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Speaking of Siva
by A. K. RamanujanSpeaking of Siva is a selection of vacanas or free-verse sayings from the Virasaiva religious movement, dedicated to Siva as the supreme god. Written by four major saints, the greatest exponents of this poetic form, between the tenth and twelfth centuries, they are passionate lyrical expressions of the search for an unpredictable and spontaneous spiritual vision of 'now'. Here, yogic and tantric symbols, riddles and enigmas subvert the language of ordinary experience, as references to night and day, sex and family relationships take on new mystical meanings. These intense poems of personal devotion to a single deity also question traditional belief systems, customs, superstitions, image worship and even moral strictures, in verse that speaks to all men and women regardless of class and caste.
Specchio in Frantumi
by A L ButcherUn libro di poesie sulla guerra, la natura e i capricci della vita. Poesia oscura.
Special Orders
by Edward HirschIn Special Orders, the renowned poet Edward Hirsch brings us a new series of tightly crafted poems, work that demonstrates a thrilling expansion of his tone and subject matter. It is with a mixture of grief and joy that Hirsch examines what he calls "the minor triumphs, the major failures" of his life so far, in lines that reveal a startling frankness in the man composing them, a fearlessness in confronting his own internal divisions: "I lived between my heart and my head, / like a married couple who can't get along," he writes in "Self-portrait. " These poems constitute a profound, sometimes painful self-examination, by the end of which the poet marvels at the sense of expectancy and transformation he feels. His fifteen-year-old son walking on Broadway is a fledgling about to sail out over the treetops; he has a new love, passionately described in "I Wish I Could Paint You"; he is ready to live, he tells us, "solitary, bittersweet, and utterly free. " More personal than any of his previous collections,Special Orders is Edward Hirsch's most significant book to date. The highway signs pointed to our happiness; the greasy spoons and gleaming truck stops were the stations of our pilgrimage. Wasn't that us staggering past the riverboats, eating homemade fudge at the county fair and devouring each other's body? They come back to me now, delicious love, the times my sad heart knew a little sweetness.
Spectacle
by Lauren Goodwin SlaughterIn Spectacle, Lauren Goodwin Slaughter's second full-length collection, the poet deepens her commitment to the enduring and eternal subjects of womanhood, motherhood, and family, and deftly considers how those devotions intersect in ways joyful, mysterious, and cruel within personal and political landscapes. Slaughter’s poems seek out and explore authentic, raw humanity, at times employing the gaze of Dutch photographer and artist, Rineke Dijkstra—several of whose photographic portraits are included in the collection alongside ekphrastic poems—as a lens to view what Dijkstra calls the "uninhibited moment.” When artistic eye meets the fierceness of subject, the result is poetry deeply rooted in its lyricism and empathy, grounded in its depth of emotion, and unflinching in its alertness to the poet's beloveds and world.
Spectacular Science: A Book of Poems
by Lee Bennett HopkinsA collection of poems about science by a variety of poets, including Carl Sandburg, Valerie Worth, and David McCord.
Spectacular Spots
by Susan StockdaleYou&’ll be amazed to discover all the different reasons why animals have spots! What kinds of animals have spots and why do they have them? With engaging rhymes and bright, bold images, award-winning author-illustrator Susan Stockdale introduces readers to a range of spotted animals, familiar and exotic, and some of the benefits of their patterns. In addition to providing beauty and inspiration, spots can help a creature masquerade as a different, more threatening species, provide camouflage for hunting or hiding, or scare off predators. From the ladybug to the blue poison dart frog, the green anaconda to the white-tailed deer fawn, these spectacularly spotted creatures will delight and fascinate budding naturalists. This entrancing companion to Stripes of All Types (130,000 copies sold in a variety of formats) features energetic rhyming text and beautifully detailed paintings that pop off the page. An afterword tells a little bit more about each animal and where it lives, and readers can test their knowledge of animal spots with a fun matching game at the end.
Spectral Evidence: Poems
by Gregory PardloA powerful meditation on Blackness, beauty, faith, and the force of law, from the beloved award-winning author of Digest and Air TrafficElegant, profound, and intoxicating—Spectral Evidence, Gregory Pardlo&’s first major collection of poetry after winning the Pulitzer Prize for Digest, moves fluidly among considerations of the pro-wrestler Owen Hart; Tituba, the only Black woman to be accused of witchcraft during the Salem witch trials; MOVE, the movement and militant separatist group famous for its violent stand-offs with the Philadelphia Police Department (&“flames rose like orchids . . . / blocks lay open like egg cartons&”); and more.At times cerebral and at other times warm, inviting and deeply personal, Spectral Evidence compels us to consider how we think about devotion, beauty and art; about the criminalization and death of Black bodies; about justice—and about how these have been inscribed into our present, our history, and the Western canon: &“If I could be / the forensic dreamer / . . . / . . . my art would be a mortician&’s / paints.&”
Speculate: A Collection of Microlit
by Dominique Hecq Eugen BaconFrom what began as a dialog between two adventurous writers curious about the shape-shifter called a prose poem comes a stunning collection that is a disruption of language—a provocation. Speculate is a hybrid of speculative poetry and flash fiction, thrumming in a pulse of jouissance and intensity that chases the impossible.
Speculation (Boston Review / Forum)
by Ed Pavlić Ivelisse RodriguezHow can the literary imagination bring us closer to a better world?The world is always changing. But there are also inflection points in history when the world feels changed. Art has the prophetic power to imagine where we are going. It is perhaps no surprise, then, that in a world-historical moment of global upheaval and transformation, speculative literature and other futurist arts are enjoying a renaissance.Boston Review believes that the arts must have a voice in the conversation about how we heal. In this new anthology of poetry, fiction, and essays from renowned writers and newcomers, contributors share with readers their feats of imagining the past and future that help us better understand what it means to be present in the world. Speculation can lead us to collectively imagine better futures, or better ways of understanding our past. Abolition, civil rights, and Black Lives Matter all speculate about a future free of racial violence, just as #MeToo imagines one free of gendered violence. In some of our most joyful private moments, we speculate about what will be delicious and pleasurable, about what notes will sound good played together on an instrument, about spirits and the afterlife, about what we wish a lover would say to us, about what aliens might be like if we ever met them. Such works of the speculative imagination are, thankfully, almost boundless, though we imagine them within the bounds of who we are and what we assume to be true about the world.Where will speculation lead us next?
Speculative Music
by Jeff DolvenJeff Dolven's poems take the guise of fables, parables, allegories, jokes, riddles, and other familiar forms. So, there is an initial comfort: I remember this, the reader thinks, from the stories of childhood . . . . But wait, something is off. In each poem, an uncanny conceit surprises the form, a highway paved with highwaymen, a school for shame, a family of chairs. Dolven makes these strange wagers with the grace and edgy precision of a metaphysical poet, and there are moments when we might imagine ourselves to be somewhere in the company of Donne or Spenser. Then we encounter "The Invention: A Libretto for Speculative Music," which is, well-surreal, and features a decisively modern, entirely notional score, sung by an inventor and his invention, which (who?) turns out to be a 40s-type piano-perched chanteuse who (which?) somehow knows all the words to the song you never knew you had in you. The daring of this collection is not in replaying the fractured polyphony of our moment. Speculative Music gives us accessible lyrics that still manage to listen in on our echoing interiors. These are poems that promise Frost's "momentary stay against confusion" and, at the same time, provoke a deep, head-shaking wonder.
Speech Presentation in Homeric Epic
by Deborah BeckThe Iliad and the Odyssey are emotional powerhouses largely because of their extensive use of direct speech. Yet this characteristic of the Homeric epics has led scholars to underplay the poems’ use of non-direct speech, the importance of speech represented by characters, and the overall sophistication of Homeric narrative as measured by its approach to speech representation. In this pathfinding study, by contrast, Deborah Beck undertakes the first systematic examination of all the speeches presented in the Homeric poems to show that Homeric speech presentation is a unified system that includes both direct quotation and non-direct modes of speech presentation. Drawing on the fields of narratology and linguistics, Beck demonstrates that the Iliad and the Odyssey represent speech in a broader and more nuanced manner than has been perceived before, enabling us to reevaluate our understanding of supposedly “modern” techniques of speech representation and to refine our idea of where Homeric poetry belongs in the history of Western literature. She also broadens ideas of narratology by connecting them more strongly with relevant areas of linguistics, as she uses both to examine the full range of speech representational strategies in the Homeric poems. Through this in-depth analysis of how speech is represented in the Homeric poems, Beck seeks to make both the process of their composition and the resulting poems themselves seem more accessible, despite pervasive uncertainties about how and when the poems were put together.
Speech Prosody in Speech Synthesis: Modeling and generation of prosody for high quality and flexible speech synthesis
by Keikichi Hirose Jianhua TaoThe volume addresses issues concerning prosody generation in speech synthesis, including prosody modeling, how we can convey para- and non-linguistic information in speech synthesis, and prosody control in speech synthesis (including prosody conversions). A high level of quality has already been achieved in speech synthesis by using selection-based methods with segments of human speech. Although the method enables synthetic speech with various voice qualities and speaking styles, it requires large speech corpora with targeted quality and style. Accordingly, speech conversion techniques are now of growing interest among researchers. HMM/GMM-based methods are widely used, but entail several major problems when viewed from the prosody perspective; prosodic features cover a wider time span than segmental features and their frame-by-frame processing is not always appropriate. The book offers a good overview of state-of-the-art studies on prosody in speech synthesis.
Spell (Penguin Poets)
by Ann LauterbachA new collection of provocative work from the author of Or To Begin Again, a finalist for the 2009 National Book Award in PoetryAnn Lauterbach is one of America's most inventive poets, acclaimed for her fierce, sensuous, and intellectually charged work. In her tenth collection, Spell, Lauterbach activates the many meanings of "spell": her sense that the world is under a spell from which it must awaken, to spells of passing weather, to her desire to spell out life's difficulties and wonders, and how sin-gle words (and their etymologies) might inform and enlighten our contemporary condition. In short poems, poem sequences, and a series of "Conversations with Evening," Lauterbach calls upon all her imaginative resources to locate a new hybrid poetics of reality, with wit, urgency, and candor.
Spells for Clear Vision
by Neile GrahamShortlisted for the 1994 Pat Lowther Award "I believe in the common magic/ of forests and household godd" writes Neile Graham in "Spells for Clear Vision," the title poem of this volume. And it is a common magic which she works in this poetry of delicate attentions. Graham writes about trying to see clearly, about trying to articulate ways of living in a modern, often blinding world. Meditative, individual and ever-open to the intricate and shifting world around her, Graham's is a pensive and a thoughtful eye. Her poetry thinks through and with sight; it turns on a perceptiveness which is at once sensual and quietly, accessibly, intelletual. How Graham sees her world will alter how we see ours.
Spending Time With Walter
by John Hartley WilliamsThe long poem at the centre of John Hartley Williams' new collection is a dramatic monologue narrated by a laconic, possibly lamed, forest dweller, a lowly crewmember on a barge travelling an unnamed waterway. Some of his remarks are addressed to his talisman, the shrunken head of an African tribesman. The barge carries a sinister cargo and its captain has a preference for sadistic sex. Other poems in the book undertake journeys - to Northern Cyprus, China, medieval France, Florida - but like 'The Barge' they're not exactly travel poems, more poems which travel. Welcome to the unsettling world of John Hartley Williams, whose restless, inexhaustible imagination, originality and maverick humour have enlivened contemporary poetry for years. Paranoid, erotic, disturbed and disturbing, these are bulletins from a dislocated, parallel world that excites, entertains and terrifies - and often feels more real to us than our own.
Spenser's Anatomy Of Heroism: A Commentary On 'the Faerie Queene'
by Maurice EvansThis book is a study of Spenser's conception of the nature of heroism and the way it is embodied in the separate books of The Faerie Queene. Professor Evans stresses the coherence of Spenser's scheme of virtues and examines the fusion of Christian symbol and classic myth through which the underlying Christian theme is expressed. He emphasises the didactic purpose of the poem, and the rhetorical method by which the allegory works upon the reader. It is his contention that Spenser completed his poem, and that The Faerie Queene as it stands presents an organic unity so firmly controlled that it is unprofitable to consider any book, canto or even single verse isolation from the poem as a whole. The complexity of the poetry which this study reveals suggests that Spenser has much in common with the metaphysicals, while the subtle dissection of human motive and behaviour within the poem would place him in closer relationship to the drama than is normally recognised.
Spenser's International Style
by David Scott Wilson-OkamuraWhy did Spenser write his epic, The Faerie Queene, in stanzas instead of a classical meter or blank verse? Why did he affect the vocabulary of medieval poets such as Chaucer? Is there, as centuries of readers have noticed, something lyrical about Spenser's epic style, and if so, why? In this accessible and wide-ranging study, David Scott Wilson-Okamura reframes these questions in a larger, European context. The first full-length treatment of Spenser's poetic style in more than four decades, it shows that Spenser was English without being insular. In his experiments with style, Spenser faced many of the same problems, and found some of the same solutions, as poets writing in other languages. Drawing on classical rhetoric and using concepts that were developed by literary critics during the Renaissance, this is an account of long-term, international trends in style, illustrated with examples from Petrarch, Du Bellay, Ariosto, and Tasso.
Spenser: The Faerie Queene (Longman Annotated English Poets)
by A. C. HamiltonThe Faerie Queene is a scholarly masterpiece that has influenced, inspired, and challenged generations of writers, readers and scholars since its completion in 1596. Hamilton's edition is itself, a masterpiece of scholarship and close reading. It is now the standard edition for all readers of Spenser. The entire work is revised, and the text of The Faerie Queene itself has been freshly edited, the first such edition since the 1930s. This volume also contains additional original material, including a letter to Raleigh, commendatory verses and dedicatory sonnets, chronology of Spenser's life and works and provides a compilation of list of characters and their appearances in The Faerie Queene.
Spenserian Moments
by Gordon TeskeyGordon Teskey restores Edmund Spenser to prominence, revealing his epic The Faerie Queene as a grand, improvisatory project on human nature. Teskey compares Spenser to Milton, an avowed follower. While Milton’s rigid ideology is now stale, Spenser’s allegories remain vital, inviting new questions and visions, heralding a constantly changing future.
Sphere: The Form Of A Motion
by A. R. Ammons"There wasn't one page of his poem that didn't delight me."—Donald Davie, New York Review of Books Sphere is the second of A. R. Ammons's long poems—following Tape for the Turn of the Year and preceding Garbage—that mark him as a master of this particular form. The sphere in question is the earth itself, and Ammons's wonderfully stocked mind roams globally, ruminating on subjects that range from galaxies to gas stations. It is a remarkable achievement, comparable in importance to Wallace Stevens's Notes Toward a Supreme Fiction.
Spi-ku: A Clutter of Short Verse on Eight Legs
by Leslie BulionLeslie Bulion, award-winning educator favorite and master of science poetry, is back with a humorous exploration of the silk-spinning, bungee-jumping, hunting, trapping, trick-filled world of spiders!Meet spiders that spit silk, roll like wheels, scuba dive, hide under trap doors, strum tunes, and so much more. Watch as they find mates, find prey...or find mates that become prey!Award-winning poet Leslie Bulion and illustrator Robert Meganck team up again for this clutter (a collective noun for spiders) of short poems and humorously accurate illustrations celebrating the amazing attributes of Araneae. The book is also packed with helpful sidebars, call-outs, and back matter, including a glossary of science terms, a description of the poetic forms, a list of common and scientific names, a spider-hunting adventure how-to, resources for further study, and a relative-size chart. A feast for science and animal fans!
Spill (Phoenix Poets)
by Bruce Smith“There are two schools: one that sings the sheen and hues, the necessary pigments and frankincense while the world dries and the other voice like water that seeks to saturate, erode, and boil . . . It ruins everything you have ever saved.” Spill is a book in contradictions, embodying helplessness in the face of our dual citizenship in the realms of trauma and gratitude, artistic aspiration and political reality. The centerpiece of this collection is a lyrical essay that recalls the poet’s time working at the Federal Penitentiary at Lewisburg in the 1960s. Mentored by the insouciant inmate S, the speaker receives a schooling in race, class, and culture, as well as the beginning of an apprenticeship in poetry. As he and S consult the I Ching, the Book of Changes, the speaker becomes cognizant of other frequencies, other identities; poetry, divination, and a synchronous, alternative reading of life come into focus. On either side of this prose poem are related poems of excess and witness, of the ransacked places and of new territories that emerge from the monstrous. Throughout, these poems inhabit rather than resolve their contradictions, their utterances held in tension “between the hemispheres of songbirds and the hemispheres of men.”
Spill: Scenes of Black Feminist Fugitivity
by Alexis Pauline GumbsIn Spill, self-described queer Black troublemaker and Black feminist love evangelist Alexis Pauline Gumbs presents a commanding collection of scenes depicting fugitive Black women and girls seeking freedom from gendered violence and racism. In this poetic work inspired by Hortense Spillers, Gumbs offers an alternative approach to Black feminist literary criticism, historiography, and the interactive practice of relating to the words of Black feminist thinkers. Gumbs not only speaks to the spiritual, bodily, and otherworldly experience of Black women but also allows readers to imagine new possibilities for poetry as a portal for understanding and deepening feminist theory.
Spilling the Light
by Julián Jamaica SotoThe light must spill to shine. The thing you must be is yourself. Intimate and uncompromising, Rev. Julián Jamaica Soto’s debut collection Spilling the Light is a luminous offering to their communities and a defiant declaration of their worth in a world hostile to their queer, disabled, and brown being. “America, is this freedom?” they ask. “I cannot prove to you that / I am a person,” writing boldly of identity, community, liberation, and erasure through a prism of tender moments and powerful reckonings. These are poems of broken hallelujahs and codes/witching, of hunger and fire, of hope and resilience. They are complex, tender, and empowering. They embolden us to become our truest selves, willing us to survive.
Spinning Through the Universe: A Novel in Poems from Room 214
by Helen FrostEngrossing tales from the fifth grade. Unforgettable students in this fifth-grade classroom reveal their private feelings about birth and death, a missing bicycle and a first kiss, as well as their thoughts about recess, report cards, fitting in, and family. Using a rich array of traditional poetic forms, such as sonnets, sestinas, and acrostics, Helen Frost interweaves the stories of the kids in Room 214 and their teacher.