- Table View
- List View
Season Songs
by Ted HughesThis is a wonderful collection of poems, by Ted Hughes the poet working with a subject matter he had mastered and revisited for most of his life: the world of animals, plants and nature.
Seasonal Velocities: Poems, Stories, and Essays
by Ryka AokiThis book invites the reader on a fragile and furious journey along the highways and skyways of discovery, retribution, and resolve. The writer has consistently challenged, informed, and enthralled queer audiences across the United States, through her poetry, essays, stories, and performances.
Seasonal Works with Letters on Fire (Wesleyan Poetry Series)
by Brenda HillmanFire? its physical, symbolic, political, and spiritual forms?is the fourth and final subject in Brenda Hillman's masterful series on the elements. Her previous volumes?Cascadia, Pieces of Air in the Epic, Practical Water?have addressed earth, air, and water. Here, Hillman evokes fire as metaphor and as event to chart subtle changes of seasons during financial breakdown, environmental crisis, and street movements for social justice; she gathers factual data, earthly rhythms, chants to the dead, journal entries, and lyric fragments in the service of a radical animism. In the polyphony of Seasonal Works with Letters on Fire, the poet fuses the visionary, the political, and the personal to summon music and fire at once, calling the reader to be alive to the senses and to re-imagine a common life. This is major work by one of our most important writers. Check for the online reader's companion at brendahillman.site.wesleyan.edu.
Seasons of Lotus, Seasons of Bone (American Poets Continuum)
by Matthew ShenodaWeaving narratives of ancient and contemporary Egypt while exploring ecological shifts of the Nile Valley, Matthew Shenoda is a voice at the crossroads of the African continent and its diasporas. Amiri Baraka says, "Matthew Shenoda’s poetry will open your mind to another world that exists inside and outside of your own." Winner of the 2006 American Book Award for his debut collection, Somewhere Else, Shenoda is a younger poet with his eyes set on the larger issues of history, politics, and culture.Matthew Shenoda lives in Los Angeles, California. He is on the faculty of the MFA program at Goddard College.
Seasons of Mangoes and Brainfire
by Carolyne WrightSeasons of Mangoes and Brainfire recreates Carolyne Wright's time in Allende's Chile and on other travels through Latin America. It won the Blue Lynx Prize for Poetry, Oklahoma Book Award in Poetry, and American Book Award from the Before Columbus Foundation.
Sebald's Vision
by Carol JacobsW. G. Sebald's writing has been widely recognized for its intense, nuanced engagement with the Holocaust, the Allied bombing of Germany in WWII, and other episodes of violence throughout history. Through his inventive use of narrative form and juxtaposition of image and text, Sebald's work has offered readers new ways to think about remembering and representing trauma. In Sebald's Vision, Carol Jacobs examines the author's prose, novels, and poems, carefully illuminating the ethical and aesthetic questions that shaped his remarkable oeuvre. Through the trope of "vision," Jacobs explores aspects of Sebald's writing and the way the author's indirect depiction of events highlights the ethical imperative of representing history, while at the same time calling into question the possibility of such representation. Jacobs's lucid readings of Sebald's work also consider his famous juxtaposition of images and use of citations to explain his interest in the vagaries of perception. Isolating different ideas of vision in some of his most noted works, including Rings of Saturn, Austerlitz, and After Nature, as well as in Sebald's interviews, poetry, art criticism, and his lecture Air War and Literature, Jacobs introduces new perspectives for understanding the distinctiveness of Sebald's work and its profound moral implications.
Sebald's Vision (Literature Now)
by Carol JacobsW. G. Sebald's writing has been widely recognized for its intense, nuanced engagement with the Holocaust, the Allied bombing of Germany in WWII, and other episodes of violence throughout history. Through his inventive use of narrative form and juxtaposition of image and text, Sebald's work has offered readers new ways to think about remembering and representing trauma.In Sebald's Vision, Carol Jacobs examines the author's prose, novels, and poems, illuminating the ethical and aesthetic questions that shaped his remarkable oeuvre. Through the trope of "vision," Jacobs explores aspects of Sebald's writing and the way the author's indirect depiction of events highlights the ethical imperative of representing history while at the same time calling into question the possibility of such representation. Jacobs's lucid readings of Sebald's work also consider his famous juxtaposition of images and use of citations to explain his interest in the vagaries of perception. Isolating different ideas of vision in some of his most noted works, including Rings of Saturn, Austerlitz, and After Nature, as well as in Sebald's interviews, poetry, art criticism, and his lecture Air War and Literature, Jacobs introduces new perspectives for understanding the distinctiveness of Sebald's work and its profound moral implications.
Secession/Insecession (Literature in Translation Series)
by Erín Moure Chus PatoSecession/Insecession is a homage to the acts of reading, writing and translating poetry. In it, Chus Pato's Galician biopoetics of poet and nation, Secession - translated by Erín Moure - joins Moure's Canadian translational biopoetics, Insecession. To Pato, the poem is an insurrection against normalized language; to Moure, translation itself disrupts and reforms poetics and the possibility of the poem. In solidarity with Pato, Moure echoes Barthes: "A readerly text is something I cannot re-produce (today I cannot write like Atwood); a writerly text is one I can read only if I utterly transform my reading regime. I now recognize a third text alongside the readerly and the writerly: let's call it the intranslatable." In Secession/Insecession, a major European poet and a known Canadian poet, born on opposite sides of the Atlantic in the mid twentieth century and with vastly different experiences of political life, forge a 21st century relationship of thinking and creation. The result is a major work of memoir, poetics, trans-ethics and history. Chus Pato's Secession was chosen as 2009 Book of the Year by the Revista das Letras, literary supplement of Galicia Hoxe (Galicia Today).
Second Childhood: Poems
by Fanny HoweThe new poetry collection by Fanny Howe, whose "body of work seems larger, stranger, and more permanent with each new book she publishes" (Ruth Lilly Poetry Prize citation)People want to be poets for reasons that have little to do with language.It's the life of the poet that they want.Even the glow of loneliness and humiliation.To walk in the gutter with a bottle of wine.Some people's lives are more poetic than a poem,and Francis is certainly one of these.I know, because he walked beside me for that short timewhether you believe it or not. —from "Outremer"Fanny Howe's poetry is known for its lyricism, fragmentation, experimentation, religious engagement, and commitment to social justice. In Second Childhood, the observing poet is an impersonal figure who accompanies Howe in her encounters with chance and mystery. She is not one age or the other, in one time or another. She writes, "The first question in the Catechism is: / What was humanity born for? / To be happy is the correct answer."
Second Finding: A Poetics of Translation (Perspectives on Translation)
by Barbara FolkartThe translation of poetry has always fascinated the theorists, as the chances of "replicating" in another language the one-off resonance of music, imagery, and truth values of a poem are vanishingly small. Translation is often envisaged as a matter of mapping over into the target language the surface features or semiotic structures of the source poem. Little wonder, then, that the vast majority of translations fail to be poetry in their own right. These essays focus on the poetically viable translation - the derived poem that, while resonating with the original, really is a poem. They proceed from a writerly perspective, eschewing both the theoretical overkill that spawns mice out of mountains and the ideological misappropriation that uses poetry as a way to push agendas. The emphasis throughout is on process and the poem-to-come. Published in English.
Second Fleet Baby
by Nadia RhookSecond Fleet Baby examines birth and motherhood, drawing on the playful energies and powers of 18th and 19th century ‘convict chicks', including Rhook's own ancestor, who was transported from England to Eora land on the Lady Juliana as part of the notorious 1789 Second Fleet.How might a settler reconcile the violence bound up with their role populating stolen land with the love and euphoria that can flow from parenthood? Intergenerational ties are traced through the soft weapons of the body, connecting the intimacies of nation-making with the politics of reproduction in lavishly personal ways.
Second Grade, Here I Come! (Here I Come!)
by D.J. SteinbergGo back to school for second grade—and get ready to go with these fun and silly poems!D. J. Steinberg's heartfelt, relatable, and silly poems bring to life the highlights of second grade—reading those big-kid books, trying out for the school play, and even dance breaks to wiggle "arms and legs and kaboodles. . . like a big bunch of second-grade noodles!" Covering an entire school year of holidays, memorable moments, and important life lessons, this is perfect for soon-to-be second graders!
Second Language: Poems (Poems Ser.)
by Lisel MuellerSecond Language is the fourth volume of work from the highly acclaimed poet Lisel Mueller. The second language of the title, English, supplanted Mueller’s native language when she came to the United States from Hitler’s Germany at age fifteen. But other second languages are at work here as well. The poems in this collection have to do with memory and metaphor, two forces that enable us to interpret our experience. Each is in a sense a second language, and in Mueller’s employ each gains expression in an imaginative and humanistic voice. In “English as a Second Language,” the various meanings of Second Language come together lucidly and effectively.
Second Nature
by Chaun BallardWinner of the 23rd annual Poulin Prize Chaun Ballard’s gripping debut collection weaves childhood experiences, historical events, and family stories into a living tapestry of memory that celebrates the landscape of Black America, both rural and urban. Riddled with the ghostly voices of family and friends, Second Nature is fearless in its wrestling with America’s fractured past and troubled present. In these poems, W.E.B. DuBois and Fredrick Douglass have a conversation, Michael Brown meditates on the nature of the cosmos, Johnnie Taylor’s guitar sings in sonnets, and the road Walt Whitman set out upon comes alive for a new generation. Through innovative re-imaginings of the sonnet, the pastoral, and the contrapuntal, Ballard engages with popular culture while examining the intricacies of all that is wedded together—form and content, mothers and fathers, grandmothers and grandfathers, husband and wife, and a nation long dependent on created binaries that serve to maintain structures of oppression. Interspersed with quotations and inspired by the rich legacy of poets who came before him—including poet Matthew Shenoda who provides an insightful Foreword to the collection—Second Nature is a testament to interconnectedness, a love letter to the deep roots that we come from, and a reminder of the myriad ways in which one’s identity is shaped by community and country.
Second Nature: Poems
by Margaret Gibson“Learn of the green world what can be thy place,” wrote Ezra Pound. In Second Nature, her tenth collection of poems, Margaret Gibson takes Pound’s stern counsel to heart. With stunning clarity, these poems move from acute observation to an empathy, participation, and intimacy that continues Gibson’s search to experience the “one body” of the world in direct encounter and to translate that encounter into words. As Emerson tells us, the Spirit moves throughout Nature and through us—our art is, therefore, second nature. Whether Gibson’s poems take us to Greece and to “a writing desk no larger than a page of light” or whether they explore the woods that surround her house, all of the poems arise from the desire to embrace a “fierce, clear-eyed attention” and to be open to revelation. Her poems re-imagine watchfulness, seeing beyond surfaces, listening to what is innermost. Second Nature gives us poems that are a ripening of years of poetic and spiritual practice—simply Gibson at her best.
Second Space
by Czeslaw MiloszNobel laureate Czeslaw Milosz's most recent collection Second Space marks a new stage in one of the great poetic pilgrimages of our time. Few poets have inhabited the land of old age as long or energetically as Milosz, for whom this territory holds both openings and closings, affirmations as well as losses. "Not soon, as late as the approach of my ninetieth year, / I felt a door opening in me and I entered / the clarity of early morning," he writes in "Late Ripeness." Elsewhere he laments the loss of his voracious vision -- "My wondrously quick eyes, you saw many things, / Lands and cities, islands and oceans" -- only to discover a new light that defies the limits of physical sight: "Without eyes, my gaze is fixed on one bright point, / That grows large and takes me in."Second Space is typically capacious in the range of voices, forms, and subjects it embraces. It moves seamlessly from dramatic monologues to theological treatises, from philosophy and history to epigrams, elegies, and metaphysical meditations. It is unified by Milosz's ongoing quest to find the bond linking the things of this world with the order of a "second space," shaped not by necessity, but grace. Second Space invites us to accompany a self-proclaimed "apprentice" on this extraordinary quest. In "Treatise on Theology," Milosz calls himself "a one day's master." He is, of course, far more than this. Second Space reveals an artist peerless both in his capacity to confront the world's suffering and in his eagerness to embrace its joys: "Sun. And sky. And in the sky white clouds. / Only now everything cried to him: Eurydice! / How will I live without you, my consoling one! / But there was a fragrant scent of herbs, the low humming of bees, / And he fell asleep with his cheek on the sun-warmed earth."
Secretaries of the Moon: The Letters of Wallace Stevens and José Rodriguez Feo
by Alan Filreis Beverly CoyleThe letter from Jose Rodriguez Feo that prompted Stevens's poem was the third in a ten-year correspondence (1944-54) between the poet and the young Cuban, who quickly became Stevens's "most exciting correspondent." The two shared a Harvard education, both were anxious to see Stevens translated for a Cuban audience, and each had an enduring admiration for Santayana, whose awareness of the cultural tensions between the Northern and Southern hemispheres formed a basis for the protracted argument between Stevens as the practical, Protestant father and the passionate Rodriguez Feo. The Cuban's descriptions of his life at the Villa Olga, of his black-and-white cow Lucera and his mule Pompilio, delighted Stevens, as did his wide-ranging questions and pronouncements of literary matters. Unaware of the well-known Stevens reticence, Rodriguz Feo elicited a more informal, playful response than Stevens's other correspondents. Formal salutations soon gave way to "Dear Antillean," "Dear Wallachio."Coyle and Filreis present the entire extant correspondence between the two men. The fifty-one Rodriguez Feo letters and ten of the numerous Stevens letters are printed here for the first time, and the exchange between the two is unusually complete. The work includes a critical introduction and complete annotation of the letters.
Secrets of Weather and Hope
by Sue SinclairShortlisted for the 2002 Gerald Lampert Award Sue Sinclair's poems speak from that precise place where our perception of the world and our capacity for language meet and embrace, where our sense of experience goes to get sharpened and refreshed. That experience might involve the inner lives of clouds, the flourishing and passing of a tulip, the evocative scent of wolf willow, or the intricate arts of Bach and Virginia Woolf. These poems are deft, musical, and quick in the moment, alive to the sensuous surface and the meditative depth, their antennae fully extended.
Secure the Shadow: Poems (Southern Messenger Poets)
by Claudia EmersonDaringly realistic and artfully mediated by past and present, Claudia Emerson's Secure the Shadow contains historical pieces as well as poems centering on the deaths of the poet's brother and father. Emerson covers all aspects of the tragedies that, as Keats believed, contribute to our human collective of Soul-making, in which each death accrues into an immortal web of ongoing love and meaning for the living. Emerson's unwavering gaze shows that loss cannot be eluded, but can be embraced in elegies as devastating as they are beautiful.The macabre title poem refers to the old custom of making daguerreotypes, primitive photographs, of deceased loved ones. Other striking poems describe animal deaths -- mysterious calf killings, a hog slaughter, the burial of a dead jay, "identifiable / but light, dry, its eyes vacant orbits." Death, as the speaker's heart and mind instruct her, exists in a shadow world. When the body disappears, the shadow also flees. By securing the shadow, the poet finds a representation of the dead's soul, a soul always linked to the body. Hence, Emerson's attention to the minute details of the body's repose -- reflected in the long, related sequence of refrained poems -- never allows its memory to fade.
Sedotto: Una collezione di poesie e prosa formicolanti e che ti lasciano desiderare di più
by R. A. BentinckL'arte della seduzione non consiste nel far fare a qualcuno ciò che non vuole, ma nel convincere qualcuno a fare ciò che segretamente vuole già fare. Se sei qui per entrare nell'umore di leggere alcune poesie romantiche e da brividi, sei nel posto giusto. Perditi in oltre 160 poesie accuratamente scritte su oltre 300 pagine di puro piacere estatico. Perdi le tue inibizioni e sentiti libero di lasciarti andare in questi versi sensuali che celebrano l'arte della seduzione. Tutto quello che devi fare è portare una mente aperta e rilassarti. Lascia che i dispositivi di poesia in ogni linea illuminino il tuo fuoco interiore e alimentino i tuoi desideri segreti in modi indicibili. Questo libro stimolerà i tuoi sensi in modi che ti faranno chiedere di più, e con una fertile immaginazione e una mente aperta, godrai di ogni esperienza formicolio e formicolio lungo la strada con questa seducente raccolta di poesia e prosa.
Seducción
by Marco VillalobosLa atracción nunca debe ser subestimada. No sea que pierda gradualmente su deliciosa aventura, brillo,encanto y magia etérea. Deberíamos esforzarnos constantemente por revitalizar los fuegos moribundos de la pasión. Alimenta las llamas del anhelo de una manera que les permita descontrolarse aunque sea momentáneamente. En esta compilación refrescante y única de versos y prosa contemporáneos, Bentinck ha reunido varias piezas garantizadas para acariciar su lado seductor. Él alienta a pensar en alguien especial con deseos inquietos que conducen al precipicio de la sensualidad antes de que su autocontrol limitado desaparezca. Seducción celebra con entusiasmo la magnífica belleza de la pasión, la tentación y la atracción irresistible con creatividad poética y arte. Incrustado en esta colección de poesía única, hay un uso hábil de metáforas e imágenes aptas que tientan sus fantasías insasiables. Alimentan tus antojos insatisfechos, deleitan tu lujuria sedosa y despiertan tu curiosidad hacia el pináculo de una explosión aventurera. Después de completar esta colección, te dejará con el deseo de expresarte, explorar y consentirte con esa persona importante. Encontrarás la motivación para buscar formas experimentales y creativas de comunicar su pasión y deseos sin culpa.
Seducido: Una colección de poesía y prosa que te enrollará los dedos de los pies, hace temblar tu espina dorsal y te deja con ganas de más.
by R. A. BentinckEl arte de la seducción no se trata de hacer que alguien haga lo que no quiere, se trata de atraer a alguien para que haga lo que secretamente ya quiere hacer. Si estás aquí para ponerte de humor para leer poesía romántica y conmovedora, estás en el lugar correcto. Piérdete en más de 160 poemas cuidadosamente escritos en más de 300 páginas de puro placer extático. Pierda sus inhibiciones y siéntase libre de disfrutar de estos versos sensuales que celebran el arte de la seducción. Todo lo que debe hacer es traer una mente abierta y relajarse. Deje que los dispositivos de poesía en cada línea enciendan su fuego interior y alimenten sus deseos secretos de maneras indescriptibles. Este libro estimulará tus sentidos de una manera que te mantendrá pidiendo más, y con una imaginación fértil y una mente abierta, disfrutarás de cada experiencia en el camino con esta colección seductora de poesía y prosa.
See How We Almost Fly
by Alison LutermanSee How We Almost Fly, selected winner of the 2008 Pearl Poetry Prize by Gerald Locklin, is Alison Luterman's second book of poetry. Here she presents a dazzling array of characters and subjects that reflect her rich and various life as daughter, friend, lover, teacher, and world traveler.