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Ants on the Melon: A Collection of Poems

by Virginia Hamilton Adair

" Virginia Adair speaks directly and unaffectedly, in an accent stripped of mannerism and allusion. Ants on the Melon exhibits enough formal variety, freshness, and intelligence to confirm, at one stroke, that Ms. Adair is a poet of accomplishment and originality. " --Brad Leithauser, The New York Times Book Review " Extraordinarily moving. Her voice is clear, assured, varied, and utterly her own. " --A. Alvarez, The New York Review of Books " The rhyme is ingenious, the humor saucy and unsparing, and the author clearly takes a delight in perversity, in an inversion of the expected. " --Alice Quinn, The New Yorker " How bright and unmuddled and unaffected and unswerving these poems are. There's such aplomb, no faking, such a true hard edge. They never miss. " --Alice Munro " Adair writes with a thinking heart's and a feeling mind's unusual clarity. Here is a sensual, wise, precise, amazing voice. " --Sharon Olds Virginia Hamilton Adair is America's most widely read and respected serious poet. Ants on the Melon has already become a landmark in the nation's literary history, and the advent of this paperback edition guarantees that her great gifts will be recognized and appreciated by an even larger audience.

Antífona

by Andrés Montero

Poesía mística con Rock 'n' Roll. Antífona es un poema místico sobre Dios encarnado en el ser humano de Jesús de Nazaret para convertirse en el Cristo del tiempo y de más allá del tiempo. Las estrofas son tan irregulares como la existencia, tan abstractas como el misterio, casi siempre tan ásperas como el desencuentro. La fraseología de los versos intenta simular la sensación de estar caminando por el pedregal del desierto, de climatología extrema, prometiendo la belleza desnuda a quien no busque refugio en las convenciones. Existencialmente, Antífona es una población de poemas que no terminan de encajar entre sí del todo, como países con fronteras sísmicas; un territorio lírico donde cohabitan Jesús, María, la Magdalena y el resto de apóstoles, con Juan el Bautista; todos en medio de un mundo salpicado muy a menudo por la fragilidad inherente a los seres perdidos, iluminado en ocasiones por la grandeza que sutilmente enraíza en lo pequeño, e imperecederamente abierto a la esperanza de redención.

Anvil, Clock and Last

by Paulette Roeske

Like the seismic shifts and explosions that reveal hidden features of the earth, Paulette Roeske's poems record upheavals and jolts of self-knowledge in the seeming-solid world where we hammer out our lives. The labor of poetic creation cracks open the self: "How could I have guessed the geode's / rare concentrics, its brilliant sharp-toothed crystals / ... It was hope that returned me to the hammer / to lay open the bright interiors / I could have overlooked". Readers will find that hope rewarded as the poet wields the tools of time and legacy -- anvil, clock, and last -- to craft meticulous verses yielding glittering insight. The clock is omnipresent in this collection, signaling the exquisite tension between the desire to erase the past and the urge to devour all experience. A father's legacy to a daughter is inescapable: "He's left his mark on everything / time filtered through his hands. He's left / it all to me". But Roeske's rare intensity and depth of thought produce poems of mortality and loss balanced by the unexpected appearance of love. After guiding us through the hard forging of a self, the poet places us on the "platform, springboard, raft, or tippy boat", urging us to see love, like all life's experiences, as "a place to fling yourself into", eyes open, fingers crossed.

Anybody: Poems

by Ari Banias

"Ari Banias is one of the best living poets, and this book in your hands is our proof. Anybody is the courage of a poet who trusts the strength of poetry to make room in our world for everybody." --CAConrad In Anybody, Ari Banias takes up questions of recognition and belonging: how boundaries are drawn and managed, the ways he and she, us and them, here and elsewhere are kept separate, and at what cost identities and selves are forged. Moving through iconic and imagined landscapes, Anybody confronts the strangeness of being alive and of being a restlessly gendered, queer, emotive body. Wherever the poet turns--the cruising spaces of Fire Island, a city lake, a Greek island, a bodega-turned-coffee-shop--he finds the charge of boundedness and signification, the implications of what it means to be a this instead of a that. Witty, tender, and original, these poems pierce the constructs that define our lives.

Anyone

by Nate Klug

Milton’s God Where I-95 meets The Pike, a ponderous thunderhead flowered-- stewed a minute, then flipped like a flash card, tattered edges crinkling in, linings so dark with excessive bright that, standing, waiting, at the overpass edge, the onlooker couldn’t decide until the end, or even then, what was revealed and what had been hidden. Using a variety of forms and achieving a range of musical effects, Nate Klug’s Anyone traces the unraveling of astonishment upon small scenes--natural and domestic, political and religious--across America’s East and Midwest. The book’s title foregrounds the anonymity it seeks through several means: first, through close observation (a concrete saw, a goshawk, a bicyclist); and, second, via translation (satires from Horace and Catullus, and excerpts from Virgil’s Aeneid). Uniquely among contemporary poetry volumes, Anyone demonstrates fluency in the paradoxes of a religious existence: "To stand sometime / outside my faith . . . or keep waiting / to be claimed in it. ” Engaged with theology and the classics but never abstruse, all the while the poems remain grounded in the phenomenal, physical world of "what it is to feel: / moods, half moods, / swarming, then darting loose. ”

Aphrodite's Daughters: Three Modernist Poets of the Harlem Renaissance

by Maureen Honey

The Harlem Renaissance was a watershed moment for racial uplift, poetic innovation, sexual liberation, and female empowerment. Aphrodite's Daughters introduces us to three amazing women who were at the forefront of all these developments, poetic iconoclasts who pioneered new and candidly erotic forms of female self-expression. Maureen Honey paints a vivid portrait of three African American women--Angelina Weld Grimké, Gwendolyn B. Bennett, and Mae V. Cowdery--who came from very different backgrounds but converged in late 1920s Harlem to leave a major mark on the literary landscape. She examines the varied ways these poets articulated female sexual desire, ranging from Grimké's invocation of a Sapphic goddess figure to Cowdery's frank depiction of bisexual erotics to Bennett's risky exploration of the borders between sexual pleasure and pain. Yet Honey also considers how they were united in their commitment to the female body as a primary source of meaning, strength, and transcendence. The product of extensive archival research, Aphrodite's Daughters draws from Grimké, Bennett, and Cowdery's published and unpublished poetry, along with rare periodicals and biographical materials, to immerse us in the lives of these remarkable women and the world in which they lived. It thus not only shows us how their artistic contributions and cultural interventions were vital to their own era, but also demonstrates how the poetic heart of their work keeps on beating.

Apocalipse 23

by Michele Fabbri

"Apocalipse 23" já ganhou incontáveis prêmios literários e foi bem recebido pelos críticos. Tornou-se um livro cult através do BookCrossing, pois tem sido o primeiro livro no ranking dos "most traveled" e ainda é o primeiro livro em italiano nessa classificação.

Apocalipsis 23

by Michele Fabbri

"Apocalipsis 23" ha obtenido numerosos premios literarios y ha sido acogido con favor de la crítica. Se ha vuelto libro de culto gracias al bookcrossing, pues ha estado durante largo tiempo como el primer libro en la clasificación de los "most traveled" y aún es el primer libro italiano en ese puesto.

Apocalypse 23

by Michele Fabbri

"Apocalypse 23" has won numerous literary awards and has been welcomed by critics. It has became a cult book thanks to bookcrossing as has long been the first book in the ranking of "most traveled" and still is the first Italian book in standings.

Apocalypse 23

by Michele Fabbri

Une compilation de poésie obscure et inquiétante: qui habet aurem audiat...

Apostle of Desire

by Bruce Weigl

Two-time Pulitzer Prize finalist and one of America’s most revered military veteran writers —Bruce Weigl brings readers face-to-face with our country’s legacy of violence, the suffering of combat PTSD, and what it means to be truly haunted.Taking its cue from James Wright’s goal to write “the poetry of a grown man,” the poems in Apostle of Desire juxtapose the peace and comfort offered by the natural world with the bruising intensity of manmade violence. These sudden tonal shifts express a vulnerability and extremity of feeling that strips audiences’ own emotions bare, leading readers to question their roles as bystanders and consumers of violent media.In sharing his intertwining feelings of love and shame for both country and self, Weigl places readers into the role of the watcher and opens a window into the traumas of the Vietnam War and life’s daily battles with PTSD. The honesty of Weigl’s poetry exposes the ghosts of pain while still witnessing the glories of love, nature, and his ongoing experiences with the rich daily life of contemporary Vietnam.Readers will face the solitude of regret and the hopeful pursuit of redemption—remembering the past and looking toward the future.

Apparatus

by Don Mckay

“There’s a place / between desire and memory, some back porch / we can neither wish for nor recall,” writes Don McKay inApparatus. The poems in this collection home in on that place – those keenly desired places – where language will not reach. Apparatusis Don McKay’s first collection of new poems since his 1991 award-winningNight Field. It is a passionate engagement with nature and a powerful critique of human assaults on wilderness which, for McKay, is more than unsubdued nature; it is whatever eludes the mind’s categories – the insoluble secret of life itself. To read McKay’s poems is to be in touch with the significant concerns of our time and all time. McKay is a poet of unmatched linguistic playfulness, with virtuoso flexibility of voice and an ability to shape-shift through forms, tones, and styles.

Apparition of Splendor: Marianne Moore Performing Democracy through Celebrity, 1952–1970

by Elizabeth Gregory

While the later work of the great Modernist poet Marianne Moore was hugely popular during her final two decades, since her death critics have condemned it as trivial. This book challenges that assessment: with fresh readings of many of the late poems and of the iconic, cross-dressing public persona Moore developed to deliver them, Apparition of Splendor demonstrates that Moore used her late-life celebrity to activate egalitarian principles that had long animated her poetry, in daring and innovative ways. Dressed as George Washington in cape and tricorn and writing about accessible topics, she reached a wide cross-section of Americans, engaging them in consideration of what democracy means in their daily lives, around issues of gender, sexuality, racial integration, class, age, immigration, and species-ism. Her work resonates with that of her younger contemporaries, including poets like John Ashbery, Frank O’Hara, and Elizabeth Bishop, and artists like Andy Warhol, Yoko Ono, and Ray Johnson. Published by the University of Delaware Press. Distributed worldwide by Rutgers University Press.

Appetite

by Mia Anderson

Verve, energy, wit, piquance and pure linguistic excitement: Mia Anderson's poetry is a whole cookbook of poetic experiences. Anderson is always ready to take big risks, and her work shows her love of life in its manyness and accident, as well as a delight in the intricate prism of language. Appetite includes the long poem sequence "The Saugeen Sonata" which won The Malahat Review's Long Poem Prize in 1988.

Applause: Poems

by Carol Muske-Dukes

National Book Award finalist Carol Muske-Dukes explores joy, dread, and the solitary communion of applauseApplause provides twenty vivid and evocative poems by Carol Muske-Dukes. In &“Dream,&” she seeks the past in reverie, along with bicoastal riffs on New York City and Los Angeles. &“The Eulogy&” paints the scene of a funeral in sunny California where a young man who has died of AIDS is laid to rest. In the title poem, a twelve-part journey through the ritual of applause, Muske-Dukes examines the power of a gesture—clapping—to transform oneself from individual to communal. &“What a strange phenomenon,&” she says, &“to be single and plural at once, to feel joy and dread simultaneously, to wish to acknowledge publicly one&’s anonymity.&”

Apple Picking Day! (Step into Reading)

by Candice Ransom

Who doesn&’t love to go apple picking at the first sign of fall? A sister and brother celebrate autumn with a trip to a local apple orchard in this simple, rhyming Step 1 early reader. The kids bound with glee through the rows of trees, and race against other children to pick the most and the best apples. The story of their day is bright, fun, and full of light action. It&’s told in easy-to-follow rhyme, ensuring a successful reading experience. Step 1 Readers feature big type and easy words. Rhymes and rhythmic text paired with picture clues help children decode the story. These books are for children who know the alphabet and are eager to begin reading.

Apples from Shinar (Wesleyan Poetry Series)

by David Scott Kastan Hyam Plutzik

Apples from Shinar was Hyam Plutzik's second complete collection. Originally published in 1959 as a part of Wesleyan University Press's newly minted poetry series, the collection includes "The Shepherd"--a section of the book-length poem "Horatio," which earned Plutzik a finalist position for the Pulitzer Prize. "The love and the words and the simplicity," that mark Plutzik's poetry, writes Philip Booth, "are all here [in Apples from Shinar], and the poems come peacefully, and wonderfully, alive." With a previously unpublished foreword by Hyam Plutzik and a new afterword by David Scott Kastan, this edition marks the centenary of Plutzik's birth and will introduce a new generation of readers to the work of one of the best mid-century American poets.

Appley Dapply's Nursery Rhymes (Beatrix Potter Originals)

by Beatrix Potter

This original, authorised version has been lovingly recreated electronically for the first time, with reproductions of Potter's unmistakeable artwork optimised for use on colour devices such as the iPad. Beatrix Potter gathered material for a book of rhymes over many years. In 1917, when her publisher was in financial difficulties and needed her help, she suggested that Appley Dapply's Nursery Rhymes could be brought out quickly, using her existing collection of rhymes and drawings. The fact that the illustrations were painted at different times explains why the style occasionally varies.Appley Dapply's Nursery Rhymes is number 22 in Beatrix Potter's series of 23 little books, the titles of which are as follows:1 The Tale of Peter Rabbit2 The Tale of Squirrel Nutkin3 The Tailor of Gloucester4 The Tale of Benjamin Bunny5 The Tale of Two Bad Mice6 The Tale of Mrs. Tiggy-Winkle7 The Tale of Mr. Jeremy Fisher8 The Tale of Tom Kitten9 The Tale of Jemima Puddle-Duck10 The Tale of the Flopsy Bunnies11 The Tale of Mrs. Tittlemouse12 The Tale of Timmy Tiptoes13 The Tale of Johnny Town-Mouse 14 The Tale of Mr. Tod15 The Tale of Pigling Bland16 The Tale of Samuel Whiskers17 The Tale of The Pie and the Patty-Pan18 The Tale of Ginger and Pickles19 The Tale of Little Pig Robinson20 The Story of a Fierce Bad Rabbit21 The Story of Miss Moppet22 Appley Dapply's Nursery Rhymes23 Cecily Parsley's Nursery Rhymes

Application for Release from the Dream: Poems

by Tony Hoagland

The eagerly awaited, brilliant, and engaging new poems by Tony Hoagland, author of What Narcissism Means to Me The parade for the slain police officergoes past the bakeryand the smell of fresh breadmakes the mourners salivate against their will.—from "Note to Reality"Are we corrupt or innocent, fragmented or whole? Are responsibility and freedom irreconcilable? Do we value memory or succumb to our forgetfulness? Application for Release from the Dream, Tony Hoagland's fifth collection of poems, pursues these questions with the hobnailed abandon of one who needs to know how a citizen of twenty-first-century America can stay human. With whiplash nerve and tender curiosity, Hoagland both surveys the damage and finds the wonder that makes living worthwhile. Mirthful, fearless, and precise, these poems are full of judgment and mercy.

Approaches to Teaching Dante's Divine Comedy (Approaches to Teaching World Literature #163)

by Christopher Kleinhenz and Kristina Olson

Dante's Divine Comedy can compel and shock readers: it combines intense emotion and psychological insight with medieval theology and philosophy. This volume will help instructors lead their students through the many dimensions--historical, literary, religious, and ethical--that make the work so rewarding and enduringly relevant yet so difficult.Part 1, "Materials," gives instructors an overview of the important scholarship on the Divine Comedy. The essays of part 2, "Approaches," describe ways to teach the work in the light of its contemporary culture and ours. Various teaching situations (a first-year seminar, a creative writing class, high school, a prison) are considered, and the many available translations are discussed.

Approaches to Teaching Petrarch's Canzoniere and the Petrarchan Tradition (Approaches to Teaching World Literature #129)

by Christopher Kleinhenz Andrea Dini

One of the most important authors of the Middle Ages, Petrarch occupies a complex position: historically, he is a medieval author, but, philosophically, he heralds humanism and the Renaissance. Teachers of Petrarch's Canzoniere and his formative influence on the canon of Western European poetry face particular challenges. Petrarch's poetic style brings together the classical tradition, Christianity, an exalted sense of poetic vocation, and an obsessive love for Laura during her life and after her death in ways that can seem at once very strange and--because of his style's immense influence--very familiar to students. This volume aims to meet the varied needs of instructors, whether they teach Petrarch in Italian or in translation, in surveys or in specialized courses, by providing a wealth of pedagogical approaches to Petrarch and his legacy.Part 1, "Materials," reviews the extensive bibliography on Petrarch and Petrarchism, covering editions and translations of the Canzoniere, secondary works, and music and other audiovisual and electronic resources. Part 2, "Approaches," opens with essays on teaching the Canzoniere and continues with essays on teaching the Petrarchan tradition. Some contributors use the design and structure of the Canzoniere as entryways into the work; others approach it through discussion of Petrarch's literary influences and subject matter or through the context of medieval Christianity and culture. The essays on Petrarchism map the poet's influence on the Italian lyric tradition as well as on other national literatures, including Spanish, French, English, and Russian.

Approaches to Teaching the Romance of the Rose (Approaches to Teaching World Literature #170)

by Daisy Delogu and Anne-Hélène Miller

One of the most influential texts of its time, the Romance of the Rose offers readers a window into the world view of the late Middle Ages in Europe, including notions of moral philosophy and courtly love. Yet the Rose also explores topics that remain relevant to readers today, such as gender, desire, and the power of speech. Students, however, can find the work challenging because of its dual authorship by Guillaume de Lorris and Jean de Meun, its structure as an allegorical dream vision, and its encyclopedic length and scope. The essays in this volume offer strategies for teaching the poem with confidence and enjoyment. Part 1, "Materials," suggests helpful background resources. Part 2, "Approaches," presents contexts, critical approaches, and strategies for teaching the work and its classical and medieval sources, illustrations, and adaptations as well as the intellectual debates that surrounded it.

Approaches to Teaching the Works of C. P. Cavafy (Approaches to Teaching World Literature #175)

by Peter Jeffreys Demetres P. Tryphonopoulos

Known as a preeminent poet of queer male desire, C. P. Cavafy lived most of his life as part of the Greek minority community in Alexandria, Egypt. He was inspired by the possibilities offered by peripheries, whether sexual, geographic, or historical. Volumes of his poems, widely translated into English, give anglophone readers access to his distinctive mixture of irony and tenderness, directness and subtlety.This volume will help instructors introduce students to Cavafy's works and explore them from many angles with the help of the extensive archives now available. Essays address teaching Cavafy both as a poetic historian of the Hellenistic, Roman, and Byzantine worlds and through the lens of postcoloniality. They also explore how he interpreted classical Greek works and how his work has been interpreted by composers, poets, and readers within and beyond Greece and the Greek diaspora.

Approaching Poetry: Perspectives and Responses

by Jack Ridl Peter Schakel

This wide-ranging introduction to poetry blends theoretical considerations with a thorough introduction to the elements of poetry, offering alternative perspectives from which to approach and engage with a poem.

Approaching Winter: Poems

by Floyd Skloot

Floyd Skloot's eighth poetry collection, Approaching Winter, evokes the fluid and dynamic nature of memory as it ebbs and floods through our daily lives. Here the real and the imagined intermingle freely: In one poem, the cry of eagles reflects the wails of an infant daughter, long since grown and gone; in another, an aging Samuel Beckett prepares to throw the first pitch at Ebbets Field. Traveling from Portland's Willamette River, which borders Skloot's home, to the hushed landscapes of the afterlife, the poems in this collection acknowledge the passage of time and the inevitable darkness that lies ahead. Yet Skloot also remains attuned to the urgency of the present moment, as he admires the plumage of the local birds in the short days before their journey south for the winter. By turns whimsical and meditative, Approaching Winter gives voice to the struggle to find coherence in a fragmented world.

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