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Sons of Salt

by Yaccaira Salvatierra

Volcanic eruptions and waves collide in Yaccaira Salvatierra’s explosive debut collection Sons of Salt, which explores the duality of personal and political landscapes as well as legacies of violence within Mexican-American communities.Sons of Salt poignantly captures the experiences of mothers who battle for their sons’ wellbeing, particularly when fathers are absent due to systemic oppressions.Salvatierra’s verse breaks the bones of poetic form to bring attention to the failures of a conceptually western God who has categorically failed to protect His children, and gives birth instead to a god of nature.Weaving self-made mythology, mourning, and maternal fear into visual and narrative poems, Salvatierra creates a collection that probes the deepest hurt to ensure the holiest redemption.

Soon and Wholly: Poems (Wesleyan Poetry Series)

by Idra Novey

Idra Novey's first collection in a decade, since Patricia Smith chose Exit, Civilian for the National Poetry Series, brings a lyric intimacy to the extremes of our era. The poems juxtapose sweltering days raising children in a city with moments from a rural childhood roaming free in the woods, providing a bridge between those often polarized realities. Novey's spare, contemporary fables move across the Americas, from a woman housesitting in central Chile, surrounded by encroaching fires, to a man in New York about to give birth to a panda. Other poems return to the Allegheny Highlands of Appalachia, where Novey revisits the roads and creeks of her childhood: "Maybe we knew we only appeared/to be floating, but soon and wholly/we'd go under." Like Lydia Davis and Anne Carson, Novey draws from the well of her work translating myriad authors, from Brazilian writer Clarice Lispector to Iranian poet Garous Abdolmalekian, and from her own award-winning novels. These are deeply lived poems, evoking both a singular life and the shared urgencies of our time, a collection of great inventiveness and wit, conjuring our "bit part in the history of the future."[sample text]The Duck Shit at Clarion CreekWe liked to stick it in a BB gun and shoot it.We tattooed with it.We said Hallelujah, the poor man's tanning lotion.Then the frack wells began, something black capping the water and we got high watching a green-backed heron die.We got funny at Clarion, flung each other's underwear into the trees.Why was it we got naked there like nowhere else?Maybe we knew we were getting rusted inside as the trucks we rode into the water.Maybe we only appeared to be floating, but soon and wholly we'd go under, get sucked to the bottom.We'd sink and become creek bed; its deep mud would claim us, hold us hard and close.

Soordaas

by Manager Pandey

Soordas was a devotee as well as a great poet. He is one of the first poets of Braj. This book investigates the life and literature of Soordas. Manager Pandey presents a very well balanced suggestive and critical writing on the great poet.

Sopa de Frijoles / Bean Soup (Bilingual Cooking Poems Ser.)

by Jorge Argueta Rafael Yockteng

Sophistical Practice: Toward a Consistent Relativism

by Barbara Cassin

Sophistics is the paradigm of a discourse that does things with words. It is not pure rhetoric, as Plato wants us to believe, but it provides an alternative to the philosophical mainstream. A sophistic history of philosophy questions the orthodox philosophical history of philosophy: that of ontology and truth in itself.In this book, we discover unusual Presocratics, wreaking havoc with the fetish of true and false. Their logoi perform politics and perform reality. Their sophistic practice can shed crucial light on contemporary events, such as the Truth and Reconciliation Commission in South Africa, where, to quote Desmond Tutu, “words,language, and rhetoric do things,” creating things like the new “rainbow people.” Transitional justice requires a consistent and sustainable relativism: not Truth, but truth for, and enough of the truth for there to be a community.Philosophy itself is about words before it is about concepts. Language manifests itself in reality only as multiplicity; different languages perform different types of worlds; and difficulties of translation are but symptoms of these differences. This desacralized untranslatability undermines and deconstructs the Heideggerian statement that there is a historical language of philosophy that is Greek by essence (being the only language able to say what “is”) and today is German.Sophistical Practice constitutes a major contribution to the debate among philosophical pluralism, unitarism, and pragmatism. It will change how we discuss such words as city, truth, and politics. Philologically and philosophically rethinking the sophistical gesture, relying on performance and translation, it proposes a newparadigm for the human sciences.

Sor Juana Inés de la Cruz: Selected Works

by Julia Alvarez Edith Grossman Juana Inés de la Cruz

Latin America's great poet rendered into English by the world's most celebrated translator of Spanish-language literature. Sor Juana (1651-1695) was a fiery feminist and a woman ahead of her time. Like Simone de Beauvoir, she was very much a public intellectual. Her contemporaries called her "the Tenth Muse" and "the Phoenix of Mexico," names that continue to resonate. An illegitimate child, self-taught intellectual, and court favorite, she rose to the height of fame as a writer in Mexico City during the Spanish Golden Age. This volume includes Sor Juana's best-known works: "First Dream," her longest poem and the one that showcases her prodigious intellect and range, and "Response of the Poet to the Very Eminent Sor Filotea de la Cruz," her epistolary feminist defense--evocative of Mary Wollstonecraft and Emily Dickinson--of a woman's right to study and to write. Thirty other works--playful ballads, extraordinary sonnets, intimate poems of love, and a selection from an allegorical play with a distinctive New World flavor--are also included.

Sor Juana: Or, The Traps Of Faith

by Octavio Paz Margaret Sayers Peden

Mexico's leading poet, essayist, and cultural critic writes of a Mexican poet of another time and another world, the world of seventeenth-century New Spain. His subject is Sor Juana Inés de la Cruz, the most striking figure in all of Spanish-American colonial literature and one of the great poets of her age. Her life reads like a novel. A spirited and precocious girl, one of six illegitimate children, is sent to live with relatives in the capital city. She becomes known for her beauty, wit, and amazing erudition, and is taken into the court as the Vicereine's protégée. For five years she enjoys the pleasures of life at court--then abruptly, at twenty, enters a convent for life. Yet, no recluse, she transforms the convent locutory into a literary and intellectual salon; she amasses an impressive library and collects scientific instruments, reads insatiably, composes poems, and corresponds with literati in Spain. To the consternation of the prelates of the Church, she persists in circulating her poems, redolent more of the court than the cloister. Her plays are performed, volumes of her poetry are published abroad, and her genius begins to be recognized throughout the Hispanic world. Suddenly she surrenders her books, forswears all literary pursuits, and signs in blood a renunciation of secular learning. The rest is silence. She dies two years later, at forty-six. Octavio Paz has long been intrigued by the enigmas of Sor Juana's personality and career. Why did she become a nun? How could she renounce her lifelong passion for writing and learning? Such questions can be answered only in the context of the world in which she lived. Paz gives a masterly portrayal of the life and culture of New Spain and the political and ideological forces at work in that autocratic, theocratic, male-dominated society, in which the subjugation of women was absolute. Just as Paz illuminates Sor Juana's life by placing it in its historical setting, so he situates her work in relation to the traditions that nurtured it. With critical authority he singles out the qualities that distinguish her work and mark her uniqueness as a poet. To Paz her writings, like her life, epitomize the struggle of the individual, and in particular the individual woman, for creative fulfillment and self-expression.

Sorry I Haven't Texted You Back

by Alicia Cook

Returning to the form of Stuff I&’ve Been Feeling Lately, Sorry I Haven&’t Texted You Back is a poetic mixtape dedicated to those who struggle or have struggled with their mental health. Divided into two parts, &“Side A&” holds 92 poems, titled as &“tracks,&” and &“Side B&” holds the &“remixes,&” or blackout-poetry versions, of those 92 poems. The book includes the evergreen themes of love, grief, and hope. Named after Cook&’s viral Instagram poem, Sorry I Haven&’t Texted You Back lands in the crossroads of self-help and poetry.

Sorry Tree

by Eileen Myles

Myles' trademark punk-lesbian sensibility and intimate knowledge of poetic tradition are at work in this eighth collection, where every love poem is political, and every political poem is, ultimately, about love.

Sorted Books

by Nina Katchadourian

Delighting in the look and feel of books, conceptual artist Nina Katchadourian's playful photographic series proves that books' covers--or more specifically, their spines--can speak volumes. Over the past two decades, Katchadourian has perused libraries across the globe, selecting, stacking, and photographing groupings of two, three, four, or five books so that their titles can be read as sentences, creating whimsical narratives from the text found there. Thought-provoking, clever, and at times laugh-out-loud funny (one cluster of titles from the Akron Museum of Art's research library consists of: Primitive Art/Just Imagine/Picasso/Raised by Wolves), Sorted Books is an enthralling collection of visual poems full of wry wit and bookish smarts.

Sotto Voce

by Maureen Hynes

Poems that give full attention to a world in shambles, a world in which “mercy is failing.” Maureen Hynes, in her fifth book of poetry, speaks tenderly yet vehemently about the threatened worlds that concern her. From Toronto, where she lives and walks the city’s afflicted watershed, she turns her attention to the near and far, shifting it from the First Nations’ stolen lands to Syria and the refugee crisis in the Mediterranean; from the deaths of family and friends to the newborns into whose care our endangered planet will pass; and from love’s transient regrets to the sustaining love two women share. Hynes’ is a gaze that grieves quietly, delights humbly, and, in the search for solace, never rests. Each poem in Sotto Voce is a recitative of healing. Hear the music in every word and, despite the damaged environments Hynes gives voice to, be restored. This is a book that bears witness to the “dynamite stick of injustice,” one that balances fear and hope, misfortune and renewal, calamity and natural beauty. Sotto Voce carries the complexity and seriousness of its themes lightly—it’s important to know when to speak loudly, and when to whisper. “…Sotto Voce is the sound of one of Canada’s most accomplished poets writing at the height of her powers.” —Jim Johnstone "Whether speaking about nature, or politics, or love, Maureen Hynes does so with candor and compassion. These poems are generous and assured, and the world they circumscribe is the urgent, beautiful, dangerous place where we all live. Read Sotto Voce. Maureen Hynes is a poet at the top of her game.” —Helen Humphreys

Soul Culture: Black Poets, Books, and Questions that Grew Me Up

by Remica Bingham-Risher

Examines firsthand the lives of legendary Black writers who made a way out of no way to illuminate a road map for budding creators desiring to follow in their footstepsAcclaimed Cave Canem poet and essayist Remica Bingham-Risher interweaves personal essays and interviews she conducted over a decade with 10 distinguished Black poets, such as Lucille Clifton, Sonia Sanchez, and Patricia Smith, to explore the impact of identity, joy, love, and history on the artistic process. Each essay is thematically inspired, centered on one of her interviews, and uses quotes drawn from her talks to showcase their philosophies. Each essay also delves into how her own life and work are influenced by these elders. Essays included are these:· &“blk/wooomen revolution&”· &“Girls Loving Beyoncé and Their Names&”· &“The Terror of Being Destroyed&”· &“Standing in the Shadows of Love&”· &“Revision as Labyrinth&”Noting the frustrating tendency for Black artists to be pigeonholed into the confines of various frameworks and ideologies—Black studies, women&’s studies, LGBTQIA+ studies, and so on—Bingham-Risher reveals the multitudes contained within Black poets, both past and present. By capturing the radical love ethic of Blackness amid incessant fear, she has amassed not only a wealth of knowledge about contemporary Black poetry and poetry movements but also brings to life the historical record of Black poetry from the latter half of the 20th century to the early decades of the 21st.Examining cultural traditions, myths, and music from the Four Tops to Beyoncé, Bingham-Risher reflects on the enduring gifts of art and community. If you&’ve ever felt alone on your journey into the writing world, the words of these poets are for you.

Soul Looks Back In Wonder

by Tom Feelings

A collection of empowering poetry by acclaimed authors such as Maya Angelou, Langston Hughes, and Askia M. Toure. The collection explores the creativity of the African community and how this creative flow provides hope for future generations.

Soul Psalms: Poems

by U-Meleni Mhlaba-Adebo

Soul Psalms, a collection of poems from Zimbabwean American poet U-Meleni Mhlaba-Adebo, is filled with lyrical and vivid imagery that takes you on a emotional journey toward finding self. Exploring themes of family, love, body image, acceptance, and belonging, Mhlaba-Adebo&’s words flow melodically and powerfully, bringing readers to a place of peace. The themes in Soul Psalms may be personal, but they appeal to a universal pull: the desire to become.

Soul and Substance: A Poet's Examination Papers

by Jay Wright

A collection of new and startlingly original essays from an acclaimed poet, essayist, and playwrightJay Wright is widely recognized as one of the most important American poets of the past half century. But in recent years, he has also written a series of unconventional essays that he calls “examination papers,” which he defines as “designated inquiries to myself.” In these linked essays, most of which resemble prose-poems, with only a few lines set on each page, Wright explores abiding artistic and philosophical concerns, including language, aesthetic form, knowledge, time, and death. Soul and Substance presents these pieces for the first time.Drawing on everything from African mythology to mathematical axioms, Wright reflects on a wide range of topics: the difficulties of defining and confronting death; the challenge of transcending one’s own consciousness; the nature of rhythm and the structure of space; and the relationship among the self, the body, and the material world. Throughout, the book examines the limits of human knowledge and the implications of our always imperfect understanding.Experimental and original, Soul and Substance is an important addition to the work of a major writer.

Sound Poetics

by Seán Street

This book examines sonic signals as something both heard internally and externally, through imagination, memory and direct response. In doing so it explores how the mind 'makes' sound through experience, as it interprets codes on the written page, and creates an internal leitmotif that then interacts with new sounds made through an aural partnership with the external world, chosen and involuntary exposure to music and sound messages, both friendly and antagonistic to the identity of the self. It creates an argument for sound as an underlying force that links us to the world we inhabit, an essential part of being in the same primal sense as the calls of birds and other inhabitants of a shared earth. Street argues that sound as a poetic force is part of who we are, linked to our visualisation and sense of the world, as idea and presence within us. This incredibly interdisciplinary book will be of great interest to scholars of radio, sound, media and literature as well as philosophy and psychology.

Sound Writing: Experimental Modernism and the Poetics of Articulation

by Tobias Wilke

Considers the avant-garde rethinking of poetic language in terms of physical speech production. Avant-garde writers and artists of the twentieth century radically reconceived poetic language, appropriating scientific theories and techniques as they turned their attention to the physical process of spoken language. This modernist “sound writing” focused on the bodily production of speech, which it rendered in poetic, legible, graphic form. Modernist sound writing aims to capture the acoustic phenomenon of vocal articulation by graphic means. Tobias Wilke considers sound writing from its inception in nineteenth-century disciplines like physiology and experimental phonetics, following its role in the aesthetic practices of the interwar avant-garde and through to its reemergence in the postwar period. These projects work with the possibility of crossing over from the audible to the visible, from speech to notation, from body to trace. Employing various techniques and concepts, this search for new possibilities played a central role in the transformation of poetry into a site of radical linguistic experimentation. Considering the works of writers and artists—including Raoul Hausmann, Kurt Schwitters, Viktor Shklovsky, Hugo Ball, Charles Olson, and Marshall McLuhan—Wilke offers a fresh look at the history of the twentieth-century avant-garde.

Sound Your Mind

by D. Ivan Ursey II Jdamian Brown Tabitha A. Drago

Life experiences expressed through inspirational poetry.

Sound and Sight: Poetry and Courtier Culture in the Yongming Era (483-493)

by Meow Goh

This is the first book to examine Chinese poetry and courtier culture using the concept of shengse—sound and sight—which connotes "sensual pleasure." Under the moral and political imperative to avoid or even eliminate representations of sense perception, premodern Chinese commentators treated overt displays of artistry with great suspicion, and their influence is still alive in modern and contemporary constructions of literary and cultural history. The Yongming poets, who openly extolled "sound and rhymes," have been deemed the main instigators of a poetic trend toward the sensual. Situating them within the court milieu of their day, Meow Hui Goh asks a simple question: What did shengse mean to the Yongming poets? By unraveling the aural and visual experiences encapsulated in their poems, she argues that their pursuit of "sound and sight" reveals a complex confluence of Buddhist influence, Confucian value, and new sociopolitical conditions. Her study challenges the old perception of the Yongming poets and the common practice of reading classical Chinese poems for semantic meaning only.

Soundings in Context: Poetry's Embodiments (The University at Buffalo Robert Creeley Lectures in Poetry and Poetics)

by James Maynard Judith Goldman

Soundings in Context brings together the second and third University at Buffalo Robert Creeley Lectures in Poetry and Poetics by the renowned literary and textual scholar Jerome McGann, and the innovative, prolific Canadian poet, essayist, and novelist Lisa Robertson, respectively. The volume's first half presents McGann's "Reading (I Mean Articulating) Poetry, a Multi-Player Game," with responses by Nikolaus Wasmoen and Steve McCaffery; the second presents Lisa Robertson's "Dous Chantar: Refrain for a Nightingale," with responses by Shannon Maguire and Liz Howard. Initially given at different moments and since revised, the pieces considered in the lectures range widely, moving from the Romantics and medieval troubadour poetry to T. S. Eliot, Jackson Mac Low, Jacques Rouboud, and far beyond. Still, they are collectively concerned with questions of voice, recitation, and reception in different contexts; with sonic patterning and its modes of significance; and with foregrounding an embodied experience of oral and written language as opposed to its interpretation. McGann, Robertson, and their interlocutors all propose affective, pragmatic approaches to poetry that allow it to surface as materially formative, alive and lived. Reading their contributions together offers an opportunity to see how these values present themselves in differing cultures of poetic scenography across space and time.

Sounds, Feelings, Thoughts: Seventy Poems by Wislawa Szymborska - Bilingual Edition (The Lockert Library of Poetry in Translation #145)

by Wislawa Szymborska

Translated and Introduced by Magnus J. Krynski and Robert A. Maguire Regarded as one of the best representatives since World War II of the rich and ancient art of poetry in Poland, Wislawa Szymborska (1923-2012) is, in the translators' words, "that rarest of phenomena: a serious poet who commands a large audience in her native land." The seventy poems in this bilingual edition are among the largest and most representative offering of her work in English, with particular emphasis on the period since 1967. They illustrate virtually all her major themes and most of her important techniques. Describing Szymborka's poetry, Magnus Krynski and Robert Maguire write that her verse is marked by high seriousness, delightful inventiveness, a prodigal imagination, and enormous technical skill. She writes of the diversity, plenitude, and richness of the world, taking delight in observing and naming its phenomena. She looks on with wonder, astonishment, and amusement, but almost never with despair.

Source

by Mark Doty

This bold, wide-ranging collection -- his sixth book of poems -- demonstrates the unmistakable lyricism, fierce observation, and force of feeling that have made Mark Doty's poems special to readers on both sides of the Atlantic. The poems in Source deepen Doty's exploration of the paradox of selfhood. They offer a complex, boldly colored self-portrait; their muscular lines argue fiercely with the fact of limit; they pulse with the drama of perception and the quest to forge meaning.

South American Journals: January–July 1960

by Allen Ginsberg

The great Beat poet&’s observations, reflections, poetry, and mind-expanding explorations while traveling through South America When Allen Ginsberg went to South America in 1960, ostensibly to attend a literary conference, he had a different kind of trip in mind. This would be another experience in the Beat poet&’s journey deep into the realm of consciousness, the inward travel explored to exhilarating effect in his writing—whether in the poetry that had already earned him international acclaim or in the idiosyncratic journals that raised self-documentation to a new form of art. In his South American Journals, covering a tumultuous six months, Ginsberg describes his travels through Chile and Peru, his visit to Machu Picchu, and his search for a source for ayahuasca, or yagé, a mind-expanding drug recommended by his friend William S. Burroughs, another writer well traveled in altered states of consciousness.Far from quotidian diary entries, Ginsberg&’s observations in these pages, interspersed with poetry, dream notations, and musings about spirituality, amount to a critical chapter in the poet&’s informal autobiography. Writing more during these six months than in any of his other journals, Ginsberg summons great ferment. In his distinctive accounts of all that he encounters, elevating travel writing to lyrical expression; in an abundance of poems published here for the first time, in both first drafts and polished forms; in his reports of fascinating conversations; and, in particular, in detailed passages that delve into inner recesses of his consciousness, Ginsberg recreates a journey like no other, one that reflects the workings of one of the best minds of his generation in the world of his own making and in its mysterious, immutable counterpart in the South American landscape.

South Side of a Kinless River

by Marilyn Dumont

Featured on Quill & Quire's Fall PreviewA nuanced, relational, and community-minded new book from one of Canada's preeminent poets.South Side of a Kinless River wrestles with concepts of Métis identity in a nation and territory that would rather erase it. Métis identity, land loss, sexual relationships between Indigenous women and European men, and midwifery by Indigenous women of the nascent settler communities figure into these poems. They add up to a Métis woman's prairie history, one that helps us feel the violence in how those contributions and wisdoms have been suppressed and denied."Each poem is an anthem, every page showcasing the talent and necessity of this incredible poetic voice. Dumont brings the Métis tone, cadence and intricate stitch-work into all she creates." - Cherie Dimaline, author of The Marrow Thieves and Empire of the Wild"The voice of this Métis woman is as loving, tender and humane, as it is powerful, satirical and political..." - Rita Bouvier, author of a beautiful rebellion

Southern Comfort

by Nin Andrews

In this collection of linked poems, Andrews describes a childhood during the Vietnam War era on a farm in a divided household with a southern father and northern mother. The memories and trials of childhood come from a fabled place where whiskey and story were shared by children, and superstitions and mythmaking were a way of life.

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Showing 9,301 through 9,325 of 14,093 results