luckily, three helpful animals find the missing items and all they want in return is a ride on the broomstick. But is there room on the broom for so many new friends? And when disaster strikes, will they be able to save the witch from the clutches of a hungry dragon?
Rooms Are Never Finished: Poems
by Agha Shahid Ali"An incomparable work, an unmatched achievement."--Anthony Hecht In this stunningly inventive collection--a finalist for the 2001 National Book Award in poetry--Ali excavates the devastation wrought upon his childhood home, Kashmir, and reveals a more personal devastation: his mother's death and the journey with her body back to Kashmir.
Root Fractures: Poems
by Diana Khoi Nguyen*One of LitHub&’s Poetry Books to Read in 2024* *One of The Millions&’s Must Read Poetry Books of Winter 2024* National Book Award finalist Diana Khoi Nguyen&’s second poetry collection, a haunting of a family&’s past upon its present, and a frank reckoning with how loss and displacement transform mothers and daughters across generations.In Root Fractures, Diana Khoi Nguyen excavates the moments of rupture in a family: a mother who was forced underground after the Fall of Saigon, a father who engineered a new life in California as an immigrant, a brother who cut himself out of every family picture before cutting himself out of their lives entirely. And as new generations of the family come of age, opportunities to begin anew blend with visitations from the past. Through poems of disarming honesty and personal risk, Nguyen examines what takes root after a disaster and how we can make a story out of the broken pieces of our lives. As Terrance Hayes writes, &“&‘There is nothing that is not music&’ for this poet. Poetry is found in the gaps, silences, and ruptures of history.&” This astonishing second collection renders poetry into an act of kintsugi, embellishing what is broken in a family&’s legacy so that it can be seen in a new light.
Roots to the Earth: Poems And A Story
by Wendell Berry Wesley BatesIn 1995, Wendell Berry's Roots to the Earth was published in portfolio form by West Meadow Press. The wood etchings of celebrated artist and wood engraver, Wesley Bates, were printed from the original wood blocks on handmade Japanese paper.In 2014, this work was reprinted along with additional poems. Together with Bates' original wood engravings, and designed by Gray Zeitz, Larkspur Press printed just one hundred copies of this book in a stunning limited edition.Now it is with great pleasure that Counterpoint is reproducing this collaborative work for trade publication, as well as expanding it with the inclusion of a short story, "The Branch Way of Doing," with additional engravings by Bates.In his introduction to the 2014 collection, Bates wrote: "As our society moves toward urbanization, the majority of the population views agriculture from an increasingly detached position... In his poetry [Berry] reveals tenderness and love as well as anger and uncertainty... The wood engravings in this collection are intended to be companion pieces to... the way he expresses what it is to be a farmer."
Rope
by Alison DemingNew from a poet renowned for her lyricism, wisdom, and originalityAlison Hawthorne Deming 's fourth collection of poems follows the paths of imagination into meditations on salt, love, Hurricane Katrina, Greek myth, and the search for extraterrestrial life, all linked by the poet's faith in art as an instrument for creating meaning, beauty, and continuity--virtues diminished by the velocity and violence of our historical moment. The final long poem "The Flight," inspired by the works of A. R. Ammons, is a twenty-first century epic poised on the verge of our discovering life beyond Earth.
Rose
by Li-Young Lee Gerald SternTable of ContentsI.EpistleThe GiftPersimmonsThe Weight Of SweetnessFrom BlossomsDreaming Of HairEarly In The MorningWaterFalling: The CodeNocturneMy IndigoIrisesEating AloneII.Always A RoseIII.Eating TogetherI Ask My Mother To SingAsh, Snow, Or MoonlightThe LifeThe WeepersBraidingRain DiaryMy Sleeping Loved OnesMnemonicBetween SeasonsVisions And Interpretations